slowdive: classic or dud?

here's one: http://www.amazon.com/exec/obidos/tg/detail/-/B000BJRJAO/

all the CDs they have by slowdive:
http://www.amazon.com/exec/obidos/search-handle-url/index=music-artist&field-artist=Slowdive

The early EP's absolutely obliterate "Pygmalion" though, while not quite reaching the heights of "Souvlaki", so maybe that 8.7 is too high after all.

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I think you have to use your own sense of adjustment with these things. I'm in aggreement with that scaruffi person frankly (http://www.scaruffi.com/music.html) ratings are over-inflated right across the board. They could sorely do with bringing in line with reality, but it's never going to happen whilst commercial pressures exist. Ratings kinda suck anyway but they're still useful (as the most limited gauge of quality possible).

I'd of given JFAD less than 7.0, even though i still enjoy it. The bonus stuff on JFAD is great though, alot of their best non-Souvlaki work was on those early singles.

They could have put bonus tracks on the Pygmalion release though, all the demos are avaliable on your favourite p2p (as well as the Souvlaki demos) and are pretty good as far as demos go.

I'm not sure quibbling about decimals matters that much (retract what I said above ok?). I'd only consider it 'low' in an environment where everything else is absurdly exaggerated. 9 to me = exceptional, close to essential, a clearly influential & groundbreaking release (for reissues).

Didn't Clap Your Hands Say Yeah get a 9? =)

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I saw Slowdive around ten times in and around Los Angeles for those first two albums. That drummer brought Just for a Day to life and was a madman on the kit. Some of my favorite B-sides are on those early EPs and are the extra traks for the first release. So I actually think JFAD is underrated because of the bonus disc. Souvlaki is right because it really is that good. I have owned Pygmalion since 2001 when I bought it at Amoeba San Francisco for cheep and never got into it. People love that album and I should find out why but that is around a 7.0 for me at the moment. Slowdive live blew me away because of their amazing drummer that you can’t really experience that aspect on record but live he made you pay attention.

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Was the date Monday April 11, 1994? Yes I was at that show, and was also at the raggedy place that was upstairs (maybe) can't find a stub for this show but was the only show I saw at this place. If I remember right it was off Hollywood Blvd, maybe Sunset and was a great show as well but bands shouldn’t have played this place but they did.

Anyone want to buy my copy of Souvlaki + Blue Day in 2CD set? I could then happily get the other 2 reissues.

April 24 - Teenage Fanclub (Fairfax High School)
April 25 – The Charlatans (Palace)
April 28 - The Sugarcubes (Palace)
May 9 – Catherine Wheel (Whisky A Go Go)
May 18 – Blur (Palace)
May 28 – Ride with Slowdive (Coach House)
May 29 – Ride with Slowdive (Palace)
May 30 – Ride with Pale Saints (Palace)
June 2 – Pale Saints (Whisky A Go Go)

Not to forget the Cure twice at the end of June that year.

Time of my life…

I don’t make that many shows anymore, since moving back to Los Angeles, because 1) in San Francisco they were right outside my door and didn’t have to drive miles and miles. 2) Ticketmaster can go to HELL!

*I know ILM hates OCS but they were a great live band and became much better as the years went on. Everything doesn’t need to be new and inventive all the time, stealing from the best is OK every once in awhile.

I don’t make that many shows anymore, since moving back to Los Angeles, because 1) in San Francisco they were right outside my door and didn’t have to drive miles and miles. 2) Ticketmaster can go to HELL!

In order -- remember hearing about it, missed it, saw it (but it was the Wiltern!), missed it, saw it (I remember Damon ambling out on stage with the Moz quiff and everyone going "MORRISSEY!"), missed it, saw it, saw it, missed it (so annoyingly because the Red House Painters opened!).

In there, though, I did see the Wedding Present/Poster Children, Verlaines/Yo La Tengo, and Soundgarden/Swervedriver/Monster Magnet.

i'm not sure you'd get much out of a guitar tab though :)

"MOJAVE 3: DUD OR CLASSIC DUD?"

is there such thing as changing a posts title?

OTM. Maybe it's all in my jead but I do think the sound has been impoved nicely, adding texture here and there, and I'm glad to have 'So Tired' and 'In Mind', but jeez talk about awful packaging. But that's the original cover afraid (the superior black one was for the susbequent US domestic release).