Where is the infamous Rolling Stones sample in "Bittersweet Symphony" ?

Yeah, this definitely isn't a minor sample; it pretty much makes up most of "Bittersweet Symphony," although it seems like the Verve probably souped the sample a little bit. And this song hardly sounds like "the Last Time" at all! WTF!

Eh, I'm sure they stole the idea from someone else. Well-executed idea, though.

Well the thought had ocurred that the idea might have been picked up by someone else on its way, but I have no way of knowing so I was giving them the benefit of the doubt. I doubt I've listened to much of the kind of stuff The Verve were listening to, so plenty of people would know more about this than I do.

what's the idea. to have a string section play the thing and then have ashcroft 'suffering' over the top of it.

yes OK OK ARE YOU HAPPY NOW!!!!

wire>elastica (this one makes me very very mad), gilbert o'sullivan>biz markee, queen/bowie>vanilla ice, roy orbison>2 live crew, 'stones'>verve, willie dixon>led zeppelin even.

happy to see the site's still up and running.

All hail fucking Ashcroft.

"We sampled four bars. That was on one track. Then we did 47 tracks of music beyond that little piece. We've got our own string players, our own percussion on it. Guitars. We're talking about a four-bar sample turning into 'Bitter Sweet Symphony' and they're still claiming it's the same song."

Adding tracks and instruments does not change the fact that the whole song, start to finish, is written very tightly around those four bars. The keys and changes are all in that sample. No sample, no song. He deserved to be sued.

But it should be known that "Bittersweet Symphony" is not driven by some kinda brilliant pop songwriting, but rather by a simple sample. Too many people still give Ashcroft wayyyy too much credit for it.

I don't care how much is Verve and how much is the Stones, "Bittersweet Symphony" remains one of the best singles of all time.

F
E

C
B

you are an idiot.

The RS riff goes:
Da-da-da, da-da, daah-da, da-da

Nothing alike! Bogus litigation, clearly.

But there's really not, that's my point. If you listen to the whole Andrew Loog Oldham Orchestra (great name by the way) track, it becomes obvious around the minute-thirty-five mark. The leap from what's going on there to the main melody in "Bittersweet Symphony" is very small.

Ashcroft's collegiate romanticism (I can't make much sense from the philosophising and don't care to try too hard) just adds vocal texture. But the fact that a sample from an orchestral interpretation is turned into a rhythmic device means that the Verve did some serious creative work and means they deserve considerable credit for turning it into a hit - unless you want to argue that the Loog track was seriously likely to move any units at all without Ashcroft's intervention.

rather, it means that the verve made the simple mistake of not asking for permission for beforehand and thus forfeited their rights to have any say in the negotiation.

I believe Richard Ashcroft was allowed a £1000 'writer's fee' for his new words...

Whatever! I don't see any of you hating on Puff Daddy for what he did to Sting, oh hang on...

What's bad about these Ashcroft lyrics? Ususally he's a dick, but not so much here. I think it rocks and I did when I was 16.

Wait you actually think there is a single human being on this planet that hasn't heard "Every Breath You Take"?

Haha, yes.

I meant the planet Earth btw.

the thing that bugs here is that the Verve did play by the rules, signing over the publishing to Jagger / Richards just to be safe, and then the manager of the band decided to go for MORE. and got it!

Working with Allen Klein is like trying to invade Russia during the winter. You might believe that things will be OK at first, this time for sure, but you WILL lose and you WILL be left with nothing.

http://en.wikipedia.org/wiki/Allen_Klein

Pretty sure they did clear the sample and that there was an agreed to 50/50 royalty split.

o rly

I'd never heard this before and it's pretty jawdropping.

...but sounds nothing like the Stones tune. The orchestra version anyway...

Wait you actually think there is a single human being on this planet that hasn't heard "Every Breath You Take"?

I would guess a lot of people born after 1990 haven't, as they are also too young to be familiar with "I'll Be Missing You".

"o rly"

Well that's what wikipedia sez. If it's not true take it up with them.

i'm pretty sure that less than 50% of human beings on the planet Earth have heard "Every Breath You Take"

I'm pretty sure people too dumb to understand hyperbole don't deserve to have the concept explained to them.

too dumb, lol

Don't worry gabbneb you'll hit 50 soon enough and then you can go back to picking nits off your dick.

Or rather hit 50 again, right.

lol

https://pitchfork.com/news/rolling-stones-finally-give-bitter-sweet-symphony-songwriting-credit-to-the-verves-richard-ashcroft/

That’s very nice of them. It was always total fucking bullshit that Ashcroft had to give them the rights to the song in the first place.

I don't care how much is Verve and how much is the Stones, "Bittersweet Symphony" remains one of the best singles of all time.

― Mr. Snrub (Mr. Snrub), Monday, January 19, 2004 1:43 PM (fifteen years ago) Bookmark Flag Post Permalink

Hahahaha jesus that was fifteen years ago.

Yeah, absolutely. I'm not sure that most people made the connection between 'Bittersweet Symphony' and 'The Last Time' anyway - it's one of those things you really wouldn't have been able to figure out unless you were told what the sample was supposed to be. It's not, like, say, Shed Seven literally ripping off 'Back Street Girl' on 'Out By My Side', which was a really brazen, obvious rip that they didn't get sued over.

It’s cool they did that. Does Ashcroft also receive a share of past royalties, or only future royalties? I looked up the source articles, but that point isn’t clear to me.

I would hope that he would get backdated royalties. It would be pretty shitty if he didn't, given that the song no longer gets the airplay it once did.

The statement sounds like it's going forward, not backdated. It doesn't seem likely that Jagger (MICK Jagger!) and Richards would bother to have their accountants go through every cheque that's come in over the last 22 years, make sure that they have that amount liquid, and send it to Ashcroft.

I agree it is hard to imagine such an accounting from Abkco taking place... though the result is indeed a bit of a “Bittersweet” victory for Ashcroft.

This article also notes that “Jagger and Richards assigned their songwriter royalties to Ashcroft, but not control or publishing rights to the song.”

I find it difficult to imagine too, but then we're - quite rightly - not privy to the negotiations, so you never know. I very much hope he does.

“Jagger and Richards assigned their songwriter royalties to Ashcroft, but not control or publishing rights to the song.”

Those are what's controlled by ABKCO.

About time

https://www.youtube.com/watch?v=9YrllfAMwHI

this is pretty beautiful, honestly. has nothing to do with the rolling stones song "the last time"

The AOO version is leagues better than the Stones's or the Verve's.

idk, i think bittersweet symphony is a great single

But what of that "Treat Infamy" song?

https://www.youtube.com/watch?v=BBQ0qNtLq8E

It would be like if Dylan demanded royalties for Beck’s “Jackass”, no?

Ha ha, Spotify still has this as “Written By: Keith Richards Mick Jagger.”

Never change, Spotify.

David Whitaker really should have been compensated for the sample

Ha ha, Spotify still has this as “Written By: Keith Richards Mick Jagger.”

Never change, Spotify.

why would this change? (does it not say lyrics by Ashcroft, as per the album?)

It does not.

I assume Spotify gets those credits directly from the licensor (would have to light the Glenn-signal to confirm).

yeah, if the official credit does now go to the band or to Ashcroft, one wouldn't expect that to change in sleevenotes unless there was a new "release" with new metadata - an anniversary remaster, an appearance on Best Britpop Anthems Of All Time... Ever!! etc.

Even then, if the track is there already, it won't erase or update the previous