The (S)word in the Autumn Stone: What Are You Reading, Fall 2022?

finance jargon is over the top, even relative to the rest of economics. when you start hearing contango and backwardation, run

not familiar with GB but i don’t think a book with the word “financialization” in the title is a good place to start learning about economics. to me that’s a sign that the book is either too advanced or jargon-heavy twaddle. the kind of metaphors you’re using are also a red flag

fun book i like and might be both accessible and fun to a beginner is “lying for money” by dan davies. uses the lens of “fraud” to explain some deep concepts of economics and finance

i also enjoyed ‘house of debt’ by atif mian and amir sufi and ‘the return of depression economics’ by paul krugman when i read them in undergrad

my favorite writer on finance is Matt Levine. he has an incredible ability to explain the logic behind each financial security and contract from first principles in a funny way

Dan Davies is excellent on twitter (as long as he keeps to economics).

lying for money is v good, so is book he wrote with his partner, the secret life of money, with chapters like “why does it cost more to love a piano than install a lift?” and “who are rip-off label jeans actually ripping off?”

i’ve also heard good things about money in one lesson by gabon jackson.

gavin.

we could move this discussion here:

a thread in which ilx interprets economics and finance, sometimes linen by linen*, and disagrees a lot (probably)

Dan Davies is excellent on twitter (as long as he keeps to economics).

but yes good idea xpost

When I wrote that I was thinking of a couple of tweets from a few months ago on how even a small rise in interest rates could be highly consequential after a decade of near zero.

Now I don't really great lot of economics beyond its political effects, but that has turned out to be brutally right. It probably wasn't too that much of an interesting prediction but no one was talking about it much then.

i find dan davies’ twitter inscrutable. i can never tell which level of irony/sarcasm he’s on

I don’t do Twitter but I enjoy Davies

I won’t attempt much further explanation, but the pinefox, financialization is essentially the transmuting of debts into assets that can be bought, sold, packaged as securities, etc.

Vine Deloria Jr God Is Red
Native American writer compares Native beliefs to Christianity. Finds the practise of Christianity pretty wanting and heavily abused.
Very interesting book. I think I need to see if I can get hold of other work by him now that I'm coming to the end of this one. But this does seem to be the only one of his in the library system unfortunately.
Hope i can find stuff elsewhere over time.

Shirley Jackson Haunting of Hill House
I'm enjoying the prose here, so again think I need to pick up some more of her work once I get through this.
How subtle is the lesbian sub theme?
Really enjoying this , writing is quite playful for a subject matter that looks like it could get very dark.

Suzanne Simard Finding the Mother Tree
Scientist's memoir showing how she worked out importance of mycorrhizal fungal interaction with trees as part of a Wood Wide Web and also the importance of older trees in the network some of which are deemed to be mother trees who shepherd the younger shoots etc. Not quite Ent like but interesting idea which appears to be heavily supported by her work. I will see if i can read more on the actual process. Have found several podcast appearances by her tied in with the book and was initially turned onto her by the BBC science show The Infinite Monkey Cage a few weeks ago. I do like the idea of a woodland as an interconnected communication network with trees passing messages to each other about ensuing conditions , dangers etc.

bell hooks Communion
3rd in her series on Love. This one is about mature women looking for self fulfilment, trustworthy relationships etc.
I enjoy bell hooks , find her a quick read once I can actually get my hands on her books. Seem to be way too few copies in the whole of the Irish library system . One copy of each of about a dozen books . I thought she wasa lot more popular. So I think they may need to pull the finger out and buy a load more.

just got
West of teh Revolution by Claudio Saunt
which is about the other events going on across the Americas in 1776 . Spanish setting up San Francisco on the Pacific coast and French expanding their trapping set up and screwing up local native economies in what would later be Canada.
Not read any of it yet but saw it turn up in a bibliography from something recently and thought it sounded pretty fascinating.
Have a lot less time for reading right now and have a stack of other stuff still out from the library. Hopefully going to get through a lot more of it.

take the money talk to the money thread! a thread in which ilx interprets economics and finance, sometimes linen by linen*, and disagrees a lot (probably)

pinefox! poster bernard snowy is already explaining stuff for you there (i think he may have begun at an over-ambitious level but we shall see)

correct me if I’m wrong but I don’t think poster pinefox is looking for help understanding particular topics (I’d read a thread on them though, so no harm) but rather is interested in why writing about finance fails?

I'm happy for there to be a finance thread and I will look at it with interest, but I post about GB's book here because it is the WHAT ARE YOU READING? thread and I am ... reading it.

I suppose I would like to understand topics - I think my point earlier was to say that it was not the responsibility of people on ILX to explain them, even if they could. It's GB's responsibility, in her book, I suppose!

Poster flopson warns against the word 'financialization', then poster table defines it anew!

The word 'debt' figures a lot already in GB's book. I know what a debt is in theory (if I owe Mark S £20 for a copy of his book I haven't paid for, that's a debt), but I can't really get from that to these more advanced things that people say about it.

(I did pay for my signed copy of Mark S's book.)

"we inhabit a revolutionary moment" - Grace Blakeley (2019), p.28.

Blakeley has made one point that was possibly new to me and that I understood:

Capitalist ideologues say "planning is bad", meaning "command economies are bad", or something. But actually big corporations are massively top-down planned (p.21).

This implies that ideologues are hypocritical and know that planning is actually good, not bad.

But perhaps this is sleight of hand from GB. Perhaps it is logical to plan within your own company which is competing against others, but not to plan a whole society, eliminating competition (a thing that the ideologues would say they like).

I'm loving the formality of pinefox's titles ("Poster flopson").

Now on to The Wall by Marlen Haushofer.

This was fabulous. The dystopian premise (woman on holiday in an alpen hunting lodge wakes up to find herself trapped behind an invisible impenetrable wall, everyone on the other side dead) is really just a pretext for a sort of solitary farmer's country diary, along with ruminations on loneliness, past regrets, and man's (not woman's) inhumanity to man (and woman). The repeated accounts of scything, milking, planting potatoes, chopping wood, are almost meditative, and the animals (cow, dog, various cats) are lovingly described and individual characters in their own right.

It's a really great book.

By about p.35 of GB's book I had reached a point of strangely almost anxious dismay, as though my inability to follow was important.

I have been meaning to read this book for some time but the way it's going, I think I will probably just have to stop.

Lol @ Blakeley shouting about revolution. That's all these people and the Novara lot know. They'll tell you to vote Labour at the next election.

xpost
Not read the Haushofer novel, but the film version from 20212 by Julian Pölsler is also excellent.

I have wondered about the film version. I need to have a look at that.

As for the book the writing is superb! Definitely worth a go.

lol I'm not watching German films from the future. Yet.

Still reading Fellowship of the Ring for the first time. I was hoping to be contrary, but man, the Tom Bombadil stuff is as annoying as its reputation.

Otherwise, the creepy bits are great

Thanks for the good wishes, pinefox and table. It's def not the right thread for it, but since this is the only one where I mentioned it, I need to say that my family member took a step away from the brink (and hospice) and my wife and spent the first night away from the hospital and together in the past 11 days.

Life breaks in sometimes. It’s ok!
Best wishes to you both and hope for a better outcome.

Yes.

^ best wishes aimless.

reading that robert aickman the unsettled dust. i think he likes the term 'strange stories' or something? (i could check but the book is upstairs). it's well written and enjoyable, but his knack almost exemplifies my general point about the incorporated horror going to the states and leaving the unincorporated horror in Britain... no, England I think.. at more or less the turn of the century, via Vincent Starrett, who transferred Machen's physically visible decay to Lovecraft and thence to US comics.

In the UK you were left with the most insubstantial of ghosts, barely even ghosts as we see in this collection. Still, a general *mood* is very well done in this collection. i could do with a bit more *threat* – I mean MR James is hardly lurid.

Glad to hear it, Aimless.

I am reading 'After Such Knowledge Park' by Mark Francis Johnson— the only book of his I know written entirely in prose. Unsettling, concept-based, and ridiculously funny.

All the best Aimless.

The threat is insubstantial in Aickmann for sure - to the point where I wonder if he was deliberately avoiding the Jamesian wallop. Albeit, in total, I think I find him more, ahem, *unsettling* than James. Have you read his story 'Swords'? One of the grimmest, most unsettling things I've ever read. 'The Hospice', too.

To be clear, James has the better canon.

I've just got back from 4 days in Paris - a school trip with 35 15year olds. It's broken me, physically and spiritually but it was an amazing trip. I'm in that strange zone where my body is back in the UK, but my head is still in France. I'm putting myself back together by re-reading *A Moveable Feast*. Ironically, I've always felt his coming apart in this book - the nastiness, the mythologising of his past, his generosity to his past selves. However, I'm still in the early stages of it and am in the right mood for Hemingway's sentimentalism and his polysyndetic recreations of the 1920s.

i haven't read either 'swords' or 'the hospice' - apparently 'the stains' in this volume is v good as well.

i'm pretty certain he was avoiding the jamesian wallop (a critical term for the ages). and i find it interesting, and unsettling. i just don't *enjoy* it as much. i think it's a high wire act in some ways, and i enjoy him trying it and me wrestling with it.

was sufficiently moved by light years to try another salter. picked all that is, essentially at random.

i liked the huge cast of characters and his willingness to describe the lives of so many people, although given his known willingness to appropriate real events (https://www.newyorker.com/magazine/2013/04/15/the-last-book), part of me thinks this he made this choice simply to allow him to use as many real events as possible.

it (or rather the many characters) are also very mean and quite sexist, which surprised me given it was written 35 years later than light years.

I've been rereading Joan Didion's THE WHITE ALBUM (1979). It does not stand up very well.

why not?

Funnily enough, I saw a copy of The Unsettled Dust in the library and motored through it. The weaker stories are definitely in the front - the final three, 'Ravissante', 'Bind Your Hair' and 'The Stains', are especially strong and have a real cumulative power. Without wishing to spoilerise, all three contain moments of more overt 'horror' and certainly moments that creeped me the fuck out. The uneasy sexual fear that Aickman was more at liberty to exploit (but which is also very deep in a lot of James) is again especially overt in The Stains, but it's also one of his saddest stories that, unusually, contains an epilogue that spells out the main character's fate.

I think the fact that Aickman edited the first eight Fontana Ghost Story collections is misleading; The Unsettled Dust itself is one of his few actual ghost stories (along with 'The Trains', another favourite). Although of course they can all be read as ghost stories, if you like.

Poster Alfred: I could try to explain fully, though I know others would not share my views. I know that there is a very extensive Joan Didion thread on which people have already had their say about her - I must have first posted about 16 years ago, and many times since - so one should not really relitigate it.

But ... specifically from this rereading:

1: I think the book is poorer than people might think or remember simply because it is a collection of reports culled together from magazines. Less good, really, than the average collection of LRB reviews (by Frank Kermode, James Meek, et al).

2: I think her writing is often brittle, mannered and not as good as she thinks it is. It contains a lot of redundancy and unnecessary verbiage in the form of rhetorical tics.

3: I think that when political judgments come through, they are often very conservative (which for some people would itself be a demerit), but are not argued through rationally and carefully; rather, usually, they are presented as sarcastic snipes. I understand that this mode may suit a weekly magazine that people then throw away, but it does not wear well as a book to be assessed decades later. The sarcasm is very limited and unpersuasive. The points that it makes do not convince me.

Again, the impressions that keep coming to mind are brittleness and an overestimation of her own powers, wit, persuasiveness. The style and the ideas feel much thinner and weaker than she seems to think they are.

Here is one particular point, which does not prove or disprove my view or any other view in general:

In the possibly famed essay on the women's movement (1972), Didion writes that the feminists seek an escape from adulthood and the body; cleanliness; an avoidance of things like the mess of the body and sex, things that come with being a woman.

This is particularly strange as I think the reverse could be posited. It could well be said that feminists of the 1970s were actually insisting on the body and sexuality; menstruation, blood and the menopause; the reality of sex (pleasure and violence); childbirth and childrearing (as has sometimes been pointed out in the past, feminist writers of that time were often also young mothers, sometimes bringing up children in more collective forms than the middle-class norm of the time). It could well be said that feminists were inserting these things into a public discourse that had indeed been too 'clean' and polite to acknowledge them (arguably in the interests of masculinity, patriarchy, inequality, etc).

In this specific regard, then, Didion seems to me to arguing the opposite of the truth.

However, it must be acknowledged that it must have depended on specifically which feminists one was reading, and on differences between schools of feminist writing in different places.

I tend to prefer most of her work from the '80s onward: Salvador, Miami, After Henry, Political Fictions. She perfected the hawk-circling-its-prey distance/attack.

Didion was small-c-conservative and big-c conservative, but, unlike many Orange County peers, Reagan broke her.

but his knack almost exemplifies my general point about the incorporated horror going to the states and leaving the unincorporated horror in Britain... no, England I think.. at more or less the turn of the century, via Vincent Starrett, who transferred Machen's physically visible decay to Lovecraft and thence to US comics.

British horror of the first half of the 20th century vs American horror of same era comparable to UK cinema vs classic Hollywood in these times maybe? I.e. first one stodgier, almost allergic to showbiz sparkle, occasionally producing works of great genius but not at a rate comparable to the latter?

october's reading was:

macbeth - william shakespeare
by the pricking of my thumbs - agatha christie
something wicked this way comes - ray bradbury

do you see what i did there?

did macbeth for o level in 1984

pricking was ok, tommy and tuppence, not attacking the labour party this time. and interestingly they appeared to have aged in real time, given they were teenagers in the first book.

first time for something wicked. felt a lot like stephen king but more poetic. maybe would've been more effective without some of the more outlandish things.

multiple xposts to ward f. yes good stuff: ravissante is excellent and your phrase “uneasy sexual fear” is on point.

A quick rereading of THE CRYING OF LOT 49 (1965), skimming slightly early on but then less and less.

By far my favourite Pynchon, even one of my favourite novels; yet this time it felt thinner than before. Maybe the stage management and narrative mechanics seemed more awkwardly on show. The dialogue is an example of that. And the drama of discovery which so thrilled me first time, many years ago, doesn't now. Yet it's still very densely packed for a short book.

The theme of information - and information theory, retrieval, memory, loss - came through strongly; more than the alternative term 'communication', though to be that's raised sometimes. The sequence where the heroine thinks about a hobo with delirium tremens and how much sweat is sunk into in his bed, and will eventually be lost - which as I write it out seems a pretty unsavoury image - is longer and more emphasised than I'd remembered. I don't fully understand this theme, still don't understand the Maxwell's Demon theme after over 20 years. But I do sense that Pynchon was one of the first, at least outside SF, to write fiction with information, in this sense, as such a theme and concern; with an idea, for instance, that matter contains information or could be described in terms of information. Mucho Maas's interesting peroration on how to analyse music down to its component parts would be a related example.

Hey, take it over to the book crying of lot 49

If not Itt videos of people singing “Crying”