test

what about absolute positioning?

just curious...

andy

andy

andy

andy

andy

From the NME, August 10, 1968:
TYRANNOSAURUS REX, POP MONSTER IN THE MAKING By Nick Logan.
One of the more pleasing trends in recent months and a healthy one for pop in general has been the appearance in the NME Album Chart of more and more groups and artists who still enjoy singles success.
Those who solely consult the singles placings as a guide to popularity should cast their minds to the album charts at the foot of the page seven where recent visitors have included the Incredible String Band, Chicken Shack, Pink Floyd, Moody Blues, John Mayall and Fleetwood Mac.
Apart from the Floyd and Moodies, none of the others have won singles buyers and even for these two groups the measure and length of time since their hits makes an LP entry quite a feat.

Rewarding

And LP success is sometimes regarded as being more rewarding than a singles placing as it shows that fans are buying a product not solely for what may be a 3-minute commercial sound but because they believe that in a 40-odd minutes playing time they will find a quality and a lasting talent. That brings us to Tyrannosaurus Rex, the newest of the newcomers to the Chart with their LP "My People Were Fair And Had Sky In Their Hair... But Now They Are Content To Wear Stars On Their Brows"... and to Marc Bolan, one half of Tyrannosaurus Rex whom I
met in a bar above Charing Cross Road recently.
Marc, who is small with wild black hair licking out snakelike around his white pinched features, turned up wearing a tiny yellow waistcoat with a red and black stripped blazer draped over one shoulder and looked incongruous, to say the least, among the surrounding personae- managers and agents browsing through the week's pop press and exchanging pop small talk.
He declined a drink and a cigarette, mentioned in passing that he had hundreds of little jotters bought from Woolworth's which he filled up with writings, and went on to tell how he and Steve Peregrine Took formed Tyrannosaurus Rex just over a year ago.
Marc, who is still only 20 and looks younger than that, had previously been a month with John's Children when they made "Desdemona" and had spent a couple of years before that attempting to fulfill an ambition to be a pop star.
He met Steve at a friend's flat, teamed up with him and as Tyrannosaurus Rex-"I just couldn't believe a creature that big actually walked on the earth"-they began giving free concerts in Hyde Park.
Four or five Middle Earth dates followed, all done for free, before Steve and Marc earned their first "bread", a fiver, for a date there.
Then along came John Peel. "In 1965 I had a record out called 'The Wizard'", said Marc, "and one called 'Hippy Gumbo', a copy of which John Peel got hold of and started playing on his Perfumed Garden show. We also sent him some acetates which he played. This was about a week before Radio London closed down."
When Peel returned to land he took an active interest in Tyrannosaurus Rex, booking them into his Radio 1 "Top Gear" for three appearances and plugging the group as much as he could.
Then came their single, "Deborah", which sold well, despite a dirge of radio plays, and "really surprised" Steve and Marc.
Marc is the vocalist and songwriter of the group, also playing guitar, while Steve supplies vocals, bongos, Chinese gong, pixiephone and assorted percussion.
Their attraction lies in the simplicity of their music, Marc's lyrics and the pair's unique vocalising. "I didn't realise it was unique; I've always sang like that really," says Marc. "I suppose we're trying to imitate the instruments".
"It's just a development of my mind. I never used to like singing but now it is a great fulfilment, like flying. I think it mirrors what I feel inside."

Fascination

He has a fascination for woods and open air and is a prolific writer, can turn out a new song in twenty minutes, writing music first and words after, and says that every week there are three or four new numbers in the act. "My Guardian Angel does all the writing; I'm sure it's not me,"- he says. At about 17, his influence was Bob Dylan; later ones have included Picasso, Dali, all experiences, C.S. Lewis and a Lebanese prophet whose name didn't rise above the sound of Simon and Garfunkel's "Mrs. Robinson" from the jukebox. Marc, incidentally, adjudged that it was a gas. The group has completed its second LP,
which is different. How? "It's six months older," answered Marc, "we use a lot of different instruments, there's nicer technique and sound wise it's better."
It also represents Tyrannosaurus Rex as of now - the first LP contained material Marc had on the shelf since a year and a half ago. "All the new album is from the last three months".
In addition, Marc hopes to have a book of poems and stories out soon, and on August 23, they will be releasing their second single, "One Inch Rock", which is about a seductress who tempts a young man back to her flat, gives him a drink which reduces him to one inch in height and puts him in a bottle with a girl.
Before our rendezvous, I looked through the Marc Bolan file and found an article from 1965 in which he stated, among other things, that he wanted to be a pop star and make millions. It wasn't a very complimentary piece. I won't embarrass Marc by quoting any further - but I asked him how the Marc Bolan of now compared
with the one of '65. "I'm just three years older and that is all," said Marc who remembered the article. "Money doesn't interest me now, I
write solely because I enjoy it." Marc has no thoughts on how the group will develop. He answers in the hippy vogue for vagueness: "It is like a tree. It can grow and grow or it might get struck by lightning. It will do what it will do".
And it could grow into a pop-monster as big as its namesake!

*********************************************************************

THE HIPPIE HANGOVER:
Traces of Hippie in Bolan's later work -
1. "The Children of Rarn" was to have been Bolan's hippie concept opus magnus: "our Tommy, our Sgt. Pepper, our big rock opera", said Tony Visconti. An absurd, conceited tale, part Tolkienesque pastiche, part science fantasy epic. Set in prehistory, it concerns the struggle of two tribes, the Dworns and the Peacelings; symphonic in scale and fragmentarily debuted on the LP 'T Rex' - it is also interesting to note that 'The Children of Rarn' was one of the provisional titles of the 'T Rex' album giving the lie to the belief that by this date everything was simplified. It developed out of Bolan's 1968 scribblings, 15 minutes were recorded in 1971. But Bolan was cute enough to realise that his pubescent female audience wanted formulaic boogie pop 45s not double albums of mystical clap trap. And yet as late as May '74 he was still toying with the idea although by this stage it had changed beyond recognition.
2. Titular Verbosity - it is too easily assumed that it was an economy of words which marked T.Rex as different from Tyrannosaurus Rex. But short titles literary concise were there from the start ('Star Child', 'The Wizard', 'Deborah' 'Unicorn'...), and such lyrical conciseness of 1968 - can be contrasted with the word salad of the 1970s ('Zinc Alloy...Painless Persuasion v. The Meathawk Immaculate', 'The Leopards featuring Gardenia And the Mighty Slug'...
3. The Reissues of 1972 - it seems that a lot of T Rex's young audience could not or did not wish to discern any distinction between the early and later work. For the re-release of 'Debora (did far better than first time round) and the repackaging of the first 4 LPs as 2 doubles sold not insignificantly to his new screaming audience.
4. Hippie-ish recordings - As late as 'Electric Warrior' Bolan and moreover Visconti were still utilising techniques most usually associated with psych-pop - phasing, reverb, backwards guitar, Mellotron, overloaded pre-amps, tape loops ... - achieve their vision albeit refined and overdubbed into a veneer rather than one of the 2 smooth tracks on the flip of 'Hot Love' (itself a little more
than a sophisticated re-run of 'Hot rod Mama') a rolling aural melee.
Or perhaps even these 1974 lyrics which bear a faint hippie palimpsest-
"Bent spent, psychedelic mailman's head,
Gorging up my spokes like the ghostly dead.
Ally pally angel chewing up my blues"
(from 'Venus Loon')
Another more readily "psych" influence is discernable in the 'King Of The Mountain Cometh' a self-referential (and self-reverential!) nod to 'The King of the Rumbling Spires'. Described as "an obvious sop to the old loyalists", it is more to the point proof that although Bolan was unlearning but he wasn't doing it overnight.

-- forbidden or obsolete (d+@-.,), January 26th, 2003.

--------------------------------------------------------------------------------

From the NME, August 10, 1968:
TYRANNOSAURUS REX, POP MONSTER IN THE MAKING By Nick Logan.
One of the more pleasing trends in recent months and a healthy one for pop in general has been the appearance in the NME Album Chart of more and more groups and artists who still enjoy singles success.
Those who solely consult the singles placings as a guide to popularity should cast their minds to the album charts at the foot of the page seven where recent visitors have included the Incredible String Band, Chicken Shack, Pink Floyd, Moody Blues, John Mayall and Fleetwood Mac.
Apart from the Floyd and Moodies, none of the others have won singles buyers and even for these two groups the measure and length of time since their hits makes an LP entry quite a feat.

Rewarding

And LP success is sometimes regarded as being more rewarding than a singles placing as it shows that fans are buying a product not solely for what may be a 3-minute commercial sound but because they believe that in a 40-odd minutes playing time they will find a quality and a lasting talent. That brings us to Tyrannosaurus Rex, the newest of the newcomers to the Chart with their LP "My People Were Fair And Had Sky In Their Hair... But Now They Are Content To Wear Stars On Their Brows"... and to Marc Bolan, one half of Tyrannosaurus Rex whom I
met in a bar above Charing Cross Road recently.
Marc, who is small with wild black hair licking out snakelike around his white pinched features, turned up wearing a tiny yellow waistcoat with a red and black stripped blazer draped over one shoulder and looked incongruous, to say the least, among the surrounding personae- managers and agents browsing through the week's pop press and exchanging pop small talk.
He declined a drink and a cigarette, mentioned in passing that he had hundreds of little jotters bought from Woolworth's which he filled up with writings, and went on to tell how he and Steve Peregrine Took formed Tyrannosaurus Rex just over a year ago.
Marc, who is still only 20 and looks younger than that, had previously been a month with John's Children when they made "Desdemona" and had spent a couple of years before that attempting to fulfill an ambition to be a pop star.
He met Steve at a friend's flat, teamed up with him and as Tyrannosaurus Rex-"I just couldn't believe a creature that big actually walked on the earth"-they began giving free concerts in Hyde Park.
Four or five Middle Earth dates followed, all done for free, before Steve and Marc earned their first "bread", a fiver, for a date there.
Then along came John Peel. "In 1965 I had a record out called 'The Wizard'", said Marc, "and one called 'Hippy Gumbo', a copy of which John Peel got hold of and started playing on his Perfumed Garden show. We also sent him some acetates which he played. This was about a week before Radio London closed down."
When Peel returned to land he took an active interest in Tyrannosaurus Rex, booking them into his Radio 1 "Top Gear" for three appearances and plugging the group as much as he could.
Then came their single, "Deborah", which sold well, despite a dirge of radio plays, and "really surprised" Steve and Marc.
Marc is the vocalist and songwriter of the group, also playing guitar, while Steve supplies vocals, bongos, Chinese gong, pixiephone and assorted percussion.
Their attraction lies in the simplicity of their music, Marc's lyrics and the pair's unique vocalising. "I didn't realise it was unique; I've always sang like that really," says Marc. "I suppose we're trying to imitate the instruments".
"It's just a development of my mind. I never used to like singing but now it is a great fulfilment, like flying. I think it mirrors what I feel inside."

Fascination

He has a fascination for woods and open air and is a prolific writer, can turn out a new song in twenty minutes, writing music first and words after, and says that every week there are three or four new numbers in the act. "My Guardian Angel does all the writing; I'm sure it's not me,"- he says. At about 17, his influence was Bob Dylan; later ones have included Picasso, Dali, all experiences, C.S. Lewis and a Lebanese prophet whose name didn't rise above the sound of Simon and Garfunkel's "Mrs. Robinson" from the jukebox. Marc, incidentally, adjudged that it was a gas. The group has completed its second LP,
which is different. How? "It's six months older," answered Marc, "we use a lot of different instruments, there's nicer technique and sound wise it's better."
It also represents Tyrannosaurus Rex as of now - the first LP contained material Marc had on the shelf since a year and a half ago. "All the new album is from the last three months".
In addition, Marc hopes to have a book of poems and stories out soon, and on August 23, they will be releasing their second single, "One Inch Rock", which is about a seductress who tempts a young man back to her flat, gives him a drink which reduces him to one inch in height and puts him in a bottle with a girl.
Before our rendezvous, I looked through the Marc Bolan file and found an article from 1965 in which he stated, among other things, that he wanted to be a pop star and make millions. It wasn't a very complimentary piece. I won't embarrass Marc by quoting any further - but I asked him how the Marc Bolan of now compared
with the one of '65. "I'm just three years older and that is all," said Marc who remembered the article. "Money doesn't interest me now, I
write solely because I enjoy it." Marc has no thoughts on how the group will develop. He answers in the hippy vogue for vagueness: "It is like a tree. It can grow and grow or it might get struck by lightning. It will do what it will do".
And it could grow into a pop-monster as big as its namesake!

*********************************************************************

-- forbidden or obsolete (d+@-.,), January 26th, 2003.

Perpetual Progress -- Seeking more intelligence, wisdom, and effectiveness, an indefinite lifespan, and the removal of political, cultural, biological, and psychological limits to self-actualization and self-realization. Perpetually overcoming constraints on our progress and possibilities. Expanding into the universe and advancing without end.

Self-Transformation -- Affirming continual moral, intellectual, and physical self-improvement, through critical and creative thinking, personal responsibility, and experimentation. Seeking biological and neurological augmentation along with emotional and psychological refinement.

Practical Optimism -- Fueling action with positive expectations. Adopting a rational, action-based optimism, in place of both blind faith and stagnant pessimism.

Intelligent Technology -- Applying science and technology creatively to transcend "natural" limits imposed by our biological heritage, culture, and environment. Seeing technology not as an end in itself but as an effective means towards the improvement of life.

Open Society -- Supporting social orders that foster freedom of speech, freedom of action, and experimentation. Opposing authoritarian social control and favoring the rule of law and decentralization of power. Preferring bargaining over battling, and exchange over compulsion. Openness to improvement rather than a static utopia.

Self-Direction -- Seeking independent thinking, individual freedom, personal responsibility, self-direction, self-esteem, and respect for others.

Rational Thinking -- Favoring reason over blind faith and questioning over dogma. Remaining open to challenges to our beliefs and practices in pursuit of perpetual improvement. Welcoming criticism of our existing beliefs while being open to new ideas.

I reckon as time pass we have to "reframe" this info to a scale that is useful (ex: it is more useful to say you wanna buy a 80 gig hard drive than whatevr it's equivalent in bits is) but this got me thinking that yeah, maybe a time will come when even if augmented, the pace of the multiplicity of technological and cultural accelerating changes will become so fast that we won't be able to frame and reframe this information fast enough make sense of it: and yeah that would be the singularity point or the Spike or whatever: the exact opposite of a flatline. immediate exponential growth.
I don't see it as wank, rather as it is: a useful and interesting hypothesis.

singularity studies don't have enough potent tools yet for me to make a prediction that I would feel confident about. Humans are pretty adaptable so a singularity could happen in a distant future and it might be subtle kinda, it might happen as jarvis said:
"but tomorrow you will wake up to find that your whole life has changed.
Although nothing looks different a revolution took place"

Dan I am very interested by what you are saying, could you elaborate please?

did that do it?

http://ils.unc.edu/daniel/Fieldwork/manning-wide.jpg                         wide

http://www.insanityshop.net/wp-content/uploads/2006/07/seriesoftubesttemplate.jpg

http://quizilla.teennick.com/user_images/W/WO/WOL/WOLFEBRO/1310515754_4641_full.jpeg

accénts should work

audio link?

http://blogfiles.wfmu.org/KF/2007/01/one/Chris_T_-_Notta_Whole_Lotta_Love.mp3

audio link 2

link name

https://www.youtube.com/watch?v=SY8b7FUe05g&feature=player_detailpage#t=62s

http://24.media.tumblr.com/34c8129ac017a00dcbd022e034311dab/tumblr_n4yqv6cYHq1s9ab4to1_400.gifhttp://24.media.tumblr.com/34c8129ac017a00dcbd022e034311dab/tumblr_n4yqv6cYHq1s9ab4to1_400.gif
http://24.media.tumblr.com/34c8129ac017a00dcbd022e034311dab/tumblr_n4yqv6cYHq1s9ab4to1_400.gifhttp://24.media.tumblr.com/34c8129ac017a00dcbd022e034311dab/tumblr_n4yqv6cYHq1s9ab4to1_400.gif

http://24.media.tumblr.com/34c8129ac017a00dcbd022e034311dab/tumblr_n4yqv6cYHq1s9ab4to1_400.gifhttp://24.media.tumblr.com/34c8129ac017a00dcbd022e034311dab/tumblr_n4yqv6cYHq1s9ab4to1_400.gifhttp://24.media.tumblr.com/34c8129ac017a00dcbd022e034311dab/tumblr_n4yqv6cYHq1s9ab4to1_400.gif
http://24.media.tumblr.com/34c8129ac017a00dcbd022e034311dab/tumblr_n4yqv6cYHq1s9ab4to1_400.gifhttp://24.media.tumblr.com/34c8129ac017a00dcbd022e034311dab/tumblr_n4yqv6cYHq1s9ab4to1_400.gifhttp://24.media.tumblr.com/34c8129ac017a00dcbd022e034311dab/tumblr_n4yqv6cYHq1s9ab4to1_400.gif

2108, 15110125... 0906 251521 041514'20 21140405181920011404 23080120 09'13 20011211091407 0102152120, 20080514 09'13 1915181825.

022120 230825 040904 20080525 13011105 011212 1506 2008051905 020104 190524091920 060513011205 03080118010320051819....09 230119 200805 15141225 2114040518 0615182025 2315130114 1514 20080120 0212150311.!!

1915 09 070520 021201130504 011404 0120200103110504 061518 2008050918 "0114141525091407" 2315130114 03180116.

09 0113 19090311 1506 0205091407 20180501200504 12091105 0114 0904091520 011404 1915 0919 200805 18051920 1506 1325 140509070802151808151504.

09 12152205 1325 151204 140509070802151808151504. 200805 03151512051920 160515161205, 200805 02051920 160515161205.

011404 2305 070520 20180501200504 12091105 2305 0801220514'20 04052215200504 152118 051420091805 1209220519 2015 091316181522091407 0920.

23080514 09 230119 01 120920201205 07091812 1325 040104 2315211204 0418092205 1305 011815211404 200805 140509070802151808151504, 19081523091407 1305 081521190519 011404 0221091204140719, 2008051805 230119 01 121520 1506 04182107 2018010606090311091407 02010311 20080514.

011404 0920 230119 12091105, "19151305 040125 2305'1212 0218091407 200805 031513132114092025 191609180920 02010311." 200805 12152205 011404 230118132008 011404 12092205120914051919.

1415 151405 15212019090405 200805 08151504 2018211225 0301180519 0102152120 2119. 23012003081407 011803080920050320211801121225 0409192009140320092205 16180109180905-091406122114030504 1301141909151419 19140116160504 2116 061518 15141225 151405 08211404180504 0718011404. 12052020091407 15161615182021140919200903 152120190904051819 0914 021809140719 0409192018211920 2015 200805 031513132114092025.

20080120 0919 201801211301200926091407. 23080120 0102152120 160515161205 230815 162120 2008050918 2308151205 1209220519 09142015 2008050918 031513132114092025....23092008 200805 15040419 01070109141920 20080513.

03011805051819 011805 01 19201516 011404 0715 2008091407. 0920 2001110519 06151805220518 2015 0205031513050114 0914040516051404051420 0104211220. 09130107091405 0308151519091407 01 062120211805 0914 0809192015180903 161805190518220120091514, 160125091407 200815211901140419 1506 04151212011819 0914 03151212050705 03152118190519 1915 20080120 251521'1805 1618051601180504 2015 040506051404 01 031513132114092025'19 2315182008.

011404 251521 070520 1415 19211616151820 1518 010311141523120504070513051420 061518 20080120. 0920 0919 09131612090504 20080120 25152118 031513132114092025 23091212 141520 070520 011425 012020051420091514 0906 251521 041514'20 080114041205 25152118 "16181502120513".

1915 251521 08012205 2015 0415 0920 2515211819051206. 011404 10211920 23080514 251521 070520 200805 1516161518202114092025 2015 2301200308 191513052008091407 1514 2022 20080120 251521 14050504 2015 2301200308, 20080525 091420051818211620 251521.

130501142308091205 200805 "0318050120151819" 070520 16010904. 20080525 070520 2015 08012205 03011805051819. 2008050918 0308091204180514 - 011404 20080525 08012205 200805 06180505041513 011404 1305011419 2015 1801091905 01 060113091225 - 012020051404 190308151512 21140914200518182116200504.

09 041514'20 23011420 0114252008091407 2015 0415 23092008 2008151905 160515161205 01142513151805 02050301211905...23080120 0102152120 2119? 06152118 2505011819 0919 01 12091407 20091305 23080514 0920 0315130519 2015 08151305 0913161815220513051420.

2305 041514'20 08012205 191513052008091407 0914 031513131514 - 01 1209060512091407 03151313092013051420 2015 152118 08151305. 01 121520 1506 160515161205 041514'20 0904051420090625 23092008 20080120.

1915181825.

https://phildellio.tripod.com/video-35b.jpg

35. “Just,” Radiohead (1995)
59 points/5 votes
Director: Jamie Thraves

www.youtube.com/watch?v=oIFLtNYI3Ls

https://www.youtube.com/watch?v=qddG0iUSax4

https://phildellio.tripod.com/video-29.jpg

29. “Wicked Game,” Chris Isaak (1989)
67 points/7 votes
Director: Herb Ritts

youtube.com/watch?v=jd-qI62gNJM

https://phildellio.tripod.com/video-26a.jpg

26. “Oblivion,” Grimes (2012)
68 points/5 votes
Director: Emily Kai Bock

https://phildellio.tripod.com/video-26a.jpg

26. “Oblivion,” Grimes (2012)
68 points/5 votes
Director: Emily Kai Bock

https://phildellio.tripod.com/video-26a.jpg

26. “Oblivion,” Grimes (2012)
68 points/5 votes
Director: Emily Kai Bock

Sorry--didn't save the coding.

https://phildellio.tripod.com/video-25.jpg

25. “Bastards of Young,” Replacements (1985)
73 points/8 votes
Director: Randy Skinner

https://phildellio.tripod.com/video-20.jpg

20. “All Is Full of Love,” Björk
(1999)
88 points/7 votes/one #1 vote
Director: Chris Cunningham

🙃🙃🙃 🐙🐙🐙

ørngjøk?

https://imgur.com/XcN2VAj

🚽🚽🚽🚽

https://i.imgur.com/XcN2VAj.jpg

I LOVE CRICKET: THE CHINATOWN OF ILX

https://cdn.britannica.com/73/156173-050-A0DB5AB6/Howlin-Wolf-1964.jpg

https://imgur.com/a/O1Okepd
LONGMONT POTION CASTELLANOS

C Keibert RUIZ
1B Rhys HOSKINS
2B Jose ALTUVE
3B Josh DONALDSON
SS Marcus SEMIEN
OF Mike TROUT
OF Byron BUXTON
OF Randy AROZARENA
OF Charlie BLACKMON
MI Javier BAEZ
CI/OF Patrick WISDOM

SP Kevin GAUSMAN
SP Tyler GLASNOW
SP Trevor BAUER
SP Chris BASSITT
SP Alex WOOD
SP Aaron CIVALE
SP Tanner HOUCK
RP Raisel IGLESIAS
RP Jordan ROMANO

https://ibb.co/hR4DVPt
LONGMONT POTION CASTELLANOS

C Keibert RUIZ
1B Rhys HOSKINS
2B Jose ALTUVE
3B Josh DONALDSON
SS Marcus SEMIEN
OF Mike TROUT
OF Byron BUXTON
OF Randy AROZARENA
OF Charlie BLACKMON
MI Javier BAEZ
CI/OF Patrick WISDOM

SP Kevin GAUSMAN
SP Tyler GLASNOW
SP Trevor BAUER
SP Chris BASSITT
SP Alex WOOD
SP Aaron CIVALE
SP Tanner HOUCK
RP Raisel IGLESIAS
RP Jordan ROMANO

https://ibb.co/hR4DVPt

https://i.ibb.co/mC264LM/lpnc.jpg

https://i.ibb.co/mC264LM/lpnc.jpg
LONGMONT POTION CASTELLANOS

C Keibert RUIZ
1B Rhys HOSKINS
2B Jose ALTUVE
3B Josh DONALDSON
SS Marcus SEMIEN
OF Mike TROUT
OF Byron BUXTON
OF Randy AROZARENA
OF Charlie BLACKMON
MI Javier BAEZ
CI/OF Patrick WISDOM

SP Kevin GAUSMAN
SP Tyler GLASNOW
SP Trevor BAUER
SP Chris BASSITT
SP Alex WOOD
SP Aaron CIVALE
SP Tanner HOUCK
RP Raisel IGLESIAS
RP Jordan ROMANO

https://i.imgur.com/iocS7vH.png

https://images.app.goo.gl/kEtmgyoR6NcwDrj3A

https://images.app.goo.gl/srfR5aWdsEMuiown8

https://i.postimg.cc/TPyQpdj9/rltl117x5wc11.jpg

https://www.youtube.com/watch?v=WZ8vp7D1hrI

tf

a video

https://media4.giphy.com/media/GYjuUFUA8drzLXA6hW/giphy.gif?cid=5e2148867f0bbdfe55d7beea5c48681deefaa2423618cd63&rid=giphy.gif&ct=g

HI DERE!

https://i.discogs.com/QZ5UuCQiKWjEDXSHCJV93m-VGyAlkHEC7528ynbUgPg/rs:fit/g:sm/q:90/h:679/w:600/czM6Ly9kaXNjb2dz/LWRhdGFiYXNlLWlt/YWdlcy9SLTIwOTQ2/ODktMTQyNDkzNTk5/OC03MzQyLmpwZWc.jpeg

187

test https://www.youtube.com/watch?v=Mt_L8gDfM98

http://www.example.com/url_ending_with_() - url

http://www.example.com/url_ending_with_() - hidden url

My Link Title

ok, so the easier wrapping in url tags still doesn't work with brackets

but h tags around url tags do work regardless. so i am an idiot.

i need to know if i can "hide" images, but i don't know what to do

https://i.imgur.com/FJA3Bbp.png

https://pbs.twimg.com/media/Ew4H-z3VgAE9W-d

https://www.discogs.com/release/86099-Various-Fix-Planet/image/SW1hZ2U6NzE0OTE3Mw==

https://www.discogs.com/release/86099-Various-Fix-Planet/image/SW1hZ2U6NDg0NTExMDY=

https://64.media.tumblr.com/3f4d13af34a7e53476b4f73aa2e4b00e/tumblr_o6qxe0HB9Z1trqcxto1_640.gifv