ODD FUTURE WOLF GANG KILL THEM ALL

rolling papers just dropped yesterday, obv ppl are checking the newest joing from their camp xps

losing my edge right here

joint*

imo rev yr theories actually relate to this here:
http://energyflashbysimonreynolds.blogspot.com/2009/02/hardcore-continuum-or-theory-and-its.html

see his paras towards the end on the mobile vs. the rooted in particular

i didn't read all of that, but i did read the part you mention. i don't think that's the same distinction i am drawing tho. the "outsider" i'm talking about isn't someone trying to play connect the dots with all these localizations at all, even when directly influenced by them (c.f. lil b), and certainly not when reacting against them, as odd future seem to be doing. this is distinctly opposed to reynolds' mobile curator, who wants to bring the real worlds of the various worlds of the local heros closer together, not build a seperate world entirely.

ugh last sentence reads horribly

take 2:

this is distinctly opposed to reynolds' mobile curator, who wants to bring the various real worlds of the local heros closer together, not build a seperate world entirely.

here's an exercize: instead of e-40 (who i was roughly modeling the local hero on) and odd future, plug in tower of power (let's keep it in the bay) and mandrill

yeah its not the same but i think its interesting how, like, incompatible this stuff is w/ his theory

i think part of the problem here is that we are talking about forces within one genre (much more musically diverse and geographically disparate than the dance genres reynolds speaks of), whereas the distinction of reynolds' 'mobile' artist is that he is 'above' genre, which doesn't apply here

correct. perhaps these ideas are not related at all

idk its late

the reason i'm enamored w/ ofwgkta & young l & lil b is that i find them all to be exciting & inspiring & invigorating which isn't something that i can say for almost every other rap out -- there's def an element of what noz says -- it's a very primal sort of feeling: kids with ideas just throwing everything at the wall -- it's not to say that they're all innovators, but i find so much rap right now to be post-x or post-y or following this & following that where as the tiny pants scene feels like an actual scene, where ideas are bouncing around & dudes like ofwgkta are making based/swag rap that's influenced as much by wiz khalifa as anything & lil b has gotten obsessed w/ 90s nola music and young l is just out there pretty much doing lil b raps over warped hyphy beats & yet it all feels homogeneous but each is very identifiable and different

sorry for rambling, hope that makes sense -- but long story short this is the rap shit right now where if i'm talking to someone and the conversation lags i just want to bring up ofwgkta & young l

the embrace of waka flocka is v pertinent

i think what doesnt work for me w/ lil b that worked well for g*cci is that there is a sense of order & structure, systematic-ness w/in the latter's unpredictable styles whereas B feels so all-over-the-place its more disorganized, so i dont get as much enjoyment bcuz theres like no tension -- its like, 'well, his next song could literally sound like anything.' so i dont really need to hear it. imo there needs to be more tension between the predictable & unpredictable in his music. its like my thing w/ 'free jazz' -- at some pt if it doesnt have some constraints its like not listening to anything at all

new sn

just has a nice ring

https://mail.google.com/mail/e/35D

'pertinent' is a gucci word

can imagine him using it when he tells his girl to 'stop the rhetoric'

what inspired that thought re: Lil B was what u said about him following New Orleans shit right now -- see thats interesting, if he makes a bunch of diff nolia variations or something & that becomes one of his approaches, and then he adds another approach, and another, i could see that start to seem more interesting / fun -- 'how will he combine n.o. beat with ...' x style or y style etc

https://www.youtube.com/watch?v=m8HsfWeZpL4

lots of xps back to j0rdan: yeah there's a kitchen scene aspect, maybe even borderline chaos to ofwgkta that i find exciting and appealing and distinctive from almost any other rap out, like all sorts of inexplicable shit i don't expect is liable to happen at any time. i mean like, halfway through domo's kinda mellow, spacey album, you have no reason to think something like "super market" is about to drop

there's something inherently likable about kids this age just fucking around & acting like dickhead teenagers

yes!

& hovering around all this shit is soulja boy who's doing this in the pop universe, or at least with a pop-sized following (altho i do think that "pretty boy swag" can def be called the first [& only?] based radio hit)

lol @ earl's "mom" calling him a faggot :-/

damn, i still haven't heard "pretty boy swag" (only jeezy's meh freestyle over it). i should remedy that.

the song is a bit tedious -- it's better in the context of radio

gucci's verse on the remix is yoga flame tho

like i catch myself singing it rather frequently but when you try and listen to it it feels 10 mins long

i'm just happy that another amusical soulja boy song is a hit -- makes the world more fun

i endorse any album that opens by saying FUCK 2DOPEBOYZ

:D

FUCK NAH RIGHT

feels 10 mins long

yeah kinda got this from jeezy's take

i endorse any album that opens by saying FUCK 2DOPEBOYZ

― J0rdan S., Wednesday, 1 September 2010 07:49 (1 hour ago) Bookmark Suggest Ban Permalink

:D

― bernard goony (The Reverend), Wednesday, 1 September 2010 08:01 (1 hour ago) Bookmark Suggest Ban Permalink

FUCK NAH RIGHT

― bernard goony (The Reverend), Wednesday, 1 September 2010 08:03 (1 hour ago) Bookmark Suggest Ban Permalink

only a minute in and yeah ^^^this. Spending this week catching up w/ ilm (that currensy worth listening to? the thread is p huge)

the beat for parade is ridic imo

the currensy is worth hearing but not his best work

rihanna haircut
tell chris brown to fuck me up

i think i like tyler's album the best

this is amazing

https://www.youtube.com/watch?v=SiiqqBw47HU

earl is such a sick rapper

no narcissist, sippin on arsenic
carve carcasses in the garage, don't park in it
hard to find like retarded kids at harvard it's
wolf gang barkin, keep you up like car alarms and shit

addicts arise
when i arrive crack crack fag back splappin disguise
fast actin knives in the passenger side
bitch reach for the door get your access denied

face it, me and ace are sick like malaria carriers
jim carrey to the cemetery to bury her
listen busters, it's scarier when i finger fuck her
after i dig her up and eat her out with a bit of mustard

sloppy seconds is my preference
except when i'm feeding on the flesh of a pedestrian
messy loch monster stop, will he though? probably not
silly hoes lick my balls like fifa lollipops

it's no figure of speech when i tell you i dumped her

pay attention i'm stabbing your women friends like a gentleman
then dippin with the fuckin pen to go sin again

http://syffal.com/tyler-the-creator-ofwgkta

SYFFAL: Introduce yourself to the readers, tell them a bit about your history, how you came up, etc.

TYLER: I'm Tyler, I Sell Weed To Minors, And I Make Music In My Spare TIme. I Came Up In A Very Big Family, Mother Was A Teacher, Father Was A Firefighter, Little Sister, And My Dog Steve. I Took Piano Lessons At The Young Age Of 7, And Started Writing Poems At 10.

I'm Lying, I Have No Father, My Mother Was Single Parent TIll i Was 15 When She Bounced Up North Without Me, I Taught Myself Piano At 14 And Started Rapping At 7 Because I Fucking Sucked At Sports.

got you ni**as shakin like it's parkinsons
from the clitoris of kelly clarkson's dick

SYFFAL: Since we all are creations of our influences How would you describe your sound and how do you feel they come across in the music you create?

Tyler: My Sound Is Like: A Mosh Pit At A Jazz Concert. Or Like, Hitler Fucking Dr. Suess.

oh lol that's where you got the "the only swag shit right now is waka flocka" quote