Let us now praise Fairport Convention's "Liege & Lief"

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as good as "farewell farewell"? my god yes! especially "crazy man michael"

commonswings, Friday, 10 May 2002 00:00 (twenty-one years ago) link

Yeah. And "Tam Lin," which is so gorgeous and forceful it isn't immediately obvious that it's doing some incredibly tricky stuff: adhering to the trad 20-quatrains-in-a-row format, making it work as guitar/bass/drums rock (that RIFF! that RHYTHM!), and giving it a dynamic arc so it doesn't sound excessively repetitious.

The extra tracks, incidentally, are "Sir Patrick Spens" (a rather different arrangement than the one that ended up on Full House, and this time sung by Sandy Denny) and a longish, uncertain adaptation of a Richard Fariña piece, "Quiet Joys of Brotherhood," with some lovely Thompson guitar.

Douglas, Friday, 10 May 2002 00:00 (twenty-one years ago) link

i don't know the musical terms for describing it, but "tam lin" seems to be the centrepiece of the album with "matty groves" as they seem ostensibally similar but also so different in approach. i haven't a copy off hand but how many songs are traditional on it?

commonswings, Friday, 10 May 2002 00:00 (twenty-one years ago) link

5 of the 8 songs are traditional and "Farewell, Farewell" is a re- write of another trad English ballad.

Since no ones mention it, my fav song is the "The Deserter" which, in addition to fantastic lyrics, has this super cool drum beat that sounds all slowed down and then sped up in a really weird way.

Alex in SF, Friday, 10 May 2002 00:00 (twenty-one years ago) link

I seem to remember a story about the Fairporters auditioning a new bass player (Dave Pegg?) by tearing into "Tam Lin" at a brutally fast pace . . . and he kept up. Probably sounded downright Zep-ish.

Lee G, Friday, 10 May 2002 00:00 (twenty-one years ago) link

It's a great record. very well sequenced. The two long songs (matty grove and tam lin) are amazing, building the musical tension perfectly along with the lyrical. Farewell, Farewell is arguably Richard Thompson's best song. Sandy Denny's voice never sounded better. The only strike against it is the muffled drum sound pretty much always present on a Joe Boyd produced record. Now, what's this remaster? How is the sound? How about those two extra tracks?

g, Friday, 10 May 2002 00:00 (twenty-one years ago) link

I like What We Did On Our Holidays better... what's that tune? "Tale in Bad Times"? I love that song.

Andy, Friday, 10 May 2002 00:00 (twenty-one years ago) link

When I got my CD player, "Liege & Leif" ws the first CD I went out & bought. It is one of the best rekords ever, I think.

Norman Phay, Friday, 10 May 2002 00:00 (twenty-one years ago) link

Andy, the song you're thinking of is called "Tale In Hard Time" and is ace. A very different Fairport from the Liege and Lief model, a year and two albums earlier, and therefore far removed from this thread, but that was a *vital* song to me when I first heard it, wondering how Thompson could have written such *ancient* songs, so wise and so mature and so apparently indicative of years of experience, while still a teenager. I wasn't that good a songwriter in my teens, but I think I am now.

Robin Carmody, Friday, 10 May 2002 00:00 (twenty-one years ago) link

A great cd indeed,a colleague of mine had burnt Liege and Lief for me believing that I would appreciate it and he was certainly right.

MICHELINE, Monday, 13 May 2002 00:00 (twenty-one years ago) link

one year passes...
I recently discovered 'Tale in Hard Time' and it is quite amazing. It would sound great as an 70s synth WHO wigout. Sounds curiously contemporary too. Fits well next to punk funk on a compilation.

N. (nickdastoor), Tuesday, 8 July 2003 17:32 (twenty years ago) link

This is the best revival thread ever, because Douglas is right as right. L&L is perfect wonderfulness in shiny plastic. I can't get enough of it.

J (Jay), Tuesday, 8 July 2003 17:47 (twenty years ago) link

it's a classic but there's another album of theirs i prefer slightly more, as my email address may hint....

j fail (cenotaph), Tuesday, 8 July 2003 19:39 (twenty years ago) link

does anyone want copies of the old, non-remastered "unhalfbricking" and "what we did on our holidays"? i'm looking to sell them.

amateurist (amateurist), Tuesday, 8 July 2003 19:47 (twenty years ago) link

vinyl? i could use unhalfbricking on vinyl actually....

j fail (cenotaph), Tuesday, 8 July 2003 19:50 (twenty years ago) link

no cd.

amateurist (amateurist), Tuesday, 8 July 2003 19:52 (twenty years ago) link

I love 'Farewell Farewell', but was shocked to discover that the melody is totally stolen from an olde English folk song - Anne Briggs does a version of it called 'Willie O'Winsbury'

Andrew L (Andrew L), Tuesday, 8 July 2003 19:53 (twenty years ago) link

it's actually a Scottish folk song, Child # 100.

amateurist (amateurist), Tuesday, 8 July 2003 19:56 (twenty years ago) link

Folk doesn't 'steal' you capitalist pig.

N. (nickdastoor), Tuesday, 8 July 2003 21:13 (twenty years ago) link

'liege and lief' is a wonderful record. though I must admit it took a lot of listening to 'holidays' and 'unhalfbricking' before I really warmed to it.

the song 'sloth' from 'full house' fits nicely at the end of one side of a C90 containing 'holidays'. 'sloth' is probably my favorite song by them ever.

one of the bands that's made my life better.

jon leidecker, Tuesday, 8 July 2003 23:10 (twenty years ago) link

More than somewhat over-rated. The original songs are good but the Trad Arrs are on the dull side: "Matty Groves" and "Tam Lin" being especially turgid. I prefer Steeleye Span's "Hark the Village Wait".

Dadaismus (Dada), Wednesday, 9 July 2003 12:42 (twenty years ago) link

I love 'Farewell Farewell', but was shocked to discover that the melody is totally stolen from an olde English folk song - Anne Briggs does a version of it called 'Willie O'Winsbury'

Well, to be pedantic about it, Richard Thompson stole the tune from a version of "Willie O'Winsbury" sung by Andy Irvine on the first Sweeney's Men album - the problem being that Irvine sang the WRONG melody. So the melody isn't actually "Willie O'Winsbury" at all.

it's what english folk song does best - dark, black songs rather than celtic fiddle-de-dee stuff

If you think that "English" folk music does "dark and black songs best" then I suggest you haven't heard anything like as much Scottish and Irish folk music as you should have to be making such judgements. And anyway given that the folk music of the British Isles is all intermingled and given that that song you hear on a Fairport album, or a Martin Carthy album, or a Nic Jones album, is just as likely to be Scottish or Irish as English then generalisations are not a good idea.

Dadaismus (Dada), Wednesday, 9 July 2003 13:25 (twenty years ago) link

three years pass...
I really have officially pretty much flipped over this thing. I've known who Sandy Denny was for years but never thought I'd "get it". I do think this album does get a bit tiring towards the very end, but this is a small quibble and I can't tell you how many times this weekend I've shed tears at the sound of that woman's powerful voice.

I only decided to try this after hearing an interview with Joe Boyd (producer) promoting his new book. It was on BBC I think. He said that for awhile in the late 60's all these Brit bands were trying to emulate US influences, and he said that then this album came out by the Band called Big Pink or whatever it was (I wrote it down) and it was just so American sounding, he said, and so good, that the Brit bands backed down and went to back to the musical roots of their own land. And so he mentioned "Liege & Lief" next and I wrote it down and I've played it several times this weekend, absolutely delighted.

Just call me a goddamn lifelong Anglophile.

Bimble, Sunday, 22 April 2007 20:24 (sixteen years ago) link

If even one person would post and tell me I'm not alone it would mean a lot to me.

Bimble, Sunday, 22 April 2007 20:27 (sixteen years ago) link

You want to get all of Sandy Denny's stuff too then, and that Fotheringay record - it's pretty much all great. I like it better than the Fairport stuff, on the whole. Liege and Lief is terrific, though.

Keith, Sunday, 22 April 2007 20:30 (sixteen years ago) link

Yes please! Tell me where to start with this woman's career!!

I also think about how Peel loved Faiport...and how the mouse toy thing he used to wear on his belt buckle was made by Sandy for him. Thinking of Peel makes me cry, too. So it's a cry-fest all around.

Bimble, Sunday, 22 April 2007 20:33 (sixteen years ago) link

I want to see the English countryside next year, really really I want to go back once in my life...I promise, before I die...

Bimble, Sunday, 22 April 2007 20:34 (sixteen years ago) link

all these Brit bands were trying to emulate US influences, and he said that then this album came out by the Band called Big Pink or whatever it was (I wrote it down) and it was just so American sounding, he said, and so good, that the Brit bands backed down and went to back to the musical roots of their own land.

Which is funny, since most of The Band were from Canada. But so is the archetypal American rocker Neil Young.

Hurting 2, Sunday, 22 April 2007 20:36 (sixteen years ago) link

Well, I pretty much hate Peel, except for the toilet roll adverts, but I guess with Sandy Denny, just start with the North Star Grassman and the Ravens and work your way forward...

xx-post.

Keith, Sunday, 22 April 2007 20:36 (sixteen years ago) link

Yes, you are right, thanks for your contribution, Hurting. I didn't understand that before.

Oh don't hate Peel...he didn't always play great music but...okay look let's not argue.

Bimble, Sunday, 22 April 2007 20:38 (sixteen years ago) link

Sure! It's not really the place for it, here...

Keith, Sunday, 22 April 2007 20:39 (sixteen years ago) link

just start with the North Star Grassman and the Ravens and work your way forward...

Shall do and report back, thank you.

Bimble, Sunday, 22 April 2007 20:40 (sixteen years ago) link

Although...wait a minute...Robbie Robertson was in the Band wasn't he? I know he is Canadian, right?

Bimble, Sunday, 22 April 2007 20:42 (sixteen years ago) link

you are a character

RJG, Sunday, 22 April 2007 20:56 (sixteen years ago) link

Yes I am, but I already know you are one who has held me in contempt in the past, RJG. So I hold you in suspicion, and be careful what you say.

Bimble, Sunday, 22 April 2007 21:14 (sixteen years ago) link

not a v good character

RJG, Monday, 23 April 2007 09:14 (sixteen years ago) link

Liege and Lief is amazing - esp., "Matty Groves".

o. nate, Monday, 23 April 2007 14:57 (sixteen years ago) link

i liked this a lot when i first bought it, but listening to it again recently the only stuff i can really get into is "come all ye" and "farewell farewell" - unhalfbricking is about sixty times better

pretzel walrus, Monday, 23 April 2007 15:11 (sixteen years ago) link

"Unhalfbricking" is pretty great, but I prefer "Liege".

o. nate, Monday, 23 April 2007 15:15 (sixteen years ago) link

yeah i guess the trad songs just don't do a whole lot for me - thompson's guitar is a lot cooler on unhalfbricking and i think the folk fusion stuff on liege is way too respectful (read: boring/academic) for my taste

pretzel walrus, Monday, 23 April 2007 15:24 (sixteen years ago) link

all these Brit bands were trying to emulate US influences, and he said that then this album came out by the Band called Big Pink or whatever it was (I wrote it down) and it was just so American sounding, he said, and so good, that the Brit bands backed down and went to back to the musical roots of their own land.

Which is funny, since most of The Band were from Canada. But so is the archetypal American rocker Neil Young.

-- Hurting 2, Sunday, 22 April 2007 21:36 (Yesterday)

To borrow Greil Marcus's argument in Mystery Train, it the fact that they saw America with a certain degree of distance, that allowed them to synthesis its musical styles so successfully. And Levon Helm gave them their direct connection to southern roots.

Of course there's an element of romanticism to this idea - The Band grew up on American music and toured there with Ronnie Hawkins.

But certainly in connecting with roots music on Big Pink, the Band inspired roots rockers around the world.

Back to Liege and Lief. Incredible album. I always play Matty Groves when I DJ. The Hutching Mattacks rhythm section are actually kinda [i]funky[/]. Also see Shirley Collins & The Albion Band.

Stew, Monday, 23 April 2007 15:25 (sixteen years ago) link

I don't know how anyone can resist Matty Grove and Tam Lin. In general, I have a hard time with the rocked-up-versions-of-Childe-ballads concept, but the stuff on Liege and Leaf is so well done, and so exhuberant and fun, that it gets a giant pass.

I was listening to this last week as it happens.

I guess I have to trust Boyd for the notion that this was a response to The Band, but I see Fairport (and its semi-twin, Pentangle) as engaged in a fundamentally different project from The Band. The Band was making up a kind of timeless archetypal American music -- I always associate them somewhat with Gabriel Garcia Marquez and his invention of Macondo. FC was taking actual songs from a distant era (and writing other songs that sounded just like them) and doing contemporary arrangements that preserved some of the old elements.

Vornado, Monday, 23 April 2007 15:36 (sixteen years ago) link

That's a very good point Vornado. I suppose you could argue that the Band, with Dylan, arranged and rewrote old folk songs on the Basement Tapes (see Marcus's Invisible Republic for an exploration of source material), but their approach was much less deliberate than Fairport's.

Stew, Monday, 23 April 2007 15:55 (sixteen years ago) link

Yeah, I guess I see what Fairport was doing on "Liege" as having probably more in common with what the Byrds were doing with acoustic Dylan and the Book of Ecclesiastes in the early 60s than with what the Band & Dylan were doing with Americana in the mid to late 60s - ie., more of a deliberate "modernization" - pushing the envelope musically in terms of arrangements while simultaneously looking back in time for inspiration lyrically and melodically.

o. nate, Monday, 23 April 2007 16:00 (sixteen years ago) link

Jon Savage said "they could brood like no other band" at this period.
They do that great on here. I hear the link between folkrock and Beefheart in the long coda to Matty Groves. They cook up a wicked brew in Tam Lin. I agree there are moments of reserve, of greeness, but that's much better than the professional pubfolkers they soon became
(i like Full House though.)

Frogman Henry, Monday, 23 April 2007 16:21 (sixteen years ago) link

Yes, obviously The Basement Tapes was a lot closer to Fairport Convention than Music From Big Pink. But Dylan didn't choose to release that stuff until much later, and The Band never did anything like it as an official group product. And even then, the stuff on The Basement Tapes was basically one generation old, although it felt like a looooong generation at the time, and Dylan had gotten his start in the world among people who believed they would spend their whole careers reinterpreting that music. (Now that I think of it, Joan Baez was doing Childe Ballads and faux- early in her career, too.)

Tam Lin is about fairies and knights. I don't know exactly when it came into the world (and I doubt it's as old as it pretends to be), but it was at least a couple hundred years old when Fairport Convention recorded it.

Anyway, I see FC as a logical progression from The Weavers or The Kingston Trio (both of whom I love plenty) -- faithful reinterpretation and homage, with contemporary arrangements and instrumentation. The Band (and Dylan, in John Wesley Harding and elsewhere) were on another plane altogether: making up something that had never exactly existed, because it should have.

Vornado, Monday, 23 April 2007 16:22 (sixteen years ago) link

Yes, obviously The Basement Tapes was a lot closer to Fairport Convention than Music From Big Pink. But Dylan didn't choose to release that stuff until much later, and The Band never did anything like it as an official group product.

Actually the Basement Tapes were being passed around from band to band years before the official release. That's how Fairport was able to do a cover of "Million Dollar Bash" on Unhalfbricking. It's also the reason why songs from the Basement Tapes appear on dozens and dozens of records between '68 and '71.

Also, in terms of Big Pink influencing Liege-era Fairport, I think Fairport heard a record that sounded like it really caputured a lost America, one that was rooted in American soil, so to speak. Whether that was really the case wasn't too terribly important. A lot of people at the time, thought Big Pink could have been made in pre-depression America. Of course, it doesn't really sound that way now, but back then, it was something many reviews pointed out. And so, the record inspired Fairport to create a sound that was equally rooted -- but rooted in British soil. The result is something different than Big Pink, but I definitely see how Big Pink could've played this role. Also, like Big Pink, there is something very mythological about Liege, which other folk groups never captured. It's more than just reworking old folk tunes, it's about creating a vibe or fable through sight and sound. One that can feel old and new all at the same time.

In his new book, Boyd also points out how, Fairport wanted to stop sounding American after hearing Big Pink because they knew they were never going to sound as American as the Band. Plus, he says Mattacks was obsessed with Levon's drum sound on Big Pink. This is something I totally hear: Liege has a very woody, almost muffled sound, something that made Big Pink really stand out in the age of psychedelia.

QuantumNoise, Monday, 23 April 2007 17:44 (sixteen years ago) link

I prefer unhalfbricking.

Talking of which, does any London ilm-er know whereabouts in Wimbledon the striking cover was photographed (Sandy Denny's parents house)? I'd love to see the location 40 years on.

Bob Six, Tuesday, 24 April 2007 22:18 (sixteen years ago) link

I think that Fairport's tackling of olde English stuff might also have actually been a reaction against the over-Americanization of rock, too -- like at the time, so many British dudes wanted to play the blooze and sound like Muddy Waters. Liege & Lief struck me as their attempt to put traditional English music back at the forefront. Though Thompson could certainly play the blues (see the Guitar/Vocal version of Mr. Lacey for proof) Maybe that's all obvious though. Hell of an album, anyway. Love it from start to finish.

tylerw, Tuesday, 24 April 2007 22:30 (sixteen years ago) link

I bought Unhalfbricking, yes I did.

And it's making me turn into a gypsy dwarf.

Bimble, Saturday, 28 April 2007 02:21 (sixteen years ago) link

Also would love to see taht TOTP performance where thy are consciouly miming and bringing attention to it with props and things.
Seen stills from it but don't think the actual footage survives.

It's Si tu Doir Partir from what i recall.

Yeah..

A bit of a shame, as they managed to get copies of the songs they did in radio session by "asking nicely at the time", otherwise they'd all have got wiped after broadcast. Which is why that BBC CD exists.

Mark G, Monday, 12 March 2018 16:41 (six years ago) link

Had a lovely evening tracking back and forth across various Denny Thompson bits and pieces. Ended up with the Albion Band who are patchy but damn, Gresford Disaster and Poor Old Horse.

L&L is unimpeachable.

The shard-borne beetle with his drowsy hums (Chinaski), Monday, 12 March 2018 21:52 (six years ago) link

Denny Thompson, wasn't he in Pentangle?

Buff Jeckley (Tom D.), Monday, 12 March 2018 21:53 (six years ago) link

Liked fighting with Jehn Martyn, so I'm told.

The shard-borne beetle with his drowsy hums (Chinaski), Monday, 12 March 2018 21:56 (six years ago) link

I do like the post fairports Ashley Hutchings stuff. Albion band was mainly him plus various others over the years. Including one time wife Shirley Collins on No Roses which is worth tracking down.
As is the Battle of the Field which seems to have an inner glow that always reminds me of Kosmische stuff.
& the 1st 3 Steeleye Span lps.

Stevolende, Monday, 12 March 2018 22:09 (six years ago) link

Albion band also went through a stage where it featured both Richard & Linda Thompson and covered The Left Banke prior to the recording of teh first lp. There are 2 or 3 live sets from taht very early period that circulate.

Stevolende, Monday, 12 March 2018 22:12 (six years ago) link

I am hearing Bright Phoebus for the very first time rn

0_0

when worlds collide I'll see you again (Jon not Jon), Monday, 12 March 2018 22:32 (six years ago) link

according to this site:

http://home.myfairpoint.net/srabbot/fc/fcbase.htm

...the "liege and lief" band did maybe a dozen gigs before sandy denny left. i haven't heard (or seen) the danish tv broadcast - is it out there on video?

ziggy the ginhead (rushomancy), Tuesday, 13 March 2018 02:02 (six years ago) link

"Tam Lin" is such a savage piece of music.

timellison, Tuesday, 13 March 2018 03:03 (six years ago) link

yes "Tam Lin" is a wild ride, would love to hear a live version from the era that catches even more fire if one exists

droit au butt (Euler), Tuesday, 13 March 2018 09:14 (six years ago) link

That List that Rushomancy links to is really fascinating. I wonder if tracklisting denotes existing recording or just surviving set list. Would love to hear those sets if they do exist anyway. & see the Danish tv performance.
Here's the 2 tracks from Bouton Rouge
https://www.youtube.com/watch?v=0Zvr-IKaf9I
https://www.youtube.com/watch?v=V5IUHjLpf3A

I was hoping something like that gigography existed since I'm familiar with teh fromthearchives site which covers Gun Club, Birthday party bad Seeds etc in a somewhat similar fashion.

I don't see an entry for Ashley hutchings leaving on the list though. I thought it was on the same return trip as Sandy Denny left so surprised it wasn't included in that note. Especially since I thought he was the actual founder member that the rest of the group formed around.

Stevolende, Tuesday, 13 March 2018 10:09 (six years ago) link

Pop 2 is here
https://www.youtube.com/watch?v=qgnWWNZoa4w
and still has Richard Thompson on board.

Stevolende, Tuesday, 13 March 2018 10:12 (six years ago) link

yes "Tam Lin" is a wild ride, would love to hear a live version from the era that catches even more fire if one exists

― droit au butt (Euler)

well, i've heard the tape discussed on this thread (i'd ysi it but i've no clue where i left the darn thing) and i don't believe such a thing does exist. my recollection is that the "tam lin" at this gig is about the same as the version they recorded the day before for top gear (it's on the bbc box) but in much worse fidelity - and i don't think the top gear version is by any means a patch on the album version. on the top gear version sandy starts in full bellow and stays there - no build.

the nonexistent thing i'd love to hear is the "liege and lief" band playing "a sailor's life". it could have been great! but the band didn't last long enough for such things.

the "pop 2" show is wonderful. the '70 fairport gets way short shrift imo, and hearing richard thompson play "sloth" with wilco a couple years back was pretty fucking awesome.

ziggy the ginhead (rushomancy), Wednesday, 14 March 2018 02:54 (six years ago) link

One of the great rock holy grails is a recording of (parts of) Fairport jamming with (parts of) Zeppelin at the Troubadour in Los Angeles in 1970.

"September 4, 1970 - Today, after playing to 20,000 fans at the L.A. Forum, Led Zeppelin appear with Fairport Convention at the Troubadour in L.A. to a crowd of only a few hundred. The bands share instruments. Richard Thompson, guitarist for Fairport Convention plays Page's Les Paul, but FC's drummer, Dave Mattacks is hesitant to let Bonham play his drums because of Bonham's reputation as a very powerful drummer. Bonham sits down at the kit and steps on the bass pedal. Mattack watches in horror as his bass drum flies forward a half a foot. After the jam session which lasted almost three hours, the drum heads need a good changing and the toms need a good tuning. After the jam session, Bonham retires to Barney's Beanery, an after-hours bar, where he engages in a drinking contest with Janis Joplin."

Josh in Chicago, Wednesday, 14 March 2018 03:38 (six years ago) link

Denny Thompson, wasn't he in Pentangle?

― Buff Jeckley (Tom D.), Monday, March 12, 2018 2:53 PM (yesterday) Bookmark Flag Post Permalink

TS: Denny Lethargy VS. Denny Vertigo

omar little, Wednesday, 14 March 2018 03:43 (six years ago) link

five months pass...

Which is the best box set to get for a beginner like myself? No Best Of crap, just album collections. Do some have important bonus tracks that others don't.

Robert Adam Gilmour, Sunday, 9 September 2018 14:45 (five years ago) link

Just go for the Five Classic Albums CD box set for ~$15. A good place to begin. Covers the first five albums, which is the Richard Thompson and Sandy Denny years (except Rising for the Moon), no bonus tracks but I wouldn't go down that rabbit hole until you're more devoted.

com rad erry red flag (f. hazel), Sunday, 9 September 2018 16:56 (five years ago) link

Is there notable bonus tracks on any releases?

Robert Adam Gilmour, Sunday, 9 September 2018 17:10 (five years ago) link

Heyday has a lot of bonus tracks on the reissue

sleeve, Sunday, 9 September 2018 17:14 (five years ago) link

Liege & Lief reissues have included great outtakes like Sir Patrick Spens (w/ Sandy on vocals), Quiet Joys of Brotherhood and Ballad of Easy Rider.

tylerw, Sunday, 9 September 2018 17:14 (five years ago) link

some, sure. b-sides and outtakes, the liege and lief outtakes "sir patrick spens" and "quiet joys of brotherhood" are nice. the meat is still on the original records.

"heyday" is a bbc sessions record - there's now a box of that material, and honestly i'd recommend it strongly. fairport convention were one of the greatest bbc session bands; plenty of tunes, particularly from the "what we did on our holidays" era, not represented elsewhere.

milkshake duck george bernard shaw (rushomancy), Sunday, 9 September 2018 17:24 (five years ago) link

yeah, most of their first ten albums have been re-released on CD at least twice with bonus tracks and sometimes entire extra discs. there are a lot of good bonus tracks!

com rad erry red flag (f. hazel), Sunday, 9 September 2018 17:26 (five years ago) link

Do wish there was more stuff avaialble from them live from the Thompson years. NOt sure how Live the BBC sessions are, assume they are far more one-take than an official studio set would be.
BUt hearing things like the Bouton Rouge set and the stories about Thompson jamming with Hendrix and his endless invention and ability to improvise just means would be so great to have concrete evidence.

Stevolende, Sunday, 9 September 2018 17:38 (five years ago) link

I think I'll go for the individual releases. Don't want to buy stuff twice or search for digital files if I really like the albums.

And thanks for the tip on Heyday.

Robert Adam Gilmour, Sunday, 9 September 2018 18:28 (five years ago) link

one month passes...

https://routepublishing.wordpress.com/tag/what-we-did-instead-of-holidays/

new Clinton Heylin book on the extended fairports family. & the offshoots of at least the original line up.
Not sure if Trader Horne are covered since not seeing any mention but some of their stuff at least is good.

Stevolende, Monday, 22 October 2018 17:06 (five years ago) link

The original one-disc xp Heyday is really cool, despite scruffy sound quality, which can often also be found on my studio LPs and CDs of Fairport and 70s Richard & Linda.
Haven't heard Tree With Roots yet, though it's waiting patiently on Spotify: seems like a handy round-up of all(?) prev. released Dylan covers, from FC, Fotheringay, and Denny solo LPs. Track list[ etc:
https://www.folkradio.co.uk/2018/06/a-tree-with-roots-fairport-convention-and-the-songs-of-bob-dylan/

dow, Monday, 22 October 2018 18:03 (five years ago) link

I am v. excited to read that Heylin book but what is up with that awful title?

the girl from spirea x (f. hazel), Monday, 22 October 2018 19:05 (five years ago) link

three years pass...

I drove out to Farley House the other day, where Fairport reconvened after the death of Jeannie Franklyn to record Liege & Lief. Not a huge amount to report I guess, apart from the atmosphere, which is lonely and wild (if you can have a wildness this close to civilisation. Thoreau might be the person to ask). It's in the arse end of nowhere (relatively speaking for Hampshire) surrounded by flint and chalk farmland, looking out towards some low hills and the distant docks at Southampton and the Isle of Wight beyond. Farley Mount - the high point in the surrounding landscape, topped by a dazzling white monument to 'Beware Chalk Pit' the trusty horse of the 3rd Earl of Bolingbroke - is not too far off, but not visible from the house. There is a pretty amazing church nearby - St John's at Farley Chamberlayne - one of several in the area that seem to serve no real purpose and no real community. It's totally naked in the surrounding countryside, a sanctuary from the wind and the loneliness. There was a guy sitting on a low bench as I approached; I asked if the church was open and he pulled out some earbuds from under his hood, and was clearly crying. Despite the gloom, the inside of the church is like a basin of light. I didn't tarry: I felt like I'd intruded and left quite quickly.

Some nice photos of the band at the house here: https://jennyartichoke.wordpress.com/2014/09/02/fairport-convention-farley-chamberlayne/

https://i.imgur.com/pVtg40X.jpg

Vanishing Point (Chinaski), Friday, 29 October 2021 10:01 (two years ago) link

Lovely post

maybe these baps are legends (Noodle Vague), Friday, 29 October 2021 10:02 (two years ago) link

^^^

Hannibal Lecture (PBKR), Friday, 29 October 2021 11:35 (two years ago) link

^^^

Communist Hockey Goblin (sleeve), Friday, 29 October 2021 15:08 (two years ago) link

<3

o shit the sheriff (NickB), Friday, 29 October 2021 15:21 (two years ago) link

also hampshire has all the best village names

o shit the sheriff (NickB), Friday, 29 October 2021 15:23 (two years ago) link

Not while there’s Dorset, it doesn’t.

(Lovely post, Chinaski.)

Tim, Friday, 29 October 2021 15:44 (two years ago) link

okay at the risk of complete thread derail, these are my top thirty hampshire place names:

Cowplain
Crampmoor
Crow
Crux Easton
Deadwater
Dummer
Enham Alamein
Farleigh Wallop
Fox Amport
Freefolk
Frogmore
Funtley
Golden Pot
Gore End
Little Ann
Martyr Worthy
Mislingford
Mockbeggar
Nately Scures
Oliver's Battery
Picket Twenty
Quidhampton
Ragged Appleshaw
Red Rice
Sheet
Tiptoe
Tickley
Up Nately
Viables
Worlds End

o shit the sheriff (NickB), Friday, 29 October 2021 16:01 (two years ago) link

bollocks i forgot Firgo

o shit the sheriff (NickB), Friday, 29 October 2021 16:03 (two years ago) link

Compton Pauncefoot still the top of the charts though.

Tim, Friday, 29 October 2021 16:31 (two years ago) link

(Ah no it turns out that’s in Somerset. So is Queen Camel.)

Tim, Friday, 29 October 2021 16:34 (two years ago) link

Hehehe. When I write my noir novel, my nom de plume will be Farley Chamberlayne. Or Compton Pauncefoot. Or Purbeck Incline.

Vanishing Point (Chinaski), Friday, 29 October 2021 18:13 (two years ago) link


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