dj koze - kosi comes around

MRI's "Blue", which is a quasi-cover of "Try Again".

On first listen (which is unreliable) "Tell Me About It" isn't as good as the "Je Regrette Everything" remix though, or "Heroin" (the other track it's a bit like). Still nice though, and it might well grow on me heaps. It loops that opening piano chord and ghostly "ohhh no" sigh from the intro of "I Can Be" and adds some lightly simmering acid sounds.

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That chap from The Blue Aeroplanes! It's Dead Ringers like in it's verisimilitude.

in fact, im not sure whether i like the original baxendale or the remix more. thanks for putting them both up!

Although hearing the speak-and-spell bits always just reminds me of how great the Paul Rutherford track on Ivan Smagghe's Death Disco is.

thomas fehlmann - schone grusse
http://s52.yousendit.com/d.php?id=33DEQUY31AQS81BT0P14H9WQSK

Köhncke's "Krieg" is my favorite of the new tracks, I think -- the Kaito one being a close second. Mikkel, Rex, Field: wrong sides picked.

the mayer "i built this city" is still genius.

Has anyone seen the cover to Total 6 yet? Apologies for the design geekery, I just hope they didn't go with that hideous orange they're using on the fliers...

whaaaaaaaaaaaaaaaa???
i wish it was orange. purple sucks

Come on, say it to his face.

Superpitcher played "Krieg" in NYC and it already works a dancefloor wonder when it abruptly switches to the perky and taught dance section 4 minutes in.

The Field, "Action"--holy shit, "Reach Out I'll Be There" riff! awesome stuff. between that and the 12-inch I'm very excited for whatever s/he/they do next.

BTW I think everyone loves the falsetto in the Baxendale remix, it's the spoken word section people are a bit dubious about. I'm not, but I become dubious when I imagine being someone else listening to it - i.e. I anticipate the adverse reactions of others.

I become dubious when I imagine being someone else listening to it - i.e. I anticipate the adverse reactions of others.

I feel that way about nearly everything I like :|

http://s37.yousendit.com/d.aspx?id=14JSW9BSP63QY1CIZR9MJTJ5SE

I like the Superitcher mix, but it kind of... doesn't quite do enough to justify it's length perhaps? Or what it does is great, but not for all 9-ish minutes? Perhaps I'm not making enough of an effort to hear it as it would be played 'out'.

KLIKS PRESENT KOMPAKT
SATURDAY 18.03.06
CONCORDE2, BRIGHTON

http://kliks-net.com/

Main Room:
DJ KOZE (International Pony, Hamburg)
THE MODERNIST - live (Popular, Düsseldorf)
LEE SMITH (IDJ Magazine/kliks)

Bar:
MARK LERMAN (kliks)
CARL WICKER & GRAHAM SCOTT (kliks)

Three years ago, 'minimal' house and techno was virtually non-existent in the UK. Fast forward to the present, and seemingly every club, DJ and magazine is going crazy for the stripped down sounds of labels like Poker Flat, Minus and, of course, Cologne's mighty Kompakt.

As the first British club to dedicate itself to the minimal scene, Kliks has been responsible over the last six years for UK debuts from countless international guests, and built itself a reputation as one of the most respected and rocking club nights in Europe in the process. So, for our inaugural party at Brighton's notorious Concorde venue, we've joined forces with Kompakt to present two of the label's most important and electrifying artists...

DJ KOZE:
Currently Germany's biggest DJ (voted DJ of the year for the last five years in the highly respected SPEX magazine), DJ Koze is without doubt the most formidably talented exponent of minimal turntablism in existence right now. A former runner up in the World DMC Mixing Championships, his jaw-dropping deck skills are in constant demand the world over. Renowned for his wildly eclectic, club-shattering musical selection, you're as likely to hear him spin the Beatles and Otis Redding as you are Plastikman, all tied together with blisteringly on-point technical skill. He's released a string of hit club records on Kompakt, including last year's acclaimed 'Kosi Comes Around' LP, and is also a member of Skint Records' hugely popular electro-disco act International Pony. As if that wasn't enough, he's also behind the chart-topping German Hip-Hop trio Fischbein. We await his debut Kliks performance with baited breath...

THE MODERNIST - live:
An undisputed legend of European dance music, Jorg Burger (aka The Modernist) started releasing records way back in 1988 with his long-time partner, Wolfgang Voigt (aka Mike Ink, founder of Kompakt). Over the next decade, the pair assaulted the world's dancefloors with a bewilderingly prolific surge of classic records, combining the raw intensity of early Detroit techno with their own unique brand of distinctly European, acidic trippiness. Under a plethora of aliases (including The Bionaut, Burger Industries, Autobianchi, and currently, Triola, plus many more) he pretty much defined what is now known as 'minimal', and is cited as the key influence by countless contemporary producers and DJs. Along with Voigt, he founded the Delirium record store in Cologne, which went on to form the basis of the Kompakt empire, as well as editing Dance Attack Magazine and releasing a bona fide mainstream smash LP on EMI (The Bionaut's 'Lush Life Electronica'). Burger's rich, timeless, elegant sound has yet to be surpassed by any of today's laptop generation, and his super-rare live performances have now reached near-mythical status. Don't miss the chance to catch a genuine pioneer in action.

LEE SMITH:
Co-founder of Kliks and original Brighton minimalist Lee Smith has been spotted face down in numerous ditches across Europe this year. Somehow, he always manages to rock the dancefloor and cobble together a coherent minimal reviews page for IDJ magazine, which you'll know is quite an achievement if you've ever seen him on a night out. He writes for loads of sites and music rags and is one of only four UK DJs to have played at Kompakt's seminal Total Confusion club in Cologne.

BAR - KLIKS RESIDENTS:
Our highly-trained residents' squad will be on hand to provide everything from delicate, pristine ambience to terrifying 80s squat-punk. They're all great DJs, but sadly hate each other's guts these days.

Up and down and all over the place, in that 'i can't beleive he's making me dance to this, but i can't help myself' kind of way.

Anyone recognise any tracks?

There's also another Koze video on Youtube where they show a clip of his cover of "Love Can't Turn Around."

pretty sure it was actually Fischmob, just sayin

I'm just going to revive this to talk about how totally great Reincarnations: The Remix Chapter 2001-2009 is. The little sped-up vocal sample at the end of the Matthew Dear remix that kicks it off ("Thank you! We've all enjoyed being here tonight! You've been a great audience! We're gonna close with a song for all you dreamers!")--I melt, every time.

I love the sequencing, too. Seems kind of random at first but the more I play it the better it flows. Matthew Dear into Koze vs. Sid Le Rok is really beautiful, the Battles track sneaks up on you from there, and the way "I Think About You" and then "Minimal" march out snaps you to attention without sounding jarring in the least. I will be really happy if I like another album as much this year.

Has anyone on here heard Music Is Okay? It's apparently the first remix compilation--at least the sticker on the new one says that it (Reincarnations) is his second, and from what I can see on Discogs Okay is probably the first. I've never seen that one; I'm presuming it's out of print.

unfortunately i haven't heard all of this yet, but the remix of 'strange behavior' by blagger is a good 'un.

I kind of wish this was mixed but it is really good. Also missing is his fantastic remix of Ada that's starts off with a Jay-Z sample

You mean "Eva"? That's on the forthcoming Ada Mixtape #1 comp on Kompakt.

Yep, that's the one. The mixtape looks cool but is she ever gonna get around to putting out a follow-up to Blondie?

I've been wondering the same about Koze--as Koze, of course. Is it horrible of me to have not really paid any attention to International Pony?

No, that recent IP album wasn't as good as it should have been.

I have some basic idea of the IP style but haven't dug in enough--I think I've been afraid it wouldn't measure up to the Koze stuff. But then I don't think any dance producer has measured up to Koze's stuff for, oh, half a decade now.