Van der Graaf Generator / Peter Hammill S& D, C or D?

also i'm not so sure I like the remasters, they are pretty no-noised and weird. the original cds didn't sound good either. I bet the vinyls sound amazing but I'm not in a position invest in those.

the new VDGG album is really good though, btw, better than the last two; not sure it's "stands with pawn hearts/still life/godbluff' the way some reviews have said, but it's certainly worthy.

Just listened to Fool's Mate for the first time...sounded decent but not as good as any of the VdGG stuff I've heard

Kind of funny how people refer to it as his "goofy" album...musically it is not really heavy, but these lyrics are pretty depressing (and self-centered).

"Fool's Mate" is all old songs, he wrote 1967-1969 when he was like 19, 20

Kind of funny how people refer to it as his "goofy" album...musically it is not really heavy, but these lyrics are pretty depressing (and self-centered)

don't think people do really... there is "Sunshine" which is probably the closest he ever got to goofy

I'm trying to remember where exactly I read that...I guess I'm kind of assuming his solo albums get better from here. Kind of hoping for more things like "Scorched Earth" or "Arrow" that just blow the lid off everything.

If that's what you're looking for then you might want to seek out The Silent Corner & the Empty Stage, Chameleon in the Shadow of the Night and In Camera (in that order). These were mostly written and recorded in between bursts of VdGG activity and they are just as great as the VdGG records. The first two both have the other VdGG members playing on them and are basically VdGG records in all but name.

I already got Chameleon on order, I'll let you know what I think

In Camera, totally!

listened to Over a few times over the past few days, always shocked at how dark it all seems. The final track, Lost and Found is amazing, maybe my favorite song of his, with it's uncertain final line (also has a line later ripped off by Marillion on Script for a jester's tear, for better or worse).

also, after some time with it, I think the new album is one of my favorites. the song 'bunsho' ranks right up there with anything he/they have done.

Over is my favourite PH/VdGG album. On the Marillion front, you can see the cover of the album lying on the floor on the back cover of their Fugazi album.

it was a Fish interview on the radio that pointed me at VdGG in the first place, he always acknowledged his love

Hammill tried him out for the role of Montresor in The Fall of the House of Usher but didn't go with him in the end b/c their voices sounded too similar. The role went to Andy Bell out of Erasure in the end – a pairing that always surprises some people

I just picked up The Silent Corner and the Empty Stage, what an intense listen; it's not as instrumentally interesting as the VdGG stuff but it opens PH to do a lot of weird and sick stuff. Also, Chameleon is finally clicking for me after like, 9 listens.

really liking "mr. sands." between a grounding in numbers and the new yes album this is a nice year for classic prog

Jo Bogaert, known in a previous lifetime as Technotronic, asked if I’d be interested in contributing to an ongoing project of his with Yannic Fonderie. I gave my usual (if my interest’s been tweaked) response of “send something and if I think there’s something I can contribute I’ll send something back”. So stuff was sent and, as it happens, I found vox & lyrics stuff that seemed to make sense both for myself and for the stuff in hand.

Eventually I sang on four or five banging tracks. But as I write they still haven’t found a happy label home and so remain secret treasures…

!

Yeah, I'm starting to have problems with "The Silent Corner". It seems to always make me tense up and get really jittery and paranoid; it really seems to get more intense every time I listen to it. Guess its time to move on.

oh yeah, so now I hear In Camera, sounds very cool thus far, "Gog" is the sort of thing I've wanted to hear him do for a long time. This album has the intensity of his other stuff but it doesn't feel as real as Silent Corner did, which is both good and bad.

Its two weeks now that I listen only to VDGG and Peter Hammill solo stuff - lots and lots of great music. Vital seems to me particularly overrated: it is truly terrifying.

You can definitely take that long, as for me most of the albums take a while to really click (especially the solo albums). I really did not like Pawn Hearts at all the first few listens and then all of the sudden it sounded amazing. I don't think VdGG/PH ever did much to try to win the listeners over but in the end that's part of their appeal. Right now I'm digging the In Camera bonus tracks, which are just solo versions of a couple of album tracks and VdGG's "Emperor in his War Room" and they are surprisingly intense w/ just Hammill's voice and piano

Singularity and Thin Air are two great albums I've spent the past few days listening to, maybe some of his best work?

I would say they're certainly two of the best of his more recent albums, yes, although I doubt you'd find many PH fans who'd rate them alongside his work of the '70s. Singularity is the post-heart attack one, a dread sense of mortality pervades it.

If it weren't for 1998's This, which is one of my top 3 picks for solo PH, I'd agree that these two albums represent his best work since he disbanded the K group. Hammill's ability to work at this level of quality at this stage in his career is kind of uplifting.

I'd still go for Roaring Forties and X My Heart as his best since those days.

somehow I managed to never listen to world record until just now...excellent. I think I just forgot this album existed, or for some reason had heard it wasn't very good or something.

new PH album: Consequences out April 16

1. Eat my Words, Bite my Tongue
2. That Wasn't What I Said
3. Constantly Overheard
4. New Pen-pal
5. Close to Me
6. All the Tiredness
7. Perfect Pose
8. Scissors
9. Bravest Face
10. A Run of Luck

exciting

i wish he'd play the west coast. weirdly (after not really listening to him much over the past few years) I had a really vivid dream taht I saw him play an intense show at some tiny venue, which started me diving back into the catalogue. could probably listen to nothing but Hammill/VDG for three weeks straight without having to repeat any albums.

now, a new VdGG album? (well, kind of...)

Following on from A Grounding in Numbers released in March 2011 Esoteric Antenna are delighted to announce a new title with Van Der Graaf Generator--ALT release date 25th June 2012

'ALT' is a new studio album by the legendary VAN DER GRAAF GENERATOR and follows on from the release of "A GROUNDING IN NUMBERS" in 2011.

"ALT" is no ordinary Van Der Graaf Generator album (if the term "ordinary" could ever be applied to this visionary group). PETER HAMMILL explains; "Instrumental Improvs & Experiments - Most of the music on "ALT" was made while we weren't really looking, or perhaps only while the left side of our collective brain was engaged. The album is a mixture of improvisations recorded at sound checks and in the studio and more considered sonic creations which often verge on Musique Concrete. The thirteen pieces here offer a fascinating glimpse into an alternative Van der Graaf Generator sound world. Perhaps the closest comparison would be with the second CD of "Present", but even the link with those recordings is tenuous. Even by Van der Graaf Generator standards, this stuff's at the whacky end of the scale!"

alright. time to bump this one more time.

Now i have all the VdGG original discs along with the remasters. I hate to say it but listening to them side by side I'm starting to find I like the originals better, at least when it comes to The Least We Can Do/H to He/Pawn Hearts. In the case of The Least we Can Do - I don't think there's a good sounding version of this anywhere. I have one copy where the sax is barely audience. The remaster turns the bass up way too high. I did a spectrum analysis on them and find that they are very much victims of the "loudness war" that ruins a lot of remasters. Hence why the 2005 version of Pawn Hearts always leaves me with a severe earache (obviously, you gotta listen loud). I'm kind of wondering if there are good vinyl versions out there. They blast Godbluff with loudness too and give it a lot more kick but I find you can just crank up the original and get the same effect.

i'd've sworn my old copy of The Least We Can Do sounded fine but i was young and maybe inattentive

a lot of people on fanboards were complaining that the remasters swapped noise for detail

RIP bassist Nic Potter.

This via Chaki, so word probably just went out.

https://www.facebook.com/thinair/posts/10151169842843414

http://www.sofasound.com/latest.htm

he's been sick for a while, hasn't he?

damn, gonna have to crank 'the least we could do...' which is definitely their most underrated album and definitely has the second-best song called 'after the flood' ever written on it

Oh no! RIP Nic. That's my old dopperganger dead! See, I was once at a gig and a hippy came over to me and said "Has anyone ever told you, you look exactly like Nic Potter of Van der Graaf Generator?". Luckily my flatmate at the time had a lot of VDGG albums, so I checked out a few and found it was true! One photo, I think it was in the inner sleeve of "Vital", was esp. unnerving. I mean, I don't remember ever playing bass with Peter Hammill but this photo suggests otherwise...

http://www.joyello.net/fardrock/potter.jpg

(Should point that Nic ket his hair and I lost mine so the resemblance has faded over the years... once again RIP Nic)

:(

RIP

Sad news. Top marks for his fuzz bass line on "The Sphinx In The Face".

can't believe I had never heard Vital before. I heard it had a bad reputation so I avoided it...now that I think about it the people who told me it sucked weren't really big VdGG fans. so there you go. Starostin calls it "hands down, the worst live album ever made by a giant of progressive rock". Dunno what to say about that - you have to buy into the theatricality I guess but for my money I am going to listen to this a hell of a lot more than stuff like Genesis Live or Yessongs, both of which are damn impressive, but nothing compared to the raw energy of this one. Plus there are 5 songs on it I hadn't heard before! (the jam at the end of "Door" is fucking incredible, by the way)

It's the first one I ever bought, and can't say it's my favorite. But I do owe it a spin in the modern age.

yeah Vital is the bomb. Shame though that there was no official live album from the classic line-up. there are no soundboard-quality boots out there either.

Good to hear this on the radio last night, David Jackson admirably ultra-skronky:

https://www.youtube.com/watch?v=-kBL1zVGmp0

are there any particuarly good boots? how's the Maida Vale thing?

I guess its nice that they're releasing all this live stuff now, but I'd love to hear them 30 years younger!

Maida Vale is great but it's BBC sessions so they're not cutting loose to the full. As regards live concert boots there's not much from the '70s, the one that normally gets touted is Rimini 9 August 1975 (evening show). Some of the tracks from that were released officially on The Box comp and also as bonus tracks on the Godbluff reissue a few years ago, but it's a pretty raw listen.

yikes, I couldn't stand the bonus tracks on Godbluff...the sound quality was abysmal.

I did find something on SLSK called "Skeletons of Songs", looks to be a Jammill solo performance from 78 or so. Haven't listened yet

ooh you're in for a treat, that's my favourite PH solo boot. totally out there performance.

for my money the '75-'76 band had a totally different vibe from the original line-up- but all the tapes of the original band are super rough listens, those times when they were touring italy for the fifteenth time in 1972, so forth. there's some nice tv sessions- some clips from the french "pop deux" tv show out there on yt- and you can get a feel for what they sounded like from the squid 1/squid 2/octopus on the "h to he" remaster- it's live in the studio, but really the biggest difference between it and an actual concert is that the electricity doesn't randomly short out on them.