A good day for Blue Note...

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It ain't Blue Note, but this week's Forced Exposure e-mail lists a Japanese reissue of Cecil Taylor's Live In The Black Forest. It's never been on CD before. Features the late-70s Unit (Raphe Malik on trumpet, Jimmy Lyons on alto sax, Ramsey Ameen on violin, Sirone on bass, Ronald Shannon Jackson on drums) that played on 3 Phasis, The Cecil Taylor Unit and One Too Many Salty Swift And Not Goodbye.

Phil Freeman (Phil Freeman), Monday, 29 September 2003 13:45 (twenty years ago) link

I'm so glad they're reissuing that Fuschia Swing Song. My jones for Sam Rivers just continues on and on.

I really love this RVG series. I wonder how long they'll go with it.

scott m (mcd), Monday, 29 September 2003 15:25 (twenty years ago) link

CT record sounds very cool. i will look for it.

i wonder when unit structures will get the RVG?

They will probably go with it until RVG is too sick to do it. ;-)

Aaron Grossman (aajjgg), Tuesday, 30 September 2003 01:52 (twenty years ago) link

Just in case you were unaware, Fopp in UK is currently selling many of the (older) RVG reissues (and lots of other Blue Note) for just a fiver.

zebedee (zebedee), Tuesday, 30 September 2003 10:36 (twenty years ago) link

nineteen years pass...

From this Joe Chambers interview, maybe I had come across this before but it makes a ton of sense:
https://www.udiscovermusic.com/stories/joe-chambers-blue-note-years-interview/
Unlike other jazz labels of the time, Blue Note paid musicians to rehearse beforehand, usually several days prior to the session date. According to Joe Chambers that was the reason why Blue Note recordings had a sense of focus and cohesion. “We sounded like a working band in the studio because we went and rehearsed for about a week. All of the rehearsals were held at Lynn Oliver’s studios. The music for Blue Note was more complex than just blowing sessions, so you required a little more time. We would put in four to five days for each album and by the time you went in the studio, you sounded real tight, like a working band.”

change display name (Jordan), Tuesday, 14 March 2023 19:48 (one year ago) link

That makes a whole lot of sense.

FWIW I've really been coming to appreciate Joe Chambers more - first from going on a Bobby Hutcherson kick and more recently listening to all the Wayne Shorter records. I used to kind of think of him as poor-man's Tony Williams (I imagined to myself that they'd call him at Blue Note when Tony was busy), but I think that was unfair, he had his own thing.

longtime caller, first time listener (man alive), Wednesday, 15 March 2023 02:16 (one year ago) link

So much good can happen when you don't just insist on doing everything the cheapest possible way in the short run. That's why we're still talking about Blue Note and not Vee-Jay.

longtime caller, first time listener (man alive), Wednesday, 15 March 2023 02:17 (one year ago) link


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