TURN THIS MUTHA OUT! It's the Alternate 1970s Albums Poll on ILX — Results Thread

now i can understand why everyone was getting made at me for my capn-save-a-hiphop on the 80s countdown.

also considering the only nominations i used were 5 reggae albums and i forgot to vote, i apologise.

(2xpost) Yeah, this is true and why I only ended up voting for 1 or 2 reggae LPs - I'm aware that the 70s were an amazing time for reggae, but most of my reggae is compilations of collected 7" tracks etc. If I'd thought more carefully there would've been a few I should've nominated, though, but since they weren't on the list, no vote.+

Outside of Bob Marley/Wailers and maybe Toots, wasn't reggae a not-widely-known commodity in the actual '70s? Granted, there's no reason we shouldn't be overly familiar with it now, at least 30 years later, but I don't think it was a going concern to the average '70s record buyer.

I think I've given up on Love Beach, 2112 & Wanna Meet The Scruffs? placing.

― kornrulez6969, Wednesday, January 6, 2010 11:46 PM (13 minutes ago) Bookmark Suggest Ban Permalink

i voted for 2112! wish i had placed it higher now though...i had A Farewell to Kings up at the top instead of it

I meant to nominate some Jackie Mittoo but forgot after looking up Evening Time and discovering it was '68. Probably wouldn't have got mad votes however so I will just use the platform of this post to say that Evening Time is not 70s but is pretty damn great.

A friend of mine is a Jackie Mittoo evangelist, so I've heard my fair share. Mostly just from comps he burned, though, so I have no idea which albums actually hang together better than others.

I think Reggae, Funk and Soul would all do better in a singles poll than an albums one. Reggae in particular seems like such a singles oriented genre, especially in the 60s and 70s.

i am fine with these results this far, except that Chic got beat by Lennon. "I Want Your Love" and "Le Freak" alone destroy anything Lennon ever did solo imo.

fixed.

Outside of Bob Marley/Wailers and maybe Toots, wasn't reggae a not-widely-known commodity in the actual '70s? Granted, there's no reason we shouldn't be overly familiar with it now, at least 30 years later, but I don't think it was a going concern to the average '70s record buyer.

Not true in Britain/ Ireland - reggae was pretty damn audible even here in (then) white Ireland, and in London/ Brimingham, it was close to being THE sound of the city.

There were definitely some classic reggae albums on the nomination list for this poll Two Sevens Clash, Marcus Garvey, Burnin', Catch a Fire and Natty Dread. I guess in my mind these less obscure that Clube de Esquina or First Utterance , but I realize that we all come to our favored genres differently. I say that as someone who views himself as a dabbler in reggae rather than a true aficionado. Did put a fair amount on my ballot tho'

Yeah, after I posted that I immediately remembered its popularity over there at the time (made known to me by watching Westway to the World). xp

x-post to self -But, yeah as 7" and 12" singles/ Dubs and as public music on sound systems more than album music

5 out of 50 for me so far (Horses, Fear, 20 Jazz Funk Greats, Red, Specials)

I've got 8, but they're all pretty predictable. Hard to take Horses seriously after the Biscuit pic:

http://farm4.static.flickr.com/3027/3108893340_c34e95e1f1.jpg

meant that to be url. instinctively did img. sorry.

don't be sorry

Horses has a reggae song on it: Redondo Beach (white reggae).

If you at all put off by ostensive displays of religiousity, you might want to try I'm Still in Love with You first. That said,

one the things that makes Belle such a great piece of religious art is because it's so much of a piece with everything else Green ever did. Unlike gospel, for example, this can't be mistaken as religious hysteria, and it's not a collective experience at all - it's Green's personal, idiosyncratic embrace of the Lord - made on Green's own perverse terms. It's like Green is alone in his own private universe with his Lord, and sorry babe, but no one else is invited. It's way it's essentially the narrative climax of the entire saga of Southern Soul - religious ecstasy gets folded back into the language of seduction, of secular cockmanship. He resolves the sex/manna/self/collective/relgion tensions that motivated soul by eliminating all meaningful distinctions between the multiple dichotomies that had generated the form.

― MumblestheRevelator, Tuesday, January 5, 2010 5:12 PM (Yesterday) Bookmark Suggest Ban Permalink

^great post and the reason why the religion in green is so different than any other artist's religion imo. the "sex/manna/self/collective/religion" all comes together in his voice, which is blinding on this album. his performance on "loving you" has sent me into raptures, absolutely breathtaking. that being said, i feel like the whole ensemble of players on the earlier albums are equal to green whereas here it seems a little unfocused sometimes. if i voted, "call me" would be my #1 easy and is also my desert island disc, it's like all of life contained in 39 minutes.

I am just sickened by the lack of any calypso. Don't you people know about the Mighty Sparrow? For crying out loud people, you need to broaden your musical horizons. I mean, I like Steve Miller Band as much as the next dude but there's so much more out there.

also "Georgia Boy" sounds AMAZING on a dance floor

The lack of precision on Belle might be one reason it's so great. Don't get me wrong - those Mitchell produced albums are their own varieties of sublimity. But the slight lack of focus that marks Belle - the softness of the drums in comparison to those on the Mitchell produced albums, or the way the band never quite get a heavy groove going on 'Georgia Boy'(at least in comparison to what Mitchell & Co. could cook up) - crafts such an individual sonic space, one wherein everything gradually washes away in the wake of Green's vocals. It's a world where everything is breaking down, but not in an apocalyptic way, or as a consequence of failures of nerve and wit, but as a natural kind of winding down. Though arguing whether it's better than Call Me strikes me a bit like arguing whether you love your wife or your children more.

I sort of wish it had been his last secular album for a while, because Truth n Time is a bit of a disappointment in comparison, though it does have a great version of 'To Sir, With Love' (a song I normally detest but which Green utterly transforms).

the specials album does not make the first 100, and lands at 59 on this list? bullshit of the highest order.

so I'm to believe a bunch of cheerless sots are sitiing around listening to king crimson, john cale, and brian eno...

I apologize.

I've never even listened to the Specials album (ska aversion). I'll listen to it soon and get back to you. xp

what a disaster for cheerful sots

what a disaster for cheerful sots
what a chance you'll always get back
what a meaningful prayer

what a cold scuffle searching for kicks
...

(Tie) 49. The Who - Who's Next (1971) [112 points, 10 votes, 1 first place vote]

http://i49.tinypic.com/flanv9.jpg

Sure, you've heard "Baba O'Riley" and "Won't Get Fooled Again" too many times (damn you, CSI!) its undeniably classic, easily the Who's OPO. If nothing else, for Entwistle's best song "My Wife."

― Mitya (mitya), Monday, March 13, 2006 7:21 PM (3 years ago)

As for Who's Next it's both classic and dud. Past 1967, Townshend's failures are generally pretty interesting and the sinking of Lifehouse results in a pretty outstanding rock album without all the conceptual blubber of hippie mysticism weighing it down. I'd dump some of the tracks with a couple of the Odds And Sods leftovers (really just "Pure And Easy" and "Naked Eye") though.

Who's Next also marks the point where the studio version of The Who completely separates from the live version of The Who. It's not surprising, Townshend has everything he needs to feed his maniac pursuit to whatever/wherever, but the one thing he can't do is get the live sound down of the 70s-era Who. Too bad, the live versions of "Won't Get...," "Baba...," and "My Wife" on The Kids Are Alright are still U & K and there's a live take of "Bargain" out there that's just amazing.

― The Equator Lounge (Chris Barrus), Tuesday, March 14, 2006 2:32 PM (3 years ago)

Keith Moon's drumming is positively godlike all over this record. It's a full percussion session built into one guy. I really love the freakout drumming on Bargain and his playing is so groovy under neath that autowah solo out on Going Mobile.

Those synth/organ loops on Baba O'Riley and Won't Get Fooled Again are really ahead of the curve for 1971.

― earlnash, Wednesday, December 30, 2009 12:25 AM (1 week ago)

i didn't put who's next or dark side of the moon on my ballot but i loved loved loved them when i was younger and getting into "classic rock" so maybe i only left them out because they were too obvious...

like i basically assumed they were on the first list, only on ILX do they miss a top 20 70s records list let alone top 100

Should've just made this a list of 102 albums so they could be included out of obligation. (Or 103, to include Born to Run... which, duh, is coming up on this list in the future. Sorry to spoil the suspense.)

Born to Run is a bit different though in that Springsteen doesn't quite seem to have made the popularity leap to my generation in the same way Pink Floyd, Led Zeppelin, The Who, The Beatles etc. have. He's not a central piece of the "classic rock" canon that gets remarketed to younger folks. I didn't listen to him until much later on when my interest in music grew broader.

(Tie) 49. Elvis Costello & The Attractions - Armed Forces (1979) [112 points, 10 votes, 1 first place vote]

http://i47.tinypic.com/r2rr76.jpg

This was the first Costello album I heard, sometime in 1980. As a kid who was used to Queen, ELO, Styx, etc., this album along with Fear Of Music and Pleasure Principle sounded pretty radical and changed my idea of what constitutes a "good song." Few songs on Armed Forces (much better title than the overly blunt Emotional Fascism) were directly catchy. To me it sounded to be more about wordplay and creative arrangements and production.

― Fastnbulbous, Monday, June 30, 2008 4:02 AM (1 year ago)

this is a great album overall, a top three Elvis C album for me. this is the album where he really over-extended himself on the wordplay though, and got much too clever for his own good. thankfully he seemed to realise that at the time because the puns were never so laboured or obtrusive again.

― Roberto Spiralli, Sunday, June 29, 2008 11:17 PM (1 year ago)

Armed Forces has some of the best inner-sleve artwork, ever, and careens between overdone wordplay, earnest emotion, and cutting lines like "she has a chemistry class, I want a piece of her... mind" which I adore.

― Sterling Clover, Wednesday, May 23, 2001 8:00 PM (8 years ago)

^ just about every critique in the archives mentions the wordplay on this album. I agree that sometimes it gets so self-consciously clever that it borders on distracting, but "Green Shirt" can't be topped and I'd hate it if he dumbed it down.

another good one i didn't vote for!

when i was 5 or so i used to run out of the room when 'oliver's army' came on because i was scared of it. great song!

That's so weird! What did you find scary about it?

48. David Bowie - Aladdin Sane (1973) [113 points, 11 votes]

http://i45.tinypic.com/4jbyg.jpg

Fun fact = compare Mike Garson's piano solo twiddling on Aladdin Sane to his backing work for the Pumpkins in 1998 and 2000 and see how very little has changed.

― Ned Raggett, Friday, April 26, 2002 8:00 PM (7 years ago)

Bowie's best LP, Garson is perfect, etc. One of the first LPs I bought and I still have that 30-year old slab of wax.

― nickn (nickn), Tuesday, June 24, 2003 5:16 PM (6 years ago)

Worst crime against humanity: ethnic cleansing or not knowing every single track on Aladdin Sane?

― King Boy Pato, Tuesday, December 4, 2007 6:52 AM (2 years ago)

I'm way badder than the janjaweed

oh! sorry. i just found the melody scary! can't explain why. i think the piano was too real for me

not the best bowie album but the title track might be my favorite bowie song

47. Harmonia - Musik von Harmonia (1974) [113 points, 13 votes]

http://i48.tinypic.com/i3xhzt.jpg

"Musik von Harmonia" is one of my favorite records. Absolutely gorgeous and compelling music. Listening to "Dino" on loop is possible for hours.

― direct_program, Tuesday, November 4, 2003 11:21 AM (6 years ago)

I have looked longingly and enviously at the photograph inside the sleeve of "Musik Von Harmonia" of that rad practice/studio space filled with antiques and analogue keyboards and big fuck-off amps and floor-to-ceiling french doors with curtains and fur coats thrown gallantly across big comfy overstuffed chairs so many times . . . sigh.

― Drew Daniel (Drew Daniel), Thursday, January 6, 2005 2:09 PM (5 years ago)

I think I like the first Harmonia record slightly better, it's less pop, less studio, more flowing, pastoral and unforced, and occasionally flat out weird, a couple nice noisy moments. that first track 'watussi' is probably my favorite Harmonia moment and 'sehr kosmiche'... yes.

― (Jon L), Thursday, January 6, 2005 3:24 PM (5 years ago)

True story: Last week I was listening to Harmonia's Musik von Harmonia at work and one of my co-workers asked if it was the Mannheim Steamroller Xmas album.

― Mark (MarkR), Friday, December 6, 2002 9:25 AM (7 years ago)

I have never heard of Harmonia, but that's a great cover.

it's an album I really want to hear! need to get more of the krauty stuff down me

I still haven't listened to this one, but I grabbed Deluxe during the nominations process and it's absolutely exquisite.

True story: Last week I was listening to Harmonia's Musik von Harmonia at work and one of my co-workers asked if it was the Mannheim Steamroller Xmas album.

This comment is so awesome!

I really like the Harmonia album & I voted for it but tbh it's of a genre I call "music without interest." One of those albums that sometimes when I'm listening to it, I think 'I should put on some music' before realizing that some music is already on.

46. Cheap Trick - Cheap Trick (1977) [116 points, 9 votes]

http://i47.tinypic.com/eun0q8.jpg

it's almost perfect. so amazing in every way. the only reason they didn't make it perfect was so that they wouldn't offend God.

― scott seward, Thursday, June 19, 2008 7:51 PM (1 year ago)

I do think the group's debut is in a category all its own. They never really mixed the heavy and the pop in quite the same way.

― QuantumNoise (Justin Farrar), Thursday, March 30, 2006 12:47 PM (3 years ago)

Bimble is so happy. This band makes me really, really happy.

― Druid-y Witchy (Bimble Is Still More Goth Than You), Sunday, January 25, 2009 11:15 PM (11 months ago)

Woohoo! Finally something I voted for :)

Applause for Harmonia

This poll is starting to look like a major disappointment. We're at #46, and still we've had only 6 albums of soul/funk/jazz/disco, 1 Brazilian album and no reggae, Afro-Cuban music, Afrobeat, etc at all. Even the earlier, supposedly more canonical 70s poll looked better than this one at #46 (with 2 soul albums, 2 reggae albums, 3 jazz albums, 3 disco albums, and 3 funk albums in the top 46-100). Is it possible ILM has become even more rockist in the 5 years between the two polls?

A poll is a major disappointment if it does not confirm my own good taste.