NME's 'C86 Compilation'.... C&D, S&D, Say Something Interesting About, etc etc etc...

Yes, they tracked down as many band members as they could. I certainly supplied Sanctuary with addresses/emails of as many of the bands as I knew, and generally (the indie network being what it is), someone knew someone else & so on.

>>>Harvey, any idea how many of these tracks are dubbed from vinyl?

No idea. Another Sunny Day's contribution is certainly from a mastertape, but as that tape is a 20-year old Maxell C90, it's never going to sound great.

And that's the point, I think. As often as not, a mint vinyl copy will provide as good -if not better- a remastering source as an old mastertape. Tape is prone to all sorts of deterioration issues (hence the need for "baking" old tapes prior to replay). If a mint vinyl copy can be found, it's simply a case of recording that from a top-end vinyl player.
I've not listened to the compilation analytically yet (too busy loving the music & reveling in the memories), but the sound seems fairly top-notch to me. All except "Sunday To Saturday", whose right channel has peak distortion throughout. Which is a real shame. But as John Peel might say, "life has peak distortion throughout".

Ha ha, some of you are now in my house!

It is nice how many of the writing credits are on first name terms only, eg "Sean".

I would aslo like to see the Some Bizarre exhibition near Russell Square, but you have to ring the bell to gain entry and I am worried about that.

What could possibly happen?

www.hungrybeat.com

The frontage was totally blank. Unless you knew it was there you could never find it.

You had to ring the bell to gain access.

I did so frequently.

I was always let in.

There were no sinister overtones.

However the shop has since ceased trading.

So perhaps the blank frontage was deleterious from a marketing point of view.

not for the first time, I covered a song from C86

http://soundcloud.com/pinefox/therese

I have been listening to the 3CD C86 compilation.

First CD is, I think, the original tape then extras; then two more CDs of other material from the year.

First two CDs a bit disappointing, if anything -- basically because they didn't correspond to the myth or legend of C86 as a genre; they're often not poppy, jangly, etc; the original C86 just was not the same as the idea constructed retrospectively. Some might say it was more interesting. There are influences from The Fall, noise, sneering - mostly not my kind of thing.

The third CD though seems to show the aesthetic (as it would later be seen) cohering more and I enjoy it best.

Disc 1 is just the original tape, there's no extras. Well, apart from they used the wrong version of the Pastels song, it's the version from the Truck Train Tractor 12" instead, which is particularly annoying since that's one of or perhaps the only song that isn't available anywhere else. But that's fairly typical for Cherry Red records.

So the tape was 22 tracks ?!

I need to read the sleevenotes properly.

Velocity Girl, Therese, It's Up To You -- all tremendous. Otherwise not very convinced by that first disc.

Worst things on it: probably Stump and Half Man Half Biscuit.

"9 Steps to Ugly - Eddie Lopez lives in Slough
Very cool, proto-Sundays. Makes me wonder if that is actually Harriet Wheeler singing."

Hard to picture HW singing a song with that title.

Crikey, though, here it is!

https://www.youtube.com/watch?v=865jN97IKh8

That song is fine, my kind of thing in a way, but it does not really sound like Harriet Wheeler at all.

fwiw CD tracklisting:

DISC ONE:
1. PRIMAL SCREAM – Velocity Girl
2. THE MIGHTY LEMON DROPS – Happy Head
3. THE SOUP DRAGONS – Pleasantly Surprised
4. THE WOLFHOUNDS – Feeling So Strange Again *
5. THE BODINES – Therese
6. MIGHTY MIGHTY – Law
7. STUMP – Buffalo *
8. BOGSHED – Run To The Temple *
9. A WITNESS – Sharpened Sticks
10.THE PASTELS – Breaking Lines *
11.AGE OF CHANCE – From Now On, This Will Be Your God *
12.SHOP ASSISTANTS – It’s Up to You *
13.CLOSE LOBSTERS – Firestation Towers *
14.MIAOW – Sport Most Royal
15.HALF MAN HALF BISCUIT – I Hate Nerys Hughes (From The Heart)
16.THE SERVANTS – Transparent
17.MacKENZIES – Big Jim (There’s No Pubs In Heaven) *
18.BIG FLAME – New Way (Quick Wash And Brush Up With Liberation Theology) *
19.WE’VE GOT A FUZZBOX AND WE’RE GONNA USE IT – Console Me *
20.McCARTHY – Celestial City *
21.THE SHRUBS – Bullfighter’s Bones * 22.THE WEDDING PRESENT – This Boy Can Wait (A Bit Longer!)

DISC TWO:
1. THE JUNE BRIDES – Just The Same
2. YEAH YEAH NOH – Another Side To Mrs Quill
3. THE PRIMITIVES – Lazy
4. JESSE GARON & THE DESPERADOES – Splashing Along
5. THE BAND OF HOLY JOY – Rosemary Smith
6. THE McTELLS – Virginia M.C. *
7. B.M.X. BANDITS – E102
8. ONE THOUSAND VIOLINS – Like One Thousand Violins
9. THE DENTISTS – Peppermint Dreams
10.THE MEMBRANES – Everything’s Brilliant
11.THE WEATHER PROPHETS – Worm In My Brain
12.THE BRILLIANT CORNERS – Meet Me On Tuesdays
13.TALULAH GOSH – I Told You So 14.PIGBROS – Hedonist Hat
15.14 ICED BEARS – Inside
16.ST. CHRISTOPHER – Go Ahead, Cry * 17.THE GROOVE FARM – Captain Fantastic (Demo)
18.KILGORE TROUT – The Peacock Nose * 19.THE JESUS AND MARY CHAIN – Inside Me
20.THE HIT PARADE – You Didn’t Love Me Then
21.THAT PETROL EMOTION – Mine 22.THE TURNCOATS – One Breath * 23.A RIOT OF COLOUR – Skink (Flexi Version) *
24.PAUL GROOVY & THE POP ART EXPERIENCE – Tune In, Turn On, Trip Out **
25. THE RAILWAY CHILDREN – Darkness And Colour

DISC THREE:
1. THE CHESTERF!ELDS – Sweet Revenge
2. THE JASMINE MINKS – World’s No Place
3. STITCHED-BACK FOOT AIRMAN – Why *
4. RAZORCUTS – Sad Kaleidoscope
5. TREEBOUND STORY – I Remember *
6. THE NIGHTINGALES – Part Time Moral England
7. EPISODE FOUR – Strike Up Matches
8. THE AVONS – Everything’s Going Right *
9. MEAT WHIPLASH – Don’t Slip Up
10.KING OF THE SLUMS – Spider Psychiatry *
11.HAPPY MONDAYS – Freaky Dancin’
12.BIFF BANG POW! – Love’s Going Out Of Fashion
13.BLUE AEROPLANES – Outback Jazz
14.LAWRENCE & THE COMFORTABLE SOCIETY – Heartache *
15.LAUGH – Take Your Time, Yeah (Flexi Version) *
16.NORTH OF CORNWALLIS – Billy Liar **
17.POP WILL EAT ITSELF – Mesmerized
18.BENNY PROFANE – Hang Fire *
19.GO! SERVICE – Real Life
20.JANITORS – Good To Be The King *
21.THE CLAIM – Gullible’s Travels
22.THE AUCTIONEERS – Scoop **
23.NOSEFLUTES – Perfect Cockney Hard-On *
24.THE LOVE ACT – Hep Clothes **
25.THE ENORMOUS ROOM – I Don’t Need You *

** = PREVIOUSLY UNRELEASED
* = ORIGINALLY NEW TO CD (AT THE TIME OF THE FIRST PRESSING

odd revive.

they've done a c87 and c88 in the same style.

https://www.cherryred.co.uk/product/c87-deluxe-3cd-box-set/
https://www.cherryred.co.uk/product/c88-various-artists-deluxe-3cd-box-set/

which, looking at the listings, eschew the more interesting (imo) bits of c86 in favour of the more 'c86'-sounding things.

> they used the wrong version of the Pastels song

is this a thing? it's just that the truckload of trouble comp had different versions of older tracks on it too. did they lose the masters? rights issues? thought they could do better (invariably false)?

I guess you're not a Fall fan, Pinefox, because I love the influence sprinkled around C86. The myth has always been that it was a single sound - the original tape disproves that immediately.

Stump is a great lost treasure but admittedly an acquired taste.

In my case Stump are the opposite of an acquired taste - I liked them at the time and now I can't bear to listen to them.

i'd've like to have seen more ron johnson records in the expanded version. they don't appear to be available anywhere (not that i've looked that hard. there was an a witness compilation on amazon until recently. but i think the label comp is long oop)

(although maybe i am nostalgic for the names rather than the actual music)

Gerald, yes, your attitude to the whole thing is roughly the opposite of mine.

I can see that it isn't in fact a single pop sound (as legend has misleadingly suggested) and I tend to wish it was, because the other sounds are mostly ones I don't like.

thinking about ron johnson etc makes me wish there was an online archive for 'underground' magazine somewhere. maybe there is?

oh look i did find this:

http://graphicnothing.blogspot.co.uk/2011/05/underground-magazine-by-rod-clark-1987.html

Tim - why, what happened?

Pinefox - I love that sound as well; I am all-in with The Bodines, Shop Assistants, Close Lobsters, Fuzzbox, McCarthy and The Wedding Present. Later I came to love Stump, A Witness, and bits of Big Flame (who get too cacophonous for even me). You'd do well to check out the C87 and C88 comps. As mentioned, they focus on the poppier side and have very few duds.

Further down the indiepop compilation road is also the "Scared To Get Happy" box.

Close Lobsters (to a degree) and (more so) Fuzzbox and Wedding Present are not really jangly or sweet enough for me.

But I take the general point and I do sense that the 87 and 88 compilations might be closer to what I like.

It's apples and oranges innit. C86 was a compilation of brand-new artists while the others are retrospective genre compilations.

The connection is the use of "C86" for marketing purposes.

twas called "shambling bands" not "jangling bands" at the time iirc; a jaggedness that might be clumsy and/or willed was one of the hallmarks at least as much as velvets/shangrilas indiepop template, or something.

Stump were magnificent.

"It's apples and oranges innit. C86 was a compilation of brand-new artists while the others are retrospective genre compilations."

Well the Cherry Red C86 box is both. But the songs it includes that were not on the tape include (esp CD2) stuff that's like what's on the tape. It's not that everything not on the original tape is a different aesthetic.

"The connection is the use of "C86" for marketing purposes."

But ... given that the original C86 was a particular thing (some pop, some noise, some Fall, etc), why did it become potent for marketing something else? That's the puzzle maybe.

For me the whole thing is to some extent a case study of how culture is reimagined, re-streamlined, etc, retrospectively for the needs of a later time. Though it's not entirely that, as some of what came to be casually thought of as C86 is present in the original.

There's a great Stump thread on here

... and why did the later time have those needs?

And what time was it?

I'm inclined to pin it on the www-driven indiepop revival of c.2008-. I feel like it was around that time and subsequent years that I especially heard a lot of 'C86' as a category for indie discos, influences, etc, not particularly meaning the actual 'C86'. I feel like that was the time that the reinvention / relabelling process really took place. A clear-cut example is the idea (c.2008-) that The Pains of Being Pure at Heart drew on C86, though it would be harder really to point to a Pains record that sounds like what's on C86.

But maybe it was earlier too. Maybe all this was around by eg: the early days of Camera Obscura.

And maybe, even, by say the end of the 1980s, once some kind of idea of indie pop had been more streamlined and solidified (cf. the 87 and 88 compilations which draw on this), it was already tempting to look back and think of this in terms of C86? I can remember reviews of The Primitives in maybe 1989 putting them in this sort of context (ie: saying they were successors to Shop Assistants & Talulah Gosh, who at the time were exotic mysterious bands I had never heard).

I'm sure I don't need to remind you all that the first BMX Bandits album, released in '89 or '90(?), was called 'C86'! This seemed kind of hilarious at the time because C86 was like the uncoolest thing imaginable by 1989. I don't know why the BMX Bandits called the album that but it seemed to me they were saying, "Yeah yeah, we know you think it's crap but we still like it".

... they might have just thought it was funny though.

Yes, I did need you to remind me of that.

BMX Bandits are on CD2 of the Cherry Red version with a song from 1986 itself.

I agree that releasing a record called C86 in 1990 is odd.

I don't think I have ever really heard a song by that band that I liked, but I might not have heard enough.

I bought the C86 tape in a second hand shop in 1997, and I was surprised by all the Fall-influenced bands because I was expecting it all to be jangly indiepop, because that's what C86 meant at the time.

C86 became a millstone for bands included on the album and also for some bands that weren't. BMX Bandits' C86 album is because they were one of the bands cast as and archetypal C86 band yet having nothing to do with it. And possibly because it had taken them almost 5 years to get an album out and some of the songs were from the C86 period. The cover has their skeleton mascot rising from the dead with associated iconography - just like Iron Maiden's Live After Death.

But maybe Duglas will show up on this thread to sort it out.

Stevie T pointed out to me that MIAOW was CATH CARROLL so I listened to this with new ears.

Previously I had heard or misheard it as some kind of Scritti Politti pastiche.

I also keep playing THE SERVANTS.

Despite my doubts, there is something about this compilation that responds to a lot of listening.

The Servants is Luke Haines's original band iirc?

It was but he hadn’t joined by the time of C86.

Stevie T pointed out to me that MIAOW was CATH CARROLL so I listened to this with new ears.

Check out the Miaow compilation When It All Comes Down that LTM put out; great stuff!

Yes, that sounds like a good idea.

I have just started on the Cherry Red C87 compilation. It's very good! Better than C86!

CD2 of C87 is even better than CD1.

One song on it that I never really knew is LAUGH's 'Paul McCartney'. I find this tune quite compelling. Does anyone else remember and like this band?

They are on the Video comp "Gimme Shelter" put out by the NME.