Panda Bear- Person Pitch

torrents makes my computer cry.

I love me.

this gets it right on the head, after a bit longer listening to it. i'm not/comfy.. is great still, but those songs were way early last year on constant repeat for a few days straight. search for delicious and bros are totally fucking awesome. bros is like one constant explosion of muddy crystal if you ask me.

I'm Not/Comfy In Nautica was the single.

Bros is the 12"

and Good Girl/Carrot was on the split with Excepter?

I hope this is released on vinyl, I think I like it more than Feels (which I liked a lot). It's spacier and more abstract.

also, young prayer has...well, a lot more invention.

also, i think this wins over avey's solo stuff, but i always like the bear over the tare.

I'm really not into the Beach Boys much at all. The early songs about having sex in cars with your girlfriend's sister are OK, and there's a smattering of decent tunes from later on, but most of it leaves me cold.

I don't even think it sounds like the Beach Boys at all, apart from maybe a few vague signifiers. They certainly never were *this* plodding and drowned in bullshit digi-verb production.

Some of the vocal workouts on this record remind me of a cross between The Missa Luba and the Beach Boys' "Cool, Cool Water."

"...bullshit digi-verb production."

-- Turangalila, Wednesday, January 2, 2008 6:00 AM (7 hours ago)

Fine, not bullshit digiverb. To quote my friend Nick, "it's more like wanna-be Warn Defever circa '94"

Bullshit Digi-Verb: That's What's Happening!

I've heard my share of bullshit digi-verb and sir I can tell you that that is not bullshit digi-verb.

I like this record. It's a bit of an over-simplification to say it sounds like Warn Defever circa '94-'96. Structurally, all those songs (most of which are quite awesome) are about juxtaposition. The Panda Bear tracks are more about blending and mixing allusion and influence--not to imply that this is somehow revolutionary or something because it's not.

I like the more Krauty aspects of the record. The way Bros ends with Amon Duul circa Psychedelic Underground riffage is what makes the track for me. Also, sampling Ananas Symphonie off Ralf and Florian on one track is a nice touch.

Yeah, I guess it's not really that gated, reverb sound from the 80s. It's more of a faux Brian Wilson vibe, but without any of the compositional components that made BW interesting.

You make it sound so exciting, though. Heh.

actually I was gonna say you make it sound like a record critic record

haha yes

a few months back, in a moment of less-than-perfect lucidity, I described this record to a friend of mine as the musical equivalent of one of those waterslides that's partially open and partially enclosed. I'm still not really sure what I meant by that, but every time I think about this record, the metaphor makes more and more sense to me.

I guess in the end, the strongest impression I take away from this album is one of extreme linearity... but somehow, that doesn't make it any less enjoyable. people who said there were no details to discover on repeat listens were right. for me, though, much of the appeal lies in the way that everything fits together. "Good Girl/Carrots" is a great example of what I'm talking about: 3 distinct sections, all more or less static. within the first 10 seconds of each, I remember exactly how it goes and know what to expect for the next 4 minutes or so. but somehow, I have trouble keeping the overall structure of the song in my head, and the way the different movements (ugh, sorry, I can't think of a less pretentious word) flow into each other never fails to excite me. the whole album feels like that to me, really; it's almost like listening to a really good DJ set, or an awesome radio station.

panda designs a hat
http://farm3.static.flickr.com/2103/2233678058_f580958593_o.jpg

I bet this will be big with the "bape hoodies in union sq" crue

Also, sampling Ananas Symphonie off Ralf and Florian on one track is a nice touch.

where is that?

damn it guys why were you all talking about dance music up there, i finally bought this and it isn't like dance music at all!

All music is dance music, white boy.

Im starting to get into the second half more than the first, because they have this on vinyl @ work. It reminds me of orbital

every time i open this thread all i can think is DAMN GIRL WAY TO MAKE BOOBS UNSEXY.

yay Maryland. i totally live there. i'm glad Baltimore's hip now.

Yeah I saw that pattern and I felt a lil burst of civic pride.
(halfway through season four of the WIRE it could use a boost)

<em>To quote my friend Nick, "it's more like wanna-be Warn Defever circa '94"</em>

turangalila's friend otm. sounds like something he woulda done had he put together <em>king of sweet</em> around the time of <em>stars on esp</em>.

that hat is a bit much

http://sickmouthy.com/2013/02/23/panda-bear-person-pitch-2007/

a lost classic- this, 'laughed for a world filled with fantasy,' and 'boneless' are all better than p much anything on person pitch. but maybe i've just played it out

https://www.youtube.com/watch?v=_ZWLQKVwCSA

I wouldn't say they're better, but they'd make a nice deluxe edition of Person Pitch if you added them in. The best one is Song For Ariel, which later became Guys Eyes on MPP. The solo version is based on a sample that sounds a lot like Dreams by Fleetwood Mac, but is actually Leave Me Be by The Zombies:

https://www.youtube.com/watch?v=RIICXi18JAg

There's also this little sketch from a 2007 compilation:

https://www.youtube.com/watch?v=QiFNULZEniw

For completeness, here's Laugh for a World Filled With Fantasy:

https://www.youtube.com/watch?v=7063I9L_wHw

and Boneless:

https://www.youtube.com/watch?v=sJFEBunBHRY

Song for Ariel is the one I'm sad for not making it into PP.

boneless is especially awesome for being a 'remix' of a song that contains no elements, melodies, lyrics from the original at all

sweet new hour-long interview with Noah about the making of Person Pitch. this group is reissuing the record on vinyl next month http://www.vinylmeplease.com/magazine/listen-interview-panda-bear-about-person-pitch/

panda bear's new song with sonic boom is the most brian wilson-y thing in a long career full of brian wilson-y things

https://www.youtube.com/watch?v=YMNZuZe2OCY

new album is very much a person pitch throwback with its focus on loops, samples & extremely beach boys vocals

sometimes the repetition is a bit too much but it's pretty solid overall, certainly the best panda bear album since person pitch & easily one of the stronger animal collective-related albums in the past 12 years

Yeah it's a fantastic album. My favourite Anco thing in a decade or so.

This feels like Person Pitch 2 in a good way. Need to spend more time with it but liked a lot what I heard on first listen.

It should probably also be noted here that he sang on my favorite song of the year so far. https://www.youtube.com/watch?v=pqKjFj6YoWM

Agree with you on that one. Song of the year.

really what "doin it right" should have been

really liked the new album as well, especially the scott walker-y spanish-tinged one near the end

I'm not a big Panda Bear fan — a little usually goes a long way for me — but I do like the new one. Peter Kember is a good partner for him, I think he opens up the mix more, lets it breathe.

He is having a hell of a year. Time Skiffs, that incredible "Step by Step" track above and now this truly lovely album with Kember. Wow.

totally forgot there was a new anco album this year lol

You’re in luck, it’s amazing

I love that Braxe EP

I enjoyed the couple times I've breezed through the (seemingly very short) Noah/Sonic album! It is so so so Brian Wilson-y like even more so than before but that's OK

https://www.youtube.com/watch?v=IAKCduc2fA4

this is pleasant, seems like it's a good year for panda bear collabs

"First widely available reissue in 15 years"

https://www.turntablelab.com/products/panda-bear-person-pitch-vinyl-2lp?goal=0_8b218d7604-f4ba19c341-31345977&mc_cid=f4ba19c341&mc_eid=365684acc9

Also available on his Bandcamp
https://pandabearmusic.bandcamp.com/album/person-pitch

grabbed it today and came to the realization this album is his Olias of Sunhillow

It is! I know people compare them in terms of sound but also it's there in regards to them being sorta busman's holidays that are even better than anything they was doing with their main groups.

haha wow, good call

Overrated. Beach boys for the pitchfork generation

this thread is how i first came across ilx. lol

Still sad after all these years “song for ariel” didn’t make it into the album, more songs should have The Zombies samples

https://www.youtube.com/watch?v=RIICXi18JAg

I know the song got repurposed for Guys Eyes but that one is nowhere as good as this one.