Gram Parsons - "Streets of Baltimore"

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'Middlesborough' doesn't rhyme with for/sore/before.

Maybe Baltimore is a big, bright, shiny metropolis compared to Spaulding, Nebraska.

Mooro (Mooro), Saturday, 10 April 2004 11:47 (twenty years ago) link

I love this record, and indeed Gram Parsons.

Ronan (Ronan), Saturday, 10 April 2004 12:22 (twenty years ago) link

Actually I think Middlesbrough is a better rhyme for the song than I was imagining it to be (I wasn't, till you raised it, Mooro).

the gramfox, Saturday, 10 April 2004 12:27 (twenty years ago) link

Justin OTM

The protagonist in the song is saying that he doesn't like the city life (because it corrupts). They could have gone to NYC, but that would have been too obvious. Everybody knows NYC corrupts. It has to be an 'any city' city, because the point is the contrast between country life/values and city life/values. Maybe Baltimore wasn't a glamorous city, even then, but it doesn't really matter. The point is that city life corrupts.

Debito (Debito), Saturday, 10 April 2004 14:03 (twenty years ago) link

Yeah, it could've been Cincinnati, another weird place where southerners went to get jobs. Cincinnati had all these people from W. Va., E. Ky. and E. Tenn. working at the Ford Plant and so forth. Of course, Cincinnati is notoriously intolerant and closed-in, so the old guard hated all those "hillbillies," as if those fucking Germans in Cincinnati have anything to brag about...at least Baltimore has always tolerated eccentrics. They had Mencken and John Waters...Cinci had, what? King Records is about it since 1950. Yep, I lived there (I'm from Middle Tennessee not East Tennessee, a distinction lost on the people in Cincinnati who seem to regard anyone from south of the Ohio River as hicks), and it was the most miserable place imaginable. Good song to put on a mixtape alongside "Streets of Baltimore": Bobbie Gentry's great "Girl from Cincinnati." And of course Randy Newman's "Baltimore." "Streets of Baltimore" is a great song. I moved back to the south, thank god.

eddie hurt (ddduncan), Saturday, 10 April 2004 14:41 (twenty years ago) link

Does anyone else hear the woman becoming a prostitute? The song's last line is "While my baby walks the streets of Baltimore."

Rickey Wright (Rrrickey), Sunday, 11 April 2004 06:59 (twenty years ago) link

tim hardin around then too with the baltimore

duke verv, Sunday, 11 April 2004 07:01 (twenty years ago) link

I too thought she became a prostitute, presumably because her man had buggered back to the country.

Johnney B (Johnney B), Sunday, 11 April 2004 11:18 (twenty years ago) link

See, this is why I love ILM - thoughtful and historical responses to my silly questions.

The Bats also did a good version of this song for their "Live at WFMU" EP. I'm not sure what the lyric meant to them, though.

mike a, Sunday, 11 April 2004 14:28 (twenty years ago) link

The great thing about Parsons is the way he makes songs like "Streets" genuinely tragic...I also find it charming to find about Tompall Glaser "buggering" back to Tennessee or Kentucky...

eddie hurt (ddduncan), Sunday, 11 April 2004 17:30 (twenty years ago) link

i find the song moving for the simple reason that it's wonderful to imagine a sensibility that would find baltimore the prettiest place on earth. i don't mean that condescendingly.

the tragedy is written into the song no? not that parsons doesn't do very nice things with it.

amateur!st (amateurist), Sunday, 11 April 2004 18:58 (twenty years ago) link

p.s. good question mike.

amateur!st (amateurist), Sunday, 11 April 2004 18:58 (twenty years ago) link

gram seems to sing it with a certain distance, as if he's gently ridiculing the cliches of the song (well noted above: the corrupting influence of the city, etc.). also the very thinness of his voice, when he performs these country chestnuts, implies a certain jovial indifference toward what's expected of a country musician. in a way i think he was doing what, 30 years later, will oldham is trying--a little too hard--to do with his latest album.

amateur!st (amateurist), Sunday, 11 April 2004 19:02 (twenty years ago) link

fifteen years pass...

Love this tune and this version, especially when you can hear Emmylou, also the Charley Pride and Bobby Bare versions. Authorship seems to be Tompall Glaser AND Harlan Howard, who I didn’t see mentioned upthread. It’s kind of perfect and precise, lyrically and arrangement-wise, little details and rhymes that really stick out like “machine” and “neighborhood serene,” the guitar intro figure, which seems to vary from version to version, doesn’t quite seem to have a traditional verse chorus structure, just a repetitive thing where it swells up with a line that rhymes before the title is recapped, keeps inching forward as the protagonist’s state of mind keeps changing.

Lipstick Traces (on a Cigarette Alone) (James Redd and the Blecchs), Thursday, 19 March 2020 05:06 (four years ago) link

Actually the two other versions DO have the same intro lick, which is not used here but I (Bobby) barely mind.

Lipstick Traces (on a Cigarette Alone) (James Redd and the Blecchs), Thursday, 19 March 2020 05:07 (four years ago) link

It rivals some of those Jimmy Webb/Glen Campbell classics in its machine-tooled precision mixed with deep feeling

Lipstick Traces (on a Cigarette Alone) (James Redd and the Blecchs), Thursday, 19 March 2020 05:12 (four years ago) link

I kind of like the streets of Baltimore

velko, Thursday, 19 March 2020 05:25 (four years ago) link

Exactly!

Lipstick Traces (on a Cigarette Alone) (James Redd and the Blecchs), Thursday, 19 March 2020 05:28 (four years ago) link

(x-post)well, the woman proclaiming that baltimore is the prettiest place on earth is a woman who comes from baltimore and quite possibly has never seen any other city. it might mean loving the city life in general (or, conversely, hating the country life). or it might just mean loving the place you came from, no matter what it's actually like.also, don't underestimate how easily baltimore fits into the meter and rhyming scheme of the song. it's a very musical name.

In retrospect, this was clearly Gram’s response to Randy Newman’s “Sail Away.”

Naive Teen Idol, Friday, 20 March 2020 14:15 (four years ago) link

Interesting. Please elaborate.

Robbie Shakespeare’s Sister Lovers (James Redd and the Blecchs), Friday, 20 March 2020 14:55 (four years ago) link

Well, I was joking, but it's kind of an interesting other-side-of-the-proverbial-coin if you dwell on their conceits. Where "Sail Away" is about a trader enticing an African to come to America so he can be sold into slavery, "Streets of Baltimore" about a guy bringing his (white) lady from rural Tennessee to the bright lights of the city, which she ends up loving so much she ditches the guy.

Naive Teen Idol, Friday, 20 March 2020 15:07 (four years ago) link

Wait, she ditches him for the guy in "Sail Away"?

Jersey Al (Albert R. Broccoli), Friday, 20 March 2020 15:46 (four years ago) link

Then Randy Newman writes "Baltimore" in response to Gram Parsons' response to "Sail Away".

God gave toilets rolls to you, gave toilet rolls to you (Tom D.), Friday, 20 March 2020 15:53 (four years ago) link

one year passes...
one year passes...

Willie Nelson just released an album of Harlan Howard songs and this is on it.

Wile E. Galore (James Redd and the Blecchs), Tuesday, 7 March 2023 01:23 (one year ago) link


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