les rallizes denudes rfi

dude, selling "a few thousand copies" of a CD that retails for $17 (more in the case of the LPs) with no royalty payments or label hassles equals more money that most people on this board make in a month. and the guy has like 40 bootlegs out under the new label name! want a straight up needledrop of Silver Apples? every release of his that gets purchased funds more blatant thievery.

http://www.forcedexposure.com/labels/phoenix.records.uk.html

Phoenix put out a copy of the Fraction album (twice according to discogs). And I know that Mexican Summer is putting it out as well, and they claim this: "At long last, the FIRST fully authorized reissue of the psychedelic hard rock private press to end them all." And they also have a Bobb Trimble single as well. Are they somehow involved with this Phoenix label at all? Or am I way off base here

i'll bow out here cuz i don't want to arouse any more ire. wasn't trying to defend the radioactive/phoenix dude(s) on any level. if anyone wants to license and press up legit copies of FTB's satori, i will pay good money for one.

@ Ward: Its all over Soulseek. Or so I've heard... ;-)

i don't want some blone out 20-minute drug drone reverb epic to come on when i'm biking to work. it's unsuitable.

I'm sure Mizutani would sympathise with this.

Sure he's also laughing in his bunker, somewhere, on how this stuff has gone. While others release every gig and note he's not even bothering and then you read news of a 'release'. Think a quid is too much to spend.

French Demo tape...is ok, I guess, never made a huge impression but I'll re-listen - only ever return to Live '77 and a gig from about '93 or so and a couple of other things.

live 77 is one of the greatest rock records, no challop

like raw power, neu! 75, second edition, evol great

saw the ethan mousike doc last night (in a theater!), it totally rules, just heady washes of guitar and long shots of blackness (rallizes shows were apparently lit by flashbulbs)

https://www.youtube.com/watch?v=pHpLkDYfjew

would like to see that doc. is it coming out on DVD or anything?

That is a fantastic clip! I love the particularly thick, mean sound of it.

Had heard bad things about this doc, but of course I have to see it anyway.

Thanks for the clip - would be great to see it in the cinema. Preferably IMAX.

i mean the documentary is just like listening to a live bootleg but there's someone ineptly filming the event

total magic

Today My Life Changed (RFI: Rallizes Denudes)

Lol, linked to that cracking youtube on another thread -- ilx has too many Rallizes thread (or not enough, depending on your POV)

Saw someone posting a few gigs from the 80s on youtube a few weeks ago, its in colour and takes away the mystique, but it sounds quite good.

Rallizes played some shows w/avant-garde theatre groups headed by Shuji Terayama so the punishing volumes and strobe lighting in that setting were (I guess) meant to heighten the tension.

"i can't imagine that anyone got rich off jacking it"

new the table is the table sn

Man, I was at that documentary screening too, at the Spectacle - I didn't enjoy it but I guess I just don't enjoy the whole lot of amateur-shot concert footage documentaries. I went in to it thinking there'd be more of a narrative structure. Am definitely humming the bass line of night of the assassin everywhere tho.

Glad to know I'm not the only one that does that.

3-way tie between that, Flames of Ice and The Last One.

aww, they are fans of H!tler ;-)

https://www.youtube.com/watch?v=XJCMJPgLCZM

^ Trying to think what Rallizes song the opening of The Everly Brothers' version of Love Hurts reminds me off.

Its probably Night of the Assassins but I swear there is something else.

Epic article on the Rallizes myth:

http://www.redbullmusicacademy.com/magazine/les-rallizes-denudes-feature

Despite stints in studios and alleged talks with Richard Branson and Virgin Records, Les Rallizes Dénudés never issued any official material until 1991.

lol #1

took me years to discover the source of that bass line on assassins: http://en.wikipedia.org/wiki/I_Will_Follow_Him#Cover_versions

also lifted by amon duul ii on the only memorable part of carnival in babylon

epic article contains actually zero information about band lol

no lime - I know of that source for the bassline. The interesting thing about rallizes which not really many people acknowledge is how much in love with 50s rock n' roll they were (everyone thinks the starting point for this stuff is a mix of Blue Cheer and Doors amped up). That guitar at the beginning of the Everly's cover is pure rallizes.

Its a terrible piece, the worse was the speculation on Haino and Mizutani at the end. The article by Cummings from '99 (and various reviews) still is the best piece I've seen on this stuff. Hilarious (and not too surprising) that he hates that book by Julian Cope.

Cummings should not be too harsh on it, he has always struck me as being v very aware of making this stuff into 'esoterica'. A trap this piece falls head into. I'd love to know what they've 'influenced'.

Not be too harsh on his own writings, that is. I'm sure the Cope book is terrible.

the cope book is terrible, though the list at the end is very valuable

I had a chance to chat with Kawabata briefly at Terrastock 7 about Cope's book and he was diplomatic, but noted that it didn't help when album sleeves were shown of a completely different release from the one he was talking about.

If that piece had been written by an ilxor and/or had not appeared on a corporate website it would no doubt be getting plenty of plaudits. The fact that it contains zero information is kind of the point of the article, isn't it? It's a piece about the mystery, and speculation is fair game, as is characterising Rallizes as esoterica (which is how I've always regarded them).

ha yeah, i didn't think it was a bad article (maybe a little overlong).

i learned a couple of things anyway ... i'm not as steeped in it as others though.

If that piece had been written by an ilxor and/or had not appeared on a corporate website it would no doubt be getting plenty of plaudits.

What does where the article has appeared or whether the person who wrote it posts on here has to do with anything? Appreciate the posting but it isn't that good.

I don't find 'em that mysterious either. Some people who make things choose not to talk about it, or release that much. And because of the kind of group that was, i.e. one that was ever going to appeal to twenty people, it isn't too surprising that there was a revolving door policy of personnel and that was one of them was possibly then involved in political activity (or terrorism, take your pick) as many Japanese youth (and many from Europe and developed countries) were taking part in action and 'holidaying' in Palestine at that time.

Yeah, thought the writer (who might be an ilxor for all I know) went far too hard on the whole in-pursuit-of-the-mystery angle when in fact there's quite a lot of footage of rallizes out there, not to mention all those hours and hours and hours of bootlegs. It's the kind of thing that only really works when there's some kind of revelation or encounter at the end - and as that was obviously never going to happen, it made the whole thing feel pretty pointless (and the Haino/Mizutani stuff seemed like third hand gossip/speculation that added nothing to the piece).

they are one of the half dozen or so most worthwhile rock ensembles though i have never felt any need to find out about them, to gtranslate .jp pages about them, to verify the apocryphal tales about their involvement with the united red army and so forth

when in fact there's quite a lot of footage of rallizes out there, not to mention all those hours and hours and hours of bootlegs

When I first thought that listening to them might be something to do (as a result of that piece on The Wire) I couldn't find anything whatsoever for a good while. My copy of Live '77 is on this very crappy bit of vinyl with a photocopied photo of Mizutani (I kid you not). It got way better on slsk (bootleg heaven) but now you just hit youtube and there are days of it, along with pretty crappy video footage that would probably get rid of the mystique.

There are some fairly interesting angles (some which would require sometime to research and write-up), and some proper highlights comps to be done. Memory is gone but I had a top [so many versions] of The Last One.

i dunno, they're pretty mysterious to me. i mean, relative to other bands?
you guys will regret it when i'm accepting my best documentary oscar for "searching for mizutani" wherein I track him down and make him perform in dodger stadium.

an empty dodger stadium, I assume

Dodgers will be playing at the Echoplex

There are some fairly interesting angles (some which would require sometime to research and write-up), and some proper highlights comps to be done. Memory is gone but I had a top [so many versions] of The Last One.

― xyzzzz__, Monday, December 8, 2014 2:41 PM (2 days ago)

somebody please do this, would love to know what's worth checking out beyond Live '77 (although I draw the line at buying Phoenix stuff)

A new high profile fan

https://instagram.com/p/5QU5F1JFMr/

https://instagram.com/p/5QVLvWpFNG/

There's a song on the 13.7.74 set (in the Great White Wonder box) called, or mistranslated as "You Were Known" with a lovely cycling chord sequence at a somewhat relaxed tempo that sounds like something Boards Of Canada might use. It's not a million miles from Dayvan Cowboy. Of course our boy proceeds to wring seven shades of glorious atonal sh!t out of it for a good nine minutes.

Note, a recording supposedly bearing the same title on the "Are You Ralliezed?" release and available on YouTube, appears to be another song entirely.

ysi?

not that 74 set, but this 76 set just went up over on big o - http://bigozine2.com/roio/?p=2535

yall there is so much lrd of questionable legitimacy on spotify. like, nearly grateful dead level embarrassment of riches

ha really? never even thought to look. wonder who puts that stuff up?

Anyone know if the discs in the Univive boxes have two-second gaps between tracks?

Double Heads Legendary Live is fantastique isn't it, especially the last set (23rd March 1981).

Yeah that's one of the better versions of "Last One"

https://www.youtube.com/watch?v=X4jJpRViOQI

what a bootleg

Listening to the France Demos today. It don't get much better than this, folks

About 18 minutes into (Flightless Bird): seems to be VU "New Age" strum & drum cadences w flying saucers, aurora borealis, electric razors having seizures, occasionally.