top100- stock plot devices for important works of literature

10. Add Holocaust references/survivors to give unearned gravitas to lightweight plot

11. pretty peasant girl gets a taste of the aristocratic life, cannot forget

some uncertain song or a dream coalesces into a bright present before fading into oblivion

a man stands in shadows and watches others dance

people are cruel and wound each other even when they want love more than anything else

thematically similar things happen to groups of people all at once, all on spacehships

nothing really happens its all made up your own hands are like strangers when they touch

unreliable narrator is unreliable

Bloke goes mad, stabs his bird.

hahaha those are all great

19. At last, the reading of that old codger's will! All my problems will be over once I inherit everyth---WHAAAAT?!

Broke young gloomy clever man thinks a bit too hard about things, goes mad/kills self/kills other.

broke young gloomy clever man

tempted to use this as username

21. Things were different, before the war.

22. Glib Americans are touched and made to consider life seriously by things that happen somewhere in the developing world, while on business trip/holiday/kidnapping/etc

23. "I think it'll help our marriage to move out here, away from the city... Could you stop doing that please? It's annoying."

24. Alienated loner isn't sad when mother dies; wonders about this

25. Teenagers: when it's your first crime of passion, it's poignant (bonus pts for murder)

26. Wherein snow is a metaphor for the spirit being sapped by this godawful war.

27. Sensitive, bookish girl/woman, morally superior and with an acute sense of character, is treated harshly or ignored in a world where pushy, shallow, solipistic people get all the money/recognition/attractive men etc. Minor vindication at the end doesn't altogether compensate.

28. Narrator is just kind of living out the rest of his days in cabin/mountains/small flat in lonely city where the past is just a long narrative flashback.

29. Protagonists' building troubles reach climax just as whole city burns to the ground, providing backdrop.

alternatively:

30. protagonists' troubles with each other heading for climax at exactly same moment as their troubles with unrelated minor characters do same. Fortunately all will be present at tonight's dinner party!

31. All the dramas, grudges, and resentments from their youth (ie the first one-third to one-half of the book you've invested yourself in reading) just don't seem to matter anymore, after the war/the fire/Mother's death/getting old.

32. important/lost journal is found, narrator offers to translate for us

32a. as translation progresses, regular narrator is either driven mad by the process, or reveals previously hidden quirks and prejudices, leading us back to #17 "unreliable narrator is unreliable"

33. ppl make good decisions about their lives

5. person of advanced level of education feeling vague dissatisfaction with life meets person from lower socioeconomic group with actual problems

5a they have sex
5b they bro down
5c they hate each other
5d they embark upon a spree of crime

This stock plot device speaks to my interests. Suggestions? Lower socioeconomic class not required.

34. Protagonist with opaque but presumed lowly origins has strikingly noble moral character, particularly sense of fairness and courage. He/she is despised by powerful characters on the make, much of this apparently gut hatred for someone made of finer stuff than themselves; but attracts the admiration and unquestioning loyalty of a few good but powerless people. Following a number of harrowing experiences there is a revelation that he/she is of noble blood (thus noble character explained!(*)) and heir to a golden inheritance. His enemies are confounded, and his friends far, far more pleased for him/her than they could ever be for themselves.

(*) curiously this revelation of blood-as-destiny is still a popular device in kid's fiction and fantasy even among writers who consider themselves as being on the left - see Rowling, Pullman, as well as any number of sorts of swords and sorcery types.

35. how the author stand-in becomes a writer

The "person of advanced level of education" one is kind of the same, but I can't believe no one has mentioned "middle-aged English professor has sex with one or more nubile undergraduates"!

i was definitely including that

the Roth Gambit

37. As her world continues to spiral down around her, society woman increasingly contemplates prospects of marrying rich but boring suitor, who then ironically rejects her. (37a: suitor is also a wily, scheming Jew)

38. As everything is coming to a head, a minor character, unrelated to the drama, wanders into the frame to be fatally shot by the protagonist for no real reason. Now there is no turning back.

30. First-person narrator's realizing his own shallowness and gullibility.

Er, #39

40. Dog or cat or other pet is killed horribly to make some point about callousness of modern world or character, as author hasn't got the balls to kill a human character

http://www.aasd.k12.wi.us/staff/boldtkatherine/images/oldyeller.jpg

http://bestlittlebookshelf.files.wordpress.com/2009/11/wheretheredferngrows.jpg

Narrator gets his sometime sweetie pregnant, says something callous, can't reach her for days, she finally shows up and castigates him loud and long, he says something even more callous, and we return to the 'real' plot

42. "New York, August 1974: a man is walking in the sky. Between the newly built Twin Towers, the man twirls through the air. Far below, the lives of complete strangers spin towards each other: Corrigan, a radical Irish monk working in the Bronx; Claire, a delicate Upper East Side housewife reeling from the death of her son; Lara, a drug-addled young artist; Gloria, solid and proud despite decades of hardship; Tillie, a hooker who used to dream of a better life; and Jazzlyn, her beautiful daughter raised on promises that reach beyond the skyline of New York. In the shadow of one reckless and beautiful act, these disparate lives will collide, and be transformed for ever."

http://www.bloomsbury.com/books/details.aspx?isbn=9781408801185

I have heard this book is terrific but this sounds like the most by-numbers assemblage of Great American Novel signifiers imaginable. Jazzlyn!

Narrator gets his sometime sweetie pregnant, says something callous, can't reach her for days, she finally shows up and castigates him loud and long, he says something even more callous, and we return to the 'real' plot

See also man gets girlfriend pregnant, worries heaps about future but does fuck-all, but then she has a miscarriage so everything's OK for our hero

38. As everything is coming to a head, a minor character, unrelated to the drama, wanders into the frame to be fatally shot by the protagonist for no real reason. Now there is no turning back.

What books are you thinking of? Closest I can think of is The Stranger.

Had just seen it in SPOILER ALERT The Neon Bible by John Kennedy Toole, but I'm sure I've encountered it before...

43. stream of consciousness with lots of commas + slang used to establish authenticity of character

44. A long fever, breaking on the third/fourth day, with love interest or devoted sibling watching sleeplessly by the bedside the whole way.

45. A wily, scheming Jew is more complex than you thought

46. Noble but tragically weak male character stoically weathers marriage to a conniving/manipulative/evil woman (46a stoically weathers the batterings of a conniving/manipulative/evil ex-wife)

47. Person living under brutal dictatorship is just kinda chillin, but a relative or friend quietly disappears.

48. Last civilized man of kulcha stopping the barbarians at the gates.

49. Lots of chance encounters, for the fun of it.

Mind-blisteringly complex genealogy of protagonist must be excavated in a shaggy-dog journey through multiple countries that demonstrates the contingency of identity and the hottness of foreign ladies

#37 I recognize from somewhere - Edith Wharton?

how about

51. The louder, more bombastic, superficially interesting suitor is actually a bore or a boor, and the quiet, in-the-background one is the real catch.

51a: the first suitor marries the less refined sister and all is well

34. Protagonist with opaque but presumed lowly origins has strikingly noble moral character, particularly sense of fairness and courage. He/she is despised by powerful characters on the make, much of this apparently gut hatred for someone made of finer stuff than themselves; but attracts the admiration and unquestioning loyalty of a few good but powerless people. Following a number of harrowing experiences there is a revelation that he/she is of noble blood (thus noble character explained!(*)) and heir to a golden inheritance. His enemies are confounded, and his friends far, far more pleased for him/her than they could ever be for themselves.

(*) curiously this revelation of blood-as-destiny is still a popular device in kid's fiction and fantasy even among writers who consider themselves as being on the left - see Rowling, Pullman, as well as any number of sorts of swords and sorcery types.

― frankiemachine, Monday, January 11, 2010 5:42 AM (6 years ago) Bookmark Flag Post Permalink

This. When will it stop? It seems to be especially hard for Britishes authors to shake off

haha yes, 37a was specifically motivated by my reading The House of Mirth

A surprising amount of important literature revolves around an inexperienced young women swept off her feet by a dashing suitor whose character flaws are all too visible to the reader, but to which the heroine is blind, due to her youth, sheltered upbringing, and overly romantic view of life.

53(?). Protagonist climbs over/stabs in back everyone to achieve success they always dreamed of, finds it strangely lonely/empty

54. Character finds trove of diaries/entries, reads them all in sequence (which form perfect novelistic texture with no mystifying references, unexplained persons, etc), never skips to the end to see what happened

Not exactly a plot device, but I am sick of trees and weather reflecting emotional states. (this post inspired by the revenant but it's in a ton of books too.)

I hear you, but I have a feeling that trope is here to stay -- hard to do things otherwise, probably even moreso in film than in books

I like it, doesn't seem artificial to me. Hurting alive otm.

55. As the servants clear away the dinner dishes and refill the brandy snifters, the peculiar visitor from Goodlandia prepares to spend the next 200 pages regaling his fascinated hosts with a description of his homeland's political, economic and technological achievements.

56. A long term and otherwise solid relationship crumbles due to a simple misunderstanding which could easily be cleared up but for a completely inexplicable failure to communicate.

57. Character with trauma goes to the country, feels better.

58. Superficially good-looking but ominously weak-jawed young man spends all his money on a horse.

59. Woman rejects a man's proposal, realizes too late that she loved him all along.

60. Ugly duckling with suspicious similarities to the author makes a series of embarrassing social mistakes.

61. Orphan is unofficially adopted by a grumpy old man/a grumpy old woman/someone of a different race and/or social class/wolves

62. Sudden death at author's convenience---as in Middlemarch, even: stock devices aren't nec. bad, although I'm really sick of unreliable and most other or "other" first-person narrators.

Realized most of mine are actually plots, rather than plot devices. I should read thread titles more carefully.

you're good! this thread, like its TV cartoon predecessor, has always had room for both. and those are great also.

57. Character with trauma goes to the country, feels better.

― Lily Dale, Monday, February 27, 2023 12:05 PM (yesterday) bookmarkflaglink

58. Superficially good-looking but ominously weak-jawed young man spends all his money on a horse.

― Lily Dale, Monday, February 27, 2023 12:06 PM (yesterday) bookmarkflaglink

Gonna make it happen, this year, maybe even this week.

Been mewing too, workin on that jaw