Synths, synths, synths, let us talk about all the synthesizers
― DDD, Thursday, 30 January 2014 10:41 (five years ago) Permalink
They're great instruments.
SYNTH FACT OF THE DAY: Despite performing what is called "photosynthesis", plants are in fact NOT synthesizers.
― DDD, Thursday, 30 January 2014 10:43 (five years ago) Permalink
do you a favorite synthesizer?
Are you an old school analog synth fetishist?
― ^ enlightening post (sarahell), Thursday, 30 January 2014 10:58 (five years ago) Permalink
Fave synth, that's a hard question. I like synths where every function has a knob you can twist, so let's go with that. The Yamaha CS-80 is my dream machine, though. The recent Dave Smith synths like Prophet 12 are good contenders for My Fave Synth as well.
Analog synths do sound great (I own a Microbrute) but some of the analog-fetishism (or rather digital hatred) can seem ridiculous for some. After all, it's the player that makes an instrument sound good, not the other way around.
Speaking of analog and fav synths, if I owned this synth I would be happy for the rest of my life:
― DDD, Thursday, 30 January 2014 11:05 (five years ago) Permalink
I am interested in what envelopes and VCAs sound like, usually the first thing I do when I check out a synth is how "snappy" the envelopes can get, how nicely the VCAs and filters respond to it, the percussive qualities. Buchlas sound like "pk" then "pup" then "plup". ARP 2600s sounds like "clk" then "cluck". Rolands and new DSIs do not have any percussive qualities that are as useful as those synths.
― Goblin Farrell (flamboyant goon tie included), Thursday, 30 January 2014 11:19 (five years ago) Permalink
I love the sound of FM synth + analog filters these days and have been tooling around with a couple of Mutable Instruments objects that are very interesting. Switchable tuning! turn a knob and it's real, it's Pythagorean, pretty cool stuff.
― Goblin Farrell (flamboyant goon tie included), Thursday, 30 January 2014 11:22 (five years ago) Permalink
FM synthesis definitely needs a comeback
― DDD, Thursday, 30 January 2014 11:28 (five years ago) Permalink
My first encounter with FM synth (outside of pre-pubescent .cmf programming, and I didn't really get what was happening) (ditto a DX7 in high school) was with a Nord Wave, where it was suddenly like oh! I don't need to artificially create an overtone series? I really love the pairing of FM oscillators and analog filters, the Mutable stuff has been super fun. A friend of mine has a... Wave, PPG? what is it. Something like that. The big one. I played around with it but again the envelopes were mushy, it was all tone and no snap.
― Goblin Farrell (flamboyant goon tie included), Thursday, 30 January 2014 11:38 (five years ago) Permalink
A studio I worked in had a CS-80 and it's not all that. When it came time for futuristic polysynth it was always the Jupiter 8-- which at this point has an equally ridiculous price tag
― Goblin Farrell (flamboyant goon tie included), Thursday, 30 January 2014 11:40 (five years ago) Permalink
I know the CS-80 is mostly associated with Vangelis sounds although it is capable of more and may be not that great after all... but just look at that design! It seems like no other synth that came before and after the CS series has the same looks/design influences. As far as reliability goes.. at least it's not the PolyMoog.
― DDD, Thursday, 30 January 2014 11:47 (five years ago) Permalink
Actually, now that I think about it, the Polymoog DOES share some design similarities with the CS-80
― DDD, Thursday, 30 January 2014 11:51 (five years ago) Permalink
The CS-80 is surprisingly difficult to get into "dialling in" a sound, its interface isn't as intuitive later synths. Also tbrr I need MIDI or CV/gate connectivity, have the computer play the line while I work with the sound, and I don't know if that's a possibility for CS-80s (or if any owner would go for it if it was)
― flamboyant goon tie included, Thursday, 30 January 2014 11:52 (five years ago) Permalink
I don't have much use for MIDI to be honest, sitting at a computer and programming notes, I am unable to work like that (and I tried). It just doesn't give me the same kind of joy that touching a keyboard while twisting knobs does. But it's helpful when I need to synchronize several synthesizers.
You can also buy a MIDI kit for your CS-80 at a bargain price of 470 £!
― DDD, Thursday, 30 January 2014 12:02 (five years ago) Permalink
Hmm, I get you. My process is this: typically I dial in a sound, record the take simultaneously as MIDI info and as audio, then save the patch (if applicable). When the song develops and suddenly I realize the synth is too glassy or too dark or whatever, or just wrong, I just feed the already-recorded MIDI info back into the synth and fix the patch in realtime. Not so fastidious, just an easy way to make changes.
A side note to this is that I've gotten so enamoured of my ARP 2600 that I rarely use any analog poly synths, I typically track each voice monophonically using MIDI-to-CV. The signal-to-noise on the ARP is so ridiculously low that you can track 10+ tracks of it and still have silence (provided you keep the spring muted). I love my ARP. I bought it with the money from a soul-destroying film gig several years ago, best decision ever-- though I'm told the Cwejman 2600alike is just as good/better (and cheaper and easier to service)
― flamboyant goon tie included, Thursday, 30 January 2014 12:39 (five years ago) Permalink
I usually dial in a sound, play along to the track and slightly change the settings until it fits in well, record (often with a metronome) and hope for a good take or two. Sounds risky and not as professional as your method, but personally I don't like having all these "safety nets" while working on creative stuff. Having this slight tenseness helps me concentrate and evaluate certain synth sounds, mixes and parts more. Like, every part you record could be the last one of your life.
The ARP 2600 is awesome and I wish I could own one. In fact, I wish I could own every classic monosynth. I'm more of a poly guy anyway, although in our multi-tracking DAW age monophonic synthesizers work just as well for me.
Speaking of awesome monosynths, Soviet synthesizers are rarely talked about:
― DDD, Thursday, 30 January 2014 13:12 (five years ago) Permalink
i was digital only for a few years but i'm getting into using analog synths more and more. it's baby steps, but i've been using a Microbrute (running straight audio) and i just got the Korg Volca Keys (controlled via MIDI).
i know a lot of dudes who are more into messing around with old gear and than they are into making records and i never want to be that, so i'm just getting hardware when i'm having a specific sound that i'm not satisfied with the digital version of.
speaking of, i really do think they both have their place...soft synths can sometimes cut through a mix much more easily.
haven't messed around with FM synthesis yet but i really want to, probably going to get NI FM8 to learn on.
― festival culture (Jordan), Thursday, 30 January 2014 14:01 (five years ago) Permalink
"Always appreciate all kinds of synths and syntheses." - Synthfucius
Speaking of digital synths and new purchases - I'm about to get a Yamaha AN1x for 250 €. Way underrated VA synth in my opinion. And even if I don't need its sounds I can use it as a MIDI controller with velocity and aftertouch and whatnot.
Jordan, I agree with you re: creating music vs. farting around, but making bloopy shit can be fun and even cathartic sometimes.
― DDD, Thursday, 30 January 2014 14:08 (five years ago) Permalink
Anyone get a Microbrute? Looks pretty sweet, especially for the price.
I use a Prodigy that someone in our practice space owns, and I love it, but the newer Moog stuff is $$.
I also just bought Korg Gadget for my iPad mini, which is pretty neat. I cannot find a software synth that comes close to sounding as good as the Prodigy, though.
― schwantz, Thursday, 30 January 2014 17:41 (five years ago) Permalink
Whoops just saw your post Jordan. What do you think of the Microbrute? Can you get big, squelchy sounds out of it?
― schwantz, Thursday, 30 January 2014 17:42 (five years ago) Permalink
i loooove it, and yes. mostly i've been using it for thick saw basslines and square-ish leads, and lfo chaos. it's very intuitive imo.
― festival culture (Jordan), Thursday, 30 January 2014 17:44 (five years ago) Permalink
Awesome. I think I'm gonna get one. I wish it had another octave, and full-size keys, but other than that it looks sweet.
― schwantz, Thursday, 30 January 2014 17:45 (five years ago) Permalink
Unfortunately my main keyboard (Nord Electro) does not have pitch/mod wheels.
― schwantz, Thursday, 30 January 2014 17:46 (five years ago) Permalink
Also, I got to play a Jupiter 8 on our latest record, and DAMN that is fun to play.
― schwantz, Thursday, 30 January 2014 17:48 (five years ago) Permalink
Does anybody want to recommended sites or tutorials for gaining a practical understanding of synthesis? All I do is play with free VST synths at this point and I get the basics but I want to have a better handle on it.
― L'Haim, to life (St3ve Go1db3rg), Thursday, 30 January 2014 18:11 (five years ago) Permalink
Also own a Microbrute - it's brilliant. The minikeys aren't as shitty as on the MicroKorg, allowing you play quite smoothly. And it can do anything from exquisite to big and squelchy.
― DDD, Thursday, 30 January 2014 18:13 (five years ago) Permalink
St3ve, check out the Synth Secrets series, should teach you a bit (start from the bottom): http://www.soundonsound.com/sos/allsynthsecrets.htm
Oh yeah, I had started in on those Synth Secrets articles but gotten sidetracked, thanks for reminding me.
― L'Haim, to life (St3ve Go1db3rg), Thursday, 30 January 2014 18:39 (five years ago) Permalink
i've had the most luck looking on youtube for either the VST i'm working with or general synthesis tutorials.
― festival culture (Jordan), Thursday, 30 January 2014 18:55 (five years ago) Permalink
what are your favorite synths for bass sounds? that's the #1 thing I'm lacking right now. I've got an Oberheim Matrix 6 (I finally got it fixed!) which makes some really lovely & mellow sounds, and I also recently bought an MS-20 Mini but haven't done anything too ambitious with it yet.
― charitable remainder unitrust (crüt), Thursday, 30 January 2014 19:01 (five years ago) Permalink
the Matrix isn't very good for heavy tweaking on the fly though
― charitable remainder unitrust (crüt), Thursday, 30 January 2014 19:02 (five years ago) Permalink
read that as heavy twerking on the fly
― bilbo bobbins (how's life), Thursday, 30 January 2014 19:03 (five years ago) Permalink
uhm, I think your MS-20 mini should be able to produce some great bass sounds, although I personally don't like the KORG Sound, it's just too.. "crispy" and "defined" for my taste.
― DDD, Thursday, 30 January 2014 21:04 (five years ago) Permalink
The MS-20 is a fabulous bass synth, probably the best currently-available combo going, in that regard? I always forget about it! So great.
― tony...ahar...ding (flamboyant goon tie included), Thursday, 30 January 2014 21:40 (five years ago) Permalink
yay for fixed matrix!
my fave bass machines are juno 60 & pro one
i'm in a snit with vintage machines at the moment though since my really fucking expensive prophet 5 hasn't worked at all since i got midi installed
― föllakzoidberg (electricsound), Thursday, 30 January 2014 21:41 (five years ago) Permalink
Vintage synths can be so uncompromising, that's why I like them
― DDD, Thursday, 30 January 2014 22:02 (five years ago) Permalink
Well, until they stop working of course.
ha. it wouldn't hurt so much if it didn't sound so incredible when it's working
― föllakzoidberg (electricsound), Thursday, 30 January 2014 22:12 (five years ago) Permalink
Speaking of vintage synths, I just realized how much 70's and 80's library music has this sci-fi synth soundscape thing going on:
― DDD, Thursday, 30 January 2014 22:41 (five years ago) Permalink
So many broken synthesizers. ;_;
― emil.y, Thursday, 30 January 2014 22:45 (five years ago) Permalink
Green Day - Boulevard of Broken Synths
― DDD, Friday, 31 January 2014 10:18 (five years ago) Permalink
Actually I'm wondering: Has anyone here played a Synclavier?
― DDD, Friday, 31 January 2014 10:20 (five years ago) Permalink
no, but if i did i would make it say jammin on the one
― föllakzoidberg (electricsound), Friday, 31 January 2014 10:55 (five years ago) Permalink
I am fascinated/curious about what makes people say this or that synth is good for particular applications, or how to to understand the different character of different synths besides the dry technical details about oscillators and such. e.g. electricsound says he likes the Juno 60 for bass sounds but for whatever reason I associate Juno 60s more with string pads and like mini Moogs or Korg SH101s with bass sounds? Maybe those are just more obvious cliches?
― L'Haim, to life (St3ve Go1db3rg), Friday, 31 January 2014 15:27 (five years ago) Permalink
Yeah, it's interesting since I always thought synths to be sonic all-rounders, even with their various configurations and designs. But maybe some people like the sonic capabilites of, let's say, an ARP Odyssey more than the capabilites of a Minimoog in terms of bass/lead/pad?/... sounds.
― DDD, Friday, 31 January 2014 15:37 (five years ago) Permalink
personally when i say the 60 is good for bass it is because it has nice snappy envelopes and very tight but not wooly low end. it can do string pads well too though, it it a p amazing machine tbh. i appreciate it even more now after five years than i did in my initial rushes of excitement when i first got it
― föllakzoidberg (electricsound), Friday, 31 January 2014 22:22 (five years ago) Permalink
also i have never played a minimoog or sh101
― föllakzoidberg (electricsound), Friday, 31 January 2014 22:25 (five years ago) Permalink
i need to step up my pad game
― festival culture (Jordan), Friday, 31 January 2014 22:42 (five years ago) Permalink
One day I'll type out my synth adventures but not today. I own a lot of synths. Maybe I will type it. Here we go.
Juno-106 - great entry level synth. Start here and end here if you plan to own house or children. Only issue is that the oscillators like to burn out, and replacing them involves ordering chips and soldering.
Juno-Alpha - teeny tiny, the B is velocity sensitive, super light, super durable, mine got the shit kicked out of it and it still works. There is a cool fifth- and sixth-stage on the envelopes, it's like an ADADSR, so you can make stuttery sounds. It is a pain to program. I bought a PG-300 (the programmer) from a guy who was looking at me like I was a sucker and then I sold it to somebody and understood what a sucker looks like. This takes a little effort to program properly but it's easier than a DX-7. It's good if you're somebody who needs to travel light.
Juno-60 - I think it's this one that has the miracle arpeggiator. Any time I want to do something arpeggiated I borrow one of these guys. I have never owned one but I use them a tonne. It receives clock in so you can send it pulses from Logic using beat mapper to live drum takes and have the arpeggiation stay in time. It also has CV-out so you can double it up with an ARP or a Minimoog. The "ensemble" function is famous and it sounds good, I never felt comfortable using it because any time I turn it on it's like "oh, that sound". This is a great synth and I'd own one except that I own a Jupiter 8.
Jupiter-8 - a weird synth. It's hella expensive, I bought it with a film score budget for a sci-fi movie. It is heavy (a two-person lift, really) and runs hot. The envelopes are too mushy to be really useful for percussion but they are good for bass and pads. I was working on a film where the director hated synthesizers, and he came by the house and kept asking for any noodles to be removed, he just wanted lame-ass indie piano/ukelele plunky-plunks. The Jupiter was the one exception, he loved the Jupiter. It does sound otherworldly, like The Best Synth Ever! But its arpeggiator sucks, it can't be controlled without MIDIfying it (and the kits are poorly reviewed so I haven't done it), it's not particularly routable, and it's too heavy and expensive to really be useful in any home studio. Mine is out on semi-permanent loan to a friend's studio until I get my own space for it, which will probably never happen. I don't know what to do with it, it's kind of like having a convertible in the garage.
Nords - they sound bad. There is something in that frequency spectrum that drives me crazy. Their pianos and organs sound "realistic" without sounding good, and they never sound good in a band. Nord synths are slightly better but still bad-sounding. All that said, I travel with and play a Nord Wave because it's light, it samples, the FM synths sound good, it's got built-in delay and reverb. You have to wrestle hard with these synths to make them sound good but the lightness, durability and usability makes it work it.
Nord Modular - especially these ones. Capable of sounding unbearably good. This is a DSP-run synth where you built a virtual modular on your PC and upload it into the hardware. Like, you drag and drop your modules on to an environment and connect them with patch cords. Super steep learning curve and, like other Nords, sounds terrible 99% of the time, but it worth it for that 1%. I am a thief, not a programmer, I download other people's architectures and tweak them. I have a Memorymoog clone on mine that is so precise in its emulation that it's uncanny. My Nord Modular is my DX-7 and my drum machine, what a great synth. Any time I need to do a shitty film score real quick I turn it on and the score is done.
ARP 2600 - my favourite synth ever, and the only one I use on recordings that I want to be proud of. It never sounds bad. The envelopes are enormously flexible, the CV modulation is amazing, you can build anything and get absolutely lost in creating self-generating patches. Sometimes if I have a houseguest I make a seagull + seashore patch and put it in their room. The spring is noisy but is fun to route sound through it and then back into other things. I am sending mine in to a synth spa in Savannah to get the ring modulator repaired and the connections tricked out. There is no HPF so you have to figure that out if you want to make hi-hats. There is no MIDI, but I use a lightpipe-to-CV converter; the added control of the Silent Way plug-ins is miraculous. I wish I was at home playing with this synth right now. Todd Terje says that the Cwejman S1 is just as good, better in other ways, and less expensive and that he's been using that these days instead of his ARP.
Mutable Instruments - I have a Shruthi and an Ambika. They are both totally awesome but I haven't found a use for either of them just yet.
I have a modular, too. I've lost a week of my life into creating beautiful, useless music with it, but haven't cracked it yet, made it feel like an instrument. I'll type about it another time.
― flamboyant goon tie included, Saturday, 1 February 2014 00:26 (five years ago) Permalink
the 106 is weird, i can't stand the results i get from playing one, but other people seem to be able to coax really nice things out of it
― föllakzoidberg (electricsound), Saturday, 1 February 2014 00:33 (five years ago) Permalink
I want to play around with the Samplr app, but what I learned from my last dive into iPad apps is that it was just too much of a pain to integrate into my DAW workflow, so I stopped doing it quickly.
― change display name (Jordan), Wednesday, 13 March 2019 17:33 (three months ago) Permalink
Yeah apparently there are some iPad apps that will export to Ableton .als files. That would be sweet. Otherwise it’s going to be annoying. I can render out stems to my Dropbox with Beatmaker, though, which isn’t too bad.
― DJI, Wednesday, 13 March 2019 19:02 (three months ago) Permalink
I just got a Rackbrute and Plaits to pair with a Mother 32 and it is lots of fun.
― ShariVari, Friday, 22 March 2019 14:14 (three months ago) Permalink
thinking of selling some stuff off, and was simultaneously feeling a bit uninspired by the toy selection, so acquired a minibrute 2s last week.
still feeling my way with it a bit (work's been p. intense lately) but it's really hitting the spot for me, really good balance of immediacy and complexity, even without cross-patching it with eurorack stuff or another semi-modular it's got so many ways to quickly alter the sound. the sequencer rules - being able to switch the velocity and pressure lanes to be an auxillary LFO, or random source, or envelope, or various free voltages... so good. absolutely savage sync for your cars 'let's go' impressions or whatever, too.
feels very solid too if anyone is still worried about arturia QA issues. lots to get lost in if you're not a keys player and like an alternate interface.
― 2 Markov Chainz (haitch), Wednesday, 10 April 2019 08:38 (two months ago) Permalink
i recently sold my drumbrute but yeah the arturia sequencers are really nice, definitely the best part of the machine as i felt the voices were kind of anemic.
― adam, Wednesday, 10 April 2019 14:40 (two months ago) Permalink
The Microfreak looks fun. It has a bunch of the Braids oscillator code and an unusual Buchla-style touchpad.
― ShariVari, Wednesday, 10 April 2019 16:03 (two months ago) Permalink
I just got a Rackbrute and Plaits to pair with a Mother 32 and it is lots of fun.― ShariVari, Friday, 22 March 2019 15:14 (two weeks ago)
― ShariVari, Friday, 22 March 2019 15:14 (two weeks ago)
This escalated quickly tbh.
― ShariVari, Wednesday, 10 April 2019 17:36 (two months ago) Permalink
is that a mutable instruments blinds on the bottom row? i just bought one
my monome teletype should be delivered today about which i am fuckin psyched
― adam, Wednesday, 10 April 2019 17:40 (two months ago) Permalink
It’s Veils on the left and Tides on the right. Èmilie from Mutable is such an inspiration. I saw her called the Bob Moog of the 21st century the other day and it’s hard to disagree. There is so much thought and invention in all their stuff.
― ShariVari, Wednesday, 10 April 2019 17:46 (two months ago) Permalink
yeah she's amazing. just the manuals on the mutable site make for good bored office reading.
my next few purchases are going to be some mannequins modules (https://www.whimsicalraps.com/) which are sort of mysterious in aspect but seem really interesting in practice.
i had been going a cheaper DIY route of buying simple kits, building them, and trying to have fun with them. eventually i realized that while making interesting sounds from first principles is a noble goal i don't really have the time or skill. maybe when my daughter is older i can really go full Synth Dad and DIY up some cool stuff.
― adam, Wednesday, 10 April 2019 18:34 (two months ago) Permalink
If everybody's gone modular this might not be of interest, but noted synthesizer guy Jexus recently came out of hiding and posted all of his patches for download. So if you have any of the synths listed in the downloads section on this page you might want to check it out: http://syntezatory.net.pl/wcog_synth_patches.htm
(they're really, really poorly labeled and basically completely unorganized but some sound very good!)
― Dan I., Wednesday, 10 April 2019 18:46 (two months ago) Permalink
is this the coolest-looking synth ever
― na (NA), Wednesday, 10 April 2019 19:04 (two months ago) Permalink
of course not, but look how cool it looks
― na (NA), Wednesday, 10 April 2019 19:06 (two months ago) Permalink
that is very cool
if we're posting attractive synths from reverb then https://reverb.com/item/18493509-jomox-resonator-neuronium-rns-n6
― adam, Wednesday, 10 April 2019 19:42 (two months ago) Permalink
I'm just waiting out this whole modular thing until VCV Rack 2.0 comes out
― change display name (Jordan), Wednesday, 10 April 2019 20:08 (two months ago) Permalink
daaaaaaaaaamn that jomox
― 2 Markov Chainz (haitch), Wednesday, 17 April 2019 00:57 (two months ago) Permalink
really wasn't interested in the microfreak...cheesy promo vid, questionable name and design etc, but these videos have me more intrigued.
― dan selzer, Monday, 22 April 2019 01:59 (two months ago) Permalink
That's a very comprehensive video. Certainly sells the Microfreak a lot better than the other demos I've seen. I'm not interested in the keyboard mechanism, but if they made a desktop module version I'd be more likely to pick one up. However although there are a lot of the oscillator engines, each one feels kind of limited in what it can do and how much it's sound can be varied. The Microfreak has some of the code from the Braids module, but the module would be part of a larger modular system. When it's more isolated like it is in the Microfreak, the limitations of each engine become more apparent. I like the filter though, it's nice to hear a filter that seems to have been designed to be usable when the synth is used in a track rather than make the most obnoxious screaming sound possible. I guess the nearest synth, both in size and price, is the Modal SKULPT, but that seems more firmly routed in being a VA synth rather than multi-engine like the Microfreak. I suppose one way of comparing them would be that the SKULPT has deeper programming but the Microfreak has a broader range.
― just another country (snoball), Monday, 22 April 2019 10:14 (two months ago) Permalink
A friend of mine finally released the modules that he's been working on for the last few years. I'm not a modular person but having been able to play around with them and see them develop, they're pretty unique and cool imo:
― change display name (Jordan), Monday, 22 April 2019 14:32 (two months ago) Permalink
Nice quick demos here: https://www.instagram.com/p/BwVrOaylb0V/
― change display name (Jordan), Monday, 22 April 2019 17:03 (two months ago) Permalink
into that gateseq. i also appreciate the kit coming with the smd stuff already attached, might pick one up.
― adam, Monday, 22 April 2019 22:35 (two months ago) Permalink
I am v much down for the freak. love the randomizing stuff in the sequencer.
maybe it could be a keyboard and digital osc for the minibrute!
― 2 Markov Chainz (haitch), Tuesday, 23 April 2019 01:16 (two months ago) Permalink
Synthi, CZ and Mellotron now added to Arturia V collection. I didn’t upgrade to 6 but will now, I think.
― ShariVari, Friday, 26 April 2019 00:09 (two months ago) Permalink
i just bought an ipad to sequence hardware via a midi-to-cv module (and to entertain my daughter on a long flight). anyone done this? i hope to give it a shot during naptime or later tonight.
― adam, Friday, 26 April 2019 12:48 (two months ago) Permalink
I haven't used it much but Lemur seems excellent for that.
― ShariVari, Tuesday, 30 April 2019 17:58 (one month ago) Permalink
i ended up returning the expert sleepers fh-2 i was going to use for midi/cv as it seemed like a tremendous drag to configure. lemur into a less feature-rich module might be the way to go.
the ipad itself is a fuckin synth goldmine--been running a whole mess of softsynths and effects through AUM and having a great time for cheap (compared to say eurorack).
― adam, Tuesday, 30 April 2019 19:33 (one month ago) Permalink
Yes. There are so many tremendous iPhone/iPad synths one hardly knows where to start the list.
Have you got Korg Odyssei and Arturia iSEM? Sunrizer and Volt also incredible. And and and
― valet doberman (Jon not Jon), Tuesday, 30 April 2019 20:38 (one month ago) Permalink
I've been having fun with BeatMaker 3 on the iPad, which will also host soft synths. Don't forget about Moog's amazing Animoog!
― DJI, Tuesday, 30 April 2019 20:51 (one month ago) Permalink
animoog is so good! i made kind of a corny planetarium patch and ran it through fugue machine (a very fun if gimmicky sequencer) for a couple hours the other day.
― adam, Tuesday, 30 April 2019 20:57 (one month ago) Permalink
so many good ones to get
i had iVCS3 on my phone but it's actually usable on the ipad. and it looks amazing.
― adam, Tuesday, 30 April 2019 20:58 (one month ago) Permalink
iVCS3 is wonderful, even on phone
― valet doberman (Jon not Jon), Wednesday, 1 May 2019 18:33 (one month ago) Permalink
― Greta Van Show Feets BB (milo z), Sunday, 5 May 2019 19:35 (one month ago) Permalink
Ooh, that is very appealing, at least as a sample generator.
― change display name (Jordan), Monday, 6 May 2019 14:53 (one month ago) Permalink
Novation Summit looks sick.
Some patches from Patricia Wolf
― DJI, Friday, 10 May 2019 23:04 (one month ago) Permalink
good joke was they didn't have the legal permission to call it Twin Peaks
― dan selzer, Saturday, 11 May 2019 04:24 (one month ago) Permalink
i cant stop looking at that guy's watch
― adam, Sunday, 12 May 2019 01:17 (one month ago) Permalink
― DJI, Thursday, 23 May 2019 21:11 (one month ago) Permalink
"software simulator of the unique Russian synthesizer ANS – photoelectronic musical instrument created by Evgeny Murzin"
― Greta Van Show Feets BB (milo z), Tuesday, 11 June 2019 11:18 (two weeks ago) Permalink
― change display name (Jordan), Tuesday, 11 June 2019 14:44 (two weeks ago) Permalink
Bought! Looks very cool.
― ShariVari, Tuesday, 11 June 2019 14:51 (two weeks ago) Permalink
Yeah it’s been out for years as a great standalone app but this is the new AUv3 version with some other exciting enhancements.
― valet doberman (Jon not Jon), Tuesday, 11 June 2019 19:13 (two weeks ago) Permalink
i never got around to making the ipad talk to my modular stuff but man do i love AUM and Audio Damage and Bram Bos iOS stuff. so much fun.
gonna get this tonite for sure
― adam, Tuesday, 11 June 2019 19:27 (two weeks ago) Permalink
Anyone have experience with VCV Rack? The whole modular thing is completely confusing to me but this is very cool for free.
― Greta Van Show Feets BB (milo z), Friday, 21 June 2019 05:00 (five days ago) Permalink
I downloaded it in beta ages ago and played around a bit and thought it was super cool then stopped. Just downloaded the v1.0 and yeah, it's awesome. One-time (sometime?) ILXor Jon Williams I don't even remember what names he went by I think has developed modules for it. There's a user group here: https://www.facebook.com/groups/vcvrack/
fyi put up a new track on my soundcloud: https://soundcloud.com/newyorkendless
synths include Analog 4, Prophet 600 and Minilogue. Drums are Machinedrum and samples.
― dan selzer, Friday, 21 June 2019 05:04 (five days ago) Permalink
VCV Rack is amazing. The main issues is that it doesn’t integrate easily with a DAW at the moment but they’re fixing that. I’ve gone down the hardware modular route this year but VCV honestly gives enough of the same experience for zero cost that it is practically a miracle. I use it to experiment with modules I might want to get irl and it is perfect for that too.
― ShariVari, Friday, 21 June 2019 06:01 (five days ago) Permalink
It took me a minute to figure out that using the same builders' mini-synth (Pilot) uses a different operator ; instead of :
― Greta Van Show Feets BB (milo z), Friday, 21 June 2019 07:44 (five days ago) Permalink
I have become lost in the Youtube synth world since I started researching samplers. These people have way more fun than guitartube.
― Greta Van Show Feets BB (milo z), Friday, 21 June 2019 07:46 (five days ago) Permalink
Video tutorials for hardware synths are often incredible - particularly as it's so rare to get actual manuals these days.
Talking of modular, i've finished the first two rows and have another Rackbrute on order.
― ShariVari, Friday, 21 June 2019 08:15 (five days ago) Permalink
beautiful. which bastl modules are those? i built their kastl synth and really like their approach
― adam, Friday, 21 June 2019 11:33 (five days ago) Permalink
Very boring ones, i'm afraid - a six-channel mixer and the Ciao! audio output. I'm going to get some of their drum / noise modules when i expand.
― ShariVari, Friday, 21 June 2019 11:47 (five days ago) Permalink