George Harrison: Search & Destroy

Search (roughly in order): "Here Comes the Sun", "My Sweet Lord" (shameless 'He's so Fine' steal, but still a great song), "If I Needed Someone", "Love You To", "Within You Without You", "Something", "Blue Jay Way" (pssssychedelic man!!!), "While My Guitar Gently Weeps", "All Those Years Ago", "I Want to Tell You", "For You Blue"

Destroy: "Think for Yourself", "Savoy Truffle" I could live without, "Long Long Long" doesn't ring a bell...

Harrison overdid the slide, I think - he made it his own, but it occluded his other styles (cf. early Beatles guitar solos). That wasn't quite what I had in mind re. personal sound.

ALL THINGS MUST PASS: key record? One or two rich and strange things on there: 'I Dig Love' (multiple drummers?) and especially the extraordinary (and never-mentioned) 'Awaiting On You All'.

Search:
'Long, Long, Long' (it doesn't ring a bell, it rings a glass)
'Here Comes The Sun' (those opening bars still cheer me up everytime I hear them)
'Old Brown Shoe' (why do I love that 'I want a short haired girl who sometimes wears it twice as long' line so much?)
'Something' (though Frank Sinatra went a bit over the top in his praise)
'I Want To Tell You'
'Think for Yourself'
'While My Guitar Gently Weeps'
'Within You Without You'
'The Inner Light'
'Blue Jay Way'
'Love You To'
'I Me Mine'
Lots of 'All Things Must Pass', (esp 'Isn't It A Pity', 'My Sweet Lord', 'I'd Have You Anytime', 'Wah Wah', 'Awaiting On You All' and the title track)

Destroy:
'Piggies'
'Taxman' (sorry, I know it's a great riff, but I can't listen to it without thinking 'you greedy bastard')
'Only A Northern Song'
'It's All Too Much'
the third disc of 'All Things Must Pass'
Probably everything he released after that.

I still think 'Something' is fabulous, though Q is right about the occasional lyrical lapse; version on the Anthology is astounding.

He's the coolest Beatle in Yellow Submarine, what with the standing on mountain peaks and the perpetually wind-swept hair.

Search: The Green Party. Destroy: The Natural Law Party.

OK, I know my two "search" objects have nothing to do with Harrison (he *did* bankroll the NLP, didn't he?). But details, details ...

Seriously: search "Long Long Long" (his best song ever IMO), "Only A Northern Song" (I'm sorry, Nick: even *I* love that one!) and "While My Guitar Gently Weeps" even though, as MacDonald sagely notes, its song structure is pure proto-AOR. But destroy a lot of the rest, and destroy his ethos above all: it's the Sham 69 of hippiedom, the ugly meme that discredits all the good stuff.

I find it life-affirming. Forgetting about the third disc (everyone else does... and rightly so because it sucks eggs), those first two are an ocean of melody.

He would never do anything as good after that album and he never really seemed to care to top it. His ego just kind of disappeared after that (excepting that dopey, calculated hit single in the 80's when his mood probably changed for a time). He seemed happy to be a quiet, religious man knocking out innoucous pop rock records.

There's some good stuff there, though. Tracks like "Blow Away" and "Sue You Sue Me Blues". And his Lennon tribute (after asassination), "All Those Years Ago" is beautiful, I think. The lyrics are kinda cornball, but the melody has a lovely, shy sort of quality, I think.

As for the Beatles work, I find "Something" overrated easy listening pop, but "Blue Jay Way" is fucked up in a really nice, gurgly way. And I agree with the pro-"Long Long Long" camp. It might be my favorite Beatles track. It's very candlelit and ghostly.

I like George Harrison. A lot.

When the "My Sweet Lord" case was finally settled, somehow George Harrison not only got to keep the rights to his song, but was ALSO awarded the rights to "He's So Fine". He now owns the song that he was accused of ripping off.

I've no idea how that happened, but it's true.

I quite like what Oliver K has to say about ATMP, though I can't seriously rate it over the Beatles. But it has some remarkable moments, like I (we) keep saying.

Yes, those 'Something' lyrics are bad. But I think we all agree that pop != just lyrics (though lyrics may, sometimes, be important) - so for me the song is still a great.

Harrison as guitarist before he went weepy / wah-wah: Classic? (The latter style becomes too all-encompassing.)

What about the LP (eponymous?) with the song 'Faster' on it? I loved that song as a kid.

RC: I agree, NLP: terrible dud. But I wouldn't want to write off 60s- 70s Harrison's achievements just cos of that involvement (92?). Where do the Greens come in - was he funding them too, at some stage?

Relevant connection: Handmade Films. Classic element?

I don't *think* Harrison has ever had anything to do with the Green Party. I kind of specified that it wasn't related to the subject of this thread and therefore, arguably, against the rules.

http://www.8trackheaven.com/Images/georgeharrisonelectronicsound.jpg

Classic tune no one's mentioned: Cheer Down.

Destroy: every album b/w Dark Horse and Cloud Nine.

Never mentioned: his production work on Ringo's ace "It Don't Come Easy" and co-writing the fantastic "Photograph"; also, his solo on Belinda Carlisle's "Leave A Light On."

Verdict: With some all-too-obvous exceptions, the man needs collaboraters.

Oh, and as for G.Harrison's lyrics...

(From Love you to)
"I'll make luv to you..
If you want me toooo"

Dawn: Knock yourself out, why don't you...

F that!

George wrote "Something" when he was only 25 years old! It and "Here Comes the Sun": 2 of the greatest Beatles tunes ever, period.

Give Me Love

(but, yeah, I like "This Song" a lot too.)

"If Not for You" is another great one off that album. His voice was perfectly suited to sing those lyrics.

My fave track off ATMP though is I Live for You, another great melody.

I've been reading a few George interviews recently. I really like the turn of phrase he had and his gently cynical perspective.

and no one else on Earth has that sweet sound he got on the slide roundabout 1969.

and no one else on Earth has that sweet sound he got on the slide roundabout 1969 onwards.

hooky chorus but the production and instrumentation sound hasn't aged too well

sounds fine to me but I've no problem with Lynne's production, and thanks to Harrison's mitigating influence it's less burdensome.

George Harrison was rather unimpressed with the new releases in December 1965: "Take it off, it's crap," "It's crap. Take it off," "That's enough," "I don't like it," and the succinct, "Rubbish." pic.twitter.com/WLhKHdtwaH

— John F. Lyons (@JohnFLyons2) April 26, 2022

Are you sure that wasn't an outtake from A Hard Day's Night?

when wasn't George "rather unimpressed"

He never dropped that attitude. Even when the guy stabbed him he had something dismissive to say.

He said, "...That's enough. I don't like it".

To be fair, those records in question WERE crap, and he liked a few things like the one by the Zombies. (Plus his responses turned out to be much longer.)

George during this era was the band's resident American R&B expert.

Thought he said “I don’t think he was here to audition for The Traveling Wilburies.”

"good if it's English, mediocre if it's American", oof brutal

George during this era was the band's resident American R&B expert.

― So who you gonna call? The martini police (Alfred, Lord Sotosyn), Tuesday, April 26, 2022 10:13 AM (fifteen minutes ago) bookmarkflaglink

Yep. I believe he was the one who pushed most for them to try recording at Stax, and he had the idea for the "Respect"-like unison guitar & bass line in "Drive My Car" (and ended up playing bass on it).

A couple years earlier when he visited his sister in southern Illinois, he bought records by Bobby "Blue" Bland, Booker T. & the MGs, and James Ray, the latter of which had "Got My Mind Set On You."

https://www.washingtonpost.com/blogs/local/wp/2014/02/11/they-were-the-first-really-loud-european-band-i-ever-heard/

Yep. I believe he was the one who pushed most for them to try recording at Stax

His brief guitar solo at the end of "Got to Get You Into My Life" is one of his greatest moments on record. Exemplary of his taste and what he may have learned from Cropper - he's otherwise quiet for the rest of the track.

^The longest version of the story of Norbert Putnam, Tommy Roe and The Beatles I have seen so far. (xp)

Thirty Three & ⅓ was his best album since ATMP.

https://www.youtube.com/watch?v=1DzisXpZM7c

yeah it's really good. I like it as much as the s/t that followed it; and dare I say that those three are his best albums.

Beautiful Girl dates back to the same backlog of songs that was used to fill up ATMP.

I'd claim Cloud Nine bests the s/t.

What was George doing between cloud nine and brainwashed? The former was a huge album and then he was basically done til the latter was released (posthumously of course.)

Wilburys, Japanese tour, legal battles, dealing with Paul 'n' Beatle shit, hanging out.

Oh yeah wilburys, of course…surprised I guess he didn’t knock out another solo album or two in that time.

I don't think he cared much. He had plenty of dough and had a strong enough sense of self.

Yeah, I don't get the sense that he enjoyed the process enough to continuously do it. Working with Lynne and the Wilburys helped a lot and made those sessions enjoyable, but even the second Wilburys album (Vol. 3) was much less fun to do, especially for Dylan. The only reason he did the tour was because it was short and Clapton talked him into it, but it was never going to more than a one-time deal.

Hare hare, George!

https://www.youtube.com/watch?v=9yJLqVN6eJM

Stachewave

Would've been 80 years old today! Wish we could see all of them at this age.

Like

https://www.rollingstone.com/music/music-features/george-harrison-living-in-amaterial-world-1234737644/

Fantastic album - his quietude as rewarding as it ever was. Even the funny stuff (Sue Me Sue You Blues) works, which can't be said so much for e.g. Extra Texture.

Talk about a forgotbuster: #1 for weeks in the summer of 1973, not spoken of much ever since. Unavailability on CD until the early '90s didn't help.

Cover looks modern, out of time with 1973

Yeah, the cover is pretty good - it's now the logo for his foundation too.

Talk about a forgotbuster: #1 for weeks in the summer of 1973

People were still on a Beatles high, especially in the US — hell, Ringo had more top 10 singles through 1975 than John and George combined, and only two fewer than Paul. Any Major Release by any of them was cause for excitement in the moment: “Are they getting back together? Are there hidden clues in this record suggesting they might get back together? Will any of them tour? Oh wait…hm, this record is kind of boring, actually…”

This was also when the Beatles blue record came out, heavy on George songs; it wouldn't be too long before he was being treated a lot worse in the press than he was used to.

"don't let him rate too long," the press declared.

Not even Material World always had the best reviews. What I can never get my head around was Dark Horse then going on to miss the UK top 50 entirely, after two conseuctive mega albums (three including Bangladesh). That's insane for a Beatle.

His 1974 tour is generally held to be a disaster, with his voice shot and his persona at his most spiritually hectoring. That can't have helped.

The live clips aren't bad at all, and I sorta admire how he forced his audience to listen to Ravi Shankar.

The tour was US-only, besides which I think a lot of the tour went without an issue IIRC.

(US and Canada*)

I’ve been obsessed with “Give Me Love (Give Me Peace On Earth)” for about the last week – I literally haven’t been able to get it out of my head for more than an hour or so at a time.

Ha - I had that phase a few months ago.

It’s a little surprising because I wouldn’t call myself a giant fan of Harrison’s—there’s a persistently sour feeling I find hard to dismiss—and while I suppose I’ve known this song forever I’ve never really thought much about it one way or another.

But there’s something undeniable about the circular chord sequence, modulations and slide guitar harmonies that collectively feel like they could go on forever. And now, I’m realizing at least two songs I wrote 25 years ago were influenced by it? Strange.

Got really into All Things Must Pass again this week for some reason, particularly enjoying the Art of Dying which would have been an ace Beatles track, though the released version is obviously amazing too (wish Clapton would tone it down a little though). Have been poking around at other solo Beatles things I'd not given attention to in years, including Ringo's Rotogravure, which I had on vinyl as a kid (and liked! because I didn't know any better), and remembered that Harrison's track on that record was by far the standout:
https://www.youtube.com/watch?v=NXg45wYBCcg

Harrison wrote this back during the ATMP era (or earlier? dunno) and recorded it for the album, but apparently never came up with a satisfactory take. All I've been able to find is this:

https://soundcloud.com/harrisonstories/george-harrison-whenever-ill

A real lost opportunity with this one.

I think not intended for ATMP:

https://forums.stevehoffman.tv/threads/george-harrison-legal-action-against-ringo-over-ill-still-love-you.1100437/

ah, didn't see that. it's weird there is so little documented truthful information about this song; when harrison recorded, whether there was or was not some lawsuit. it's kind of rare in beatles quarters for something to remain a total mystery like this.

Happy birthday, bro!

https://www.youtube.com/watch?v=VI4xzwvaTWU

Been listening to some of the albums I never loved. I think, even when it's not my favorite stuff, he didn't really indulge in just creating filler. Like on Extra Texture, I feel like I kinda get what he was going after with those songs and that there always seems to be some degree of musicality to the compositions that I find interesting at least.

Somewhere in England sounding pretty good to me lately.