Six Feet Under (Rolling Season Five Thread w/ SPOILERS)[now also NSFW]

maybe, but among the people i know who watch the show it was the concensus.

I think the only TV I've ever cried at in my life is the end of the first episode of Season 4, with the burial and all. My gf had also just unexpectedly decided to move away, too, so it was a bit about the timing, I suppose. But still gives me the chills.

still, it does feel like the show needs to come to an end, doesn't it?

Also, they're moving it back to SUndays, since apparently no-one is watching it this year

But, yeah, this week's was great. The scene between Billy and George on the front stoop was somehow really moving.

Also, I can't get over my sudden fixation with Ileana Douglas after her cameo 2 eps ago. Jesus. So hot.

exactly. OTM about everything in that post, actually, esp. ileana douglas.

I would watch it on HBO if I could, of course.

But yeah, "Singing For Our Lives" is an instant classic. I'm excited to see how the final four are going to go down. Should be pretty intense.

The storyline with Mena Suvari was pretty right on and realistic, esp. when Claire had to realize that she just couldn't commit to anything beyond a surface flirtation with bisexuality.

this season has been so good.

Also, I really liked how they managed to tie up a few things there.

are you new to the show?

and yes, this is the last season.

Not really, I didn't watch it for one season and I didn't really like it until this season. Lots of shows have drama and bad shit happen, like Desperate Housewives for instance, but this one had a very obvious method of creating a comfortable situation and then destroying it and creating something new out of it.

Hopefully there will be many more episodes of this last season.

I liked this episode, but my aggravation with Nate has reached such an insane high that I was almost glad he died. Breaking up with your pregnant wife from your hospital bed, with your daughter in the room, right after she's spent the entire night in the hospital worrying about whether or not you'd be OK = instant fucking douchebag classic. So, yeah, I can't say I was exactly mourning his departure.

I do love Claire & David this season, tho.

Bullshit. I don't know who you know, but I assure you that there are most certainly a lot of people like Ruth and David and Rico in this world. Fuck, I relate to David quite a bit. God, what a horrifying world if everyone was as self-centered and narcissistic as Claire and Nate!

Sorry, but there only three more left, and the final episode apparently takes place mostly in the future.

01 A Coat of White Primer
02 Dancing For Me
03 Hold My Hand
04 Time Flies
05 Eat A Peach
06 The Rainbow of Her Reasons
07 The Silence
08 Singing For Our Lives
09 Ecotone
10 All Alone
11 Static
12 Everyone's Waiting

We just saw "Ecotone" on Sunday.

Oh yeah! Did you forget that? Rico doesn't seem to give a shit about the people. What about the scene with Nate's first fuck lying on the mortuary table and Rico says, "How's she holding up?" to Nate? Cool?

The way the latino casket scene happened, it just sounded like Nate was saying, "Jesus, the regular expensive casket wasn't good enough, you had to charge them an extra $300 to switch the handles?" Remember, Nate didn't know what the fuck they were saying because they were speaking Spanish, so how does he know Rico isn't just trying to sell them the most expensive stuff?

Rico totally turned it around in an instant. It's hard to tell from a script, but the way the scene was acted, it just sounded like Nate was mindlessly responding without really thinking about what race the people were. His comment was directed more toward the fact that everything was the best of the best. "We take care of our family" "Yeah and go broke doing it" ... same shit I've heard in a dozen other circumstances. It's just a comment about wasting money, not about how poor latinos are.

(you're killing yourselves...)

That wasn't the card I was playing at all because I don't think Nate was being assholish in the least. Just Rico.

Or perhaps you have never heard the following:

"A car in the city? You'll go broke on parking alone... or parking tickets!"

"Can't smoke anymore, you'll go broke."

Right here, baby.

Right here, baby.

-- Picture... wow, brilliant. (jock...), August 3rd, 2005.

Right here, baby.

What are you trying to say, anyway? Is sucking cock bad, wrong and insulting?

Right here, baby.

Thank you, sir. May I have another?

Right here, baby.

Thank you, sir. May I have another?

Right here, baby.

Thank you, sir. May I have another?

Right here, baby.

Thank you, sir. May I have another?

Right here, baby.

Thank you, sir. May I have another?

Right here, baby.

Thank you, sir. May I have another?

Could I have some hair dye tips?

Right here, baby.

Thank you, sir. May I have another?

(you're killing yourselves...)

wonder showzen!

Fuck you Alan Ball for cancelling the show! Could you perhaps consider a spin off with Olivier and Brenda's mom?

Michael C. Hall
Hall

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Showtime has signed "Six Feet Under""Six Feet Under" thesp Michael C. Hall to star in the series pilot "Dexter."

Paybox entertainment chief Robert GreenblattRobert Greenblatt also has recruited "Six Feet" helmer Michael CuestaMichael Cuesta to direct the project, one of four hourlong pilots Showtime ordered in June.

Hall will play Dexter Morgan, a Miami Police Dept. forensics expert who moonlights as a serial killer -- murdering only guilty parties. Based on the Jeff Lindsay novel "Darkly Dreaming Dexter," series comes from scribe James Manos Jr.James Manos Jr. ("The Sopranos""The Sopranos"), who will exec produce with John GoldwynJohn Goldwyn and Sara Colleton.

Other pilots in the works at Showtime are "Filthy Gorgeous," about the world of high-end escorts, from producers Craig ZadanCraig Zadan and Neil MeronNeil Meron and writer Ron Nyswaner; "The Tudors," period piece about the younger years of Henry VIII, from writer Michael Hirst and producers Ben SilvermanBen Silverman, Eric FellnerEric Fellner and Tim Bevan; and "The Bastard," revolving around a lawyer looking to wrest his birthright away from his wealthy dysfunctional family, from scribe Robert Greenwalt.

Hall's credits include the John Woo feature "Paycheck""Paycheck" and the Broadway productions of "Cabaret" and "Chicago."

Whenever you get tired of the principals (something I could say of almost everyone at one point or another except maybe David), there's always Patricia Clarkson, Kathy Bates, Joanna Cassidy, and Catherine O'Hara having the time of their lives.

Some debate over the art-school stuff above. For me, the worst--it's a parody of a parody, a meta-parody of how movies fun of art school. Much of it is spouted by Olivier: worse even than the cocktail chatter in Woody Allen's Manhattan. (If it's accurate, so be it--doesn't make it any less horrifying, just makes me glad I never went to art school.)

"movies make fun of"

The first time I watched it through I was studying for a mixed arts-style undergraduate degree and the art school stuff - Claire and Russell's self-important disaffectedness, Jimmy's on-the-nose pseudo-celebrity, the cocaine photo exhibition...that all felt very otm. Hideous, but accurate.

I guess I got a bit of that taking a film degree in the early '80s, but not nearly as over-the-top (and, except for one course, we were studying films, not making them).