The Encroaching Ubiquity of I Gotta Feeling by the Black Eyed Peas

this song is awesome hatersto the left

at most, i can come up with "it's nice"

but that's just for me, personally, and i think it has a lot to do with the vocal. i totally see why some dude likes it. it's a feel-good, nostalgic anthem for friendship, and it functions well in that regard.

the fact that they decided not just to write the most bar mitzvah friendly song ever but to add "MAZEL TOV" immediately bumps this from classic to all-time-classic

understand that different folks like different stuff, but it's hard to get my head around the idea that people can't see what's so immediately & durably appealing abt this song. first time i heard it was on the car radio in maine while visiting my folks. on first listen, the best pop song i'd heard in at least a year, what i always hope the radio will sound like (though it hardly ever does). seemed obvious to me that it would be HUGE. maybe not huge forever and bolted to the national DNA, but still...

the fact that they decided not just to write the most bar mitzvah friendly song ever but to add "MAZEL TOV" immediately bumps this from classic to all-time-classic

plus yeah that

something like 93% of my appreciation for this song comes from the 'mazel tov'

I should add that I haven't yet encountered this in a dance club context, only as the video or as something playing in a car, say, on the way home from work, which really is a great format for it. The repeating loop has this anticipatory quality to it, like the tension is always building up not so much for this song, but for the NEXT song which is when your night actually begins. Alternately, I guess, the whole song is the night in miniature, with the journey to the club, the exciting explosive party, and then the chilled-out "wooooooooooo-hoo" section where it feels like they just stepped out to get some fresh air and it's cold outside tonight and everything is feeling pretty great and it's good to be alive, etc.

And then you have fucking Fergie saying "DRANK!!!!" which is a real problem IMO, although yeah it gives people something to shout at wedding receptions.

i def love the "mazel tov"

but dubbing this the best pop song in at least a year is beyond infathomable to me.

at least this song is better than "boom boom pow"

*unfathomable :)

i had that first and then second-guessed myself!!

The days of the week aren't filler when folks are dancing to it. If anything, that's the part where the lyrics become a double-time beat, kind of the climax to the song.

Another thing that works about the song: the minute-and-a-half into that gives everyone time to set down their drinks or birthday cake and make their way out to the dance floor.

https://www.youtube.com/watch?v=CGECbTuTId0

but dubbing this the best pop song in at least a year is beyond iunfathomable to me.

well, if popularity's any yardstick, i'm not alone in that...

I got a feeling vs. all my friends

not gonna make that poll cause I make too many polls lately but

that EJO version reminds me of Maher Shalal Hash Baz.

and yeah I scrolled down this thread to find where the new comments began, before scrolling all the way up to find that the whole thing was new. It does pain me that this song won't go away.

"Hung Up" has the same structure and dynamics (long into, double-feature structure, slight mellowing out to catch your breath in the middle before driving through to the end), but it's all about longing, dancing through pain. You don't want that at a kid's birthday party.

well, if popularity's any yardstick, i'm not alone in that...

― a CRASBO is a "criminally related" ASBO (contenderizer), Thursday, July 29, 2010 10:27 PM (1 minute ago) Bookmark Suggest Ban Permalink

no, you're definitely not. i find myself disagreeing with the general population on a lot of #1 singles.

The days of the week aren't filler when folks are dancing to it. If anything, that's the part where the lyrics become a double-time beat, kind of the climax to the song.

Yeah, I agree insofar as I love them rhythmically but just wish they were doing more in terms of lyrical content. Sort of an "Ob-La-Di" moment, you just go "how much better would this song be if those were actual (and good) lyrics?"

It would be hard to come up with something as rhythmic and repetitive, and so satisfying for a crowd on the dancefloor, as ___DAY ___DAY ___DAY ___DAY

I mean, I was at a friend's (lol) 40th birthday party a few months ago. He married 10 years ago, is a fundraiser for non-profits, lives in a tony but urban neighborhood, and his neighbors made up most of the 30 or so guests. When this song came on, everyone rushed the dance floor. When it was about two and a half minutes in, everyone was kind of winding down, as if the song was going to end, and then the song went back to its original momentum with those days of the week adding a big extra oomph, so that we were all happy and spent when the song finally did end.

i know this is a very me thing to say, but i really do find it incredibly odd that this song rivaled MC's "We Belong Together" in terms of weeks at #1. very odd.

I think the real beauty is how the beat drops out on some Black Sheep "engine engine number nine..." shit but actually drops out for A WHOLE VERSE so when it comes back it's like wowowowow

ugh i love this song. there was one shot in the video with some girl who looked like she was drunk and stumbling in her heels (although i'm probably imagining it) that always made me feel like the song was secretly a little tragic.

^^^ yeah

makes an appearance at 1:16 of "lightweight jamming": THAT'S LIGHTWEIGHT JAMMIN'

some ppl really despise this song. i remember rev & lex raining hate down on it in the 2009 trax poll.

it's the kind of song that tends to pale in comparison with other super-hits because of its simple-mindedness, but it's also the kind of song that people love because of its simple-mindedness, so it's no surprise that it is divisive.

I don't despise this song. It's like a 4/10, prob won't change the station if it comes on the radio joint. I get why it's popular, I just don't get why people here are falling all over it.

The comparison with "Celebration" is apt. And I love both songs, and hope and plan to hear both at my son's bar mitzvah someday!

Note: I'm coming to this from the "I never hear any chart pop" position. But heard this (at a bar mitzvah, natch) and had the same reaction as contenderizer -- wow, WHAT IS THIS THING?

also, cosign w/ iatee re the brilliant deployment of "Mazel Tov."

Guys it is NOT a brilliant deployment of "Mazel Tov", it was a cold and calculated move to make sure it gets played at bar mitzvahs!

this song panders so much to the wedding/bar mitzvah crowd, and people eat it up. pretty banal song.

'ate this song

"wedding/bar mitzvah crowd" equals, um, the kind of human being who loves pop music? You seem to think the fact my grandma can dance to this song is a strike against it instead of the glorious miracle that it is.

If this were easy to do wouldn't Kool and the Gang have been knocked off before now?

"wedding/bar mitzvah crowd" does not equal an insult, but it definitely does not simply equal "the kind of human being who loves pop music" eitha

glorious miracle is a bit much. it's catchy enough, but i get bored with it after about 20 seconds.

i didn't realize your grandma loves pop music so much

I don't get it, who doesn't dance at weddings? I am not trying to be difficult, it's that I truly don't understand what group of people you mean "the wedding/barmitvah crowd" to exclude!

lolllllllllll "glorious miracle" i didn't even see that

i'm sorry but that's good

ohh come on eephus everybody knows that there are certain songs that are better-suited for a wedding/bar mitzvah

it's not just like any pop song

The wedding/bar mitzvah crowd was not meant as an insult! This song was designed to have the broadest possible appeal, from 6 year olds to 80 year olds. Music that has to appeal to such a mass audience is usually really simple. Sure it's fun to hear at said event, but I don't want to hear it anywhere else.

correction - "wedding/bar mitzvah crowd" not an insult to those people (which is pretty much everyone), more an insult to the song

this song was made so little kids and old people can dance together
it's gonna be kind of stupid and bouncy

― ghee hee hee (La Lechera), Thursday, July 29, 2010 4:17 PM (4 hours ago) Bookmark

lol i'm trying to imagine RIDE at a bar mitzvah

this song's ubiquity is STILL ENCROACHING???

haha where have you been?

Avoiding being encroached.

i think i've been to maybe two weddings as an adult and never been to a bar mitzvah

the "mazel tov" line never sticks out or seems like an important part of the song, don't know why people talk about it so much.

also this song is WAY less calculated to always be played at certain events than the other biggest new wedding staple of the past couple years, "Single Ladies"

the mazel tov line isn't important to the song, it was stuck in there to make it a bar mitvah staple. that's what makes it calculated.

i agree that "single ladies" has become a new wedding staple, but i feel like it was unintentional, whereas "i gotta feeling" was written from the start for this purpose. "single ladies" doesn't have that multi-generational appeal that's gonna get granny on the dance floor.

as cynical and calculated as the whole BEP enterprise is, I really have a hard time believing the line wasn't thrown in there as just a funny thing to say, as opposed to will.i.am stroking his chin and saying "y'know, our music is already played at almost every kind of celebration in America, but we really need something to break into that elusive Jewish rite of passage market."

After which he directed his hologram to visit Mars and check out what song the annual fhlurg-zaxchler ceremony would fall for.

I was at a wedding last weekend and IGAF trumped 'Single Ladies' easily. Nowhere near the nights' big winner which was Tony Christie's 'Is this the way to Amarillo' which had about 80% of the room up and dancing.

Holy crap, my kids and I were cracking up playing this in the car just last week. One didn't believe me that a singer actually says "l'chaim!" My theory is they wrote this *specifically* for bar and bat mitzvahs, after spending time in Hollywood and hearing about all the big paychecks peers had been getting for private performances.