official i love music thread for AEROPLANE

important point:

were the song titles on this actually PROPHETIC?

first of course 'we can't fly' -> they can not 'fly' as solo artists

'the point of no return' -> have they reached this 'point'

'i don't feel' -> many people seem to be saying '"i don't feel" this album'

'good riddance' -> now that they have broken up, many listeners seem to be wishing them 'good riddance'

'we fall over' -> are they saying they have 'fallen over' as artists

please discuss

Yes! It's a concept album about being shit! Brilliant concept.

I think Silver Screen Shower Scene is a bit different to the others given it's a remix of a certified club banger rather than a remix of a bogstandard bit of major label indie.

A+++

xp

ya but one that really changes the song in a way that remixes of club hits most often don't... it basically becomes a whole new thing.

his finest hour imo

i'm listening to this now and i really do not know what to make of this thing

'fish in the sky' just started and i liked the first 5 seconds and was like what's the big deal but then the rest of the song happened

'my enemy' kind of sounds like abba. 'save all your love for me'

'caramellas' -> no one 'cares' about the '(m)fellas' in aeroplane now

The new Milky Disco comp is out!

Listening to this album gives me the same creepy feeling I had when I saw the Vice guide to North Korea documentary.

this sounds like Goblin

a very disjointed album. the french, '70s obscurist, disco dancin, suspirial metaller part of me revels in this. But the sensitive, british, bullshit-detecting part of me's just fidgeted by intrusive vocals and wet wet wet guitar solos.
The first half, at least the first four tracks, are relatively familiar territory; there being relatively few tracks this year that I've enjoyed as much as We Can't Fly. Then I Don't Feel bursts in like Loleatta Holloway fronting the Jam, destroys the whole mood of the album thus far, and has a job trying to build it back up again. But it does manage, somehow turning into pure moments of hypnotic disco shimmer. It's pretty wobbly from then on - moments of ooh! see-saw with moments of arggh!! It's really not a terrible album at all, but with the hype around Aeroplane at fever pitch for a while now, I'm left questioning whether this is the best quality work they (now he) could have done.

ok WOW @ this ost & kjex album. i'm the type that tends to overstate things/get a little too excited sometimes, but i might like this better than the lindstrom & christabelle album! the production is effing amazing, and they actually know how to write pop songs! starting to think they deserve their own thread.

go ahead! i was going to but i hate starting threads on new artists, they always seem to end up in tumbleweeds

weird

http://i18.tinypic.com/6ki7x3t.jpg

xp, at least you and tim will show up for the party...

this new OST & KJEX album makes me really happy.

" late for the July Mix ! Trying to do something a bit different... Ripping vinyls ... Will be there by the week end ! All my apologies..."

perhaps everyone here is just behind the curve. maybe zane lowe really does know: "‎" Superstar " played by Zane Lowe yesterday on BBC Radio 1. Comparing it to Alan Parson's " The Raven " or " an heavy version of AIR " or even compared it to Muse !! With no irony I want to thank him for really understanding that song !"

also sounds like he's had it rough the last few days. poor vito.

Well, to get Alan Parsons' The Raven when you're expecting Proxy's The Raven is a bit of a stretch.

wonder if WOS will package the album with an extra cd of remixes, even if its just a limited run.
that way, its a guaranteed seller.

also sounds like he's had it rough the last few days. poor vito.

he does sound delirious

Second album will come out in a year and be a stone cold classic recorded on a tenth of the budget.

I can see this album being one of those that flops when it comes out and then gets critically reassessed a few years later. Agreed a remixes two-fer would make it more essential, a la LCD Soundsystem.

isn't it hard to license a cd of remixes as the copyright stays with the original artists or.. something? like the LCD 2-fer was their own work, and then a 2nd cd of more of their own extended 12"s of their own stuff/ early singles. i guess it'd be pretty easy if all the remixed artists were on the same label or what have you. i'm sure someone on here is an expert.

that's what i was thinking - even with the tiefschwarz misch masch, it wouldn't have had their kelis remix on it. plus now, a lot more than when the misch masch series was going, these remixes are already so widely available...

mungolian jetset packaged a second disc of remixes

Ulrich Schnauss's remix album omitted most of his best mixes so presumably there were a few licensing problems there. Either that or he doesn't know up from down. The Aphex Twin remix album, on the other hand, had about 95% of his output.

Did that Tiefschwarz Kelis mix ever come out? That would be the problem for Aeroplane's rejected MGMT remix. The way people consume remixes now, it's hard to tell which ones are official.

Isn't the Mungolian Jetset album entirely remixes?

there's a first disc of originals

afaik

No, only Creepy and Madre Epics Pt. 2 are originals. The others are ostensibly remixes but there's so little of the originals in some of them that they might as well be Mungolian Jet Set's own tracks.

ahhhh never knew that

Did that Tiefschwarz Kelis mix ever come out?

ah it was never official, just a white label a/c to discogs - http://www.discogs.com/Kelis-Trick-Me-Tiefschwarz-Mix/release/356427

i assume grace jones has changed her mind about the "williams blood" remix by now?

Wasn't the Could You Be Loved track basically MJS under the name Pizzy Yelliot?

this guardian write-up makes the album sound kind of amazing:

http://www.guardian.co.uk/music/2010/jul/28/new-band-aeroplane

Until Elton John and Jim Steinman decide to make a rock-disco album with Lindstrom, this will have to do.

?!

I read that Paul Lester column just about every day, and he's dead wrong as often as he's right.

I think I might be so desperate to like this album once I hear it that I'll take absolutely any positive feedback on it as proof that ya'll are wrong. Secretly I know you'll probably be right.

we'll all look so provincial when this blows up and vito has a number one album and is scoring the remake of 'dirty dancing' or something.

oh no, it's cool, i'll like the album by that point.

20 years out of date but totally ahead of its time.

I don't think I'll ever like it, because I appreciate what he was going for but think he failed miserably at it. Like, there are other bands who make GREAT records like this without even trying, but he worked on it for 18 months and still never got it right. I like Vito, I guess. I like the Aeroplane remixes. I think he should NEVER write and record original material ever again.

srsly, maybe the other guy was the taleented one.

other guy was basically "vibe consultant" not studio bod though, iiuc

sounds like Vito just wanted a home-listening record to be completely different to a dancefloor 12", but of course no-one else was expecting his idea of a home-listening record. Give us an amazing extended mix of We Can't Fly and let's call it even.

Having been primed by everyone's disappointment, the OTT Graun review, and Kate's tantalising Jesus Cerrone Superstar line, is it possible I could actually love this album on it's own terms?

contrariness can lead people to anything.

haha, I like/love a lot of stuff that a lot of people dislike/hate. So I'm kind of hoping someone somewhere loves this album. It's just not going to be me.

although the gaurdian review is not contrariness, it's just the cluelessness of some old guy trying to be hip, i think?

maybe it's possibe that someone thinks it "BONKERS" (as he says) in a good way, i dunno.