The purpose built next generation interstellar Dawn Richard thread

THIS FUCKING ALBUM.

https://www.youtube.com/watch?v=wN-LZ5BQoKI

I like that the mixtape's implied critique of Last Train To Paris is that it's too chilled!

also u&k - this track that apparently emerged last year but isn't on the mixtape

https://www.youtube.com/watch?v=mEyIVWFVatk

prod. rob holladay, who was responsible for most of the production on the dirty money lovelove vs. hatelove mixtape

is this where danity kane get a critical re-evaluation too? their second album was SO good. dawn always seemed like something of a creative driving force with them too. and they took their name from her imaginary anime character.

this is my most played album of 2011

It's so good!

the run from superhero (acapella) to the end is :O

actually...the whole run from intro (the fall) to the end is :O

^^^^

finally sitting down with A Tell Tale Heart and damn yeah, this is great. very considerate of the Diddy-Dirty Money folks to already start turning Last Train To Paris into its own little genre with the release of this and the Valentine's Day mixtape just a couple months later.

funny that I was the first person to mention this record's existence on ILM but like the 30th to actually hear it.

finally hearing her voice in isolation for extended periods of time is nice, too; the slightly raspy grain is a bit like Brandy but not too much.

talking of the LTTP mini-genre, did everyone hear the lektro black mixtape diddy did with felix da housecat that was meant to precede it (well, it did precede it, just by a year rather than a few months)? one of the most banging hours of music i've ever heard. http://rcrdlbl.com/2009/08/14/exclusive_new_download_felix_da_housecat_x_diddy_lectro_black_last_train_to_paris_mixtape

digging the version of "I Know" on here, too, you could slot this right in place of the album version on LTTP and get closer to an ideal Chris Brown-less version of the album.

finally hearing her voice in isolation for extended periods of time is nice, too; the slightly raspy grain is a bit like Brandy but not too much.

Brandy is a useful comparison point actually, in some ways this is like Full Moon if it was an album of straight bangers.

yeah i love this mixtape. Have to listen more but i think "vibrate" is my favorite

i wonder what it is about dawn that made diddy keep her around after the dissolution of dannity kane

Wasn't she the best singer out of everyone in Danity Kane? I mean there is nothing about her that screams "super star" but I think the pop/r&b audience are so use to big personalities that a straight forward singer may seem boring. Dawn isn't boring per se but maybe Diddy needed a "real" singer around Bad Boy since Cassie was the only female for a little spell after Danity Kane split up.

i really know nothing about danity kane or any of its members, but being the best singer makes sense

I never listen to a note of Danity Kane as I don't like the idea of 5 person singing group. I saw a video of her performing with Diddy doing "Last Night" waaayy back and assumed she was better than the other four.

https://www.youtube.com/watch?v=MGlhmDw7zhc

Danity Kane, anyone?

prescience from brainwasher!

well at least we'll be getting a Dawn solo album I guess.

― Put A Ring On It (The Brainwasher), Wednesday, October 15, 2008 2:39 AM (2 years ago) Bookmark Suggest Ban Permalink

i'd love to hear a version of a tell tale heart where several of the songs didn't sound like they were recorded underwater

does 'blackout'-era britney have much crossover w/ this stuff? i'm listening to "radar" (love love love) right now and i could see the drama being pitched up slightly in a way that would totally fit w/ the 'LTTP sound'

"vibrate" is nuts

i'd love to hear a version of a tell tale heart where several of the songs didn't sound like they were recorded underwater

YES (i mean, i assume this will be the actual album if and when it emerges)

blackout's a good comparison point, i mentioned it in my LTTP review from the "constant surprising sonic thrillz" standpoint, but re: dawn specifically there's also that impulse to get drunk and curse and act out sexually running through it (though obv she's coming at it from a more controlled persona...)

Yeah she's interesting in that she's a controlled singer doing "unhinged" R&B - there are aspects of this album that remind me of K Michelle and Fantasia and J Hudson and Brooke Valentine in parts but it's mostly sonic rather than vocal.

This works for me though I'll have to think about why, can't come up with a neat explanation for it yet.

i'm still unbelievably pissed off that my chat w/dawn and kalenna has been lost to the vagaries of hard drive death - they said some really interesting things, esp re: their differing singing/songwriting styles, and both generally came across as totally smart and totally on it, and a bit like...necessary to keep diddy down to earth?

tim, you heard the last danity kane album right? if not, omg you need it. (i probably need their first one! never heard it)

I think I heard and liked the singles? I can't remember now if I checked out the album or not.

In my head I kind of just slot Danity Kane as halfway between Dream and Pussycat Dolls and keep forgetting that this is based purely on pop-cultural arithmetic rather than what they actually sound like.

it's not entirely offbase w/r/t what they sound like either

https://www.youtube.com/watch?v=Xd5lzwctwUk

that was probably one of my favourites off the album, which made a really great companion piece at the time to...blackout, as it happens - danja helmed a good chunk of it and most of the beats were rather great.

"bulletproof" is so immense, steel pistons grinding into motion

Love "Superhero"

http://www.cdbaby.com/cd/dawnangelique

any good?

booty in da pants

does 'blackout'-era britney have much crossover w/ this stuff? i'm listening to "radar" (love love love) right now and i could see the drama being pitched up slightly in a way that would totally fit w/ the 'LTTP sound'

― pop the s1ock (J0rdan S.), Tuesday, February 22, 2011 1:42 AM (15 hours ago) Bookmark Suggest Ban Permalink

um aside from multiple beats by Danja on both albums i don't really see any connection beyond urban-leaning pop and pop-leaning rap/R&B kinda meeting each other halfway. also lol @ blackout-era britney like that's some kind of defining touchstone of anything outside the ilx hivemind.

it's a defining touchstone of the pop genre, i think - almost certainly the most critically acclaimed of her albums

the popjustice crowd (and most top 40/pop fans I've talked to) generally consider it to be the best pop album of at least the second half of the decade, if that means anything

yeah i was exaggerating about it being a big deal only on ilm but calling it her most critically acclaimed album is i think pretty off -- on metacritic it's 3% lower than Circus, 5% lower than In The Zone, 11% lower than Oops -- it's only put on a pedestal in a very particular internet bubble.

Eh, Metacritic only analyzes initial reviews, not an album's long-term legacy.

yeah obviously there's a lot of nuance that it doesn't accurately measure -- i'm just saying there's this kind of assumption that it's universally regarded as the high point of her career that i don't think really holds water

Realistically though Dawn Richard is highly unlikely to attain any success outside of that internet bubble (or an overlapping one) so it's not so misfounded or misleading a point of comparison.

If I say "maybe Dawn Richard's album is gonna be the 2011 equiv of Chain Letter" it's no more ridic, really.

yeah who knows if DR has any commercial potential (although LTTP might have legs enough to set her up well, who knows), but Blackout being singled out as a comparison point over all the other dancey Danja-produced R&B/pop albums of the last few years seemed kinda arbitrary.

what other notable danja-produced R&B/pop albums are out there? (honest q)

i wanna know if the first 20 seconds to "let love in" are supposed to be part of the song or if it's part of another one - sounds absolutely heavenly

Really enjoying this but the shitty mixtape sound quality is really harshing my buzz. Why do these songs not sound louder?

'Sounds louder' is usually a bad thing imo.

i think he means the levels are quiet in an unmastered way that makes the whole thing sound less full/alive, which is a totally valid gripe and not at all an aesthetic thing.

"Hey" has not been singled out itt as a standout and that needs to be rectified.

what other notable danja-produced R&B/pop albums are out there? (honest q)

― Neu! romancer (dayo), Tuesday, February 22, 2011 10:42 PM (1 month ago) Bookmark

if we're talking stuff from when Danja was Timbaland's right hand man (and those should probably count since Danja had a huge influence on the sound of those records), Timberlake's FutureSex and Furtado's Loose. but i was referring to stuff heavy on Danja solo productions like Diddy's LTTP and Press Play, Keri Hilson's 1st album, Danity Kane's 2nd album, Katharine McPhee's 1st album.

"hey" is amazing yes

ship otm

"runway" & "vibrate" are also the joints off this

i like how the art for this album could double as a los campesinos cover

kmt

Thats my take too

I don't think anybody's album work is less fragmented than Dawn's, she seems to constantly want her albums to flow musically and thematically and this feels the same to me. Maybe some of the individual pieces/ideas are shorter than before, maybe, a little bit?

Pilotalude is sick

"The club is the street where we know dance music, when we hear bounce, that's where we do it anywhere—whatever moves us, we dance" —Dawn Richard@crystalleww talks w/ @DawnRichard about her new album Second Line, dancing, electronic music, moms, & more!https://t.co/dRwEWR2vsx

— Tone Glow (@toneglow) May 19, 2021

I liked that interview

we had rehearsals for our Live performances and I decided we should dance on water and wear Mugler while doing it. When the dress rehearsals turn into a movie. Thought I’d share the process. ⚜️ pic.twitter.com/wx0M65KrFr

— DAWN (@DawnRichard) June 3, 2021

too short!

https://www.youtube.com/watch?v=RgjQJTeCjWQ
Dawn Richard • Bussifame (Felix Da Housecat & Dave The Hustler Remix)

Happy birthday, girl!

live show at BAM last night was overwhelming in the precision of stagecraft and choreography but WAY too much sound for a relatively small house like seeing an arena show in ballroom. there were numerous songs that took me ten seconds to go "oh yeah, i know this track" simply because they were so overwhelming. Dawn sounded great (though I could've done with less vocal effect work throughout. It was an efficient tsunami, done in 70 minutes, ran through maybe 18 songs like it was nothing. Glad I caught it but I'd really prefer to see her in a less vegas setting next time.

this was the closer
https://www.youtube.com/watch?v=ybGtEMgdBwE

new album with spencer zahn out in october

https://dawnrichard.bandcamp.com/album/pigments

“New Orleans dynamo Dawn Richard and multi-instrumentalist, producer, and composer Spencer Zahn announce Pigments, their debut collaborative album, out October 21st on Merge Records. Today, the pair presents the first movement: “Coral,” “Sandstone,” “Indigo,” and “Vantablack,” which is accompanied by an official video and marks Richard’s directorial debut. Pigments tells the story of finding one’s self through dance, self-expression, and community through the lens of New Orleans’ contemporary arts scene. Not strictly classical, jazz, or ambient electronica, but rather a body of “movements,” Pigments is one long composition guided by Richard’s stripped-down vocals. Following her acclaimed Merge debut, Second Line, Pigments reveals a new facet of Richard’s limitless talents and her entry into the contemporary classic world, and provides a fresh introduction to Zahn, whose intimate, sprawling soundscapes play with principles of open space and motion.”

wow the four released tracks are immensely beautiful, what a unique discography she's making

I don't know anything about Zahn though, is there a good project to check out first?

yes, this is beautiful stuff

I mean, it’s so easy to take the beauty for granted when people consistently make great work over a long period of time, but this really is incredibly beautiful. “Vantablack”, wow…

She was one of the Pitchfork Festival's highlights.

This is so cool. Not sure I know of anything similar?

Movement 2 came out this week, consisting of four more tracks.

it's more of the same but that's welcome

Wow, this is really great.

Zahn isn't an artist who's been on my radar before. I'm going to check out some of his earlier work - he did a record with Dave Harrington of Darkside guesting on guitar, which seems like a promising premise for a collab.

did a sort of panel with her last month, what an lovely person she is

“Cerulean” is insane. Loving this so hard.

wowwww

she has a nice feature on a softer garage house number from luuk van dijk called "love you". on beatport and junodownload but afaict nowhere else, maybe spotify idk.

Dang the layers of woodwinds/strings/vocals on "Saffron" -- this is rather majestic stuff, but not at all stuffy or overwrought.

Just went back to 1 and "Vantablack" is stunning

holy shit crimson

This is the post-ECM jazz art-pop record we need right now. Soooo fucking good.

Agree Crimson is incredible.

for some reason this didn't interest me when the first few tracks were released but now i think they're fantastic?

This gets really good in the second movement!

Yeah wow, excellent record. Pop and num-nummy froth-jazz pulling one another towards something v deep and charming

really love the cover art on this

where's it at?

https://dawnrichard.bandcamp.com/album/pigments

heh. the cover photo. none of the press seems to say.

https://i.imgur.com/RXMYy7F.jpg

just a spot of ice golf y'know

Totally magical album

It's currently leading my aotd (day) rankings, although the Dry Cleaning got off to a v promising start that I've had to curtail continuing until tomorrow

I think the most magical thing for me is that I listened to and mildly enjoyed the first movement a few weeks ago, but listening to the whole thing was a revelation - as ufo says above, it just opens out and deepens to an unbelievable degree for such a brief album

Agreed, I stopped listening to the first movement because I was anticipating the album so much. Glad I waited. It's best taken as a whole, and it's wonderful.

Made me check out Sunday Painter by Zahn, which is also exquisite.

took me a few listens to notice how amazing Umber is

is it philistine to wish the vocals were a bit less treated

still this is very good

I feel the same about the vocal treatments. On the other hand, a more naturalistic treatment would further expose some of the lyrical weaknesses.

The vocals are very much part of the wash of sound, as on the Cocteau's Victorialand (in particular).

more background on the dozen things she's doing (a food truck?)
https://thecreativeindependent.com/people/musician-and-multimedia-artist-dawn-richard-on-creating-opportunities-for-yourself-and-others/

new single/twerk anthem "Bubblegum"

https://www.youtube.com/watch?v=uWyTq_9GdUA

oh hellllll yeah

I like those apparent "sell-outs" where the aloofness and left-field sounds keep the supposed hit song in its own elusive territory. Like creating a bridge and creating gaps at the same time. It's very credible. Retains her "aquatic" sound.
Only critique is that it's a bit over in an instant.

i am *really* enjoying this.

Dawn was great at the PopCon keynote, BTW; had a chance to chat with her almost by accident beforehand. A personable soul.