Pitchfork Reviews Reviews

imo he could even writ a longer piece around that conceit -- but he wd need to keep in only the parts & details that help sketch dude from das racists' ambiguousness towards '''america''' rather than, like, "then i rang the doorbell then i waited for the door then the doorknob turned' type shit

its just very very long

but the parts that cut actually cut, and that's worth something, imo. i like the lazy scene setting, cuz it make sense of that which follows...

and the thing is, if he posted that shit (bit abt das racist's immigrant stance reflecting on his own relationship w/ his immigrant dad), he wouldn't be "just another dude w/ an idea", he'd be a dude with a good, interesting idea.

i'm in the basement, mixing up the metaphors.

A+++

No matter what I think about this guy, contenderizer offtm. Forever.

god this thread is incredibly embarrassing for ilx

i think you mean that it's a disaster for ilx

well its something for ilx thats for sure

on multiple levels probably

actually i think we can just go ahead and say that contenderizer is incredibly embarrassing for ilx

i wish he were the only one, is the thing

ouch, y'all

offtm. Forever...

sorry

altho i do think your opinions on prr are o_O

thing is, i think all kinds of stupid shit! this is not notable. ask deej...

i like clipse. axe somebody.

i like clipse too

just not 'hell hath no fury'

plus - being drunk i'll admit this - i just like liking the wrong thing. it's the armond white in me.

hell hath no fury hath nothing on lord willin, i just wanna believe, you know?

i just like liking the wrong thing

in other words, trollin', as i said and stand by w/r/t this thing

it doesn't feel like trolling from here. and i understand that i'm savaging what shreds might remain of my theoretical ILX credibility, but i can't help it, you know? must challop...

wouldn't mind the trolling if your posts were shorter tbh (and I mean this with a ;) )

word count is an issue. has been brought to my attention before.

e.g., nyah, haterz, suck it

nyah?

https://www.youtube.com/watch?v=pE4EFFDCbNw

different nyah

I'm surprised nobody's mentioned Bret Easton Ellis on this thread because so much of PRR's style seems like bad Ellis - rambling, affectless listing of social details (with lots of paragraphs that begin so… and… and… and… continue like this) that purport to provide insight into a scene but really just tell you stuff you already know. He's going to wear out these novice-blogger scenarios pretty quickly though: trying to get into a club, doing a bad interview, etc.

imagine how excruciating the blog post detailing PRR guy's first line of coke will be

:(

uhhhh why the fuck don't YOU go and read it? it's not as though most people's journalism is hidden away on some obscure tumblr. please don't say you have to be spoonfed writing by ilxors to pay attention to it - though that would totally explain why you think this dude is all that

― لوووووووووووووووووووول (lex pretend), Tuesday, September 28, 2010 11:13 PM (Yesterday) Bookmark

fair bitch, but i'm being sincere. people on ILM love to post the most hideous "music journalism" they can dig up. would like to see a few more threads dedicated to worthwhile writing. yea, because i'm lazy, but also because it'd be nice to have a forum for talking up what's great, as well as shooting down what's bad.

Yeah. He also reminds me of James Frey, bio-maker-upper extraordinaire and author of "A Million Little Pieces". "Then I went to the cafeteria and put eight slices of bacon on my plate and ten pancakes and I poured syrup on them. Then I sat down by myself and ate the bacon and the pancakes. I was still hungry so I went back through the line. There were other men there, and one of them wore a black bandana that covered his right ear. He chose three pancakes and took a cup of black coffee. I took five more pancakes and some orange juice and poured syrup over the pancakes and sat down again."

(that was xpost to Dorian)

happy never to have read james frey so that i can enjoy unmolested the sui generis brilliance of pitchfork reviews reviews lol

If the guy's smart he should cash in on the current interest in indie/hipster anthropology by rushing out a voice-of-his-generation rites-of-passage novel set in Williamsburg. People would lap that shit up.

xpost I loathed Frey's book but it had a similar effect on some people - "What an original voice! He cuts through the bullshit!" etc - before it turned out he was just purveying a different brand of bullshit.

Also, his interview with Avey Tare reminded me of the end of Almost Famous where the kid, after all that he's seen and learned, finally gets the chance to interview Billy Crudup, turns on the tape recorder and his first question is something like, "What do you love most about music?" And we're meant to find it endearing and deep and out-of-the-mouths-of-babes.

yeah, but i felt like his questions to avey were supposed to read as "i am a giant dork and i don't know how to relate to people."

But it's all so stylised that his giant dorkishness is part of the pitch - self-deprecation is such a standard ploy for self-obsessed writers now that I don't really believe it most of the time.

agreed, fair enough

would like to see a few more threads dedicated to worthwhile writing. yea, because i'm lazy, but also because it'd be nice to have a forum for talking up what's great, as well as shooting down what's bad

i post great writing all the time, usually in the relevant artist/genre threads. one that springs to mind is http://www.ilxor.com/ILX/ThreadSelectedControllerServlet?boardid=41&threadid=76396 - that album seemed to catalyse lots of amazing pieces

doesn't that usually bring up the thread title? uh. http://www.ilxor.com/ILX/ThreadSelectedControllerServlet?boardid=41&threadid=76396

The thing is that this thread is kind of the criticism equivalent of the "lol unicorns" thread about HOOM--I don't know if any of those 20 great music writers Whiney mentioned would want individual threads 95% of which were devoted to trashing them and the two posters who defend them.

okay, so i dug through that longish rhianna thread and found the ann powers and [other] reviews that i think lex was tipping towards. ann powers is solid, the other is, uh [other]. (hey, no offense, as nabisco said, it either works for you or it don't.) honestly, i don't think either has the distinctive voice or story construction chops that PRR dude brings to bear, but that's just me. fire away...

why does music criticism need to be about story construction

well, it doesn't. i don't give a shit about PRR as crit. it's totally useless as crit. i read it as music-centric fiction. music-centric young adult fiction, not to put too fine a point on ot. and as such, like harry potter with kyp malone instead of severus snape, i think it's pretty ace.

edit: not to put too fine a point on ott

so what's your point

:(

like harry potter with kyp malone instead of severus snape

this is praise?

it's comforting to know that a PRR fan dislikes good writing, re: the rihanna pieces! they must be doing something right.

sorry, that came off snappy. but it's like saying "man, sontag just doesn't have the attention to detail that james frey does." why are you comparing the two. and sorry, if your best defense is to approach it as "music-centric harry potter" I don't think you've mounted a very sterling defense or PRR

xp

umm, it's praise of a sort?

and hey, the ann powers piece is totally solid, no complaints. didn't blow me away, but i respect it and am not cutting it down at all. wouldn't choose myself to compare it with PRR. they're aiming for very different effects & audiences.

anyway, i wonder if PRR has any appeal for those without an abiding love of (perhaps overly sentimental) young adult/coming of age fiction.