Kacey Musgraves - 2013 Anticipation

hmm that is disappointing. will check it out tho

i wonder if any of them will be about how people should mind their own business
― Premise ridiculous. Who have two potato? (forksclovetofu), Sunday, April 26, 2015

don't you worry your pretty little head about that
― j., Sunday, April 26, 2015

"Trite" is precisely the word I'd use.

I blame all the dang pot smoking.

i blame the touring and limelight, her twitter is just so POSI it's sad : /

What's the ratio of detached ironic kacey to sincere kacey?

i'm glad we can all preemptive dogpile on the presumed Bad Album based on a couple sentences from the only person here who's heard it

"Trite" or "cute?" Either way, I'm looking forward to this. Country weathers trite just fine.

that's why some of us who've heard the album can say it's trite

xpost

http://www.thefader.com/2015/05/28/kacey-musgraves-cover-story-pageant-material-interview

terrible headline imo

terrible lede, terrible sentences

don't think this is a dogpile so much as it is people taking easy shots at the artist who has been putting out multiple singles that sound very much alike
i'm looking forward to hearing this, as much as to gauge where mcanally and osborne and brandy clark are headed.
Does clark have music on this album?

"Musgraves’ already-trademark brand of kitschy, catchy country tunes"

this is some "I come to bury Caesar not praise him" shit.

i don't mean to take shots, i haven't heard the record, but i love the last one so much i am looking forward to the new one with apprehension

I want to love it so much that i can't accept that it will me less than awesome.

lol/smh at the title line of "biscuits" having been written while they were writing "follow your arrow"

https://www.youtube.com/watch?v=AK3siVvUT5A

slow-waltzing closing track, “Fine.”

maybe this was written at the same time as "it is what it is"?

ok i'll stop, i still have hope i will enjoy this album

OK, I've given it a quick listen and yeah, sometimes trite isn't far off the mark. It's also a little too ... gentle? Safe? A little too campfire on the beach? But her vocals/melodies are fine, and it's got a nice, chill vibe all the same. I look forward to spending some quality time with it.

now i'm gentting sad. three people saying (almost) the same.

i mean when i heard her play "high time" live i described it as having a "polynesian feel" but i meant that as a compliment

"Biscuits" is a better song than "Follow Your Arrow" idc idc

lol @ the fader story, if this means hipster music writers are gonna start getting into country after ignoring it all these years...

i really love "follow your arrow" for many reasons but i doubt i'd have become as enamoured of kacey if STDP had been that level of songwriting x 12

"Musgraves’ already-trademark brand of kitschy, catchy country tunes"

the thing with this album is that it feels like she's getting into the box that's been created for her; even its better songs feel like pandering, to an extent

ugh @ all of this

follow the money wherever it points

I like how "Biscuits" is basically the same song, but different. When I saw her play it live, for some reason I didn't think of "Arrow." And when she did "High Time" live, I definitely got the Hawaii vibe, too, which is one reason why I described the feel of the album as kind of beachy. That could potentially position it for a summer crossover, but it's so mellow and not rock the boat that it sort of smooths itself into a corner. Again, not bad, often lovely, lots to like, sounds like her, just not assertive enough to make an impression other than the fact that it doesn't make much of an impression. That is disappointing, even if little on the record is objectively sub-par.

Will I curse things if I concede I've got high hopes for the new Ashley Monroe?

OMG, I was playing the album for my wife, who is a HUGE fan of the last album - like, a weekly listener - and she mentioned this morning that "one of the new songs is the same as one of the old songs, just with different lyrics!" She meant is as a complement, actually.

http://www.stereogum.com/1804629/shamir-merry-go-round-kacey-musgraves-cover/mp3s/

also, via factcheckingcuz:
http://www.tennessean.com/story/entertainment/music/2015/05/27/sexist-tomato-barb-launches-food-fight-music-row/28036657/

(also too much time on ilx but i could only think of http://www.ilxor.com/ILX/ThreadSelectedControllerServlet?action=showall&boardid=77&threadid=72829 )

The lettuce is Luke Bryan and Blake Shelton, Keith Urban and artists like that.

Yeah, lame-ass fast food iceberg lettuce.

shamir is such an irritant

dunno about that but i'm not feeling that cover

OK, this hit the spot a bit better tonight (thanks, beer!), but I think the problem is not really that it's trite but that its production choices and arrangements are too timid. By choice, sure - she made the decision - but it hurts the album, imo. There's only one outright stinker, "Late to the Party" (which sounds like Norah Jones covering "Tears In Heaven") but the rest are pretty solid songs crying for a little more oomph and diversity.

she played "Family Is Family" on Seth Meyers the other night, really like that one

First listen after a long day and so far this is really hitting the spot

the strings and handclaps on the opener seem like pretty clear signs?

y'all got me ready to feel underwhelmed by this but the first three tracks rule? especially "late to the party"?

There's only one outright stinker, "Late to the Party" (which sounds like Norah Jones covering "Tears In Heaven") but the rest are pretty solid songs crying for a little more oomph and diversity.

lol nahhh

"miserable"! and "die fun"!

haha i haven't listened proper yet but i DID find myself thinking '… this sounds like tears in heaven…'

revisited it with "tears in heaven" deliberately in my head and again nah

Whatever "Late to the Party" sounds like, it's about 15 minutes too long.

it's so sweet!

anyway

Will I curse things if I concede I've got high hopes for the new Ashley Monroe?

i also have high hopes, the title track is incredible

imo the weakest song here is the title track and it's still pretty charming. i would suggest the album is maybe compromised by her writing from a more general perspective but the most egregious example of this, "somebody to love," is completely gorgeous and precise, so lol

precision is what this album really lacks to me, i hear her singing about cardboard characters and simplistic archetypes (of places as well as people) and hardly any of the nuance that made STDP so special. it sounds like an album made by someone who knows that the mainstream know her via katy perry. sort of disappointed by how low it aims, mostly: lots of easy-to-hum songs, hardly any easy-to-love songs. "good ol boys club" and "fine" are slightly better i guess

lol y'all made this sound like 13 "follow your arrow"s in a row and maybe that's why i'm surprised by how vivid and effective it is

anyway it sounds like an album made by someone who knows that the mainstream know her via katy perry is not what i get from this record at all and is really uh :\

even the more intimate songs are trite though, almost every song follows the same formula, i don't hear anything vivid here