Best Walter Hill Movie

those first 3 films - Hard Times, The Driver, The Warriors - are sooooo great (and Long Riders is also good, but it's been ages since i've seen it)but it does get rather spotty after that.

Anyone seen Wild Bill? If so, gimme a quick review before I put it on my Netflix queue.

cool i never knew he did The Driver. But my vote will always go for Warriors.

Automatic thread bump. This poll is closing tomorrow.

I thought Undisputed was pretty good, actually.

Wild Bill -- excellent Jeff Bridges and Ellen Barkin in a Western elegy. Even David Arquette is tolerable.

Undisputed is so-so, but Peter Falk is obscenely hilarious.

Of the 7 I've seen, The Long Riders, Wild Bill and Geronimo are my favorites. Tried to watch Hard Times last month, but it's only out as a pan&scan DVD!!!

gotta be The Warriors

Automatic thread bump. This poll's results are now in.

yay!

i thought 'streets of fire' would do better. isnt it some sort of cult movie?

also i saw 'undisputed' yesterday. its such a sweet and goofy movie! a sweet goofy prison boxing movie.

Those top 4 are in reverse order it seems to me.

the ILXors' fave at age 13 romps again

how did I miss this thread!? I've been on a Hill kick lately, just watched Extreme Prejudice and the Driver for the first time. I'd take Southern Comfort, Extreme Prejudice, Undisputed and Trespass over The Driver. I need to see Streets Of Fire, The Long Riders and Red Heat (probably the only mid-80s Schwarzenegger flick I haven't seen).

I probably would have voted for Southern Comfort if I had to pick just one.

man, i wish i'd represented for Red Heat.

http://www.mezcotoyz.com/store/inventory/Summer%202008%20Exclusives/18010.jpg

is Extreme Prejudice worth a look? I just watched an old Siskel and Ebert rave.

totally entertaining with a nice 'wild bunch' ripoff element to it.

it has powers boothe playing with a scorpion and referring to himself in the third person, nick nolte at his buffest and a totally superfluous team of mercenaries led by michael ironside used as fodder during the bloody climax. in other words, yes.

rip torn as nolte's shotgun-wielding deputy!

Michael Ironside and Rip Torn? In one movie? Sold.

Torn was in it? may need to revisit it myself.

tried to watch red heat but couldn't get past jim belushi.

johnny handsome has its moments

ironside's mercenaries include clancy brown and william forsythe as well

No votes?!

Should rename it It's a B Action, B Action, B Action, B Action World.

tbh i would have voted for extreme prejudice if i'd seen the poll in time

seeing as how "the driver" came in second i can't say i get that poll at all

Though had I seen it beforehand Southern Comfort would have tied.

I enjoyed Southern Comfort more than Deliverance, actually.

Jeff Bridges aside, I thought Wild Bill wasn't worth the time

Southern Comfort had a great Ry Cooder soundtrack...

I thought Undisputed was pretty good, actually.

― The Yellow Kid, Monday, June 25, 2007 3:29 AM (1 year ago) Bookmark

^^^^

i liked undisputed. it's pretty bare-bones, but tough in that walter hill way. it's nothing remarkable, but if you think you might like a prison boxing movie with wesley snipes and ving rhames, it's worth a look.

The Driver is playing at the Museum of the Moving Image in Queens today.

Undisputed's good, but Undisputed 2 & 3 are a hundred times better.

and The Driver beats the hell out of Michael Mann's LA glitz.

Virtually every Walter Hill movie beats the hell out of Michael Mann's entire oeuvre.

At least up to and including 48 Hours. I'm not going to rep hard for Crossroads or Brewster's Millions.

the driver is the perfect vehicle (get it) for ryan o'neal, even more so than barry lyndon - he just has to take up space in the frame, nothing more

man this poll was hard times for hard times, my favorite of the bunch.

The Driver beats the hell out of Michael Mann's LA glitz.

would love to poll The Driver vs. Thief but the 7 or 8 total votes not worth it.

Undisputed's good, but Undisputed 2 & 3 are a hundred times better.

― ℳℴℯ　❤＼(◕‿◕✿ (Princess TamTam)

hills failure to discover scott adkins will haunt him forever imo.

Ryan O'Neal's character only says 350 words in the entire movie.

it was just on some weird cable channel i get (family net? where you have to bleep out 'god' but ladies getting shot in the face is ok). it's soo economical & hard-boiled, some scenes almost dont work but all in all it's pretty good. isabelle adjani in this time period is just stunning imo (i also watched 'subway' this wkend)

http://en.wikipedia.org/wiki/Bullet_to_the_Head

whaddya know. first theatrical feature he's directed in ten years. and it's a stallone vehicle.

it seems uncharacteristic in a lot of respects but his first feature, hard times, is pretty great. it's not as peculiar and exciting as the driver or the warriors, but it's extremely absorbing and convincing.

i did not know this (from wikipedia):

Hill read Alex Jacob's screenplay for the Lee Marvin film, Point Blank and considered it a "revelation" in terms of style and format.[2] He decided to tailor his own scripts in that manner, as he described it, "extremely spare, almost Haiku style. Both stage directions and dialogue."

makes a lot of sense though doesn't it?

http://www.flickr.com/photos/edgarwright/6057245137/

the Stallone movie's release has been postponed, not sure exactly what's going on there.

From memory, Southern Comfort. From memory, definitely not Johnny Handsome.

Hard Times playing in Brooklyn in a few weeks, I'll finally see it.

http://www.flickr.com/photos/edgarwright/6057245137/

― RudolfHitlerFtw (Hungry4Ass), Tuesday, February 28, 2012 4:53 AM (7 hours ago) Bookmark Flag Post Permalink

holy shit, that is awesome.

Driver, The Warriors, and Deadwood Pilot. Good job, Walt.

The Long Riders is so close to being great. I actually like the brothers-playing-brothers thing, I think the robberies are well staged, but there's something just slightly off about it...I think it's that he has no idea how to shoot peaceful domesticity. Anytime they're not being hunted or committing crimes, the whole thing just falls flat.

i found long riders kind of soporific. honorable, but soporific. good acting though -- keith carradine especially.

i don't know exactly what's wrong with it... maybe it feels too studied, too reverent, esp. compared with the hill films that came before it.

james cameron isn't the best when it comes to staging/shooting violence (in that respect, none of these guys can hold a flame to tsui hark or sammo hung etc.), but he's pretty great at action movie plotting and pacing... or at least he used to be.

i should add though that the car chases in the driver are some of the most beautifully edited/shot sequences in all of american cinema

that's esp. apparent on a big screen, they are captivating

i think my thing with long riders is it's real pretty to watch but the cast aren't quite up to that level. like walter either needed to dial himself down or them up. it felt like a superbly shot lifetime movie or something idk

"Studied" and "reverent" definitely get close to my problems with it. I own the DVD (also own The Driver and The Warriors, but the latter is the terrible "Ultimate Director's Cut" with all the comic-book-art inserts; I need to get the earlier Paramount DVD from eBay) and should watch it again.

There's a Japanese Region 1 Blu-Ray of Extreme Prejudice.

Got the aforementioned Japanese Blu-Ray of Extreme Prejudice in today's mail; watching it now. It looks fantastic. A totally pristine restoration, not a speck of dirt anywhere, full widescreen - totally worth the $50 it cost me (including shipping).

Charles Taylor on the grungy 1972 Hill-scripted private eye film reuniting "I Spy" stars Bill Cosby and Robert Culp, Hickey & Boggs:

Los Angeles looks like it’s on its last legs, the kind of decaying city where the Greyhound station would be the brightest spot in town. It’s a street-level view of the city, what you see driving or walking, not the view from the high-rises springing up round town. The partners’ office is round the back of an ancient brick building next to the rear door of a shoe store that doesn’t look as if anyone ever goes in. But no one ever seems to be anywhere in this Los Angeles. This is a noir that takes place mostly in daylight and yet, from scene to scene, it feels almost as empty as any shadowy street at night. All the locations are in rundown, nearly deserted parts of the city, an elephant’s graveyard of urban life. By the time the movie climaxes on a deserted stretch of beach, you barely notice the Pacific rolling in, and the sun shining through what looks like the only clean air in the movie. You feel as beat out as Hickey, dropping to his knees in the sand. He and Boggs seem so stunned they made it to the end of the case that they can barely take notice of the bodies all around them. They can only mutter that “nobody came … nobody cares.”

https://lareviewofbooks.org/essay/bebopsilence-hickey-boggs

http://upload.wikimedia.org/wikipedia/en/9/9d/Hickey_and_boggs_Poster.jpg

It's nice to see that one get upgraded. MGM put it out as a MOD disc a few years ago, and it looked surprisingly good, like the transfer had been meant for a proper physical release before the business changed.

Kino Lorber puts out the Blu on Dec 2... Tarantino's New Beverly in LA is showing it next week.

Walter Hill's got a new one coming soon, TOMBOY, A REVENGER'S TALE, starring Michelle Rodriguez. IMDb synopsis:

Following an ace assassin who is double crossed by gangsters and falls into the hands of rogue surgeon known as The Doctor who turns him into a woman. The hitman now a hitwoman sets out for revenge, aided by a nurse named Johnnie who also has secrets.

Wish it was Mickey Rourke in the lead.

Maron interviews:

http://www.wtfpod.com/podcast/episode-805-walter-hill

i really need to get on that Japanese region 1 blu ray of Extreme Prejudice mentioned upthread.

I've hardly seen any of this guy's films but Streets Of Fire is a really mixed bag, the hero is surrounded by better acting than he's delivering, he's excessively reckless even for the character and passes up an early opportunity to shut down the villain.
Liked the Cooder tracks, loved the Jim Steinman end song.

Had another look at The Driver... really a deadpan existential comedy when it works (80% of the time). Bruce Dern never better. Apparently Isabelle Adjani felt she made a bad choice in doingf a genre film for her first Hollywood project, and got offered only crap in the USA after it flopped.

where can you even watch The Driver?

at the Metrograph yesterday!

also the Blu released in 2013, which i've never seen. I think the Alamo video store might have it.

it's kind of shameful that Extreme Prejudice remains unaccounted for on blu-ray stateside. Shout! Factory should get on that.

XP...and the DVD is still in print and cheap (The domestic Blu is one of those OOP Twilight Time limited editions meaning $$$$)

I watched it on Blu-Ray in 2013 and the print was good.

or maybe it was the DVD; my library had it.

the TRANSFER

it is INSANE that the two songs on the Streets of Fire soundtrack by "Fire Inc." are 6 and 7 minutes long respectively

i mean i love "Nowhere Fast" as much as the next guy but it's 6 minutes with no changes in dynamics or tempo or anything, just relentless uptempo '80s hard pop

How is it that there's no Streets of Fire thread and very little discussion itt? I would've thought it was right up ILX's alley.

Just saw it for the first time. Yes, it's dumb as a brick and all style/no substance. But oh what style! I guess yr enjoyment will depend on how you feel about the notion of Hill making a spiritual sequel to The Warriors which also functions as a film adaptation of 'Holding Out for a Hero', with all of the depth and narrative complexity of the latter.

I'll acknowledge that it isn't actually good but I could probably make a quick list of fifty things I loved about it.

I saw The Warriors in a theater during its first release. I was probably one of the only people who ever deliberately chose to see this because it was said to be based on Xenophon's Anabasis. I left the theater a bit disappointed that the Xenophon angle had been so muted, but on the whole I was a satisfied customer. It had panache.

Well this looks promising

https://mzsworldstore.com/products/pre-order-a-walter-hill-film-hardcover-signed

Should be awesome; Chaw is great. His segment on 48 Hours in last year's Netflix series Voir is worth a watch too.

Pre-ordered. Hill has deserved serious analysis for a long fuckin' time. (I'm very curious how Chaw will deal with Extreme Prejudice, a movie I love unreservedly.)

He really had one of the greatest streaks of any director ever... Hard Times, The Driver, The Warriors, The Long Riders, Southern Comfort and 48 Hrs. in less than a decade? Jesus.

For some reason, the release of "Extreme Prejudice" made a big impression on me. I remember the print ad in the paper, I vaguely remember the Siskel & Ebert review. That was back in 1987, when I would scour listings and magazines and make spreadsheets of upcoming movies I wanted to see, mostly Hollywood and genre stuff, because I was 12. And yet, I never got around to actually seeing the movie ... until tonight. It's got a heck of a pedigree, not just Walter Hill or some lingering John Milius madness but a cast of all sorts of familiar faces: Nick Nolte, Powers Boothe, Rip Torn, Michael Ironside, María Conchita Alonso, Rip Torn, William Forsythe, Clancy Brown, Larry B. Scott (from "Revenge of the Nerds"), "Tiny" Lister, a bunch of other background randos I recognized.

And you know what? Despite its pedigree, it's just not that good. It's like 30 minutes of movie stretched out to just over 90, and while it aims for "The Wild Bunch" it's got a lot more in common with an episode of "The A*Team." The score, too; Ry Cooder gets a credit for handling the traditional Mexican music that sometimes gets a spotlight, but most of the music is a totally incongruous synthed-out score from Jerry Goldsmith, which does the grimy, sweaty locations no favors. Kind of a bummer, imo. Feels rushed and incomplete, less an unpolished gem and more just kind of a dull rock.

New Bluray of Southern Comfort happening:

https://vinegarsyndrome.com/collections/frontpage/products/southern-comfort

2-disc Set: 4K Ultra HD / Region Free Blu-ray
4K UHD presented in High-Dynamic-Range
Newly scanned & restored in 4K from its 35mm interpositive
Commentary track with Walter Chaw, author of A Walter Hill Film: Tragedy and Masculinity in the Films of Walter Hill
"Battle in the Bayou" (17 min) - brand new interview with co-writer / director Walter Hill
"Behind Enemy Lines" (26 min) - brand new featurette with editor Freeman A. Davies and assistant editor Lisa Zeno Churgin
"Soldiers, Not Mailmen" (17 min) - brand new interview with costumer Dan Moore
"Into the Unknown" (15 min) - brand new interview with film historian Wayne Byrne on Southern Comfort and the legacy of Walter Hill
Archival featurette featuring interviews with: co-writer / director Walter Hill and co-writer / producer David Giler, along with actors Powers Boothe, Keith Carradine, Peter Coyote and Lewis Smith (27 min)

I watched it on Blu-Ray in 2013 and the print was good.

― The Silky Veils of Alfred (Alfred, Lord Sotosyn), Tuesday, September 4, 2018 2:35 PM (five years ago) bookmarkflaglink

or maybe it was the DVD; my library had it.

― The Silky Veils of Alfred (Alfred, Lord Sotosyn), Tuesday, September 4, 2018 2:35 PM (five years ago) bookmarkflaglink

the TRANSFER

― a Mets fan who gave up on everything in the mid '80s (Dr Morbius), Tuesday, September 4, 2018 2:36 PM (five years ago) bookmarkflaglink

Trespass is a really fun movie