Lets post about JAZZ STANDARDS

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Why? Because I just realized "On Green Dolphin" street is the theme of a movie, that's why. never heard of it til now, except for that really great fake-arabic song that all the dudes like.

Oilyrags, Friday, 23 February 2007 01:47 (seventeen years ago) link

I think there's a Marc Ribot quote about how he likes playing standards because it's like playing "a duet with the audience's minds" or something like that.

Hurting 2, Friday, 23 February 2007 04:26 (seventeen years ago) link

The funny thing for me about standards, as a 20-something who did not grow up in the era of the dominance of the Great American Songbook, is that these "standards" continue to be "standards" in jazz circles, played by musicians who only know the songs from other jazz records, often for audiences in the same boat. I'd imagine the original point of blowing over "All The Things You Are" was that folks in the audience actually knew All The Things You Are as a pop song. But out of those kinds of chord changes comes bebop and the framework for so much jazz.

Hurting 2, Friday, 23 February 2007 04:31 (seventeen years ago) link

I remember my jazz teacher thinking everybody in the whole world knew "Satin Doll."

Curt1s Stephens, Friday, 23 February 2007 04:35 (seventeen years ago) link

True that, Hurting. It's always interesting when someone tries to bring that idea back like the Herbie Hancock record a couple of years ago where he was playing Prince and stuff. Or the Blue Note series where different guys covered their favorite albums in full. Okay, actually I haven't heard either of those, so I don't know how good they were, but I appreciate the effort!

Oilyrags, Friday, 23 February 2007 04:38 (seventeen years ago) link

Herbie's recent efforts in that area haven't been so successful. But I do seem to remember that a lot of local guys around DC would do almost smooth jazz versions of well known R&B songs, and that seemed to work with the audiences there.

Hurting 2, Friday, 23 February 2007 04:56 (seventeen years ago) link

S : Blue Monk, So What, Mr. P.C.

Michael Servetus, Friday, 23 February 2007 06:05 (seventeen years ago) link

nine years pass...

Almost started another thread to this effect but guess I will revive this one. Hurting and Crutis otm upthread. Think certain jazz guys have recommended instrumentalists learn the lyrics of tunes and listen to vocalists perform them-Lester Young comes to mind- but seems like this advice is often ignored. Always fun to either 1) dig into the origin of certain standards that one has been assuming "are just there" or 2) to come across an interesting tune that turns out to be a standard but is not played to death, in every fakebook, etc. Right now a tune in the latter category for me is "A Nightingale Sang In Berkeley Square," which I first heard sung by Mel Torme, then by Anita O'Day, some other singer or singers that I'm forgetting about. It seems to have originally been sung by Vera Lynn. Don't even know who wrote it but will get back to you.

195,000 Momus Threads Can't Be RONG! (James Redd and the Blecchs), Sunday, 6 November 2016 21:41 (seven years ago) link

Ah, Vera Lynn didn't do the very first recording, but hers did come out within the first calendar year it was out. The lyricist also wrote the words to "These Foolish Things (Remind Me of You)," apparently because he missed Anna May Wong when he went back to England.

195,000 Momus Threads Can't Be RONG! (James Redd and the Blecchs), Sunday, 6 November 2016 21:49 (seven years ago) link

Ah, first version was sung by Jane Birkin's mother!

195,000 Momus Threads Can't Be RONG! (James Redd and the Blecchs), Sunday, 6 November 2016 21:50 (seven years ago) link

Here is Anita O'Day version:
https://www.youtube.com/watch?v=6CMxMyCY1c4

195,000 Momus Threads Can't Be RONG! (James Redd and the Blecchs), Sunday, 6 November 2016 21:51 (seven years ago) link

I loved Ted Gioia's book The Jazz Standards mainly because of this archaeological aspect. In addition to examining the origin and history of some 250 standards, he writes about key recordings of each, and of course someone has made a giant Spotify playlist.

Brad C., Sunday, 6 November 2016 21:58 (seven years ago) link

Yes, that is a good book, if one that I have yet to make my way through. Didn't not know about the gigantic playlist but of course.

Ixp)
Somehow with its romantic lunar London landscape it seems to me to be the aural equivalent of Elizabeth Bowen's “Mysterious Kôr".

195,000 Momus Threads Can't Be RONG! (James Redd and the Blecchs), Sunday, 6 November 2016 21:59 (seven years ago) link

I have a vague suspicion that someone in an ilxor.

195,000 Momus Threads Can't Be RONG! (James Redd and the Blecchs), Sunday, 6 November 2016 22:00 (seven years ago) link

Giant playlist looks to be extremely useful as you can pretty much listen one song at a time if you so choose.

195,000 Momus Threads Can't Be RONG! (James Redd and the Blecchs), Sunday, 6 November 2016 22:09 (seven years ago) link

After quick glance through a few of the As, would like to say Mark Murphy's recording of "Angel Eyes" should have been included.

195,000 Momus Threads Can't Be RONG! (James Redd and the Blecchs), Sunday, 6 November 2016 22:12 (seven years ago) link

But I see he did get in for "Cantaloupe Island."

195,000 Momus Threads Can't Be RONG! (James Redd and the Blecchs), Sunday, 6 November 2016 22:14 (seven years ago) link

I got kind of obsessed with Memories of You for a while in college after hearing first the Mingus and then the Louis Armstrong version. Several years later it seemed like a lot of people were playing it, probably an example of both me and all of those other people "crate digging" for less-worn standards.

Ted Gioia's Huffington Post articles about how Lady Gaga recording with Tony Bennett proves that young Americans are sick and tired of all that programmed electronic bleepity-bloop pop and are ready for real music has almost totally pushed me away from reading any of his books.

Don Van Gorp, midwest regional VP, marketing (誤訳侮辱), Monday, 7 November 2016 13:28 (seven years ago) link

The other day I got to wondering about the origins of Autumn Leaves, for the stupid reason that it's fall right now and autumn leaves were drifting past my window.

https://www.youtube.com/watch?v=JWfsp8kwJto

how's life, Monday, 7 November 2016 13:43 (seven years ago) link

There are so many versions of Love For Sale but aside from Ella Fitzgerald, the two Miles/Cannonball ones are the ones that cannot be fucked with imo.

calzino, Monday, 7 November 2016 14:32 (seven years ago) link

I don't think this qualifies as a jazz standard, but I've been kind of obsessed with "The Weekend of a Private Secretary" lately, which it turns out was written by Johnny Mercer, and recorded by Mildred Bailey, Eileen Farrell, and the Glenn Miller Orchestra among others.

https://www.youtube.com/watch?v=Ey_xb8Ml-zU

Their all losers and I like associating with loser (Dan Peterson), Monday, 7 November 2016 15:40 (seven years ago) link

that spotify list is a great treat

niels, Monday, 7 November 2016 21:16 (seven years ago) link

Even better than my Jazz Daily Mix

Miskatonic Reducer (James Redd and the Blecchs), Monday, 7 November 2016 21:23 (seven years ago) link

two months pass...

Giant playlist is surprisingly listenable. Or maybe not surprising.

Also, here is another relevant thread: Standards Scrutiny: A Night In Tunisia

In Walked Bodhisattva (James Redd and the Blecchs), Sunday, 22 January 2017 05:33 (seven years ago) link


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