Echo & the bunnymen: Classic or Dud?

Yeah I was gonna say...Never Stop wasn't on a regular LP of theirs...

To me that's when the Bunnymen started really getting good was when that song came out.

But it's possible I have my timelines a bit skewed. Anyway, I found the Radio City Music Hall NYC performance on You Tube of Thorn of Crowns...it's not quite as energetic or animated as you might imagine (was Mac just extremely pissed?) but if you were there at the venue to shout and jump around like I was, you wouldn't care:

Nice performance! It looks to me like Ian is doing his best Jim Reid impersonation, though.

...Never Stop wasn't on a regular LP of theirs...

forgot that, have just dug out my copy to remind myself. the other side of that single, heads will roll, is
on the album. i always felt never stop should have been. i agree it was their first stunning record, much
as i like the first 2 albums and songs like Over the Wall

"looks to me like Ian is doing his best Jim Reid impersonation"

Jim Reid started out as a McCulloch impersonation.

LOL

Okay, get ready folks, new dbl CD reissue of Ocean Rain due Oct 21st has a gig from 1983 as the second disc.

"Some fine singles but with Interpol's stronger rhytm section they may be rendered totally redundant if the new breed make enough albums."

Oh boy.

Wait, so.. Bimble, did Echo actually play "Never Stop" at the RCMH show? I love that song too & always thought it would sound absolutely fanfuckingtastic played live with string section.

No, they didn't play Never Stop at the gig I attended, but it is on the '83 gig that comes with the new Ocean Rain reissue.

I love Ocean Rain and all that sails in her.
But it has to be said that reciting a list of vegetables bears as much relation to psychedelia
as sticking pencils up your nose and placing yer underpants on yer head bears to madness

I've got the Peel Sessions and presumably, you don't.

Definitely more goth than you lot.

Go fuck a giraffe in the sunlight of the desert, folks. You don't get any more goth than Echo & Bunnymen Peel Sessions.

OVER THE WALL

Oddly enough, I don't. But I soon will.

I can't help it, that Peel Session song "No Hands" is the gothiest thing ever. Beautiful and amen. Listen to the bass. I'll never recover. That is absolutely the most beautifully goth thing I've ever heard. Oh my god, make it stop. That is going to fuck with my head all night.
Too much goth. Too much.

Echo & Bunnymen Peel Sessions, people. This is where the living is. Breathe the fresh air.

Do you know why I'm cooler than you? Because I have them doing New Order/Joy Division's "Ceremony", that's why. Out cooled you all, too late.

I've got McCulloch joining NO for 'Ceremony' at the Festival of the Tenth Summer, 1986. That's got to count for something!

Last time I saw Ian Mac, was at an 808 state gig where he was featured vocalist.

haha that track ("Moses") is probably my favorite thing he's done

last time i saw IM he was singing Pale Blue Eyes with edwyn collins (and A N Other?) as one of a few support acts for the cocteau twins (which also include jim and william reid doing acoustic songs) (brixton academy, er, nov 1990)

Last time I saw him was Electrafixion. D'oh!

he was singing Pale Blue Eyes with edwyn collins (and A N Other?)

Roddy Frame, I believe.

you are right. who else played, do you know? google got me lots of links to that same cocteau's gigography but no details.

I like how you're asking Ned, Deano.... I mean, you were there. I suppose if you remembered maybe you weren't.

Anyone have the "Baseball Bill" 7" that was Electrafixion's last release? It was later included on Echo's "Avalanche" but to my ears the two versions are labeled backwards:
"Baseball Bill (Electrafixion version)" - 4:44
"Baseball Bill (Sgt Fuzz remix)" - 4:35

The first track sounds fuzzy, the second less so. Can anyone check?

Moment from Simon Reynold's "Rip It Up..." book that made me laugh:

Ian McCulloch started to make bitchy comments about U2, describing their anthemic songs as "music for plumbers and bricklayers" while boasting that the Bunnymen were "an oceans and mountains band."

lol @ these guys blaming the IRS for them fucking up their tour

Just been speaking to my brother in law who went to see them last night in Glasgow. Sounds interesting, as Mac was totally hammered, was abusing the road crew, ranting at the audience and walked off before the end. Though my brother in law had left before then.

https://www.youtube.com/watch?v=6PtwgdcB4tk

Skip to 2'30 for Mac meltdown.

absolutely no idea what he's saying. made out 'shut up' and 'fucking bastard'.

Sadly it wasn't “I will knee-cap yer fuckin’ head off”

http://wandywatson.wordpress.com/2011/09/29/all-at-sea-again-%e2%80%93-echo-and-the-bunnymen-at-the-royal-concert-hall-glasgow-28-september-2011/

http://en.wikipedia.org/wiki/Pearls_Before_Swine

So yesterday friend Stripey and I got to chat for a while with Will Sergeant about his art at his gallery showing in LA. Very cool guy. Artwork's excellent as well, BTW; showing only started on Friday and half the pieces were sold!

Also he has a new solo album out, Things Inside, which is acoustic and not limited to guitar either -- enjoyable and will have to give it a couple more listens here for sure. Les Pattinson also plays bass on four tracks!

i once briefly lived in a car (a friends) and killed their battery listening to 'the cutter' over and over and over for about three or four days.
obsessed with that song.
can do no wrong. (just got lent that julian cope 'double' book about that whole thing... which one should i read first?)

I really like Echo & the Bunnymen, but I've never gotten Sergeant's guitar hero status. It's amazing, in fact, how little the guitar plays a role in much of their best stuff, aside from a few little simple but not terribly inspired licks (compare to Pete, who is one of my favorite, and a wildly creative, drummer). Though I admit, knowing what not to play, or when not to play, is often gift enough.

Meantime, other Will-related stuff. First, a new project, Polter-Geist, with Les Pattinson.

https://www.facebook.com/pages/Polter-Geist/412308438805076

Separately and a couple of years old, the Metronome.

http://www.myspace.com/themetronome

Are they any cop? It's been years since anything from a Bunnyman interested me, sadly.

The new Bunnymen album is...another pleasantly forgettable listen.

http://thequietus.com/articles/15246-echo-and-the-bunnymen-meteorites-review

I see they're touring again too. Have not seen 'em live in ages.

That's some excellent music writing in that review, really sums up how I've felt since "Evergreen". Also liked the bit about it being as long since Evergreen as Evergreen was from Crocodiles.

That was one of those moments I had to double check to be sure -- and when I realized I was right, it made everything clearer.

...and the Bunnymen's UK tour has been cancelled. This according to Black Submarine's twitter feed (it's Nick McCabe and Simon Jones' new band - they were opening all dates for the tour)

Eh....tbh their whole comeback hasnt really been up to it.

Wished them all the goodwill esp after De Freitas but they just seem to be THERE now....its hard to imagine Mac the mouth in his pomp being satisfied with this

evergreen = last album i picked up by this band.

saw them in 2005 at glastonbury .. and they were just going through the emotions to say the least.

now thats its 2014, has mac the mouth found somewhere to live ?

last time the promo machine kicked in, he was supposedly living in the studio as he had moved out of the marital home due to a full on midlife crisis kicking in (same era as the live gig meltdown as above) ..

The press release kinda half alluded to stuff like that.

Yeah, here we go:

http://swellpublicity.com/ECHO-THE-BUNNYMEN-ALBUM

Read into it all what you will, especially these bits:

A year ago, Ian McCulloch found himself in a dark place. After leading Echo & The Bunnymen through 35 years of epic highs and turbulent lows, the singer realised it was time to take a break and look inwards. Although the group’s last album, 2009’s ‘The Fountain’, had been enthusiastically received, McCulloch’s songwriting partnership with Bunnymen guitarist Will Sergeant had virtually ground to a halt. What’s more, years of rock excess and running away from personal problems had left him feeling adrift and unsettled. “I wasn’t happy with a lot of stuff,” admits the singer. “Emotionally I was at a very low ebb.”

Yet from this slough of despond, ‘Meteorites’ unexpectedly began to take shape. Holed up in his Liverpool flat, mired in self-reflection, McCulloch started writing music on a bass guitar that was lying around, a process that instantly proved cathartic and fruitful. “Straight away I felt better for it,” he explains. “I had been thinking of taking five years off on an island, or whatever, but suddenly all these songs came from nowhere. It was really exciting and fresh. This record’s about my personal journey, my rebirth, even if it is a Bunnymen record.”

...Deeply personal and subtly revelatory, it sees McCulloch finally facing up to his demons with an honesty that his previous records, however emotionally raw, have invariably shied away from. The singer was encouraged to confront his feelings by legendary producer Youth, who had worked on McCulloch’s 2012 live solo recording, ‘Holy Ghosts’, and who was drafted in to work on the nascent ‘Meteorites’ at his Attic studio in London.

“Youth said, ‘Your lyrics are brilliant, but you’ve got something to get out’ - about where I was at that time,” explains McCulloch. “So I followed his advice. I wrote from the soul, more so than the heart and the brain. It scares the hell out of me, and surprises me, how much I’ve been able to reveal without putting a veil over it. There were signs all through my life of what was down there inside me - [‘Crocodiles’ album track] ‘Rescue’ touched on it as an 18 or 19 year old. But maybe it was seeing the future more than what was happening at the time.”

Among McCulloch’s startling self-realisations was that his upbringing in Liverpool may have profoundly scarred him in ways he hadn’t comprehended – a subject he addresses on album closer ‘New Horizons’. “I realised the first word of the song was going to be ‘if’– ‘If I got distant, from all the gifts that heaven sent…’ It was me finally seeing what people close to me could see for so many years, like my wife, friends. I remember, Lorraine saying, ‘You think it hasn’t affected you, the way your dad was?’ – he was a compulsive gambler, everyone loved him, but they also thought he was fraught with deep problems. But I was like, ‘No, he wasn’t fucked up, he was my dad.’ Lorraine said, ‘You don’t see how much you are your dad.’ So instead of me going, ‘Fuck yeah, I’m a twat’, I wanted to write about it, and see where it gets me and takes me.”

...Will Sergeant – the only other surviving Bunnyman from the original line-up that came together on the Liverpool post-punk scene in 1978 – was absent from the initial recording sessions of ‘Meteorites’, but a playback of several tracks at Youth’s house in London persuaded him to contribute guitar. Sergeant’s parts were recorded at his home near Liverpool as the deadline to finish the album rapidly approached. The results, reminiscent of his best and most inventive work with the group, underscored the feeling that ‘Meteorites’ wasn’t a McCulloch solo album, but a bona fide and worthy addition to the Bunnymen’s canon.

ahh .. indeed this does read like a post midlife crisis awakening ..

saw them in SF last night for the first time ever and they were incredible. I gather Ian is poorly behaved at times, but we got none of that and his voice was great. Local SF man Kelley Stoltz (who is a massive, massive Echo fan and about 10/12 years ago did a Crocadiles show which is legendary to, well, some people) was invited to be in the band for this tour handling all the rhythm guitar duties so it was extra special for the SF audience, a good portion of whom are friends of his. All in all an incredible night.

also they played nothing newer than "nothing lasts forever". I could have done with some songs from Siberia which I think is a great album, but not really missing anything else