Marianne Faithfull

i like this woman! (well the one song i've now heard :-) )

i feel i need to listen to more

her cover of kris kristofferson's "the hawk" (which can be found on both the trouble in mind soundtrack AND ambient ibiza vol. 2!) is gorgeous - i respond so instinctively to those warm synths...

These Decca sides are fascinating: she sounds so scared to inhabit the songs, as though she's aware of how decayed their arrangements sound: like a fruit that has begun to rot and its smell is still sweet but the flies are approaching. "Tomorrow's calling with promises new / I hear the echo of yesterday's blue."

https://www.youtube.com/watch?v=xRLlzYhFhhU

so good

a secret life is amazing. dreamy noir-pop shrouded in angelo badalamenti's creepy synth strings. anyone else a fan?

cutty i bet you love this album

another important factor in this album's greatness - so much fretless

I'm a fan---been listening through the 2-cd Island Anthology and it is unmitigated, consistent awesomeness. Broken English gets hyped for the frank lyrics, but we should dwell more on the melodies: "Witches' Song" and "The Ballad Of Lucy Jordan" in particular have gorgeous melodies.

Broken English is so great. The title song has earwormed itself into me, but in addition to the two songs I mentioned in April, I wanted to mention "Guilt": the arrangement is perfect for spotlighting her voice.

new album available in the US June 28th . Advance description sounds promising:

Horses and High Heels consists of four originals and eight covers ranging from Carole King’s “Going Back” to Greg Dulli & Mark Lanegan’s “The Stations.” Four of the tracks feature virtuosic guitarist John Porter (Eric Clapton, The Smiths) while Lou Reed and Dr. John/MC5’s Wayne Kramer each make cameos on multiple songs. It was recorded in New Orleans and features a core of masterful local musicians. Hal Willner (Laurie Anderson, Allen Ginsberg), who also helmed Marianne’s critically-acclaimed 2009 collection of covers and duets: Easy Come, Easy Go, produced the album.

https://www.youtube.com/watch?v=MnygL9-ZqYE

this is a batshit clip, but that look at the end, the lick of the lips, those synths...it ends up making sense

her new single is extraordinary:

http://www.stereogum.com/1706638/marianne-faithfull-late-victorian-holocaust/mp3s/

this new album is excellent. best discovery so far from eoy catch-up

Just discovered Broken English...and Why'd Ya Do It. Crikey!

http://devonrecordclub.com/2015/12/12/marianne-faithfull-broken-english-round-86-toms-selection/

Great use of "Guilt" as a closing-credit track in one of the new Mindhunter episodes. In fact, lots of great period music in the series. Kudos to the producers for not using "Psycho Killer" at every turn.

https://www.theguardian.com/music/2021/jan/15/marianne-faithfull-i-was-in-a-dark-place-presumably-it-was-death?fbclid=IwAR1nChVaWE4ZdSDNV14Kz_HNVh92VSswbqH9yhUBwWixr7zlXA4gtRZR8Hc

Singer Marianne Faithfull earlier survived heroin addiction, suicide attempts, homelessness, breast cancer, hepatitis C, now she’s survived Covid but w/ some ongoing issues. She’s got new music & a book coming

https://www.nytimes.com/2021/04/22/arts/music/marianne-faithfull-she-walks-in-beauty.html

Sent my mom that link

Interesting interview. She’s a survivor. Now whether I want to hear her recite Shelley and others poetry, remains to be seen. Hopefully Ellis backing will make it work

Intrigued by this Montreux live album

out Dec. 8---benefit is because she still has Long Covid:

Marianne Faithfull tribute / benefit album, The Faithful, announced feat. Cat Power w/ Iggy Pop, Peaches w/ Shirley Manson, Bush Tetras, Lydia Lunch, Donita Sparks & many more

Stream the first track from the album today, Tanya Donelly & the Parkington Sisters' cover of "This Little Bird"

Best wishes for her recovery. I was watching an old BBC Arena tv documentary on Brian Epstein last weekend and finding her quite annoying - as I have done previously - with her description of the music/culture scene of the mid-1960s as a kind of exciting new aristocracy with she clearly saw herself fitting into.

Pretty much every autobiography I’ve read from a musician has some cautionary tale about drug/substance abuse, and hers was no different. However, her recounting of her acid days during the 60s would make you think she’s advocating it.