This fifth performance, she is messing with the audience's head early on. I think she's working in an unexpected modulation to a different maqam, but not even during an unmetered section where improvisation is more expected. Really interesting stuff. I wasn't as taken with the second and third performances on this playlist.
― _Rudipherous_, Saturday, 14 January 2017 21:15 (two years ago) link
This is fantastic.
― _Rudipherous_, Saturday, 14 January 2017 21:18 (two years ago) link
― _Rudipherous_, Saturday, 14 January 2017 21:39 (two years ago) link
― _Rudipherous_, Saturday, 14 January 2017 21:40 (two years ago) link
― _Rudipherous_, Saturday, 14 January 2017 21:45 (two years ago) link
I don't know if this excerpt is from a concert posted in complete form elsewhere. It's hard to explain why some of this is so amazing. If you aren't familiar with the song (I'm still listening through the Ya Zalamny playlist linked to above), it would probably be more difficult to hear it. The pauses/breaks are quite distinctive.
― _Rudipherous_, Monday, 16 January 2017 05:21 (two years ago) link
Sahran Lewahdi with what I guess are shortwave radio (or some kind of radio) noises mixed in here and there!
Ney solo + woooOOOOoooo of scifi radio bubble sounds.
Good performance too.
― _Rudipherous_, Tuesday, 17 January 2017 05:43 (two years ago) link
Good entry point for fans of early electronic music.
― _Rudipherous_, Tuesday, 17 January 2017 05:44 (two years ago) link
ولد الهدى Woleda el Hoda (Oulida el Hoda)
― _Rudipherous_, Sunday, 22 January 2017 00:20 (two years ago) link
I noticed that in some of the 50s recordings, the percussion jumps out, at least at times, more than in later recordings. I like it. It might particularly be drew of the religiously-themed material (like the song above).
― _Rudipherous_, Sunday, 22 January 2017 00:24 (two years ago) link
I don't understand why there aren't more performances of "Habibi Yes`ed Awqatu" (حبيبى يسعد اوقاته). I think that is one of her greatest songs. It's one of the first ones I really liked. The Palestinian who helped me get oriented in Arabic music was surprised that I singled that one out, as he said he had only recently come to appreciate it (and perhaps music by Zakaria Ahmed from that era in general).
― _Rudipherous_, Sunday, 22 January 2017 04:16 (two years ago) link
Haven't finished with this, but so far it's yet another extraordinary performance of Robaeyat El Khayam:
― _Rudipherous_, Saturday, 28 January 2017 06:57 (two years ago) link
Like the lines are different channels she is switching between, always on, but only heard one at a time.
― _Rudipherous_, Saturday, 28 January 2017 16:33 (two years ago) link
I somehow forgot about the Robaeyat El Khayam playlist (on Nizar Nasser's channel) before. This is high priority hear-before-I-die material.
― _Rudipherous_, Monday, 30 January 2017 04:50 (two years ago) link
Studio version of Robaeyat el Khayam. I've never heard this before:
― _Rudipherous_, Thursday, 23 February 2017 03:56 (two years ago) link
Relationship of accompaniment to vocal line is quite different in places. 22:25-22:40. Those heavy flourishes from the accompaniment. Sounds odd to me. Anyway, I've never noticed any live versions that stick to that. Maybe it's there and I just haven't noticed. But it almost has to be more subtle if it hasn't jumped out in the same way, so it would still be different to a degree.
― _Rudipherous_, Thursday, 23 February 2017 04:54 (two years ago) link
Odd how there is a slow instrumental conclusion to the performance. In live performance the real ending is always with her last climactic vocal closure.
― _Rudipherous_, Thursday, 23 February 2017 05:09 (two years ago) link
A very strong Shams El Aseel:
― _Rudipherous_, Sunday, 2 April 2017 04:03 (two years ago) link
One of the best songs written for her in the 60s, Aqolak Eh An El Shouq:
― _Rudipherous_, Monday, 22 May 2017 02:54 (two years ago) link
Longer than the standard recording, and I'm pretty sure it's from a different concert. Some of the ornamentation on the lead violin's lines in the beginning isn't there in this one, if I'm not mistaken. I should know for sure, but it's not something I've listened to all that recently.
― _Rudipherous_, Monday, 22 May 2017 02:56 (two years ago) link
Takes her accompaniment a long time to realize she is going to repeat the verses she just sang, rather than move on, at: 5:47. Maybe her kanunist missed a cue.
― _Rudipherous_, Monday, 22 May 2017 23:15 (two years ago) link
"Ela Arafat Allah," in a similar style as Nahj el Borda and Oulida al Hoda:
― _Rudipherous_, Friday, 26 May 2017 00:26 (two years ago) link
Youtube is placing an add in the middle. Man, is that annoying. I am hoping that will go away if I play as embedded video.
― _Rudipherous_, Friday, 26 May 2017 00:27 (two years ago) link
"Ela Arafat Allah" is so good.
― _Rudipherous_, Monday, 29 May 2017 16:21 (two years ago) link
Kinda bugs me, that with her deserved fame, her name is still "mother of Kalthoum". Her birthname, btw, is Fātimah ʾIbrāhīm as-Sayyid al-Biltāǧī.
― it's just locker room treason (Sanpaku), Monday, 29 May 2017 16:36 (two years ago) link
I guess you know that Umm Kulthum was one of the companions of the Prophet, so it's got a certain cachet in that cultural context.
― _Rudipherous_, Monday, 29 May 2017 23:23 (two years ago) link
I don't know the history of how the subject of this thread ended up with that name though. I don't remember if I've ever read an explanation.
― _Rudipherous_, Monday, 29 May 2017 23:24 (two years ago) link
I can also see how the name's background doesn't necessarily make it any less annoying that her name is mother of somebody or other.
― _Rudipherous_, Tuesday, 30 May 2017 01:34 (two years ago) link
40s and 50s songs are generally so much better. There are a few exceptions, but really just a few as far as I'm concerned. *eating a handful of Ajwa dates*
I love that Spotify has a bunch of her "singles" in chronological order now. There are some difficult songs with difficult titles that I've always had trouble keeping track of. This helps.
― _Rudipherous_, Tuesday, 30 May 2017 03:57 (two years ago) link
I mean, a lot of the later material has fantastic and memorable melodies but the songs don't work as well as vehicles for her singing.
― _Rudipherous_, Tuesday, 30 May 2017 04:03 (two years ago) link
"taking a [vocal] line out for a walk"
― _Rudipherous_, Saturday, 10 June 2017 21:53 (two years ago) link
Another Saturday with El Sett, coming later, once I'm more awake.
― _Rudipherous_, Saturday, 17 June 2017 16:31 (two years ago) link
If the single-digit humidity doesn't kill me.
― _Rudipherous_, Saturday, 17 June 2017 16:34 (two years ago) link
I made an Oum Kalthoum playlist. Nothing special, just my favorite songs as available on Spotify. (There are some crucial, commercially available live recordings missing from Spotify.)
― _Rudipherous_, Sunday, 25 June 2017 15:14 (two years ago) link
I actually feel guilty it's so short, but I was being very selective. I might add some later songs eventually. If they had a good live Hazihi Leylati. . . Or maybe if they had the studio Inta Omri. . . The beginning of Baid Anak is stunning, but I do think it goes on too long, with too many audience-demanded repetitions of sections that don't actually help.
― _Rudipherous_, Sunday, 25 June 2017 15:19 (two years ago) link
I haven't watched this yet, but the introduction alone is mind-blowing. Nasser arrives with his security detail/entourage, at one point.
Domtek is either a great new channel or one I had missed previously.
― _Rudipherous_, Sunday, 3 December 2017 23:58 (one year ago) link
I don't really love Amal Hayati though.
― _Rudipherous_, Monday, 4 December 2017 00:22 (one year ago) link
A very fast-tempoed Howwa Sahih that I don't think I've heard before. Definitely have not seen before.
That's more like it.
― _Rudipherous_, Monday, 4 December 2017 02:26 (one year ago) link
(Abdel Wahab songs so overrated. Sorry to be a broken record.)
― _Rudipherous_, Monday, 4 December 2017 02:29 (one year ago) link
I think Oum Kalthoum audiences might be my favorite audience. Another Nasser siting at the end of the video above, incidentally. Unfortunately, there's a glitch in the middle and the sound drops out.
― _Rudipherous_, Monday, 4 December 2017 18:11 (one year ago) link
Also, the seriousness of the announcers is great.
Howwa Sahih really has Zakariya Ahmed written all over it.
― _Rudipherous_, Saturday, 6 January 2018 02:12 (one year ago) link
Patience has its limits, indeed.
― _Rudipherous_, Monday, 8 January 2018 23:30 (one year ago) link
Have we realized yet how perfect this is?
― How do I feel a complaint? (_Rudipherous_), Saturday, 13 January 2018 17:40 (one year ago) link
Did not realize till the other night that there’s a song in the Tony Award winning musical, The Band’s Visit, called “”Oum Kulthum and Omar Sharif.” One of the stars of the show who sang it on the Tonys, gave a shoutout when she won an award, to the late Kulthum.
― curmudgeon, Wednesday, 13 June 2018 04:07 (one year ago) link
Anyone seen 'Looking for Oum Kulthum'? I wasn't that big of a fan, Shirin Neshat makes it into a meta-movie that is to a large part about herself, but the recreations of scenes from Kulthums career are really good.
― Frederik B, Wednesday, 13 June 2018 11:51 (one year ago) link
Haven’t seen it.
― curmudgeon, Wednesday, 13 June 2018 15:26 (one year ago) link
Hello Rudipherous and anyone else who can be of help.
I've got a note that I should start investigating Umm Kulthum at this point, but not sure where to start. What I need is a reasonably-sized (say 2CD) retrospective covering her whole recording career, and (very important!) dates of recording for each track. Does such a thing exist?
― mfktz (Camaraderie at Arms Length), Wednesday, 10 April 2019 12:42 (four months ago) link
I missed Frederik asking who else had seen the film, but I didn't like it very much either for the same meta reasons as he did. An actual biography would have been nice.
― Elitist cheese photos (aldo), Wednesday, 10 April 2019 13:59 (four months ago) link
From what I remember, trying to find decent cds is a total crapshoot if not outright impossible not knowing arabic. I ended up buying MP3s and finding random downloads mostly for my collection, which by the time I gave up searching ran about 12-15 acceptable recordings which deliver the goods (and I think 3 of them I have on cd, all excellent, and all by the same label with colorful arabesque artwork and no liner notes or recording info.) I still listen to her sometimes, her work remains interesting over time. IMO the sweet spot is any given live recording from 1950s through maybe mid-60s that runs 30-50 minutes. That stuff is invariably sublime though also invariably lo fi. Later recordings from the 70s are slicker and sound really good and hi fi but are completely ruined for this somewhat discerning listener by goofy sounding harmonium and sometimes electric surf-guitar sounding oud (or some kind of twangy electric stringed non-guitar anyway). The surf-oud and harmonium isn't part of the sonic equation earlier thankfully!!! The mid-period (I guess) longform live stuff I dig is all violins/cellos and percussion, and thoroughly righteous.
Early period for me is the studio stuff, very short tunes for 45rpm of little interest, and later would be the gross harmonium live recordings.
― liam fennell, Wednesday, 10 April 2019 17:01 (four months ago) link