aeon flux kicks butt

To me the tooth scene highlights the fact that action movies are (often) made up of ridiculous, contrived coincidences. I didn't think of the other possible philosophical implications.

Though I suspect it's best if the "message" of War is kept ambiguous on some level. It's the sort of work that raises questions more than gives answers. The way the lead character is killed off in a jump cut, for instance, again highlighting how much manipulation is baked in to the average action movie. That doesn't impart a moral message, but if it counters a form of subliminal conditioning (which I think it does) maybe we can come up with alternative messages.

(Also, I found it amusing how the first episode of Elfen Lied tipped its hat to War in a big way.)

"Do you tend to support reasoning like this about art, about yours in particular? Is this what you're talking about when you say you want to the viewer to find themself in the act of seeing a meaning? "

When I first considered becoming an artist in earnest while in high school, I was determined to make work that mattered, that carried an important "message" for the public. I thought I would use my skills to help enlighten other people. (I was also driven by a religious motive to proselytize).
It became clear to me quickly that the claim to have this ability, on the part of an artist, is a sham.
The best that an artist can hope to do is to demonstrate relationships that occur within the scope of a creative work.

That is as opposed to demonstrating any truths that relate the work to the external world. Those can only be contrivances. Those are arbitrary and can serve a didactic goal in service of completely divergent world views. They have no claim to being true or authoritative.

An artist however can rightly get the viewer to become aware of structures and patterns of meaning within the work that trigger novel trains of thought. That is not trivial and I am satisfied with that.