Do we have a PAZZ AND JOB 2009 thread yet?

"That bag of fire so deserved the monkey pissing in its own mouth. I mean, c'mon."

yeah, i liked his early shits-in-a-bag-and-sets-it-on-fire antics sooooo much better. you know, like, back when he was still "cutting edge," man.

"I've got a few of his early ziplocs that were just outstanding, but the full bag loses some of that charm."

*reissues early flaming bags of shit on 180 gram vinyl*

*reviews reissue in the form of a short story involving two young hipsters having sex and eating ice cream in an American Apparel changing room*

*wooooooooooooooaaaaaah MY BAG IS ON FIREEEEEE*

*blogs that the review is third-rate Tao Lin*

*reissues early flaming bags of shit on 180 gram vinyl*

Brown vinyl, splatter finish.

*breaks up for 15 years*

*reunites to shit in a bag in its entirety at all tomorrow's parties*

*tweets about shit*

the non GAPDY chart is
1. old ppl voting for old ppl records, and
2. young people voting for rap, metal and actually progressive music

ie, what pazz and jop should be about. thanks glenn

why cant old people vote for non old people music?

they just don't understand progressive music

Yes they do.

no they don't, didn't you read whiney's post

you dumb dicks

all i;m just saying i assume it's not the twitterati making the roseanne cash record and allan toussaint records so high. sorry my pitch post wasnt all inclusive

just wait for the reformed ELP album to hit the top 10 in the 2010 poll. So be careful for what you wish for! (Hint never let LJ vote)

twitterati

stop it

rofl

no they don't, didn't you read whiney's post

― iatee

I was trying to make a joke. About Yes. The progressive rock band. Loved by old people.

complicated joke

...and LJ.

xp d'oh!

Yes.

xpost to tipsy ok different strokes, then. But at this point, I'd say that any insular writing on Merriweather Post Pavilion is justified given the backlash. The poll winner has now become a cocoon in which to hide from all the haters. :)

Rolling pazz & jop poll 2009 no haters!

actually i like the idea of mpp as a cocoon. that says more about it than most things i've read. i'm just not sure there's a butterfly at the other end...

there's poop at the other end IMO

what a tragedy for butterflies

doesn't everyone get this upset every year?

You may be using "indie manifestation" in a way different than I can imagine at the moment but this is patently incorrect. There was always a disco underground on independent labels running parallel to (and sometimes in tandem with) the mainstream hits/lifeworld, esp. fertile in the early 1980s when disco "died."

I'm using it very differently Kevin. Nothing to do with being independent and underground.

Ok if you have the time/inclination, feel free to explain.

hey guys I missed this thread but is the jist of it that ilx just figured out that polls are kinda lame y/n

J0hn is a big fan

xpost Nope. Quite the opposite. They are the Woodstocks of their times and YOU missed out on them, buddy! Jump on board next year so you don't get that empty, apathetic, Gen Xy feeling.

john i would say the gist is that ppl are mad that the internet has ruined the "surprise" aspect of a massive year-end critpoll

I guess another way we could read this thread is that a lot of misery is the result when I don't get the #1 spot - this was a preventable tragedy tho ppl, vote accordingly next time, not for me but for yourselves & the good of all future polls

Kevin,

In context I was referring to how lots of artists working in dance music these days seem always to arrive with these carefully wrought individualist aesthetics, all very literary and articulate and connoisseurial and aware of the past, and always framed in (even-if-unspoken) opposition to this idea of dance music as generic beats for the masses, and (more subtly) iconoclastic resistance to being defined in the context of a "scene".

Detroit Techno was actually already like this from the very beginning (curiously for such dancefloor-aimed music), and the above tendency also informs a lot of writing about IDM etc during the 90s and early 00s, but I think that it's really only been in the last few years that dance music crit generally has swapped to this way of thinking as the default position where even stuff designed for clubbing, for being immersed in a DJ mix, has become framed in the same manner. Possibly to do with the fact that the readership is more likely to engage with the music via the isolated MP3 rather than in the club or record store.

Not that the kind of reviewing you still get in the House 12" reviews section of Mixmag is particularly fantastic or especially more "appropriate", but I think it's definitely true that there's a much greater tendency among dance music critics to write about dance music artists as if they were writing about indie artists for Pitchfork.

john i would say the gist is that ppl are mad that the internet has ruined the "surprise" aspect of a massive year-end critpoll

― call all destroyer, Saturday, January 23, 2010 7:05 PM (3 minutes ago) Bookmark Suggest Ban Permalink

i was surprised by the results of the singles poll, fwiw

It'll be interesting to see if the ILX singles poll has more or less of a nexus with what's really popular currently. Obv I don't expect it to be so GAPDY.

popular currently here or in the (heh) real world?

I suspect a lot of people have decided not to vote for GAPDY because of all the other polls and the reaction to them on here.

popular currently here or in the (heh) real world?

"the real world" - sales etc. I have a suspicion that our poll results will be similarly divorced from that, only in other directions.

yeah i think the ilx poll will be very "tracks"-ish, perhaps moreso than the P&J or even PF lists

would people who like those records really choose not to vote for them because of ILX stigma? if so that's pretty fucked up.

Phoenix and YYY are popular bands on ILX so I would expect them to do well. But who knows.

But i can totally see people not voting for those bands even if they like them just because they're fed up with a lot of the polls having the same end result. We will find out in 2 weeks I suppose.

i wonder if the poll had taken place at the same time as the other polls, so noone knew any results, if the ilx poll would have had similar results to p4k, P&J etc.

xpost to Tim F

You NEED to read my mentor/idol Will Straw if you haven't cuz he writes brilliantly about all this. His 1992 essay "Systems of articulation, logics of change: Communities and scenes in popular music" (click here to download) attempts a cognitive mapping of the cultures of alt.rock (I think we could slot 'indie' in here) and dance music. Dance music coalitions, he writes, "value the redirective and the novel over the stable and canonical, or international circuits of influence over the mining of a locally stable heritage" (385). What YOU'RE saying is that now dance music artists value the stable and canonical albeit as individual islands rather than coalitions that form into scenes (although that's not certainly not true of dance music across the board today).

But while I agree with you re: this transformation, I still wonder if there wasn't a species of that connoisseurial self-consciousness in disco. Straw has another essay, "Value and velocity: the 12-inch single as medium and artifact” (in Popular Music Studies. David Hesmondhalgh and Keith Negus, eds. London: Arnold, 2002), which moves towards making that case (and somewhat refuting the earlier essay).

Then again, for any of this to truly make sense, we'd have to agree that there's some sort of line connecting, say, early 1980s NYC dance music to Detroit techno.

Well yeah it's def. not across the board for dance music - this conversation is more about dance music criticism and what I would consider to be emergent/dominant/residual trends within it.

I'll absolutely read that Straw piece (thanks for the link) and I'm reluctant to comment beforehand, but I'd say if anything the current things which irritate me have grown rather organically out of dance music's internal critical predilections - in that, while critics are still trying to identify "the redirective and the novel", they're doing so in a way that privileges particular kinds of redirection/novelty over others. At the same time there's a lot of bad over-emphasis on "the stable and canonical" too. And I think - as opposed to my reading of Straw's quote - dance music criticism has always been a mixture of both, it's even more intensely canonical in some waysl then rock crit.

So it's complicated - no surprise there. Probably the only unifying across the board factor is that dance music criticism is growing more distant than ever from any kind of populist discourse - we may bitch about Pitchfork not covering Brad Paisley, but for Resident Advisor and FACT, producers who are totally within their spheres of coverage - say, David Guetta or Axwell or Afrojack (probably the most influential producer/DJ in commercial dance in 2009?) - may as well not exist.

I suspect a lot of people have decided not to vote for GAPDY because of all the other polls and the reaction to them on here.

― Pfunkboy (Herman G. Neuname), Saturday, January 23, 2010 4:27 PM (1 hour ago)

au contraire!!! Me and the missus were watching TV and there was a catchy song on a Ford (?) SUV commercial and I asked her "who is this?" and she shazaamed it and it was PHOENIX! I immediately added it to my ballot BECAUSE it was the first GAPDY song I heard and I want to fit in with the Jones'.