I used to think that this was due to ineptitude. That they wanted their panpipes to sound as beautifully melodic as, say, Gheorghe Zamfir, but that they didn't have the genius to do it.
But now I'm starting to realize that this music is the polar opposite of Easy Listening. Where EL strives to grab the listener with great melody, NA wants to be completely affectless. The goal is to produce a music which is totally relaxing. One that can't even disturb the listener through a seductive melody or fascinating sound. It seeks to repel the listener as much as attract. This also differentiates it from ambient music which is designed to provide affective moods, and have moments of interest which can be noticed.
― phil, Monday, 17 June 2002 00:00 (twenty-three years ago)
― John Barlow, Wednesday, 19 June 2002 00:00 (twenty-three years ago)
i seem to remember a large thread from this past fall where we tried to define what differentiated new age from ambient.
― jess, Wednesday, 19 June 2002 00:00 (twenty-three years ago)
― dleone, Wednesday, 19 June 2002 00:00 (twenty-three years ago)
phil is STBO by the way (or, more charitably, OTM).
― zebedee, Wednesday, 19 June 2002 00:00 (twenty-three years ago)
― Robin Carmody, Wednesday, 19 June 2002 00:00 (twenty-three years ago)