Destroyer - Kaputt (2011)

fuck yea

word

also n/a i am totally the opposite: this is the first album in a while that i feel compelled to listen to str8 thru every time (though now i've got it on vinyl i'm generally skipping sides 3/4)

yeah, i want to listen to the whole thing -- it sounds like one long song, really. in a good way.

can't really get over how much better the vinyl sounds, too---dunno if that's just me wanting it to be the case, a general truth of 160kbps v. vinyl, or attributable to the production, or what.

i need to get me something to play vinyl on.

really want to get that but cant find anywhere in the uk that has it :(

don't think i'm gonna get the vinyl -- is the long ambient track available anywhere else? [/ysi?]

Also I love how well Sibel Thrasher's voice both contrasts with and blends with Dan's, and how she adopt his rather idiosyncratic phrasing and vowels.

As far as "sounds like 80s production" stuff goes, this >>>>>>>>M83.

the only steely dan comparison i would make is the juxtaposition of the really mellow, studio pro lite rock chops with the sorta odd, malevolent lyrics.

sonically songwritingwise, i don't really hear any steely dan

also, he pretty much lets you know that this is an anglophile post new wave patiche thing in the lyrics severeal times, so yeah prefab, jazz butcher, talk talk, blue aeroplanes, all that shit seems way more appropriate

tylerw: the vinyl came with a digital DL of the album that includes the ambient track. i am merely bringing that to your attention.

Yeah, the bass lines are gorgeous.

Sorry if this was already discussed:

Does the vinyl include a digital download?

it was discussed 2 posts ago!

oh, duh

gbx is the digital download FLAC or mp3?

mp3

320kbps

Curious if the sax in Nick Drake's "Chime of a City Clock" coded as "cheesy" in 1971:
https://www.youtube.com/watch?v=lP3eHMWFEkM

(I would guess not.)

i dunno, but listening to this album and gerry rafferty recently, i have started wondering about how the sax became kinda the code sound for cheese.

relevant thread:

why was the saxophone (and especially the sax solo) so ubiquitous in '80's pop/rock?

i was always bummed no one wanted to let me play sax in bands :(

i'm a sax player btw

I've always liked this interview with Jim O'Rourke about the cultural associations and contexts of certain musical sounds, as they pertain to his record Eureka:

O'Rourke: ...there are certain songs on the record that mix genres to draw attention to the fact that they are just signifiers of genre. Like Ken Vandermark’s sax solo on "Through the Night Softly." If you take that out of context, you’re going to be wondering, "What is that?"

Q: It’s funny you mentioned that, because that’s the moment I’m leading up to. When I hear that solo it sounds like the ending credits on "Saturday Night Live."

O’Rourke: (Ecstatic) Exactly! That’s exactly what it’s supposed to be. That’s brilliant. Fantastic. That’s 100 percent what I was going for. I remember recording it and saying "No, Ken, stupider ... stupider." He kept saying, "Aw Jim, come on." But what most people have heard is Pink Floyd’s "The Great Gig in the Sky" from Dark Side of the Moon, which I can understand because the drumming was purposefully supposed to sound like Nick Mason. That’s why I used a different drummer on that song. But it is supposed to feel like "Saturday Night Live." That interests me partially because it’s a cultural reference taken out of its context but also because it’s just stupid. I like stupid stuff. I have to admit it’s also slightly a parody of a Gastr del Sol song for me. The cliched poignant piano on that song is just ridiculous. What is so poignant about a piano humping out a bunch of chords, you know? So that tune is mostly made up of jokes. But it had to work musically of course.

Sax is sometimes seen as cool in dance-punk contexts -- beginning with James Chance, probably, but then recently with the Rapture and Love Is All. But it's a different style of playing.

well sure. also i think that the main reason that sax/horns don't crop up that often and/or get relegated to specific roles is because they're pretty inflexible, tonally. not in an absolute sense, of course, but every instrument in a trad rock trio/4tet can be run through a crazy signal chain to get whatever quality you want. horns are what they are, for the most part, unless you do some morphine stuff

https://www.youtube.com/watch?v=wTclndT4Ilk

Song for America actually had people dancing and sexy girl dancing.

awesome! i mentioned upthread that i opened a dj set a few weeks ago with "chinatown" but have been thinking "song for america" would be a great end of the party/ its 5am and we're still dancing song

thought i might be sick of this album already but i just checked and nope i'm not

my wife, my 17-month-old daughter and I were all dancing to this record in the kitchen last night

awesome!! fuck i wish i had a family to dance with sometimes

lol otm sigh

my wife doesn't like this album :( she said it's "embarrassing"

she also does not like steely dan

im going to try it out again on saturday night when it gets packed.

awesome! i mentioned upthread that i opened a dj set a few weeks ago with "chinatown" but have been thinking "song for america" would be a great end of the party/ its 5am and we're still dancing song

yeah it seems tailor-made for that

My wife gives this album a thumbs up--says it reminds her of Leonard Cohen.

Every time I listen different lyrics pop out, like "I haven't seen you ages/I still fly into rages at the mention of your name...Christine."

was listening to Sam Prekop last nite and think that maybe his use of "cheesy" horns and "jazzy" stuff on a successful idie rock record was kind of in this vein

different flavor of cheese imo

yeah obviously. there was one track that was less funky/jazzy where the horns kind of got spacey that got me thinking tho.

Uhm ya, my review: http://www.edmontonjournal.com/entertainment/Destroyer+hits+creative+high/4161000/story.html

Every time I listen different lyrics pop out, like "I haven't seen you ages/I still fly into rages at the mention of your name...Christine."

― President Keyes, Wednesday, January 26, 2011 5:52 PM (41 minutes ago)

....whiiiiiiiiiiite"

yeah this has always been a favorite line of mine

Isn't it "Christine White"? I think that's the name of an old Canadian newsperson or something, which is a funny fake name for whomever she was. How true that sentiment

yeah i just finished the lyric

no idea who she is tho

i hate to get all meta, but what other bands/acts generate this many posts before the record comes out, just curious. destroyer is like ilm catnip

actually it was me grady and a couple other dudes for several weeks until it was obvious this would be a big internet deal, then it got BNM, etc

hey i was out there pretty early too! ;)

nothing tops the rubies thread for sheer volume tho i bet

ya to be honest there's only been a few of us really in this thread, it's not like the My Big Fantasy thread.

i don't know that one, will check it out

Kanye, I mean.

haha

that killed my buzz for "My Big Fantasy" thread