Thread of Wonder, the next 5000 posts: science fiction, fantasy, speculative fiction 2021 and beyond

Yeah it's great imaginative stuff, a lot of balls kept in the air. Just bought book 2.

Interesting. Maybe will check out, if I ever regain my ability to read again.

But also came to the Thread of Wonder to wonder if anyone has actually read the books from which came The Expanse.

i read the first expanse book despite certain vows regarding authors with multiple middle initials. it was fine.

that julian may series is better

I’ve been somewhat curious about those Julian May books for a long time. Will grab.

I believe Jane Lindskold lived with Zelazny in his last years, but they collaborated a few times, she was interviewed recently on Geek's Guide To The Galaxy.

Oh wow I want to listen to that. She also wrote a biography of him (I discovered yesterday, listening to a different podcast)

https://www.youtube.com/watch?v=FkbPnhnWzJU

Bought the guy's book, will report back.

er, same podcast

There is a beloved but rare (in english) collection called Mirror In The Mirror by Michael Ende (Neverending Story), one of his books for adults and surrealist too. It has been reprinted recently as a print on demand version with a new translation, but a review says they taken out the paintings by his father Edgar Ende (presumably the rights weren't available?), which inspired the stories, so some would say it's not a proper reprint. I ordered it because the alternatives are too expensive (hundreds).

omg---as Science Fiction Encyclopedia says ov May:

n the 1980s May turned her attention once again to sf, making an immediate and very substantial impact with her Saga of Pliocene Exile, which serves as an extensive prelude to the Galactic Milieu sequence: The Many-Colored Land (1981), which won a 1982 Locus Award, and The Golden Torc (1982), both assembled as The Many-Colored Land & The Golden Torc (omni 1982); plus The Nonborn King (1983) and The Adversary (1984), both assembled as The Nonborn King & The Adversary (omni 1984); and supplemented by The Pliocene Companion (1984; vt A Pliocene Companion: A Guide to the Saga of Pliocene Exile 1985). The Galactic Milieu sequence begins with a transitional volume – Intervention (1987; vt in two vols The Surveillance 1988 and The Metaconcert 1988) – and continues with Jack the Bodiless (1992), Diamond Mask (1994) and Magnificat (1996). (I've got these last three, seem promising in random read.) Underlying the increasingly complicated storyline of this four-volume prelude is what might be described as a Planetary Romance set on Earth: the protagonists have left a Utopian twenty-second century society from which they have felt estranged, via one-way Time Travel six million years into deep prehistory (see Prehistoric SF), where they discover not only that the Pliocene is rich in potential but that two apparently Alien species are in a state of deadly conflict over the young world and over the humans who have already arrived there. Much additional material – from archetypes out of Celtic myths (see Mythology) to the introductions of various Psi Powers to intimations of Hard SF – is fed into this vision, leavened intermittently by a Trickster protagonist or two. The effect is at times reminiscent of the Planetary-Romance Baroque of Roger Zelazny.

With Intervention the overall sequence moves into an Alternate History version of contemporary times which segues into the Galactic Milieu tales, where the family romance of the Remillard clan intersects with explanatory narratives set deep into the past, and with the melodramatic course of the assessing of humanity's potential role (if any) in the Galactic Milieu (see Galactic Empires) itself. The narrative is increasingly charged with metaphysical intonations, linked to a sustaining concern with the attractive theme of psychic Evolution; in the end, Zelazny seems at times less clearly evoked than Doris Lessing. But wait, there's more!
http://www.sf-encyclopedia.com/entry/may_julian

Yeah, 8 books.

Finished the much celebrated Light by M John Harrison, after three chapters I thought I was going to love it but my enthusiasm dwindled - it was too sordid, the technology too magical, the antagonist too vague (till the very end), too much of a sense of words put on the page because they sound cool and for no other reason.

Still I preferred it to Joan Slonczewski's A Door into Ocean, almost its exact opposite.

read 'a matter of oaths' by helen s. wright -- solid space opera that i thought packed quite a bit into its short one volume

particularly notable for having been written in 1988, when that sort of thing was unfashionable, and for being remarkably diverse, in the modern parlance: the main character is non-white, the kickass commander is a woman, there is gay sex, etc.

this no doubt explains why it fell out of print and was recently republished with a forward by becky chambers (#hopepunk). pretty weird how the brief author's note mentions that she, who still lives in the uk, 'never married' though!

anyway i liked it, it was worthwhile!

(i will simply never not reference hopepunk because come on)

https://www.tor.com/2019/04/18/quiltbag-speculative-classics-a-matter-of-oaths-by-helen-s-wright/

I must have seen it in this article (quite a good article series by Bogi Takacs) and on the Cherryh blurb list but I don't recall it. I can't find any biographical info, even on her personal site. Only one book then done, but it seems to have quite a strong fanbase considering that.

I don't have a very good handle on how publishers and readers treated gay sex back then. I was quite surprised by how much there was in Somtow's early 80s books in what are pretty much mainstream novels, maybe that's part of why Inquestor wasn't the hit I think it should have been.

Fun interview, he speaks so fast
https://podcasts.apple.com/us/podcast/hplcp-fragments-ep-05-interview-with-nick-mamatas/id1508892873?i=1000501553249

That guy is good.

I just (very) belatedly discovered Ursula Le Guin -- read Wizard of Earthsea and Tombs of Atuan in quick succession — they are so incredible!

My problem with most SF/fantasy is the bad sentence writing, so she’s obviously like the diametric opposite of that — but she’s so good at the “ripping yarn” part too. Especially in the first book, I love that dissonance between the subdued elegance of her prose and the extreme metalness of whatever’s going on in the story.

Also love that feeling when you read a great author for the first time and realise you have a whole new catalogue to explore.

Yeah I rediscovered A Wizard of Earthsea a couple years ago, hadn't really appreciated it at 12.

I was pretty stunned. AWoE >>>>>>>>>>>>>>>>

Just to give one example, just before the final confrontation in the book, there's a cozy, funny, relaxed domestic scene. It's such a striking shift of tone, so unexpected, and yet it works.

Yes, I was grateful for that moment, like Le Guin was saying "just in case you were concerned - I can do people and dialogue too". The relationship between Ged and Tenar in the 2nd book is very convincing too

My problem with most SF/fantasy is the bad sentence writing, so she’s obviously like the diametric opposite of that — but she’s so good at the “ripping yarn” part too. Especially in the first book, I love that dissonance between the subdued elegance of her prose and the extreme metalness of whatever’s going on in the story. Struck by how otm this is also re last night's bedtime reading, Joanna Russ's "My Dear Emily": an Emerson-reading collegian, who's made prim-and-proper her eyes-lowered hot-cool style, obediently returns to old San Francisco and encounters the vampiric sole survivor of one the city's really olde families---with his aristocratic, Old Worldly male triumphalizm suitably enhanced, let him show her how---the erotic spiral of exhilaration and damage, incl. acting out, is jolting, esp. with slightly "disjointed" sentence momentum, clear as a cracked bell can be (real clear, turns out).
This from a Best of The Magazine of Fantasy and Science Fiction, copyrights 1961-62-63---must have caused a stir back then---what else should I read by her---?

Should say it really is mostly about Emily; he just starts her up...

read 'the praxis' (millennia-old multi-species galactic empire falls apart when its ruling race dies out) by walter jon williams

military sf is not my thing -- stopped reading the mazalan book of stuff early on because i do not want to have to know who is commanding the 47th brigade of strike force nine or whatever -- but this one was recommended by jo walton, whom i like

anyway, it was pretty good -- akin, perhaps, to 'the expanse' minus the protomolecule? maybe a little too much of ships and missiles trying to maintain delta-v, etc. etc. but the two main characters (one male, one female) are interesting and not cardboard. it has sequels that i might read sometime

The Best Ghost Stories Of Algernon Blackwood

There's only one or two Blackwood stories I've read that aren't on this so I can hardly be an authority, but despite his expertise I think E.F. Bleiler probably left off a lot of highly deserving stories (the ones I've heard mentioned often, such as "The Man Whom The Trees Loved") that tend to get on the other Best Ofs. I can't tell you if there is a better collection of Blackwood, the huge Centipede Press editions are too rare/expensive for most people to consider but I have a feeling there are other better introductions.

I slightly prefer "The Wendigo" to "The Willows" (his two biggest classics), I find the setting and particular creepiness of the former a bit more enchanting but they're both great. "The Glamour Of The Snow" is a little beauty. "The Empty House" is more chilling than the garden variety murder of the story would suggest. "Ancient Sorceries" is spoiled slightly with the too insistent reminders of how shy the main character is and the revealed Satanism is underwhelming.
I was struck by "The Transfer" because of how it describes an unwittingly oppressive man having an effect on people that sounds strikingly like how people today describe oppressive systems of power; and I like the line "It seemed a few hours had passed, but really they were seconds, for time is measured by the quality and not the quantity of sensations it contains".

I think in terms of prose, Blackwood is head and shoulders above most of the other classic horror writers, he's so deft with delicate details and nuances of moments in a way that makes a scene come alive in a way M.R. James and Lovecraft couldn't pull off as well. But sometimes like in "Max Hensig", he explains the details in such a longwinded manner that the effectiveness is lost. I hear his novels can be more challenging for this reason. He's not without his prejudices but there's something refreshing about how outgoing and positive he is compared to the writers he is often mentioned beside. I'd only consider a few of these stories essential though.

Crime vet tries her hand at folk horror crossover:
The Devil at Saxon Wall (1935) by Gladys Mitchell draws on the tradition of the Victorian inheritance mystery, but with added folklore and witchcraft thrown in. Three babies were born in the remote village of Saxon Wall, one to the family of the local manor, another to a woman reputed to be a witch, and another to a woman regarded as a simpleton. Only two of the children survived: but which two?

Hannibal Jones, a writer of sentimental novels, comes to the village to convalesce from nervous trouble and becomes unwillingly involved in its affairs, which include stories of changelings and impersonations and missing heirs. The pub, the Long Thin Man, is named after a local spirit connected with a tumulus on the downs above. There are spells, potions, the evil eye, and propitiation rites to bring much-needed rain.

A full cast of characters, as well as the witch and the supposed simpleton, includes a couple of Ivy Compton-Burnett-esque sister spinsters with brisk, brittle dialogue (we could have done with even more of them), a volatile vicar with a Japanese valet, and of course Mitchell’s reptilian psychiatrist-detective, Dame Beatrice Adela Lestrange. These vivid characters and the deft twists in the plot are the novel’s main strengths.

Gladys Mitchell was the author of over sixty crime novels, and they are uneven in quality, as she herself admitted. At her best her books are vigorous, eventful, sly, full of rich colour and eccentric characters. But even Mitchell experts seem divided about this book...
---from Mark V.'s latest post:
http://wormwoodiana.blogspot.com/2021/10/the-devil-at-saxon-wall-gladys-mitchell.html

interesting looking afro-futurism(?) set in Kindle daily deals today, but all only 20-40 pages long.

https://www.syfy.com/syfywire/amazon-black-stars-chimamanda-ngzoi-adichie-excerpt

(would probably fit in nicely with this month's reading but the size makes them expensive)

https://www.polskieradio.pl/395/7791/Artykul/2789010,British-writer-unveils-his-gnome-in-Poland%e2%80%99s-Wroclaw
Graham Masterton once said his sex guides were so successful in Poland that strangers approached him in the street to thank him. I'm pretty sure the creature coming out the book is Manitou, from his horror series. I wonder who else has a gnome?

Bought Andy Weir's 'Project Hail Mary' as it was on offer, this may have been a mistake. (I have not read The Martian.) 500 pages ffs, does no-one write short books any more?

Just finished that. Quite enjoyed it but it's basically The Martian in new clothes: (very mild spoiler) character all alone has to solve lots of science problems in order to survive

i also bought that (on saturday when it was cheap). and this is meant to be a return to form after the (slight) artemis. but we shall see.

(martian was similarly long but a very quick read fwiw, i think you'd enjoy it. it reminded me of a.c.clarke in that it was physics-led storytelling)

(i think the martian may've suffered from having only been seen as 'popular' (read 'hyped') because the film was good, but the book was good enough in itself)

i liked the martian and project hail mary, but the martian was better. that's my review.

(the martian was 300 pages, and read in a weekend)

yeah i read the martian in like 4 hours. PHM is arguably overlong.

500 pages ffs, does no-one write short books any more?

― namaste darkness my old friend (ledge), Monday, October 18, 2021 10:39 AM

I don't think all of these are in paper form, but some of the ones labelled as ebooks are actually available in paper. Some of them have become hits.
https://www.goodreads.com/shelf/show/tor-novellas

Small press novels tend to be shorter though.

i would be interested to know what fraction of readers of something like PHM listened to the audiobook. has to be a lot.

it's a thing though, isn't it - big selling book followed up by a larger book - editors less likely to tell them to cut it down.

(thinking of harry potter here, and the dark tower books)

But isn't it usually the publisher that demands bigger books? Small press (usually with minimal editing) and self-published books are not known for being longer, big publishers want big books and King is just a long book writing guy.

ha, maybe. i wonder where the profit / effort maximum is?

king literally refuses to be edited iirc? although i don’t know when exactly he became big enough to get his way on that

einstein on receiving his (only) referee's report

"We (Mr. Rosen and I) had sent you our manuscript for publication and had not authorised you to show it to specialists before it is printed. I see no reason to address the – in any case erroneous – comments of your anonymous expert. On the basis of this incident I prefer to publish the paper elsewhere."

xps thanks Robert, I'll ake a look at those - have read the first two, 2/5 and 3/5.

Alastair Reynolds was on radio 4 this morning after the 08:10 interview talking about the new Dune film.

... that he hasn't seen yet.

All the better to allow him to have an unbiased response.

i saw footage from the leicester square thing earlier this week (er, yesterday)

but yes, most of it was background - the book, the previous film and mini-series.

Enjoyed this oral history of the Marvel comics adaptation of the Lynch movie:

https://www.tcj.com/marvel-comics-1984-dune-movie-adaptation-an-oral-history/

Forgot about that! Lots of infotaining discussions here though: DUNE: c/d and of course some threads on ILE, my fave being the one about Jodorowsky's Dune, w artwork I hope is still on there.

I just finished my latest self-prescribed 1 story-per-night bedtime reading, the aforementioned Best From Fantasy and Science Fiction, Twelfth Series, (Avram Davidson ed., Doubleday, 1963): xpost "My Dear Emily" still the winner, but also James Blish's "Who's In Charge Here?" has the pre-Steely Dan Effect via withheld information x streetscape characters, Ron Goulart's "Please Stand By," Will Stanton's "The Gum Drop King," and Sasha Gilien's "Two's A Crowd" tight and bright w the wit, and undercurrents too, v. pleasing to middle-school minds, as recalled.
(Now I see that RG's investigation of a were-elephant on national holidays also incl. a couple known for paintings of "bug-eyed children" (as in Any Adams' fact-based Big Eyes(2014) and they've both taken the name Eando, from their initials (Eando Binder is a good olde science fiction pseudonym :https://sf-encyclopedia.com/entry/binder_eando). Stanton's shortie is kinda poignant, Gillien's kinda scary. Ditto deft ending of "Hop-Friend," by 24-yr.-old Terry Carr, otherwise known to my only as editor of the good old Universe series of anths.
(Vance Aaandahl, author of striking-to-ok "When Lilacs Last In The Dooryard Bloomed," was 19, and already had several stories published---SFE says he's done 30 in all, but never collected them.)
Edgar Pangborn's "Davy" kicks off a series about a somewhut twisted postnuclear "frontier" America, kind of an ancestor to Robinson's The Wild Shore, with the narrator being a bond servant who gets around, a pubescent Huck Finn, with even more ethical conundrums, incl. those resulting from conditioning and maybe nature (raised for instance to kill a "mue," a mutant, on sight, but also what id he himself is a brain mue, seemingly normal, 'til his true nature comes out.)
"A Kind of Artistry," by Aldiss, is like a Clarke story I read with mission to a convincingly developed situation in space, plus situation behind the assignment, but then spoiled by sour notes of misogyny and trick ending, like some others in here.
JG Ballard's "The Garden of Time" is a bit sentimental, unique in my non-expert knowledge of his work, but he earns it here.
A few other offerings are meh or a littlw worse.