Did anyone hear the Mr Swenson record 'The Sensuous Man' I put out on
my Analog Baroque imprint of Cherry Red? That was lyrically and
sonically perhaps the most extreme record ever made.
And I want to know your impressions of my friend Louis Philippe,
Nitsuh. He's extremely intelligent and talented, some of his records
take the Beach Boys' Chamber Pop formula into realms we might call
'exquisite', yet there's something -- hmm, what's the word? Unctuous?
Fustian? -- about them. He comes on like the pop equivalent of a wine
snob. And what does it mean when a Frenchman buys into the mythology
of England more than the English themselves do? What values are
getting celebrated?
― Momus, Sunday, 26 August 2001 00:00 (twenty-two years ago) link