By the way, I really love this last poem.
― pepektheassassin (pepektheassassin), Sunday, 2 May 2004 19:23 (twenty years ago) link
― Casuistry (Chris P), Sunday, 2 May 2004 19:25 (twenty years ago) link
That tie, knitted, with a thick knotthat matched perfectly a dark-colored shirtand a tweed jacket, ravished me.
This was a really elegant fellow,with his short-sropped black mustache.
We were introduced on Mazowiecka Street, a few stepsfrom Ziemianska restaurant and Mortkowicz's bookstore(the only place in Warsaw that carried my Three Winters,Published in an edition of 300 copies).
Whoever believes in Providence must see an Eye:A rider from the Pamir Mountains gallops, all in rose and purple.Then Benvenue Street in Berkeley and Wat on the couch.His astonishment as he tries to grasp his fate.And I, a young provincial with a tape recorderwho, it seems, was destined to bear witness.
It is true we lived togetherthrough that horrible New Year's Supper of 1950.
Poor Wat,he suffered enough in Kazakhstan and Tajikstan.
A beautiful tie was of no avail,nor the street of phantoms, Mazowiecka, in Warsaw.
-Czeslaw Milosz
― Jocelyn (Jocelyn), Monday, 3 May 2004 16:56 (twenty years ago) link
― yesabibliophile (yesabibliophile), Monday, 3 May 2004 17:06 (twenty years ago) link
Tattoo
The mark on my arm makes it perfectly clearthat I was once a prince among frogs.My father made it perfectly clearthat someday, I would rule the swamp.
If you ask me, you can't make cheap enough whiskey.If you ask me, you can't make it cheap enough.If you ask me, you can't make cheap enough whiskey.If you ask me, you can't make it cheap enough.
This tattoo no longer reminds me of methough my shoes are still covered in muck.And there are flies, more of them every daythough none of them will be eaten up.
Cause without them, who else would be listening?And without them who else would be near me?Without them who else would be listening?And without them who else would kiss me?
― Casuistry (Chris P), Monday, 3 May 2004 17:43 (twenty years ago) link
Ah, this thread has nearly warmed through my cold little wage slave heart this morning.
And YES I would like an anthology please :)
― Archel (Archel), Tuesday, 4 May 2004 08:33 (twenty years ago) link
― cozen (Cozen), Wednesday, 5 May 2004 17:00 (twenty years ago) link
should I go back for those three stragglers at £3, £2, and £3 apiece?
also, I found a copy of don paterson's 'the landing light' (in the hardback edn. no less) in fopp union street for £5. just a few weeks after I shelled out £9 for the paper back. grr &c.
― cozen (Cozen), Wednesday, 5 May 2004 17:02 (twenty years ago) link
― bnw (bnw), Wednesday, 5 May 2004 18:20 (twenty years ago) link
― Casuistry (Chris P), Wednesday, 5 May 2004 18:48 (twenty years ago) link
re:'garbage' - I've never seen, nor will ever see, any a. r. ammons on general sale (i.e. without having to special request it) in any british bookshops plus it was chopped down to only £2. I couldn't resist.
― cozen (Cozen), Wednesday, 5 May 2004 22:10 (twenty years ago) link
:) :)
― Archel (Archel), Thursday, 6 May 2004 09:19 (twenty years ago) link
Leaving the house,the house will beleft completely,from cellar toattic my absenceentire.
Do I enter the worldthe same,my presence feltfrom cloudto ditch?
Only in departure whole. Arrivalis always partial.
― j c (j c), Thursday, 6 May 2004 11:26 (twenty years ago) link
The Back Seat Of My Mother's Car
We left before I had timeto comfort you, to tell you that we nearly touchedhands in that vacuous half-dark. I wantedto stem the burning waters running over me like tinyrivers down my face and legs, but at the same time I was reaching outfor the slit in the window where the sky streamed in,cold as ether, and I could see your fat mole-fingers graspingthe dusty August air. I pressed my face to the glass;I was calling to you - Daddy! - as we screeched away intothe distance, my own hand tingling like an amputation.You were mouthing something I still remember, the noiseless words,piercing me like that catgut shriek that flew up, furious as a sunsetpouring itself out against the sky. The ensuing silencewas the one clear thing I could decipher -the roar of the engine drowning your voice,with the cool slick glass between us.
With the cool slick glass between us,the roar of the engine drowning, your voicewas the one clear thing I could decipher -pouring itself out against the sky, the ensuing silencepiercing me like that catgut shriek that flew up, furious as a sunset.You were mouthing something: I still remember the noiseless words,the distance, my own hand tingling like an amputation.I was calling to you, Daddy, as we screeched away intothe dusty August air. I pressed my face to the glass,cold as ether, and I could see your fat mole-fingers graspingfor the slit in the window where the sky streamed inrivers down my face and legs, but at the same time I was reaching outto stem the burning waters running over me like tinyhands in that vacuous half-dark. I wantedto comfort you, to tell you that we nearly touched.We left before I had time.
- Julia Copus
― Archel (Archel), Thursday, 6 May 2004 11:35 (twenty years ago) link
― bnw (bnw), Thursday, 6 May 2004 12:15 (twenty years ago) link
Poet Sylvia Plath is pregnant.Sylvia's pregnant with her poem.Pregnancy is only nine letters.Syllable, a metaphor for month?Sylvia's nine pregnant syllables!Pregnant: creative and inventive.Poet and her poem, both pregnant.Pregnant means filled and charged with meaning.Sylvia is a pregnant poem.
[Harryette Mullen]
(Congrats, Archel!)
― Casuistry (Chris P), Thursday, 6 May 2004 15:04 (twenty years ago) link
I think about that late TSE these days and reckon: I am no longer sure that TSE and EP are good models for a poet.
I don't claim that they would care either way, or reckon that their being models was the most important thing about them.
― the bluefox, Thursday, 6 May 2004 15:06 (twenty years ago) link
― the finefox, Thursday, 6 May 2004 15:07 (twenty years ago) link
― Casuistry (Chris P), Thursday, 6 May 2004 15:24 (twenty years ago) link
Oddly, this just reminded me of the open mic horror last night: the first 'act' was a man clutching a book of Goons scripts, which he proceeded to read from, DOING ALL THE VOICES. For about TEN MINUTES.
― Archel (Archel), Thursday, 6 May 2004 15:30 (twenty years ago) link
― the pomefox, Thursday, 6 May 2004 15:33 (twenty years ago) link
I've not read much eliot, to be honest, and have read so little pound as to be able to say I haven't read pound at all.
― cozen (Cozen), Thursday, 6 May 2004 16:33 (twenty years ago) link
[Ezra Pound, a fragment of a very late Canto that was never finished]
― Casuistry (Chris P), Friday, 7 May 2004 06:49 (twenty years ago) link
Charm, smiling at the good mouth,Quick eyes gone under earth's lid,
For two gross of broken statues,For a few thousand battered books.
[Ezra Pound, the last section of "Hugh Selwyn Mauberley", about WWI]
― Casuistry (Chris P), Friday, 7 May 2004 06:55 (twenty years ago) link
I have read the 'Four Quartets' now. Wow. I think you were onto something when you said his poetry is a worldweary sigh. But what a sigh!
― cozen (Cozen), Friday, 7 May 2004 13:11 (twenty years ago) link
― yesabibliophile (yesabibliophile), Friday, 7 May 2004 14:06 (twenty years ago) link
― Casuistry (Chris P), Friday, 7 May 2004 15:18 (twenty years ago) link
The apparition of these faces in the crowd;Petals on a wet, black bough.
--Ezra Pound
― pepektheassassin (pepektheassassin), Friday, 7 May 2004 23:43 (twenty years ago) link
There will be time, there will be timeTo prepare a face to meet the faces that you meet;...
And I have known the eyes already, known them all--The eyes that fix you in a formulated phrase....
― pepektheassassin (pepektheassassin), Friday, 7 May 2004 23:52 (twenty years ago) link
― pepektheassassin (pepektheassassin), Sunday, 9 May 2004 16:40 (twenty years ago) link
― cozen (Cozen), Sunday, 9 May 2004 16:54 (twenty years ago) link
In the back of a garbage truck parked on a side street, five garbage collectors gobble a chocolate cake, the gift of a lady each would like to squeeze a lot.
Sprawled in the gutter a black dog licks his dick like there is no tomorrow, and no tomorrow either for the five men eating with grubby fingers, smearing
the hand-cut slabs of thick black cake onto cheeks, chins, noses and sometimes their mouths. That frosting dribbles sweetness like a cut wrist drips blood
and they suck it from their fingernails and gulp down the last crumbs. How disgusting! squawks a passing matron to her friend. Had they fathomed the fullness
of the world's filth they would never have trusted their pristine garbage to these galoots. One puffs out his cheeks to make a poot-poot noise like a fart,
and the matrons scuttle off to eat sweet creams and read their lady poems. What a dreadful world! The immortal verse of Keats versus a dog's red dick on the concrete.
Such contradictions make us rich. The black dog whacks his tail against the sidewalk. These garbage guys are his heroes and the dog reckons that if he's polite
all five will let him lick their fingers clean. The hot sun baking his belly, his fleas idle for a change, the prospect of sweet things in his mouth. Why, if he
could talk, he'd make a speech against the intellect, art and math. What's so precious about what's not there? Into the trash with Einstein and his furious sums!
Stephen Dobyns
― scott seward (scott seward), Sunday, 9 May 2004 16:56 (twenty years ago) link
Billy Collins
I ask them to take a poem and hold it up to the light like a color slide
or press an ear against its hive.
I say drop a mouse into a poem and watch him probe his way out,
or walk inside the poem's room and feel the walls for a light switch.
I want them to waterski across the surface of a poem waving at the author's name on the shore.
But all they want to do is tie the poem to a chair with rope and torture a confession out of it.
They begin beating it with a hose to find out what it really means.
― scott seward (scott seward), Sunday, 9 May 2004 17:11 (twenty years ago) link
A woman travels to Brazil for plastic surgery and a face-lift. She is sixty and has the usual desire to stay pretty. Once she is healed she takes her new face out on the streets of Rio. A young man with a gun wants her money. Bang, she's dead. The body is shipped back to New York, but in the morgue there is a mix-up. The son is sent for. He is told that his mother is one of these ten different women. Each has been shot. Such is modern life. He studies them all but can't find her. With her new face, she has become a stranger. Maybe it's this one, maybe it's that one. He looks at their breasts. Which ones nursed him? He presses their hands to his cheek. Which ones consoled him? He even tries climbing into their laps to see which feels more familiar but the coroner stops him. Well, says the coroner, which is your mother? They all are, says the young man, let me take them as a package. The coroner hesitates, then agrees. Actually it solves a lot of problems. The young man has the ten women shipped home, then cremates them all together. You've seen how some people have a little urn on the mantle? This man has a huge silver garbage can. In the spring, he drags the garbage can out to the garden and begins working the teeth, the ash, the bits of bone into the soil. Then he plants tomatoes. His mother loved tomatoes. They grow straight from seed, so fast and big that the young man is amazed. He takes the first ten into the kitchen. In their roundness, he sees his mother's breasts. In their smoothness, he finds the consoling touch of her hands. Mother, mother, he cries, and flings himself on the tomatoes. Forget about the knife, the fork, the pinch of salt. Try to imagine the filial starvation, think of his ravenous kisses.
― scott seward (scott seward), Sunday, 9 May 2004 17:23 (twenty years ago) link
from Louise Gluck's "October"
Snow had fallen. I remembermusic from an open window.
Come to me, said the world.This is not to sayit spoke in exact setencesbut that I perceived beauty in this manner.
Sunrise. A film of moistureon each living thing. Pools of cold lightformed in the gutters.
I stoodat the doorway,ridiculous as it now seems.
What others found in art,I found in nature. What others foundin human love, I found in nature.Very simple. But there was no voice there.
Winter was over. In the thawed dirt,bits of green were showing.
Come to me, said the world. I was standingin my woolcoat at a kind of bright portal--I can finally saylong ago; it give me considerable pleasure. Beauty
the healer, the teacher--
death cannot harm memore than you have harmed me,my beloved life.
― Donald, Sunday, 9 May 2004 17:56 (twenty years ago) link
{James Schuyler 'Faure's Second Piano Quartet': in honour of the new Mark Ford-edited New York school anthology}
― Jerry the Nipper (Jerrynipper), Sunday, 9 May 2004 21:23 (twenty years ago) link
in a dusty shop you pause in, or a baryou never tried, and a smell will do as well; then you're
suddenly very far from what you know.You found it as a child, when the next field to you
was the world's end, a breeze of being gone.Now it begins to give, a single nerve, low down:
it sags, as if it felt the gravityat long last.[...]
The Nerve - Glynn Maxwell
― bnw (bnw), Sunday, 9 May 2004 22:50 (twenty years ago) link
IZUMI SHIKIBU
(Now if I could only find a haiku about writing haiku... then my artist friend could paint that on my body instead of just ideograms...)
― yesabibliophile (yesabibliophile), Monday, 10 May 2004 12:52 (twenty years ago) link
First: Five syllables.Second: Seven syllables.Third: Five syllables.
("Haiku" by Ron Padgett.)
― Casuistry (Chris P), Monday, 10 May 2004 22:17 (twenty years ago) link
denis johnson - you
― lauren (laurenp), Monday, 10 May 2004 22:46 (twenty years ago) link
-- Casuistry (chri...), May 10th, 2004* * * * Darlin', not only do you warrant special mention in my blog for this, but I'll be sure to credit you when the photo of my fleshy calligraphy project is posted (and I'll send you the link!)
― yesabibliophile (yesabibliophile), Tuesday, 11 May 2004 13:19 (twenty years ago) link
Today's poem comes from Robert Grenier, who is one of my favorites, although I think perhaps his poems work better if you read, like, thirty of them rather than just one. But here's one:
IT'S NOT SO MUCH THAT SHE'S TAKING A LONG TIME
it's probably more that she has to stand in a long line
― Casuistry (Chris P), Wednesday, 12 May 2004 18:29 (nineteen years ago) link
On a day like any other day, like "yesterday or centuries before," in a town with the one remembered street, shaded by the buckeye and the sycamore-- the street long and true as a theorem, the day like yesterday or the day before, the street you walked down centuries before-- the story the same as the others flooding in from the cardinal points is turning to take a good look at you. Every creature, intelligent or not, has disappeared-- the humans, phosphorescent, the duplicating pets, the guppies and spaniels, the Woolworth's turtle that cost forty-nine cents (with the soiled price tag half-peeled on its shell)-- but, from the look of things, it only just happened. The wheels of the upside-down tricycle are spinning. The swings are empty but swinging. And the shadow is still there, and there is the object that made it, riding the proximate atmosphere, oblong and illustrious above the dispeopled bedroom community, venting the memories of those it took[...]
The Disappearances - Vijay Seshadri
― bnw (bnw), Thursday, 13 May 2004 02:10 (nineteen years ago) link
― the pomefox, Thursday, 13 May 2004 13:05 (nineteen years ago) link
― aimurchie, Friday, 14 May 2004 10:18 (nineteen years ago) link
1 You blame me that I do not write 2 with the accent of the age: 3 the eunuch voice of scholarship, 4 or the reformer's rage 5 (blurred by a fag-end in the twisted lip). 6 You blame me that I do not call 7 truculent nations to unite. 8 I answer that my poems all 9 are woven out of love's loose ends; 10 for myself and for my friends.
11 You blame me that I do not face 12 the banner-headline fact 13 of rape and death in bungalows, 14 cities and workmen sacked. 15 Tomorrow's time enough to rant of those, 16 when the whirlpool sucks us in. 17 Turn away from the bitter farce, 18 or have you now forgotten 19 that cloud, star, leaf, and water's dance 20 are facts of life, and worth your glance?
21 You blame me that I do not look 22 at cities, swivelled, from 23 the eye of the crazy gunman, or 24 the man who drops the bomb. 25 Twenty years watching from an ivory tower 26 taller than your chimney-stack, 27 I have seen fields beyond the smoke: 28 and think it better that I make 29 in the sloganed wall the people pass, 30 a window---not a looking-glass.
― cozen (Cozen), Friday, 14 May 2004 13:40 (nineteen years ago) link
― aimurchie, Friday, 14 May 2004 15:16 (nineteen years ago) link
― Fred (Fred), Saturday, 15 May 2004 09:59 (nineteen years ago) link
(TSE, of course. Some poetry to celebrate my birthday! Among some talk --and time for-- you and me.!)
― pepektheassassin (pepektheassassin), Saturday, 15 May 2004 18:04 (nineteen years ago) link
― Casuistry (Chris P), Saturday, 15 May 2004 18:20 (nineteen years ago) link