let it be...naked?

If I ever get a record contract, remind me to name my album evolver.

Hahahaha - I'm always having this conversation with my girlfriend!

Ou local pub has a jukebox with one speaker copmpletely removed from the other, so you either get vocals & tambourine, or music with a tiny bit of delayed vocal reverb. It reminds me of when I was a kid: we had a stereo 'radiogram' & only one speaker worked (thanks to my prank with a toasting fork). I saved up my Boots' vouchers & bought the Red Album (btw, do you remember those wild Boots carrier bags, with a guitarist on one side & a conductor on the other - both in duotone lilac & purple & a claim that 'this bag will decompose harmlesly when buried in soil...). Anyway, back to the point; I only heard half of the album until I got my first stereo for my 15th birthday.

Please clone and distribute.

Nah, this was actually well in the works by the time George passed away. Thanks to all the past litigation and subsequent hatred between all parties, it takes years and years of legalistic hashing out before any Beatle release sees the light of day.

The Grid already did that, remember?

As much as I hate to agree with Pitchfork, their review today was pretty OTM. It does sound fantastic, and most of these takes are excellent. But I'm so used to the little dialogue snippets that I don't think it will ever replace LIB as the default version I throw on (honestly though I haven't listened to LIB in probably a year and a half) and I still wish some kind of Dig It version had made it on here. The biggest improvements are on the McCartney sap-fests Long and Winding Road and Let it Be.

(I don't care about this release, though.)

The funeral was held in this big auditorium inside the funeral home itself. He was a young guy, so there were all sorts of older relatives milling around before the service. There even seemed to be a pew reserved for his ex-girlfriends. On the sound system, there were some CDs playing on shuffle.

There got to be a point where finally everyone was sitting there quietly with the music still on. The player found "Let It Be" and hearing John do his old granny voice ("this one is for George P. Woods called 'All the Angels Come'..." or whatver) made me laugh for the first time in a few days.

I liked the patter. They should've found that ten minute version of "Dig It" to put on there, too.

Another in a series of completely weird, random, and indefensibe Geir credos.

A lot of music from the 60's is truly better in mono, since producers had mastered one-channel dynamics, and reserved two-channel dynamics for only the wankiest, most laughable of effects. Usually the "effects" amount to some guy in a studio turning a knob this way and then that. Unlike modern stereo mixing, it has no relation to the human ear whatsoever.

Then quit kissing people indiscriminately

311's last album! i heard it its good but yah it sucks at the same time. ::shrug:: what ya guna do? everyone knows paul is trying to rewrite history so its obv not guna work. so evil. yoko says like 3 things about it here:

but not by Phil, right?

personality/character-wise, i dont know if i ever liked any of the beatles, but lennon is my least favorite songwriter in the group. i will try and hear it regardless. nb my favorite beatles/beatles related album is macca's "give my regards to broad street".

crappy title. this would have been a better cover:
http://en.wikipedia.org/wiki/Image:Let_It_Be_Negative.jpg

Or this:

http://www.beatlesource.com/bs/scans/acetates/apple/gb-lib1i.jpg

Or something a bit similar to this:
http://farm2.static.flickr.com/1198/590050688_454a6dcf11_o.jpg

i recommend the 'get back' album that you can get on certain p2p networks and bootlegs. its apparently the version the engineer glyn johns made before the album turned into let it be. whether its cobbled together from all the various let it be sessions or the actual version johns made up (ie the takes he selected that would have made up the get back album had it come out), i dont know, but its good. some of the takes i wish didnt have certain bits of banter at the start or end, but it makes it seem nice and informal. which is probably the better option as the original material was pretty ragged to begin with. ill hear the naked version one day.

There are two separate Glyn Johns mixes of it.

hmm. and theyre both legit?

Beatles MANIA up in this bitch.

this release was such a disaster

Did we have a thread for the upcoming Peter Jackson Beatles reswizzle?

Anyway here's the book

https://www.youtube.com/watch?v=ZM__OJUFzIQ

What about that stereo Pepper's done by George Martin's son? Heard about half of it, thought most of that was good ("Mr Kite" very show offy, but it's a song for an imaginary show, after all, sort of UK Ray Bradbury)

this has to be the least-loved and most-forgotten 21st-century Beatles release, right? even the thought of listening to this roundtable is more appealing:

On 13 November 2003, the completed Let It Be... Naked album had its world premiere with a two-hour radio special from Infinity Broadcasting. The special featured (...) a 20-minute roundtable discussion hosted by Pat O'Brien. The roundtable discussion featured analysis from musicians Sheryl Crow, J.C. Chasez, Billy Joel and Fred Durst, Breakfast with the Beatles host Chris Carter, record producers Alan Parsons and Jimmy Iovine, music critic David Fricke and journalist Geraldo Rivera.

xp Some of those remixes are decent yeah, his great thing is making the vocals sit where they 'should' be in the middle, but sometimes the whole 'everything but the kitchen sink' approach is a bit much.

Yeah '...naked' isn't even in the big box sets so.. it's like they are going to pretend it never happened.

xpost For a second I thought that was something upcoming this November and was going "Why in the name of god is that allowed to exist."

there's nothing that can really redeem these bros bringing their worst material to a room where they just stare at each other filled with malice/barely concealed racism for days on end while they pray for their lawyers to finish the busy work of letting them start solo careers

even as a 7 year old first looking through and listening to my parents vinyl collection i could tell this was shitty. i'll rep for I Me Mine and Long & Winding Road but thats about it.

buncha glynn johns mixes here:

https://www.beatlesource.com/bs/mains/audio/GetBack/gb2intro.html

Well it's their legacy now so they can arse around with it as much as they like IMO. If it's decent, i think i'll enjoy a good film maker's remixing of the
cleaned up footage. It'd be worth it for me, just to clap eyes on that performance of Two Of Us again. Hell even the recent remastered rooftop footage (on the 1+ Blu-Ray) looked amazing.

I mean i'm as cynical as the next fella but even i'd draw the line at all that 'malice and lawyers' talk.

would like an all things must pass naked, hate the Phil Spector production on there

eh, its a long time since i've watched it to be fair, but i just remember the original LIB film taking away from a lot of what i liked about them "as a band" - ie my idea of The Batles... which sure is probably half mythologising anyway. there's just so little joy in the whole project. i don't know how anybody who's seen that film could think "Damn i need to see more of this!" .... its not as if they had a stock of magically joyful better performances hidden away that weren't used at the time?

yes i said The Batles.

my understanding is that Jackson's intent with this footage is to dispel that impression made by the oroginal film—that the sessions were so miserable and depressing. The unseen footage from what I've read reveals that contrary to the conventional narrative the band still dug eachother and enjoyed playing together.

On 13 November 2003, the completed Let It Be... Naked album had its world premiere with a two-hour radio special from Infinity Broadcasting. The special featured (...) a 20-minute roundtable discussion hosted by Pat O'Brien. The roundtable discussion featured analysis from musicians Sheryl Crow, J.C. Chasez, Billy Joel and Fred Durst, Breakfast with the Beatles host Chris Carter, record producers Alan Parsons and Jimmy Iovine, music critic David Fricke and journalist Geraldo Rivera.
LOL, I actually listened to this special! Sheryl Crow (who went on about how she loved the bass sound and wanted to steal it) and David Fricke were definitely participants, and possible Parsons, but Billy Joel, Durst and Geraldo certainly were NOT, some wag threw those names in.

But yeah the 2003 remix was virtually unnecessary. By 2003, the best, definitive versions of every track that SHOULD have been on that album were either on "Let It Be," "Past Masters Vol. 2" or the "Anthology" CD's, or at least used in the film itself (which to be fair, was never issued on DVD). It would've been nice to have them all in one place on an official CD, but they decided to mess around with it, hence the inferior new mixes.

i finally got around to listening to this years after it came out and thought it was...fine, really. it's always been my least favorite beatles album but i found myself appreciating the songs more in this context -- just a straightforward album, no spector crap, none of the annoying chatter between songs, and they replaced the two throwaways with "don't let me down" which always belonged on this album anyway. i'd probably rather listen to it than the original album. that said i always kinda wished they had just released an album of the rooftop concert and left it at that.

The track sequence on Let It Be...Naked is actually rock solid - it flows much better than Phil Spector's Let It Be and all three of Glyn Johns's rejected Get Back sequences. I agree that replacing complete throwaways like "Dig It" and "Maggie Mae" with "Don't Let Me Down" helps immensely, and I also agree with ditching Spector's orchestral and choral overdubs, I never bought the counter-argument that "The Long and Winding Road" needed those strings - that's like saying Mountain Dew needs more sugar.

What I don't like are the new edits and mixes because for the most part, those were already done right back in 1969 or 1970, and except for stripping Spector's orchestral and choral overdubs, all the noticeable changes made on Let It Be...Naked didn't improve any of the songs - quite the opposite. Losing the coda on "Get Back," picking an inferior take of "Don't Let Me Down," using the guitar solo on "Let It Be" that Harrison himself rejected (and twice re-recorded, with the best one picked for the single and the other Spector used for the album), etc.

I actually like the quiet and brief spoken word bits on Let It Be, the stuff that didn't get their own tracks and opened or followed most of the songs, because in total they did bring a welcome loose and casual atmosphere to the album rather than crossing the line into sloppiness.