Tracey Thorn

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Poll Results

OptionVotes
Everything But The Girl - Walking Wounded 6
Everything But The Girl - Eden 4
Tracey Thorn - A Distant Shore 3
Tracey Thorn - Out of the Woods 3
Tracey Thorn - Love and Its Opposite 2
Everything But The Girl - Amplified Heart 2
Everything But The Girl - Temperamental 2
Marine Girls - Lazy Ways 2
Everything But The Girl - Idlewild 1
Everything But The Girl - Home Movies 0
Everything But The Girl - Acoustic 0
Everything But The Girl - Worldwide 0
Everything But The Girl - The Language of Life 0
Everything But The Girl - Baby The Stars Shine Bright 0
Everything But The Girl - Love Not Money 0
Everything But The Girl - Everything But The Girl 0
Marine Girls - Beach Party 0


Obese Pony-hating Liberal (Billy Dods), Wednesday, 9 February 2011 21:04 (seven years ago) Permalink

A national treasure, in my house at least. I'd say her two most recent works are her best, but what say you?

Obese Pony-hating Liberal (Billy Dods), Wednesday, 9 February 2011 21:06 (seven years ago) Permalink

Voted Walking Wounded but Tempermental is a great album too. Her two solo albums are better if put in 1 playlist and shuffled.

brotherlovesdub, Wednesday, 9 February 2011 21:17 (seven years ago) Permalink

Never better than Idlewild in my opinion, so that one.

ban this sick stunt (anagram), Wednesday, 9 February 2011 21:26 (seven years ago) Permalink

I think I've heard about 8 of these, out of those it would be between Walking Wounded and Out of The Woods. Eden is really great too.

Kitchen Person, Wednesday, 9 February 2011 21:42 (seven years ago) Permalink

I love this woman.

Out of the Woods is one of my favorite singer-songwriter albums of the last few years: sharp and merciless. The perfect Thorn sampler would contain the best from AH-WW-Temperamental.

Rich Lolwry (Alfred, Lord Sotosyn), Wednesday, 9 February 2011 22:29 (seven years ago) Permalink

i really like both her solo albums, have never heard any EBTG one though.

lex pretend, Thursday, 10 February 2011 09:15 (seven years ago) Permalink

Walking Wounded. Recipient of much snotty "coffee table drum'n'bass" jibes at the time, it's really a brilliant singer-songwriter record which gets the most out of the melancholy, afterhours quality of drum'n'bass, deep house and trip hop. No filler whatsoever, and Wrong and the title track (both mixes) are total classics. A lot of good remixes came off the back of it as well, especially Photek's version of Single.

You should get it Lex.

I've been dancing since 9 and I'm tired and hungry (Dorianlynskey), Thursday, 10 February 2011 11:57 (seven years ago) Permalink

i keep meaning to listen to more EBTG. I guess I was pretty young & impressionable when Walking Wounded came out, and bought in to all of that "coffee table drum'n'bass" sneering without really bothering to listen-- just another band to never get around to. Certainly the few times I've heard EBTG or Tracey Thorn tracks in passing I've been startled by how affecting they were.

the ipcress killfile (c sharp major), Thursday, 10 February 2011 12:26 (seven years ago) Permalink

i really liked the singles off walking wounded but just never got round to it due to being 13 at the time. not familiar with anything prior to that except the todd terry remix of "missing" which is classic 4eva obv.

i remember the sneering from the time though - the music press was actually pretty shit in the 90s, contra people's romanticism, right? i love her voice - mostly because of her performative strategy, where she sounds precise and somewhat distanced but never detached, this is never at the expense of the song's emotion - it's kind of like, drawing further back in order to make it more affecting.

lex pretend, Thursday, 10 February 2011 12:33 (seven years ago) Permalink

also i may as well ask here, how does pre-WW EBTG material compare to thorn's solo albums? i should probably investigate them, since i can't imagine her solo career is a quantum leap in quality or anything.

lex pretend, Thursday, 10 February 2011 12:35 (seven years ago) Permalink

I'm only familiar with the big singles and the Massive Attack collabs - the latter are gorgeous, especially Better Things.

Inevitable stupid dubstep mix (chap), Thursday, 10 February 2011 12:47 (seven years ago) Permalink

Er, it doesn't follow that the music press was shit in the 90s - dance music has always had, and will always have, genre purists who get bent out of shape by outsiders using their style.

I only have Eden pre-WW, though Amplified Heart and a Distant Shore are meant to be good. Tracey and Ben don't even like the late 80s/early 90s stuff. The Like the Deserts Miss the Rain comp on Spotify is a good place to start - lots of WW-era tracks, incl the Photek remix and the mighty Tracey in My Room, mixed with some early 80s material. It's very much a band selection rather than a label one.

I've been dancing since 9 and I'm tired and hungry (Dorianlynskey), Thursday, 10 February 2011 12:49 (seven years ago) Permalink

dance music press in the 90s was BANGIN

idgi fridays (blueski), Thursday, 10 February 2011 12:50 (seven years ago) Permalink

Amplified Heart and maybe Idlewild are closest to the precision of Thorn's solo work. The early sophisti-pop EBTG albums aren't as sharp as prime Sade.

Rich Lolwry (Alfred, Lord Sotosyn), Thursday, 10 February 2011 13:14 (seven years ago) Permalink

Er, it doesn't follow that the music press was shit in the 90s - dance music has always had, and will always have, genre purists who get bent out of shape by outsiders using their style.

yeah i never read the dance press in the '90s, as it was before i got into dance music - was more referring to how, at the time, it seemed every time i dipped into nme or select or q or whatever that there was some snide, wrong-headed sneering about the music i was into.

lex pretend, Thursday, 10 February 2011 13:19 (seven years ago) Permalink

Tracey and Ben don't even like the late 80s/early 90s stuff

ha, i never realised this! i guess i'll go with that comp.

ben's released some great stuff on buzzin' fly - the latest tevo howard single is amazing, really liked the first mlle caro & franck garcia album too (second not so much).

lex pretend, Thursday, 10 February 2011 13:21 (seven years ago) Permalink

iirc there was snide wrong-headed sneering about all kinds of music, the question was which subset of snide wrong-headed sneerers you aligned yourself to. (also this is still true and has always been true, about everything.)

the ipcress killfile (c sharp major), Thursday, 10 February 2011 13:26 (seven years ago) Permalink

OTM

I've been dancing since 9 and I'm tired and hungry (Dorianlynskey), Thursday, 10 February 2011 13:29 (seven years ago) Permalink

lex, this is my favorite late nineties EBTG track; it captures that late night/early morning sadness when you're not sure if you're drunk, horny, lonely, or all three.

https://www.youtube.com/watch?v=zrxnbB-FvXc&feature=related

Rich Lolwry (Alfred, Lord Sotosyn), Thursday, 10 February 2011 13:30 (seven years ago) Permalink

Eden is great, Love and Money less so, after that it's mostly diminishing returns until WW. They're all worth hearing, apart from 'Language of Life' which is a duffer. They sounded lost in a blandly, glossy production which made their drum and bass reinvention post-Missing all the more startling. My favourite, pre WW is this song from 1982 which is wise and smart beyond her years:

https://www.youtube.com/watch?v=bE2GLsoxOJE

Obese Pony-hating Liberal (Billy Dods), Thursday, 10 February 2011 14:04 (seven years ago) Permalink

Having said that, 'Acoustic' from 1992 is a lovely album with some fascinating cover choices.

Obese Pony-hating Liberal (Billy Dods), Thursday, 10 February 2011 14:07 (seven years ago) Permalink

I'd posit Amplified Heart as the comeback.

Rich Lolwry (Alfred, Lord Sotosyn), Thursday, 10 February 2011 14:09 (seven years ago) Permalink

Artistically it was, but commercially it was a flop. Something Ben said:

We had a meeting with Warners three or four months after Amplified Heart came out and they thought our career was over and they dropped us. And before we left the meeting we said 'Can we just play you a couple of things we’ve been working on?' And we played them Protection and the Todd Terry mix of Missing and Warners still dropped us. They didn’t see a future unfortunately.

Classic major label thinking there.

I've been dancing since 9 and I'm tired and hungry (Dorianlynskey), Thursday, 10 February 2011 15:36 (seven years ago) Permalink

I used to listen to Eden a lot working in the record department of the local Boots, one of the handful of albums there I could bear to play. Fond memories of that, but EBTG were always one of those groups who drifted in and out of my consciousness without ever firmly lodging there.

And this was a Peel anthem in the mid-80s that I adored, despite it being miles from the idioms I was interested in:

https://www.youtube.com/watch?v=MHCSMT1Q1OY

The one place you should not go anywhere near, Lex, is Marine Girls. Those records will bring you out in indie-hating hives.

Alan Partridge Project (ithappens), Thursday, 10 February 2011 16:08 (seven years ago) Permalink

Artistically it was, but commercially it was a flop.

Initially! But when "Missing" took off AH went gold in the US.

Rich Lolwry (Alfred, Lord Sotosyn), Thursday, 10 February 2011 17:02 (seven years ago) Permalink

Both Kevin Yost mixes of Five Fathoms are phenomenal.

brotherlovesdub, Thursday, 10 February 2011 17:56 (seven years ago) Permalink

Now that I look, there were three KY mixes of Five Fathoms. The Dub mix is my favorite but they're all good. Shame the dub was never released on CD.

brotherlovesdub, Thursday, 10 February 2011 17:59 (seven years ago) Permalink

xpost. Sorry, yes, you're right Alfred. But Missing was so tied up with Walking Wounded that I felt the comeback started with the embrace of dance music. And in the UK AH didn't return to the charts after the Missing remix.

DL, Thursday, 10 February 2011 18:06 (seven years ago) Permalink

The first solo album is really strong. The fact it's just her and the guitar makes it feel so intimate, so when she sings these brutally deep lyrics it's so much more powerful. "A Distant Shore" is a perfect title for the album, because it sounds on the surface so languid and sun-kissed, yet the song-writing suggests so much more than just idyllic strumming.

That said, I voted for "Out Of The Woods" because I feel its consistently under-rated, and it's so good to have her back. The way she sings the last line of "It's All True" makes me go week at the knees, and "Grandy Canyon" is so direct with a performance that makes it feel like a personal address.

Tracey Thorn's twitter is a source of great joy too: http://twitter.com/tracey_thorn. With such talented parents, and such a sense of humour and good taste, I feel far too envious of her children.

o0o00h really? (boxedjoy), Friday, 11 February 2011 16:38 (seven years ago) Permalink

Her gardening columns for Caught by the River are great too: http://caughtbytheriver.net/category/to-the-greenhouse/

Ben's North Marine Drive is the greatest of their pre-EBTG work, I'd say.

bham, Friday, 11 February 2011 17:06 (seven years ago) Permalink

Tracey Thorn's twitter is a source of great joy too

yes!

lex pretend, Friday, 11 February 2011 17:11 (seven years ago) Permalink

i actually think i've been a lot more amenable to her music because of it (not that i wasn't amenable before, just hadn't given it a great deal of thought)

lex pretend, Friday, 11 February 2011 17:12 (seven years ago) Permalink

I like to imagine that Tracey and Ben have dinner parties that Grace Dent and Ewan Pearson come over to, and they always end in a drunken mess with the boys going through crates of records in the lounge while the girls sit by the telly laughing at BBC3 documentaries, and that I'm at these parties and it is great fun.

o0o00h really? (boxedjoy), Friday, 11 February 2011 17:38 (seven years ago) Permalink

i'd like to imagine that Tracey goes through crates of records too :/

i have listened to eight Everything But The Girl albums, and the two most recent TT solo ones, since i last posted on this thread. they're pretty good! i am leaning in the direction of 'amplified heart' right now.

the ipcress killfile (c sharp major), Friday, 11 February 2011 17:48 (seven years ago) Permalink

not just for the songs either - that feels like the perfect mid-point of her voice

the ipcress killfile (c sharp major), Friday, 11 February 2011 17:55 (seven years ago) Permalink

Distant Shore

Gukbe, Friday, 11 February 2011 17:55 (seven years ago) Permalink

Automatic thread bump. This poll is closing tomorrow.

System, Tuesday, 15 February 2011 00:01 (seven years ago) Permalink

https://www.youtube.com/watch?v=7AxdcVKWArc

omar little, Tuesday, 15 February 2011 00:15 (seven years ago) Permalink

Walking Wounded was part of my high school soundtrack. That woman's voice is so soulful and sad in its tone. Such a contrast to her twitter feed. I wish she would tour so I can see her live.

https://www.youtube.com/watch?v=J_MKsZlisi8

Okay Pet Shop Boys Aren't That Bad. (lilsoulbrother), Tuesday, 15 February 2011 03:14 (seven years ago) Permalink

Automatic thread bump. This poll's results are now in.

System, Wednesday, 16 February 2011 00:01 (seven years ago) Permalink

one month passes...

Clock Opera remix of "You Are a Lover" is goooorgeous!

http://soundcloud.com/buzzinfly/tracey-thorn-you-are-a-lover

Johnny Fever, Monday, 28 March 2011 11:20 (seven years ago) Permalink

Why wasn't her work with Massive Attack in this poll?

You're Twistin' My Melody Man! (Geir Hongro), Monday, 28 March 2011 11:22 (seven years ago) Permalink

if you read the first post you might actually be able to work this out

kris menace isn't even french (sic), Monday, 28 March 2011 11:36 (seven years ago) Permalink

OK. Missed the poll anyway, would have voted for "Eden", but also love her more dance oriented 90s work.

You're Twistin' My Melody Man! (Geir Hongro), Monday, 28 March 2011 12:43 (seven years ago) Permalink

two months pass...

https://www.youtube.com/watch?v=DxX1E6IAKnk&feature=related

I think this may be what cements her as "the thinking gay man's Kylie", at least in my eyes

ha ha ha ha jack my swag (boxedjoy), Saturday, 11 June 2011 23:52 (seven years ago) Permalink

Last year's solo record was so good -- one of the best singer-songwriter things in a while.

The Edge of Gloryhole (Alfred, Lord Sotosyn), Sunday, 12 June 2011 00:35 (seven years ago) Permalink

I'll recommend that Clock Opera remix again...just because.

Johnny Fever, Sunday, 12 June 2011 00:42 (seven years ago) Permalink

Alfred, i give in. I will check out this album asap since you mention it so often ;)

jed_, Sunday, 12 June 2011 01:03 (seven years ago) Permalink

Missed this poll but might vote s/t for "Riverbed Dry" and other side 2 gems on top of "Fascination."

27 Dresses, 13 Assassins (Eazy), Sunday, 12 June 2011 01:04 (seven years ago) Permalink

oh fuck yes

― morning wood truancy (Alfred, Lord Sotosyn)

etc, Thursday, 1 February 2018 03:54 (eight months ago) Permalink

I've now gotten ahold of this record and boy oh boy is it good.

― Johnny Fever

Yeah, I just heard this for the first time too. It's the first great album I've heard this year.

kitchen person, Thursday, 1 February 2018 04:35 (eight months ago) Permalink

I... don't know how I feel about this album

algorithm is a dancer (katherine), Monday, 12 February 2018 20:40 (eight months ago) Permalink

I think I just don't like "Guitar"

algorithm is a dancer (katherine), Monday, 12 February 2018 21:53 (eight months ago) Permalink

We thought it was absolutely wonderful, start to stop.

Ned Raggett, Tuesday, 13 February 2018 17:41 (eight months ago) Permalink

is that the royal we, Ned? are you implying that you are queen?

how to diss a peer completely (unregistered), Tuesday, 13 February 2018 18:04 (eight months ago) Permalink

I think I just don't like "Guitar"

― algorithm is a dancer (katherine),

a Prince cover?

morning wood truancy (Alfred, Lord Sotosyn), Tuesday, 13 February 2018 18:48 (eight months ago) Permalink

xpost -- 'We' meaning myself and my girlfriend, thank you.

Ned Raggett, Tuesday, 13 February 2018 19:27 (eight months ago) Permalink

a Prince cover?

if only; instead it's a colorless perky '80s thing

"Sister" is fantastic though

algorithm is a dancer (katherine), Tuesday, 13 February 2018 19:35 (eight months ago) Permalink

he is also queen, we had a vote and liz is out

mark s, Tuesday, 13 February 2018 19:36 (eight months ago) Permalink

Greetings my loyal subjects.

Ned Raggett, Tuesday, 13 February 2018 19:41 (eight months ago) Permalink

two weeks pass...

This album rocks. More albums about a woman in late middle age who's social media savvy and still anticipates a few turbulent love affairs.

morning wood truancy (Alfred, Lord Sotosyn), Friday, 2 March 2018 11:57 (seven months ago) Permalink

Check out @tracey_thorn played on #iggyconfidential last Friday. Lady does not disappoint! #iggypop

— Iggy Pop (@IggyPop) March 4, 2018

groovypanda, Sunday, 4 March 2018 20:41 (seven months ago) Permalink

I'm in love with "Guitar" and "Air."

morning wood truancy (Alfred, Lord Sotosyn), Sunday, 4 March 2018 20:43 (seven months ago) Permalink

Love this album. Played it twice in a row yesterday and woke up wanting to hear it again

brotherlovesdub, Sunday, 4 March 2018 20:49 (seven months ago) Permalink

In love with "Guitar" and "Dancefloor", me.

dorsalstop, Sunday, 4 March 2018 21:05 (seven months ago) Permalink

Loving the album too. I think it's one of the best things she's ever done. My current favourite is Air as it would fit nicely on the Shura album. Dancefloor is such a brilliant closer, I just wish it was a bit longer. Kind of has a Pop Kids vibe to it.

kitchen person, Sunday, 4 March 2018 22:25 (seven months ago) Permalink

Video for Sister

https://www.youtube.com/watch?v=5A-XyMzTSWc

groovypanda, Wednesday, 7 March 2018 08:27 (seven months ago) Permalink

the beats on the new album are really cheap. and the songs are not very good either. it all sounds pretty much like mainstream. i love tracey thorn but this is very dispensable.

Ich bin kein Berliner (alex in mainhattan), Wednesday, 7 March 2018 15:24 (seven months ago) Permalink

why aren't they very good? "Guitar" and "Babies" present points of view we don't often hear in songs, and their melodies are delectable. I don't treat as a dance record – it's a singer-songwriter record with dance colorings, in the same way Bill Callahan would use strings or John Darnielle a brass section.

morning wood truancy (Alfred, Lord Sotosyn), Wednesday, 7 March 2018 15:41 (seven months ago) Permalink

it all sounds pretty much like mainstream.

Judging by this comment I'm not sure how much mainstream pop you listen to. This is much better produced than both a lot of mainstream 80s-inflected pop and the sort of shambahla stuff that's popular here. A lesser producer than Ewan Pearson would be tempted to really max out every sound, he allows every sound (especially the voice) the space it needs. He and Tracey are excellent foils for one another

Matt DC, Wednesday, 7 March 2018 16:04 (seven months ago) Permalink

I love this, I love her voice

I love how effortless and shimmery the music is

illegal economic migration (Tracer Hand), Wednesday, 7 March 2018 16:06 (seven months ago) Permalink

This sounds like Drake, Cardi B, and Post Malone.

morning wood truancy (Alfred, Lord Sotosyn), Wednesday, 7 March 2018 16:08 (seven months ago) Permalink

I mean, I can see what they are getting at, particularly "Guitar," the production of which sounds like everything I hated about the Paramore album and parts of the last Carly Rae Jepsen record

algorithm is a dancer (katherine), Wednesday, 7 March 2018 16:13 (seven months ago) Permalink

this is really great i think

it's funny how the decline of the music biz makes for strange fellows, imagine thinking oh yeah tracey thorn will be on superchunk's label 20 years ago

i don't think it sounds cheap at all, it's very well engineered and mastered

It's not delivery, it's Adorno! (upper mississippi sh@kedown), Wednesday, 7 March 2018 16:20 (seven months ago) Permalink

"Go" is just tremendous, cheap-esque drum sounds included

illegal economic migration (Tracer Hand), Wednesday, 7 March 2018 16:21 (seven months ago) Permalink

I mean, I can see what they are getting at, particularly "Guitar," the production of which sounds like everything I hated about the Paramore album and parts of the last Carly Rae Jepsen record

― algorithm is a dancer (katherine),

but it's fascinating how both albums were disappointments or outright flops – they were failed crossovers.

morning wood truancy (Alfred, Lord Sotosyn), Wednesday, 7 March 2018 16:31 (seven months ago) Permalink

Both of those albums are over-compressed to hell in the way that you'd expect from artists gunning for maximum radio play in 2018, that's notably not the case here. I can see how the sound palette and other production choices might be similar (and offputting) but the treatment of them is completely different.

Matt DC, Wednesday, 7 March 2018 16:50 (seven months ago) Permalink

Yes agreed

I will probably always be a total, melty mess for these big, clear, generous alto female voices over 80s inspired synths - Alison Moyet the other obvious example of this

illegal economic migration (Tracer Hand), Wednesday, 7 March 2018 17:14 (seven months ago) Permalink

The lyrics and themes in this album are incredible. I don’t gaf if the sounds are cheap. The emotions and depth of thought overwhelm any blandness of the production.

brotherlovesdub, Wednesday, 7 March 2018 18:11 (seven months ago) Permalink

lol do you really think it sounds bland

illegal economic migration (Tracer Hand), Wednesday, 7 March 2018 18:21 (seven months ago) Permalink

like i guess i don't associate EBTG or her w/super edgy experimental stuff, more literate well mannered electronic stuff w good songwriting

It's not delivery, it's Adorno! (upper mississippi sh@kedown), Wednesday, 7 March 2018 18:28 (seven months ago) Permalink

Its brevity is something my girlfriend and I loved as well -- it does the business quickly but does so in a way that feels like a big scope of a record, perhaps even more so lyrically than musically.

Ned Raggett, Wednesday, 7 March 2018 18:51 (seven months ago) Permalink

I really love Tracey Thorn, EBTG and solo, I just cannot deal at all, ever, from anyone, with that chintzy canned "Take on Me" sound

algorithm is a dancer (katherine), Wednesday, 7 March 2018 19:48 (seven months ago) Permalink

take on me is a very good song

It's not delivery, it's Adorno! (upper mississippi sh@kedown), Wednesday, 7 March 2018 19:55 (seven months ago) Permalink

it all sounds pretty much like mainstream.

Judging by this comment I'm not sure how much mainstream pop you listen to


You are absolutely right, i never listen to mainstream as i hate it. My idea of mainstream dates from the 70s/80s when you couldn't escape it. So this is how i imagine mainstream to be. Uninteresting, without charm. Except her voice which i love of course. And the drum programming sound kills me. It has zero subtlety, just 0-1-0-1. It gives me a headache. I think it was invented in the 80s and i consider it an offense for my ears. I also miss tunes here but maybe they are buried under the computer beats.

Ich bin kein Berliner (alex in mainhattan), Wednesday, 7 March 2018 20:57 (seven months ago) Permalink

‘Computer beats’, Stella Mozgawa will love that.

Dan Worsley, Wednesday, 7 March 2018 21:30 (seven months ago) Permalink

I just cannot deal at all, ever, from anyone, with that chintzy canned "Take on Me" sound

whathuh?

Johnny Fever, Wednesday, 7 March 2018 22:23 (seven months ago) Permalink

how do people not hear that in "Guitar" at least?

algorithm is a dancer (katherine), Thursday, 8 March 2018 01:37 (seven months ago) Permalink

my favourite thing about this record is her willingness to tackle subject matter that other, younger artists might find a bit banal or naff (3 am baby feeds, sending your kids off to college, stalking your ex's Facebook), but doing so with great levity and humour.

The production sounds a bit thin and dated in some places (not a fan of "Guitar", agree with katherine on this), but there's also "Sister", which is incredibly groovy and lush.

anyway, "what year is it? same old shit."

Roz, Thursday, 8 March 2018 09:29 (seven months ago) Permalink

I don't hear a chintzy, canned "Take On Me" sound in "Guitar" at all, and/but also I love the sound of "Take On Me". There's an '80s (though not 'dated') and sparse (though not 'thin') feel to most of Queen, but to me there's a clear contrast with the, indeed compression-heavy, sound on After Laughter, which I disliked for that reason.

dorsalstop, Thursday, 8 March 2018 12:15 (seven months ago) Permalink

(another example would be Toni Halliday's first solo album -- I want to like it but the '80s production is overwhelming)

algorithm is a dancer (katherine), Thursday, 8 March 2018 16:44 (seven months ago) Permalink

it's all very 80's certainly but not in a way that particularly evokes "Take On Me"?

album is great, all excellent songs. i especially like Guitar and the ending of Air. the production doesn't really stand out but i'm a fan of the style and it supports the songs well

ufo, Thursday, 8 March 2018 16:57 (seven months ago) Permalink

On her incredible catalog.

morning wood truancy (Alfred, Lord Sotosyn), Saturday, 10 March 2018 02:40 (seven months ago) Permalink

At Electric mastering @tracey_thorn Dancefloor remixes right now. 💃🎉 pic.twitter.com/kOoF7VtkP9

— Ewan Pearson (@ewanpearson) March 22, 2018

groovypanda, Thursday, 22 March 2018 21:01 (seven months ago) Permalink

Finally picked this up today. The hype sticker made me laugh aloud:
https://i.imgur.com/woutA00.jpg

he doesn't need to be racist about it though. (Austin), Monday, 26 March 2018 19:54 (six months ago) Permalink

haha that is awesome

illegal economic migration (Tracer Hand), Monday, 26 March 2018 21:06 (six months ago) Permalink

two months pass...

this collaboration with George FitzGerald (whom I also like) is unsurprisingly very good

https://www.youtube.com/watch?v=SHQBLwfnqY8

aloha darkness my old friend (katherine), Wednesday, 6 June 2018 16:13 (four months ago) Permalink

ooh v nice

Johnny Fever, Thursday, 7 June 2018 00:47 (four months ago) Permalink

two months pass...

london you're in my blood
and you've been there for so long
london you're in my blood
but i feel you going wrong

There is the heavy and the light. Damn this is an proper album.

anatol_merklich, Monday, 3 September 2018 23:37 (one month ago) Permalink


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