The Crying of Lot 49

i have a search function, you know

& oh hey thanx josh

Moby-Dick is back on play. The below-decks stowaways have appeared, to the consternation of many of the crew, and it is the first lowering. There is a reference to samphire, Casuistry. In chapter 46, I think.

we are past forty-nine posts, and no one has made note of this yet.

Also, did you notice that the radio station that Much works at is "FUCK" backwards. This very much shows the sense of humor that Pynchon has and his ability to not take things so seriously.

Now while this has no immediate analysis on the book, I just find them interest tid-bits.

i could be wrong tho

the prof in my last English class brought up "Oedipa my ass," for what that's worth.

who would NOT notice?

or is it wrong of me to assume that everyone was once an adolescent?

How can I learn to appreciate "The Crying of Lot 49"?

get a copy and read it?

I've read it once, it went over my head.

Wait awhile, then read it again. Read it slowly, read it quickly, read it while waiting in a lawyer's lobby, read it only at stoplights when you are stopped. Wait awhile between each read. Read about it, the opinions of people you admire and people you despise. Tear out an obscure page and saute it in butter. Tear it into pieces with forks, then chew each piece carefully, savoring. Read it without thinking; read it aloud where you can't be heard. Read it while falling asleep and tell yourself to dream its significance. Wake in the night and feel the print on the pages, make out the letters, spell out the words. Copy it out in longhand while listening to the haunting call of the muted posthorn.

and then start finding "W.A.S.T.E." stamped in weird places.

"I've read it once, it went over my head."

you are not alone.

i think i would have read it once and been like "i don't get it", but i had to write an essay on it, which made me read it several times. it definitely gets better on multiple readings. also, reading it as a kind of analagy:

The USPS would appear to represent one particular and dominant construction or idea of America, while the W.A.S.T.E. system represents an alternative and subversive representation - a representation of the “excluded middles”. In this story, we can characterise the USPS as a centralised agency, with a streamlined and efficient system of collection and dissemination of information. In opposition, the W.A.S.T.E. service is chaotic, disordered, mysterious, largely unknowable, decentred and without an obvious agency in control. But what the reader comes to realise is that the two systems are in co-existence; neither one of them offers a singular truth, or an overriding master narrative, to describe America. In fact, the two systems represent just how the internet functions: the USPS can be seen as a metaphor for the speed and ease in which global telecommunications technology organises and transmits information, while W.A.S.T.E. symbolises the way in which the reception of that information can be subverted by the receiver. The USPS represents public life, while private life can be seen in the symbol of W.A.S.T.E. The participants of the W.A.S.T.E. system are the “excluded middles” that Decker refers to, and by subverting the USPS system they keep it in check.

One good way to appreciate it is to read some of his other books- then you will appreciate how short it is.

the book crying of lot 49

Funnily enough I don't agree that KVUF is an obvious, um, whatever, rearrangement, of, that other word. I was not really an adolescent as Josh was.

Eddie Mars, I should start writing under that name.

I meant, KCUF, but then, potsmaster, and there is a moment in the text where Oedipa is spelled Oepida.

My port of entry was through the story of Lot's wife in Genesis - Oedipa is literally "Mucho" (Lot)'s wife. (He describes himself somewhere as parental to his girl listeners.) And P didn't stop there, he deliberately forced in every meaning of the word "lot": auction lot, car lot, lot meaning fate.

Maybe because I grew up in California, the social and landscape descriptions didn't give me much.

the entire sequence with Oedipa wandering around Berkeley is one of my favorite things ever written. especially when read at night, in solitude, in cities. it's like a 21st-century walpurgisnacht.

Bless you. Here, I think I have a tissue somewhere.

You mean San Francisco, right? The Berkeley sequence is somewhat different, though also excellent.

On SF, though, I entirely agree - those 6pp or so are magically lyrical and I think they offer a rare kind of insight into ... culture.

I *do* think that TCOL49 would make a HELL of a movie, possibly by Linklater in his rotoscoped A Scanner Darkly mould

also, Gravity's Rainbow sags in its second half? dios mio

FWIW I think all the big Pynchons have a bit of a dip around 3/4 of the way in and then recover at the end, although none as pronounced as AtD. The section with all the rich kids shagging their way round the Balkans is eminently forgettable.

that's...the best bit*

*the best bit not involving the Chums obv, or the murder of the Italian anarchist, which is one of the best bits in Pynchon (of the 3 1/2 I've read)

AtD only loses me at all with the weird detective potboiler near the end, and even that's kinda fitting as way of uh disappearing Deuce. The Frank Traverse plotline kept threatening to lose me and then kept winning me around, especially him seeing that statue through the window (again, one of the best bits in Pynchon)

lol that post 'it's the best bit except this and this and this'

their climactic journey into the East is really amazing IMO

https://www.nytimes.com/2018/12/07/world/europe/princess-gloria-von-thurn-und-taxis-francis.html

Princess Gloria — once christened “Princess TNT” for her explosive years as a hard partying, art-collecting, punk-haired aristocrat — has grown into the sun queen around which many traditionalist Roman Catholics opposed to Pope Francis orbit. Her Regensburg castle is a potential “Gladiator School” for conservative Catholics on a crusade to preserve church traditions.

Her Roman palace overlooking the ancient forum is a preferred salon for opposition cardinals, bitter bishops and populists like Stephen K. Bannon. Many of them are hoping to use the sex abuse crisis that amounts to the greatest existential threat to the church in centuries to topple the 81-year-old pontiff, who they are convinced is destroying the faith.