Tracey Thorn

Tracey and Ben don't even like the late 80s/early 90s stuff

ha, i never realised this! i guess i'll go with that comp.

ben's released some great stuff on buzzin' fly - the latest tevo howard single is amazing, really liked the first mlle caro & franck garcia album too (second not so much).

iirc there was snide wrong-headed sneering about all kinds of music, the question was which subset of snide wrong-headed sneerers you aligned yourself to. (also this is still true and has always been true, about everything.)

OTM

lex, this is my favorite late nineties EBTG track; it captures that late night/early morning sadness when you're not sure if you're drunk, horny, lonely, or all three.

https://www.youtube.com/watch?v=zrxnbB-FvXc&feature=related

Eden is great, Love and Money less so, after that it's mostly diminishing returns until WW. They're all worth hearing, apart from 'Language of Life' which is a duffer. They sounded lost in a blandly, glossy production which made their drum and bass reinvention post-Missing all the more startling. My favourite, pre WW is this song from 1982 which is wise and smart beyond her years:

https://www.youtube.com/watch?v=bE2GLsoxOJE

Having said that, 'Acoustic' from 1992 is a lovely album with some fascinating cover choices.

I'd posit Amplified Heart as the comeback.

Artistically it was, but commercially it was a flop. Something Ben said:

We had a meeting with Warners three or four months after Amplified Heart came out and they thought our career was over and they dropped us. And before we left the meeting we said 'Can we just play you a couple of things we’ve been working on?' And we played them Protection and the Todd Terry mix of Missing and Warners still dropped us. They didn’t see a future unfortunately.

Classic major label thinking there.

I used to listen to Eden a lot working in the record department of the local Boots, one of the handful of albums there I could bear to play. Fond memories of that, but EBTG were always one of those groups who drifted in and out of my consciousness without ever firmly lodging there.

And this was a Peel anthem in the mid-80s that I adored, despite it being miles from the idioms I was interested in:

https://www.youtube.com/watch?v=MHCSMT1Q1OY

The one place you should not go anywhere near, Lex, is Marine Girls. Those records will bring you out in indie-hating hives.

Artistically it was, but commercially it was a flop.

Initially! But when "Missing" took off AH went gold in the US.

Both Kevin Yost mixes of Five Fathoms are phenomenal.

Now that I look, there were three KY mixes of Five Fathoms. The Dub mix is my favorite but they're all good. Shame the dub was never released on CD.

xpost. Sorry, yes, you're right Alfred. But Missing was so tied up with Walking Wounded that I felt the comeback started with the embrace of dance music. And in the UK AH didn't return to the charts after the Missing remix.

The first solo album is really strong. The fact it's just her and the guitar makes it feel so intimate, so when she sings these brutally deep lyrics it's so much more powerful. "A Distant Shore" is a perfect title for the album, because it sounds on the surface so languid and sun-kissed, yet the song-writing suggests so much more than just idyllic strumming.

That said, I voted for "Out Of The Woods" because I feel its consistently under-rated, and it's so good to have her back. The way she sings the last line of "It's All True" makes me go week at the knees, and "Grandy Canyon" is so direct with a performance that makes it feel like a personal address.

Tracey Thorn's twitter is a source of great joy too: http://twitter.com/tracey_thorn. With such talented parents, and such a sense of humour and good taste, I feel far too envious of her children.

Her gardening columns for Caught by the River are great too: http://caughtbytheriver.net/category/to-the-greenhouse/

Ben's North Marine Drive is the greatest of their pre-EBTG work, I'd say.

Tracey Thorn's twitter is a source of great joy too

yes!

i actually think i've been a lot more amenable to her music because of it (not that i wasn't amenable before, just hadn't given it a great deal of thought)

I like to imagine that Tracey and Ben have dinner parties that Grace Dent and Ewan Pearson come over to, and they always end in a drunken mess with the boys going through crates of records in the lounge while the girls sit by the telly laughing at BBC3 documentaries, and that I'm at these parties and it is great fun.

i'd like to imagine that Tracey goes through crates of records too :/

i have listened to eight Everything But The Girl albums, and the two most recent TT solo ones, since i last posted on this thread. they're pretty good! i am leaning in the direction of 'amplified heart' right now.

not just for the songs either - that feels like the perfect mid-point of her voice

Distant Shore

Automatic thread bump. This poll is closing tomorrow.

https://www.youtube.com/watch?v=7AxdcVKWArc

Walking Wounded was part of my high school soundtrack. That woman's voice is so soulful and sad in its tone. Such a contrast to her twitter feed. I wish she would tour so I can see her live.

https://www.youtube.com/watch?v=J_MKsZlisi8

Automatic thread bump. This poll's results are now in.

Clock Opera remix of "You Are a Lover" is goooorgeous!

http://soundcloud.com/buzzinfly/tracey-thorn-you-are-a-lover

Why wasn't her work with Massive Attack in this poll?

if you read the first post you might actually be able to work this out

OK. Missed the poll anyway, would have voted for "Eden", but also love her more dance oriented 90s work.

https://www.youtube.com/watch?v=DxX1E6IAKnk&feature=related

I think this may be what cements her as "the thinking gay man's Kylie", at least in my eyes

Last year's solo record was so good -- one of the best singer-songwriter things in a while.

I'll recommend that Clock Opera remix again...just because.

Alfred, i give in. I will check out this album asap since you mention it so often ;)

Missed this poll but might vote s/t for "Riverbed Dry" and other side 2 gems on top of "Fascination."

Very curious to hear the Green Gartside song.

http://thequietus.com/articles/09608-tracey-thorn-tinsel-and-lights-christmas-album

That's a good choice for her voice.

Her Twitter feed is hilarious, I kid you not. And she posts ALOT

Tracey Thorn ‏@tracey_thorn
Just had to listen to A Distant Shore, for a thing. God but I loved singing that record! I can hear it in every note - I AM LOVING THIS!

this isn't the first xmas record made by/for depressives, but it is the best.

https://www.youtube.com/watch?v=P9GLTrmiJDQ

Man, her cover of Low's "Taking Down the Tree" with Green is completely gorgeous.

i forgot that was a low song!

yeah, that's a good one. her dolly parton doesn't really go anywhere, unfortunately, though it's hardly unpleasant.

i'll probably be listening to this one for a few months. it's already getting me in the mood for xmas (which i don't celebrate, but i enjoy the xmas sense-scape).

Ordered the CD off the strength of listening to a few tracks streaming - given that first listen to "Joy" made me choke up like no other song this year the least I could do was actually pay for the album. Have a feeling this will get a lot of play in the A household over the festive season.

"col cold night" is terrific

"joy" and a handful of others greyed out on uk spotify... w.. tf

Really looking forward to buying this and busting it out over Christmas.

I adore this woman.

yeah, this is fantastic. i want to be besties with her.

here you go y'all:

https://www.youtube.com/watch?v=6VaUO4opTwg

but srsly buy the album.

OK now I am following TT and Ben Watt on Twitter....so awesome! Their tandem x factor tweets are hilarious

the new album is very nice, a cosy christmas album. but what happened to the last two songs? they have the most annoying drum machine on i can imagine. cheap sounding, unbearably loud and mixed to the front. how to kill one of the most gorgeous female voices with shitty "instruments" and production.

Video for Sister

https://www.youtube.com/watch?v=5A-XyMzTSWc

the beats on the new album are really cheap. and the songs are not very good either. it all sounds pretty much like mainstream. i love tracey thorn but this is very dispensable.

why aren't they very good? "Guitar" and "Babies" present points of view we don't often hear in songs, and their melodies are delectable. I don't treat as a dance record – it's a singer-songwriter record with dance colorings, in the same way Bill Callahan would use strings or John Darnielle a brass section.

it all sounds pretty much like mainstream.

Judging by this comment I'm not sure how much mainstream pop you listen to. This is much better produced than both a lot of mainstream 80s-inflected pop and the sort of shambahla stuff that's popular here. A lesser producer than Ewan Pearson would be tempted to really max out every sound, he allows every sound (especially the voice) the space it needs. He and Tracey are excellent foils for one another

I love this, I love her voice

I love how effortless and shimmery the music is

This sounds like Drake, Cardi B, and Post Malone.

I mean, I can see what they are getting at, particularly "Guitar," the production of which sounds like everything I hated about the Paramore album and parts of the last Carly Rae Jepsen record

this is really great i think

it's funny how the decline of the music biz makes for strange fellows, imagine thinking oh yeah tracey thorn will be on superchunk's label 20 years ago

i don't think it sounds cheap at all, it's very well engineered and mastered

"Go" is just tremendous, cheap-esque drum sounds included

I mean, I can see what they are getting at, particularly "Guitar," the production of which sounds like everything I hated about the Paramore album and parts of the last Carly Rae Jepsen record

― algorithm is a dancer (katherine),

but it's fascinating how both albums were disappointments or outright flops – they were failed crossovers.

Both of those albums are over-compressed to hell in the way that you'd expect from artists gunning for maximum radio play in 2018, that's notably not the case here. I can see how the sound palette and other production choices might be similar (and offputting) but the treatment of them is completely different.

Yes agreed

I will probably always be a total, melty mess for these big, clear, generous alto female voices over 80s inspired synths - Alison Moyet the other obvious example of this

The lyrics and themes in this album are incredible. I don’t gaf if the sounds are cheap. The emotions and depth of thought overwhelm any blandness of the production.

lol do you really think it sounds bland

like i guess i don't associate EBTG or her w/super edgy experimental stuff, more literate well mannered electronic stuff w good songwriting

Its brevity is something my girlfriend and I loved as well -- it does the business quickly but does so in a way that feels like a big scope of a record, perhaps even more so lyrically than musically.

I really love Tracey Thorn, EBTG and solo, I just cannot deal at all, ever, from anyone, with that chintzy canned "Take on Me" sound

take on me is a very good song

it all sounds pretty much like mainstream.

Judging by this comment I'm not sure how much mainstream pop you listen to

‘Computer beats’, Stella Mozgawa will love that.

I just cannot deal at all, ever, from anyone, with that chintzy canned "Take on Me" sound

whathuh?

how do people not hear that in "Guitar" at least?

my favourite thing about this record is her willingness to tackle subject matter that other, younger artists might find a bit banal or naff (3 am baby feeds, sending your kids off to college, stalking your ex's Facebook), but doing so with great levity and humour.

The production sounds a bit thin and dated in some places (not a fan of "Guitar", agree with katherine on this), but there's also "Sister", which is incredibly groovy and lush.

anyway, "what year is it? same old shit."

I don't hear a chintzy, canned "Take On Me" sound in "Guitar" at all, and/but also I love the sound of "Take On Me". There's an '80s (though not 'dated') and sparse (though not 'thin') feel to most of Queen, but to me there's a clear contrast with the, indeed compression-heavy, sound on After Laughter, which I disliked for that reason.

(another example would be Toni Halliday's first solo album -- I want to like it but the '80s production is overwhelming)

it's all very 80's certainly but not in a way that particularly evokes "Take On Me"?

album is great, all excellent songs. i especially like Guitar and the ending of Air. the production doesn't really stand out but i'm a fan of the style and it supports the songs well

On her incredible catalog.

At Electric mastering @tracey_thorn Dancefloor remixes right now. 💃🎉 pic.twitter.com/kOoF7VtkP9

— Ewan Pearson (@ewanpearson) March 22, 2018

Finally picked this up today. The hype sticker made me laugh aloud:
https://i.imgur.com/woutA00.jpg

haha that is awesome

this collaboration with George FitzGerald (whom I also like) is unsurprisingly very good

https://www.youtube.com/watch?v=SHQBLwfnqY8

ooh v nice

london you're in my blood
and you've been there for so long
london you're in my blood
but i feel you going wrong

There is the heavy and the light. Damn this is an proper album.

Looking forward to this:

Very happy to tell you that I'll be the guest on Desert Island Discs this coming Sunday! Thanks to @laurenlaverne for wonderful interview 😍 https://t.co/AHOBmggS5o

— Tracey Thorn (@tracey_thorn) November 12, 2018