How do you choose your set-lists?

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The process is like this :

1) The five of us have a rota and each takes it in turn to propose a set-list for the next gig
2) we rehearse it and then usually decide to change it a bit
3) on the night we might change it some more depending on what the audience is like, what we feel like, time available etc.

There are usually some givens, e.g we have an epic set-closer which we normally finish with, we usually start with a song called 'Support Band' unless we're headlining. Also there are a couple of songs that don't go that well together, so we keep them apart in the set.

If there's one overriding rule it's 'make an initial impact and try and make sure they stay interested!'. Also 'don't play too long'.


Dr.C (Dr.C), Wednesday, 25 January 2006 12:44 (eighteen years ago) link

Mood, rhythm, BPM - we try to have the set move like a story arc.

The problem is, this tends to have us starting with our slower songs at the beginning, so we had to move things around a bit, to have a good attention getter at the beginning, then move into more mysterious and spooky songs, a ballad, then progress into more triumphant, and finally the Giant! Hit! Popsongs! at the end to leave people on a high note. And then we try to end with an a capella reprise to leave people totally wowed.

This is probably a bit weird for people who walk in halfway through the set, but if you follow the whole thing with us, we hope to take you on an interesting journey. When we get more practised, this will involve costume changes and everything.

The Late Fear And The Potato Fear (kate), Wednesday, 25 January 2006 13:07 (eighteen years ago) link

**to leave people totally wowed**

I WAS!!

Dr.C (Dr.C), Wednesday, 25 January 2006 13:23 (eighteen years ago) link

Yay, it worked. :-)

The Late Fear And The Potato Fear (kate), Wednesday, 25 January 2006 13:27 (eighteen years ago) link

The baroque "setlist" theory involved three movements. In the first movement, you showed them how well you could play. In the second, you showed them how well you could feel. In the third, you showed them how happy you were it was all over. This still seems like a reasonable guideline.

Casuistry (Chris P), Wednesday, 25 January 2006 16:00 (eighteen years ago) link

Someone either calls out the name of the next tune while we're on stage or starts playing it. If no one can think of a tune, or we only have a couple tunes left, or somebody doesn't want to play something because of tired chops, then we might argue about it for a few minutes.

(nb, for our big show on Friday somebody actually wrote a setlist)

Jordan (Jordan), Wednesday, 25 January 2006 16:02 (eighteen years ago) link

Recently we've started giving more consideration to our placement in the overall show. For example, if we have an early spot on a Friday night, we tend to frontload slower stuff and new still-in-testing material so we can kick ass toward the end when people are getting there. Also, if it's a REALLY late slot, we try to stick to higher energy material more.

Abbadavid Berman (Hurting), Wednesday, 25 January 2006 23:19 (eighteen years ago) link

thirteen years pass...

I love disco balls,my little punsters(mytwolittlenephews),
bubbles and frisbees that light up in the night...not patricularly in that order...

missrosey, Tuesday, 1 October 2019 21:31 (four years ago) link


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