rolling fantasy, science fiction, speculative fiction &c. thread

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See my description upthread of Farnham's Freehold: after a nuclear exchange between the great white powers that were, North America is refurbished by AFricans and Asians--Farnham's family and friends emerge from their fallout shelter into a colony ruled by sheiks of color. Farnham clashes again with his asshole son, this time over the latter's racism, though his faithful servant joins the fuedalists, Mrs. Farnham enters the harem (Farnham's already taken up with his son's ex, but damn), and his son--well, read and weep (or laugh). Other thing that comes to mind: Delany has described coming across the narrator of Starship Troopers mentioning that he's black--in passing, way into the book--and how much that meant to him, coming across that. He was well aware of the book's "hysterical" tendencies elsewhere. Glory Road gives us a kind of All-American post-Holden Caulfield Vietnam veteran drop-out, swashbuckling across the Universes, and bumping into his cultural hang-ups, tangled up in the qualities that got him so far, make him so attractive...as with PKD, RAH's sense of novelistic overview can sometimes effectively deal with a mess of perceptions and defensive proclamations. We get some of that in his letter to Sturgeon. Not to defend any bs letters, or Heinlein's working for the Presidential campaign of Goldwater, whose own libertarian principles (which eventually led him to him denounce the Moral Majority and associated Republican pols)also had him, in '64, opposing the Civil Rights Act and Social Security, while advocating the use of nuclear weapons in Vietnam.

dow, Tuesday, 2 October 2012 17:28 (thirteen years ago)

Speaking of story ideas: gun companies vs. desktop weaponeers--3D printing yall
http://www.wired.com/dangerroom/2012/10/stratasys-followup/

dow, Wednesday, 3 October 2012 19:45 (thirteen years ago)

more for mind-miners: William Clancy, who's been w NASA for 15 years, coming to specialize in studying human x machine cognition, chronicles 8-1/2 years of scientists x Rover expeditionary craft, in Working On Mars. Also describes the way it's been written about before, by journalists and scienists. The word "cyborg" comes up, not too often. Makes me think about remote-controlled "drones" too.
http://www.c-spanvideo.org/program/307910-1 He's not a dry or gushy guy, just about writing

dow, Monday, 8 October 2012 17:35 (thirteen years ago)

Willliam Clancey, that is.

dow, Monday, 8 October 2012 17:42 (thirteen years ago)

picked these up down the street. dusty shop near me having one of its half-off sales. which is pretty much the only time i buy stuff there cuz his prices are kinda dumb. 4.50 for a Tor paperback that's been sitting on a shelf for 5 years makes me pause. for 2.50 i'll go for it. (plus the REALLY old stuff that has been there for decades - before the current owner even owned the place - usually has old 2 dollar prices so for a buck they are definitely a steal.)

The Lights In the Sky Are Stars – Fredric Brown
Heavy Weather – Bruce Sterling
Space Platform – Murray Leinster
Brightness Falls From The Air – James Tiptree, Jr.
The Collected Stories of Robert Silverberg Volumes One, Three, and Five)
The Seven Sexes – William Tenn
The Year Of The Cloud – Ted Thomas & Kate Wilhelm
The Synthetic Man – Theodore Sturgeon
Involution Ocean – Bruce Sterling
Strangers In The Universe – Clifford D. Simak
The Investigation – Stanislaw Lem
The Gates Of Creation – Philip Jose Farmer
Way Station – Clifford D. Simak
Those Who Watch – Robert Silverberg
Triton – Samuel R. Delany

scott seward, Wednesday, 10 October 2012 23:14 (thirteen years ago)

Not sure which years those Silverberg collections cover. He goes from interesting 1950s pulp writer to GENUINELY AMAZING 1970s short story writer to slickly professional but uninvolved 1990s writer-for-cash

computers are the new "cool tool" (James Morrison), Wednesday, 10 October 2012 23:48 (thirteen years ago)

volume one is early 80's. volume five is mostly 60's. volume three is the biggest and all 70's. nice (some quite long) intros by silverberg before every story. which i always like. (unless its harlan...cuz he can do a 5000 word intro/memory lane thing before a story that is 3000 words)

scott seward, Thursday, 11 October 2012 00:57 (thirteen years ago)

James M about Silverberg. Recently read his Nebula-winning "Sailing to Byzantium" and enjoyed it while it lasted but was ultimately underwhelmed.

And skot otm about lengthly Harlan E. intros

Cosmic Fopp (James Redd and the Blecchs), Thursday, 11 October 2012 02:49 (thirteen years ago)

James M otm, meant to say

Cosmic Fopp (James Redd and the Blecchs), Thursday, 11 October 2012 02:50 (thirteen years ago)

Heavy Weather – Bruce Sterling

I still like Sterling's non-fiction more, but I liked this quite a bit. Would love to read a sequel.

Elvis Telecom, Thursday, 11 October 2012 22:34 (thirteen years ago)

Finished The Hydrogen Sonata, the new Culture book. Not his best. Not terrible but it all struck me as a bit pedestrian, a bit Culture-by-numbers. The ships were doing their usual masters of the universe type thing (which i haven't actually tired of and hope i never do), there were weird alien races, there was a high-stakes race for a prize/to avert disaster. It just didn't really grab me. The high-stakes race didn't really seem that important (ok it might have concerned the future of a whole civilization but w/evs), the weird aliens and other things didn't seem up to his usual level of invention. And it wasn't until the last quarter of the book that the plot began to gather any real momentum.

Tried to pay more attention to the prose that I normally do for this kind of thing. It's not bad but... ok the ships doing all their sexy beyond hi-tech stuff with energy grids and fields and effector weapons is all written in a very technical style and that's fine, wouldn't have it any other way. But the rest of the book is not dissimilar. The landscape descriptions e.g. are very dry, very basic. Grass is yellow and tall, trees are coppery and thick-trunked, rocks are jagged, sky is red-gold, clouds are striated. I suppose it's fair enough in sci-fi where the colour of the grass or the sky might be open to question but there's little delight to be found here. Dialogue otoh he has a great ear for, particularly the messages between the words, the implications not in what is said but in how it is said. This does tend to mean that everyone is either a paragon of politeness and tact or a phd in sarcasm and mordant wit, as the situation demands, and no-one ever suffers from esprit d'escalier, but of course everyone is a genius in the future and it makes for entertaining reading.

ledge, Monday, 15 October 2012 09:09 (thirteen years ago)

I do enjoy the Culture books, though I haven't read the last 2 or 3--lost my enthusiasm when his non-SF books went to complete crap. I just wish his crazy aliens who are physiologically so inhuman were a bit more inhuman in their thought processes and behaviour.

ornamental cabbage (James Morrison), Monday, 15 October 2012 22:46 (thirteen years ago)

Chairman of the Commission: You can read in several languages, are acquainted with higher mathematics, and can carry out certain kinds of work. Do you consider this makes a man of you?
Other: Certainly. Are people capable of anything else?
In "A Day of Wrath" (by Sever Gansovsky, another from Path Into The Unknown--The Best of Soviet Science Fiction), manimals have busted out of their Island of Dr. Moreau-type confines, having eaten one of their creators, reportedly also sometimes eat each other, and take over remote, densely wooded areas, where peasants (oops, ex-peasants) may collaborate them out of a pervasive climate of fear, of terror. The Govt. is nowhere to be seen, the manimals don't care and mostly don't bother to be seen, a popular reporter comes looking for a bit of morning edition sensation, with a quietly intelligent, all-too-expert guide ( talkin bloody, hard-won expertise). Shadowy yet blythe spirits of menance, vs. rational self-defense and somewhat capricious self-risk: traces of Orwell and Matheson. The guide/hunter is methodical like a Matheson hold-out, the high I.Q. critteroids strut around like O'Brien in 1984; might be some correspondences to Animal Farm as well. Those fuckers really are scary, but when they call, "Hey journalist, have you come to kill us? Come out and talk to us", I find myself wanting to second that--yeah, you're stuck there anyway, might as well ask a few questions. Might flatter the manimals enough to get back to your desk, and the guide could toss them a few copies of the published results. Also, I'd like to read the beasties' answers. Can see how they might lure/lull old school (our kind of) humans. Everyday dread can have its own droning. perversely attractive undercurrent--it's a system, the way these competent monsters generate it.

dow, Saturday, 20 October 2012 14:36 (thirteen years ago)

http://retrobookshop.com/images/products/detail/105176.jpg

dow, Saturday, 20 October 2012 14:48 (thirteen years ago)

Direct from Russia today! Crazy person dancing on shoulder of party robot!

ledge, Saturday, 20 October 2012 16:28 (thirteen years ago)

Da!

dow, Saturday, 20 October 2012 19:53 (thirteen years ago)

I'm reading The Fellowship of the Ring, for the the first time in over a decade. I read Tolkien annually as a kid before the movies sort of put me off. I didn't realize how much I'd missed it. It satisfies some craving for contemporary myth like practically no other book.

jim, Saturday, 20 October 2012 20:08 (thirteen years ago)

Of course it could just be the warm nostalgic feeling of rereading one's first favourite book.

jim, Saturday, 20 October 2012 20:12 (thirteen years ago)

what year did you first read it?

dow, Saturday, 20 October 2012 20:14 (thirteen years ago)

Maybe '95? I can't remember. I was 9 or 10.

jim, Saturday, 20 October 2012 20:15 (thirteen years ago)

from a random amazon recommendation:

"Throughout the forties and into the fifties, "SLAN" was considered the single most important science fiction novel, the one great book that everyone had to read."

SLAN? never heard of it. (A E Van Vogt)

anyway, am currently re-reading Reynolds' The Prefect, which isn't the book i remember it being (the book i remember it being is the middle bit that starts about 100 pages in and finishes about 70 pages from the end and is more like Rama meets Towering Inferno).

The Best Of Robert Heinlein 1939-1942 has just arrived, in a different (worse) cover from the one in the listing, which annoys me. but, hey, was 1p + p&p and contains The Roads Must Roll.

koogs, Wednesday, 24 October 2012 12:16 (thirteen years ago)

dow what is in the soviet sf book, it looks great

'slan' is about secret chosen people with tentacles in their heads that are above and beyond the muggles iirc

set the controls for the heart of the congos (thomp), Wednesday, 24 October 2012 12:43 (thirteen years ago)

(it's "Path Into The Unknown", which has been mentioned on this thread quite a bit)

http://www.goodreads.com/book/show/5290556-path-into-the-unknown

koogs, Wednesday, 24 October 2012 12:47 (thirteen years ago)

must get back into reynolds.

itt: 'splaining men (ledge), Wednesday, 24 October 2012 13:00 (thirteen years ago)

The Prefect ties in with the revelation space universe, pre melding plague. which i had forgotten.

i could read Revelation Space all over again (5th time?) but think House Of Suns is probably next on the pile for re-reading.

koogs, Wednesday, 24 October 2012 13:44 (thirteen years ago)

Yall prob know all about this, but please don't tell me how it ends: The Leftovers, by Tom Perrotta. On October 14, about three years ago so far, all kinds of people, doing all kinds of things, suddenly vanished. The resulting post-10/14 culture is all about dealing with absence of all kinds--sure, you'd miss your mamma, or your best friend's daughter, but that weird nerd kid you haven't seen since 8th Grade--why is he now your Special Someone, secret meme, so viral in your head?. Post--9/11 crises, solutions, strawmen are all absent/leftovers, so far. Omniscient narrator's keeping most of the varied points of view, fairly local so far. And, although he's gradually explaining a lot of stuff, he leaves enough to speculation--plus. the characters don't explain every damn thing to each other, or us (yay for third person!) esp what just happened, current motivations, subtext: this isn't like too many movies, and most TV.

dow, Thursday, 25 October 2012 19:15 (thirteen years ago)

i don't like tom perotta. or the books i've read anyway. they all read like film treatments. i think i even started a thread on here about that very subject. books where you are reading and simultaneously wondering who they will get to play the character in the movie. i mean, i get it. people want to make money. nothing wrong with that. he's good with characters though. he should just write screenplays.

scott seward, Thursday, 25 October 2012 19:28 (thirteen years ago)

Good with characters, and the basic premise is not one I've encountered before.

dow, Thursday, 25 October 2012 19:51 (thirteen years ago)

I enjoyed The Leftovers, I have to admit, though with reservations which i won't discuss because I don't want to spoil anything for dow

ornamental cabbage (James Morrison), Thursday, 25 October 2012 23:54 (thirteen years ago)

Thanks, I eventually had some reservations too, incl. the very end, though it does invite more speculation. Speculative fiction, like it says in this thread's title: what would happen if the Author inserts or whisks away the one viriable He's just created in our world. Something in the world as we know it has followed the departed. Everybody adapts, some in weird ways, and very much of an ongoing process, involving the leftovers' own chosen or compulsory inner/outer flight paths. As in xpost Whitehead's Zone One, no prob w seamless back and forth of funny, sad, scary, tender, brittle.

dow, Saturday, 27 October 2012 14:05 (thirteen years ago)

"variable" that is

dow, Saturday, 27 October 2012 14:05 (thirteen years ago)

Speaking of Russians, I read this long ago, really dug it

http://img1.fantasticfiction.co.uk/images/n0/n1572.jpg

dow, Wednesday, 31 October 2012 00:11 (thirteen years ago)

Now I want this!

http://drytoasts.files.wordpress.com/2009/09/strugatsky1.jpg

dow, Wednesday, 31 October 2012 00:17 (thirteen years ago)

and this--anybody read these?

http://upload.wikimedia.org/wikipedia/en/a/a9/Roadside-picnic-macmillan-cover.jpg

dow, Wednesday, 31 October 2012 00:20 (thirteen years ago)

Roadside Picnic is really, really, really good.

ornamental cabbage (James Morrison), Wednesday, 31 October 2012 03:19 (thirteen years ago)

It's v different to Stalker, much less existential. But yeah I dug it. (Worrying suspicion there's a post of mine upthread saying it's way inferior to Stalker.)

itt: 'splaining men (ledge), Wednesday, 31 October 2012 09:08 (thirteen years ago)

"They put on their vacuum suits directly on top of the protective suits. Then they made their way back to the chartroom through the long gloomy tunnel with black walls which used to be the corridor. The walls of the tunnel were undulating slightly." Yes, because the walls, like the rest of the ship, incl the light fixtures, are covered with black eight-legged flies, stowaways from a recently visited planet. That's the Strugatsky Bros' "Ab Emergency CaseP", another one from xpost Path Into The Unknown. You can see the advantages and disadvantages of the translation here. I like how the walls undulate, but just slightly, quite enough. You also get to consider whether the biologist is more enlightened than his shipmates (very pragmatic they are, though one's sardonic as hell, another is spacey, if helpful). Seems like some 60s ambiguity re progress etc. sneaks through what Merrill's intro calls "s typical mid-Forties Astounding -type puzzle story and a 'pamphleteering' message against xenophobia."

dow, Wednesday, 31 October 2012 15:27 (thirteen years ago)

Weird--"An Emergency Case", that is.

dow, Wednesday, 31 October 2012 15:28 (thirteen years ago)

The translation's awkwardness mainly comes through towards the beginning of this story, ditto in some others.

dow, Wednesday, 31 October 2012 15:31 (thirteen years ago)

Pretty intriguing description of Stalker here, as filmed by Tarkovsky (I enjoyed his take on Solaris, posted an image from it upthread)
SF Encyclopedia Online's main Strugatsky artice says they gave him 11 diff Stalker scenarios.
http://sf-encyclopedia.com/entry/stalker

dow, Wednesday, 31 October 2012 17:09 (thirteen years ago)

"Yorkshire lass born and bred, that's me," said Katriona's hologram. "Born in Whitby, spent a few years on a farm in Dentdale, but came back — suck my flabby tits — to the coast when I married my husband. He was a fisherman, God rest his soul. Arsewipe! When he was away, I used to walk along the coast and watch the North Sea, imagining him out there on the waves."
So speaks a hacked hologram from her memorial bench, where a cyborg has just sat down, taking a break from celebrating his new body on the eve of his departure for the stars. He's been cavorting all along the cliffs overlooking the sea (a climate change-fucked terrain he's leaving behind, along w family etc). You can imagine how this goes from here, but every sentence counts---I mean, they always do in published short stories--but some I really 'ppreciate here, without getting detoured by wannabee-poetic effects. Oh yeah, sorry: should've said this is Ian Creasey's "Erosion", just re-read again in Year's Best SF 13. It's in other anthologies too.

dow, Saturday, 3 November 2012 13:59 (thirteen years ago)

"Yorkshire lass born and bred, that's me," said Katriona's hologram

!

set the controls for the heart of the congos (thomp), Sunday, 4 November 2012 19:06 (thirteen years ago)

the new robert redick is pretty good thus far

Yorkshire lass born and bred, that's me, said Katriona's hologram. (thomp), Sunday, 4 November 2012 21:18 (thirteen years ago)

What is it? Don't know his books.

dow, Sunday, 4 November 2012 21:48 (thirteen years ago)

The Handmaid's Tale. I was vaguely expecting it to be set far in the future, in a society that had regressed far into the past, so to find it contemporary was almost shocking. I don't think her dystopia was particularly convincing, especially the way people simply rolled over into totalitarianism - although similar things have perhaps happened elsewhere - but the voice of the main character was very good, her impotent fury, and despairing resignation. It wasn't very exciting though. I daresay it wasn't Atwood's intention to write a thriller. Maybe it should have been.

itt: 'splaining men (ledge), Monday, 5 November 2012 12:47 (thirteen years ago)

Atwood can't do convincing social change. She's good at coming up with interesting future societies, but absolutely shit at trying to explain how we would reasonably go from now to that future. Handmaid's would have been more convincing if there'd been a couple of generations between the fertility crash and the weird patriarchy.

ornamental cabbage (James Morrison), Monday, 5 November 2012 22:35 (thirteen years ago)

atwood can't do a lot of things

Yorkshire lass born and bred, that's me, said Katriona's hologram. (thomp), Tuesday, 6 November 2012 01:20 (thirteen years ago)

i never read the book the handmaid's tale. the movie was pretty hot though. aidan quinn/natasha richardson surrogate sex. hubba hubba. plus, elizabeth mcgovern at her sassy best.

scott seward, Tuesday, 6 November 2012 02:36 (thirteen years ago)

Iiiii just started Ilium and it is INTRIGUING!!!!

purveyor of generations (in orbit), Thursday, 8 November 2012 17:51 (thirteen years ago)

About to reread Ilium and Olympos as I've only read them the once (and really enjoyed them) whereas I probably reread all the Hyperion/Endymion books every couple of years.

groovypanda, Tuesday, 13 November 2012 11:45 (thirteen years ago)


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