The Blue Nile: C or D?

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The Scottish Talk Talk, or pretty pop for Christians who find Low too weird?

Colin Meeder, Thursday, 17 January 2002 01:00 (sixteen years ago) Permalink

At least three great singles, albums full of filler, and the most shocking mid-performance weeping I've ever heard.

Colin Meeder, Thursday, 17 January 2002 01:00 (sixteen years ago) Permalink

I bought "A Walk Across the Rooftops" when it came out, and I've played it and enjoyed it many times. I never thought to buy the follow-up, "Hats", until a couple months ago. This must stand as the all-time longest I've waited to buy another record by any artist; what, 18 years? This is no reflection on the quality of "A Walk", however, it's really quite good. "Hats" is similar, but a bit more ingratiating, a bit more pop. I still haven't heard the third one, it's got an awful album cover. Still, I do recommend the first. The Talk Talk comparison isn't entirely out of line, but they write catchier melodies, and didn't get as experimental.

Sean, Thursday, 17 January 2002 01:00 (sixteen years ago) Permalink

'A Walk Across the Rooftops' is one of the most perfectly realised debut records I can think of - twinkling, lush, melancholy and cinematic (some dream collaboration between Bill Forsyth and Leo Carax). The title song in particular suggested a pop that could be 'adult' but effervescent. 'Easter Parade', a sketch of a song that Sinatra might have appreciated, was on every compilation tape I made for ten years. Wonderful.

'Hats' consolidated the debut, practically down to the track listing, but suffered from having Phil Collins' recommendation stickered to the front. 'Saturday night' was an epic transfiguration of the commonplace, a pop Les Parapluis du Cherbourg, and the kind of song Brett Anderson would like to write in his Scott Walker moments if a) he had clue and b) a few thousand years in which to try.

The last lp - Peace at last? - is very disappointing. The cinemascope sheen was replaced with acoustic guitars, the singing had all gone a bit Michael Bolton, and yes the sleeve was terrible. Maybe this is what happens when you go out with Rosanna Arquette. It seemed to bear out all those who'd had them pegged as some MOR monstrosity, a Dire Straits in waiting. A couple of songs - 'Family Life', 'Tomorrow Morning' - might be worth downloading, but the rest of it is a bit bleh.

Edna Welthorpe, Mrs, Thursday, 17 January 2002 01:00 (sixteen years ago) Permalink

I actually like that third album, but then again I don't really rate the first two albums on such a purely evocative/epic level as y'all are doing. They are pretty damn good, though, it's just that my sympathies would still come down with Talk Talk in the end. ;-)

My favorite performance by Mr. Wossname who is the singer is actually his turn on the version of "Let's Go Out Tonight" -- I think that's the song -- on Craig Armstrong's first album.

Ned Raggett, Thursday, 17 January 2002 01:00 (sixteen years ago) Permalink

As I've said before, my aunt used to date Paul Joseph Moore. But I know little of the band. We used to have all these free Blue Nile cassettes laying around the house, but as I was young I had little interest in listening.

Melissa W, Thursday, 17 January 2002 01:00 (sixteen years ago) Permalink

The Talk Talk comparison is interesting. I can sort of see the connection, maybe in the softer moments of The Colour Of Spring, but in most ways they are totally distinct except for their basic mood. I think this comparison must be the result of trying to find one for The Blue Nile and failing to come up with anything that would actually recommend purchase - they really are like an oasis in a desert of MOR-eighties pop.

Recommendations... A Walk Across The Rooftops has "Tinseltown In The Rain" which is one of my favourite love songs ever, but Hats is the better album, with about five perfect songs on it. Amazing how similar they are though, despite the six-year gap (there's your big difference to Talk Talk - these guys stumbled upon a vision of perfection early on and stuck with it).

Tim, Thursday, 17 January 2002 01:00 (sixteen years ago) Permalink

excellent - the talk talk comparison is spot on - i loved 'a walk' more than 'hats'. The Linn drums and that bass were a big influence. They epitomize that '80s pristine quality - the 'clean lines' i'm always banging on about.

, Friday, 18 January 2002 01:00 (sixteen years ago) Permalink

Clasic. The song's are almost uncoverable as the lyrics are so unaffected that in anyone else they would sound gauche. Do I love you. YES, I love you

Edna's summary is bang OTM. Let's go out tonight is just desperately affecting, you know this relationship is doomed with just the clutter and routine holding it together.

I don't know about stumbling on perfection, I believe they scrapped 3 years of work before starting on Hats properly. Anyway they stumbled out of perfection on the lasr album.

Ned, the Craig Armstrong album is fab also for having one of Liz Frazers few decent performances in the 90's. Liz Frazer working with the Blue Nile now that's an idea...

Billy Dods, Friday, 18 January 2002 01:00 (sixteen years ago) Permalink

What Edna and Billy said. I love Hats. Never bothered with the last album.

Dr. C, Friday, 18 January 2002 01:00 (sixteen years ago) Permalink

Billy - the 'stumbling' part refers to the beginning of their career. I get the feeling that Hats took so long because it was so hard to exactly replicate A Walk... and at the same time improve on it. (in this case second album syndrome = not "same but different" but "same but better").

Tim, Friday, 18 January 2002 01:00 (sixteen years ago) Permalink

the blue nile? isnt that a river in egypt? what that got to do with music. i saw michael palin go down it on pole to pole on at chrismas so maybe you should start i love michael palin thread. but i wouldnt be interested because michael palin a ponce.

XStatic Peace, Friday, 18 January 2002 01:00 (sixteen years ago) Permalink

first album is all about the first flush of youth/love/innocence/awe/wonder/etc. eg - 'i am in loooove, i am in loooove with you, ...i walk across the rooftops...' etc etc.

the second is all concerned with the death of love/getting older/etc. eg - 'i'm tired of crying on the staiiiirs...'

it's kind of a godfather/godfather part 2 deal. and all they're bestheard back to back

piscesboy, Friday, 18 January 2002 01:00 (sixteen years ago) Permalink

The Blue Line is just such an underrated band. I find their "Hats" al bum is one of the best pop records of all time - and also a godfather for the sound of pioneer "post-rock" bands like Disco Inferno and, very specially, Bark Psychosis: angst-ridden vocals hanging on a spacious soundscape with electronica drumbeats and ambient samples. Definitely, The Blue Nile are A+.

Juan M., Monday, 21 January 2002 01:00 (sixteen years ago) Permalink

I didn't realise Pet Shop Boys were post-rock.

(okay truthfully I can see the connection at least with Bark Psychosis, but it always seemed to me that The Blue Nile represented the "other half" of BP's source material). Hats multiplied by Spirit Of Eden = Hex.

Tim, Monday, 21 January 2002 01:00 (sixteen years ago) Permalink

Boring annoying bullshit. "Hats" is absolutely unlistenable. Especially the singer's voice let's me run up the walls. I guess a kick in the ass would do him well. This does not even qualify for wallpaper music. The only band which is as embarrassing is Sigur Ros.

alex in mainhattan, Monday, 21 January 2002 01:00 (sixteen years ago) Permalink

there was a program on tv the other night that had a drum&bass version of Tinseltown in the Rain as the theme. Such a great band, so many bad ideas. Walk Across the Rooftops is fantastic though.

hamish, Wednesday, 23 January 2002 01:00 (sixteen years ago) Permalink

one year passes...
Simply the most amazing music ever made.

Cozen (Cozen), Tuesday, 25 March 2003 00:16 (fifteen years ago) Permalink

The third album really is worth the effort, what puts me off listening to it though is all the Christian stuff. Ultimately it is a back-to-the-roots acoustic album with very conservative lyrics all about home, family and church, but contains some moments of raw ecstacy, ie;Tomorrow Morning, Sentimental Man and Soon. As for Michael Bolton, the very first time I listened to 'Over the Hillside' I thought I'd picked up a Richard Marx album by mistake, but despite their MOR tendencies they have produced some really transcendent music.

Gatinha (rwillmsen), Tuesday, 25 March 2003 01:52 (fifteen years ago) Permalink

Classic. Particularly their two 80s albums.

Geir Hongro (GeirHong), Tuesday, 25 March 2003 11:09 (fifteen years ago) Permalink


one) You won’t like them. A Walk Across The Rooftops contains slap bass, trite lyrics on the debris of relationships, pans from (yawn) Coppola’s One From the Heart into (yawn) Paris, Texas, sung by Springsteen impersonating Sinatra. Hats has two white reggae tracks, gated snares, repeated use of the word ‘baby’, yes, is ‘lush’, ‘cinematic’ and MOR. Annie Lennox and Rod Stewart have covered their songs. Phil Collins endorses them.

two) I don’t like American Music Club, John Cale, Talking Heads, Rickie Lee Jones or The Cars either.

three) Men in American books tend to wear hats.

four) Katy (my girlfriend) was in a philosophy class and, as the hush of young students began to stifle and choke, the teacher, by way of gesture, mentioned the best class he ever had occurred when Paul Buchanan, ‘you probably haven’t heard of him’, suggested they talk about love.

five) No-one has registered the scientific unproveability of ‘love’ in song more heart-rendingly than Paul Buchanan: singing “how do I know you feel it?”, just moments from loss, or the frustrated ‘I can only tell you’ of “do I love you? YES I love you!”

six) What do you say when three years into a relationship the only things holding you together is the fear of breaking the ties you’ve built in the outside world as a unit? When an offer of tea is the only lull in the silence? “Let’s go out tonight”, one last time, meet up with the ghost of your happiness, it can be the same again, you will dance, for one night, oh to bed the same different woman every night, and leave the relationship strafed with cigarette burns and headaches in, alone.

seven) Such compassionate pop. During Hats, the band’s lives were fragmenting and none of them felt they had any support around them, it would have been so easy to become insular and dismissive of others in such a situation.

eight) Below a peat sky, her hair is scraped through with coral orange and tickles of grey, and a smell of moist pollen sewn into the webs of her fingers. Scotland’s inability to say Carl strains a last laugh out from her, smoke knuckles through our hair, as the aftertaste of other men places her lips and her eyes’ slow moulder.

nine) You will like them. A Walk Across the Rooftops is a deeply emotional water, Buchanan a child lost in the weave of a Frank O’Hara poem. Hats refuses Don Paterson’s cycnicism of romance and insists on the transcendental of the ordinary and of the journey, the pressure difference.

!) I think romanticism suggests this sense of wilfully not having it all, leaving that one bit back, the whole, the mysterious ‘last’ that can never be reached, romanticism is the journey to try and attain that that you’re purposefully denying yourself. I have never listened to their third record, I most probably never will.

Cozen (Cozen), Tuesday, 25 March 2003 15:30 (fifteen years ago) Permalink

Nice one, Coz!

Jerry the Nipper (Jerrynipper), Tuesday, 25 March 2003 15:40 (fifteen years ago) Permalink

By the way: one of the things that justifies file-sharing for all time is that I was finally able to get hold of a copy of their first (?) ever song 'I love this life'. And it's turned out to be my favourite song of theirs.

Jerry the Nipper (Jerrynipper), Tuesday, 25 March 2003 15:45 (fifteen years ago) Permalink

Cozen! Yes!

Dr. C (Dr. C), Tuesday, 25 March 2003 15:50 (fifteen years ago) Permalink

Cozen that was just lovely, thank you.

Sean (Sean), Tuesday, 25 March 2003 15:59 (fifteen years ago) Permalink

nice one. it reminds me of pinefox's post on the joyce thread.

Julio Desouza (jdesouza), Tuesday, 25 March 2003 16:05 (fifteen years ago) Permalink

(Haha, Julio, that's where I nicked my structure, but I guess it was alright cos I think he nicked the turn from the X Y Zedd post on the 'What if Punk Never Happened?' thread).

Cozen (Cozen), Tuesday, 25 March 2003 18:01 (fifteen years ago) Permalink

I think Daniel Bedingfield is as close as modern pop gets to The Blue Nile. I get the feeling that he's a stubborn perfectionist too, answering only to his standards, steeped in integrity and honesty. Imagine if he took 5 years to write and record his follow up. It'd be amazing.

Cozen (Cozen), Tuesday, 25 March 2003 18:10 (fifteen years ago) Permalink

''Imagine if he took 5 years to write and record his follow up. It'd be amazing.''

or it could be a disaster too i suppose.

''(Haha, Julio, that's where I nicked my structure, but I guess it was alright cos I think he nicked the turn from the X Y Zedd post on the 'What if Punk Never Happened?' thread).''

I just thought i had seen something like that. but yr post is triffic in its own way.

Julio Desouza (jdesouza), Tuesday, 25 March 2003 18:45 (fifteen years ago) Permalink

(Aw shucks, thanks you guys! Actually, I realised today that every thing I've ever written has, in some way, been to make someone fall in love with me or notice me and that post was specifically written to make Dr C notice me (and to make him happy, too) after I'd written my little heart into All of My Heart last week without him popping up; it was also written as an accompinament (god, spelling) to a Blue Nile 'best of...' I'm making up for a friend.)

Cozen (Cozen), Tuesday, 25 March 2003 18:50 (fifteen years ago) Permalink

"I think Daniel Bedingfield is as close as modern pop gets to The Blue Nile."

Yes! "If You're Not The One" works in exactly the same way as the peerless "Tinseltown In The Rain" ie. a "generic" love song rendered strange and fascinating by the force and peculiarity of its emotional over-investment.

Although Cozen you should really check out that there new Coloma album which is almost self-consciously an update of The Blue Nile for the post-glitch generation. As with The Blue Nile it's svelte literary studio-pop that feels like all the sound-politics have been surgically removed (eg. this is click-pop only because, well, why not if it sounds good? cf. Schneider TM's "The Light 3000") so I imagine that in a decade or so it'll have that same lovely timeless-datedness as TBN's first two albums have. It's very much like A Walk Across The Rooftops in particular. Much better than their first album.

Tim Finney (Tim Finney), Wednesday, 26 March 2003 03:00 (fifteen years ago) Permalink

did you realise that daniel bedingfield is a born again christian?

RJG (RJG), Thursday, 27 March 2003 00:14 (fifteen years ago) Permalink

He was born somewhere really (relatively) 'weird', like Hawaii or something. I can't remember, I'll look it out.

Cozen (Cozen), Thursday, 27 March 2003 00:19 (fifteen years ago) Permalink

he has a high speaking voice.

I saw him on 'today with des & mel'.

RJG (RJG), Thursday, 27 March 2003 00:47 (fifteen years ago) Permalink

Yesterday I bought Rooftops for a dollar! :-)

Keith McD (Keith McD), Thursday, 27 March 2003 04:14 (fifteen years ago) Permalink

I've jotted down some more thoughts on The Blue Nile and Coloma at Skykicking.

Tim Finney (Tim Finney), Tuesday, 8 April 2003 04:13 (fifteen years ago) Permalink

Think you meant Skykicking.

hamish (hamish), Tuesday, 8 April 2003 04:29 (fifteen years ago) Permalink

Just listened to A Walk Across the Rooftops today for the first time in a long while. Really sounds distinctly uneighties in the end, doesn't it. The Talk Talk comparisons now finally do make sense.

Ned Raggett (Ned), Tuesday, 8 April 2003 04:50 (fifteen years ago) Permalink

Record Review of the Year, Tim. Just beautiful. Better than my Morgenstern one (did you my last e-mail?) by a good country mile, and there was me really happy with it and you show everyone how it's really done. Rat bastard. ;)

I figured out why I like Daniel Bedingfield earlier. Or one aspect. I remembered something Frank Kogan said to me about how he really liked the way that I wasn't scared to be overwrought when the usual rock-crit approach is to come across all Ed Casual (hehe, what's Frank's e-mail address again?). I suppose I see a lot of myself in Daniel. All thing considered, a juxtaposition of poets might be in order:

Everywhere he saw his own image, -
his perfect face...

When he rode out of the city, the people
gathered to admire him: a ribbon
of faces, fixed on this one face
and haunted by its indifference. They said:
'as beautiful as a painting', and we
feel a chill cast across these years
for we know there is another painting
that does not hang in any gallery

- John Ash

I like you so much I'm acting stupid
I can't play the game I'm all intense and alive
I'm losing control of my heart
I'm not supposed to be this nervous
I should play my hand all cool and calm
I can't breathe
I'm losing control of my heart

- Daniel Bedingfield

Cozen (Cozen), Tuesday, 8 April 2003 16:49 (fifteen years ago) Permalink

Finney I mean Finery is indeed EXCELLENT.

Andy K (Andy K), Tuesday, 8 April 2003 17:06 (fifteen years ago) Permalink

Sadly, I probably won't be able to get it here in Glasgow. And I'm internet-shopping averse. If I get it, I'll make a copy and give it to Paul Buchanan, I see him quite often, coming out of the local Safeways.

Cozen (Cozen), Tuesday, 8 April 2003 17:08 (fifteen years ago) Permalink

("I can't breathe"!!!)

Cozen (Cozen), Tuesday, 8 April 2003 17:13 (fifteen years ago) Permalink

I was thinking about why "Peace at Last" never appealed to me, and I reckon it's because it cuts the (admittedly tenuous) connection with disco. I love every single moment of "Tinseltown In The Rain", but the point where it really blows me away is the final string-riff loops where the disco beat suddenly gets more pronounced, and the whole song takes on this aura of bittersweet triumph. I could well imagine the song being the inspiration for Luomo's "The Present Lover". Actually Luomo could do a lot with a remix of The Blue Nile.

I was trying to think of more music from the eighties that fits into this area of explicitly emotional quasi-dance pop, but I couldn't get far beyond The Hounds of Love. Any ideas?

Tim Finney (Tim Finney), Thursday, 10 April 2003 00:44 (fifteen years ago) Permalink

I have Hats, and that's definitely a Classic.

Anthony Miccio (Anthony Miccio), Thursday, 10 April 2003 01:09 (fifteen years ago) Permalink

was trying to think of more music from the eighties that fits into this area of explicitly emotional quasi-dance pop, but I couldn't get far beyond The Hounds of Love. Any ideas?

Associates surely fit this description.

But Tim is OTM regarding Tinseltown being a lost dance classic, I certainly remember hearing it in clubs in Dundee in the mid-80's. Apparently they had some of their work from Hats remixed by Oakenfold (or some other name remixer), but they nixed it on hearing it. Now that I'd like to hear.

Billy Dods (Billy Dods), Thursday, 10 April 2003 07:32 (fifteen years ago) Permalink

My other half was Paul's telephone answering service[flatmate]all through the writing and release of the first record.He says there was definately a whole bunch of up and happy songs right after rooftops.I met Paul once and he can do charm.Happy Easter everybody.

jean bowman, Sunday, 20 April 2003 09:51 (fifteen years ago) Permalink

Happy Easter Jean.

Where did the up and happy songs go, then? Left to rot as demos?

Cozen (Cozen), Sunday, 20 April 2003 10:11 (fifteen years ago) Permalink

Ta for the greetings. Re demos there must be millyens of them . If you see Paul ask him. I hear that Heatwave had five minutes of birds and boats before the music and even that was cut down from a long session outdoors. Regards to the West End, it must be great this time of year.

jean bowman, Sunday, 20 April 2003 19:05 (fifteen years ago) Permalink

It is, it's lovely.

I don't think I'd have the bare-faced gall to actually talk to the man though.

It feels a bit criminal to actually listen to the Blue Nile at this time of year though, like I'm going to shatter the mood.

Cozen (Cozen), Sunday, 20 April 2003 19:12 (fifteen years ago) Permalink

Interesting thread.

1. The only track I know is 'I Love This Life', which the Nipper gave me. The Nipper is right about it.

2. Cozen's big post above is indeed good, and indeed structurally resembles one of mine. But no, I didn't take my own structure from anyone else.

3. Whether or not the Bedingfield link is apt, I don't think 'emotional overinvolvement' etc is necessarily the key to 'If You're Not The One': what woke me up to that track was simply the rare quality of its tune.

the pinefox, Monday, 21 April 2003 09:20 (fifteen years ago) Permalink

Really glad you guys are digging 'The Dawning' mix--that one has really stuck with me. I only get the time to make a couple mixes a year now, generally; but the upside has been that I spend even more time culling tracks, letting the sound I want marinate in my mind, sequencing, etc. so that I feel like the end result is as coherent and "finished" as I can get them.

Don't know if a direct sequel to 'The Dawning' is possible soon--but there are several mixes that would probably appeal. The 'Heart' mix from the '1981' box-set is the most direct post-punk/new-wave precursor to this sound (the box set features just about every artist in their earlier incarnations). I feel like the second disc of the recent 'Le Monde du Funk '85' gets into a very compatible vibe, coming from more R&B/post-disco/boogie/hip-hop-oriented spheres. Skewing more explicitly electronic and spanning the 80s to the 2010s, 'Circuits' is definitely related. I'd say that the sophistication, precision, care, emotional clarity combined with forward-leaning art is a common strand to a lot of what I mix, including the stuff that's more 70s-oriented like the 'Their Heart had Six Strings' singer-songwriter mixes, or the Musique du Monde (especially the 'Le Mystere de la Musique' and 'Le Nouveau Son') mixes of artful, international 70s music.

I've generally found that if you get the "permission denied" thing, just try again a minute later and it usually works--'The Dawning' at least isn't down right now.

Soundslike, Saturday, 22 April 2017 14:43 (one year ago) Permalink

Re: Steely Dan, this from their pre-Blue Nile days as Mcintyre is quite revealing

Stevie T, Saturday, 22 April 2017 15:20 (one year ago) Permalink

wow, that IS steely dan

k3vin k., Saturday, 22 April 2017 15:33 (one year ago) Permalink

Soundslike - I never really investigated the band but were there any mournful Level 42 songs? They might fit

blonde redheads have more fun (upper mississippi sh@kedown), Sunday, 23 April 2017 11:42 (one year ago) Permalink

love this thomas dolby song -- it's like the blue nile doing my life in the bush of ghosts

k3vin k., Tuesday, 25 April 2017 21:40 (one year ago) Permalink

thanks again for this mix, soundslike

k3vin k., Tuesday, 25 April 2017 22:08 (one year ago) Permalink

kevin you need that dolby album, it is perfect

gimmesomehawnz (Jon not Jon), Tuesday, 25 April 2017 22:31 (one year ago) Permalink

listening now!

k3vin k., Wednesday, 26 April 2017 00:05 (one year ago) Permalink

btw, did we know this?? (from AMG review)

The Blue Nile's debut album has a rather fascinating genesis. Scotland's Linn Electronics wanted a demo track to demonstrate the fidelity and versatility of their new recording console and tapped a struggling local trio, the Blue Nile, to provide it. Their effort was a deliberately disjunctive song called "A Walk Across the Rooftops." To demonstrate the recording equipment's dynamic range and clarity, the song was arranged most peculiarly, with vocals, guitar, bass, keyboards, drums, and full string and horn sections all appearing, but never at the same time. Linn liked the song so much that they formed a record label and bankrolled the recording of this full album

k3vin k., Wednesday, 26 April 2017 01:18 (one year ago) Permalink

I knew that but I probably learned it from AMG

akm, Wednesday, 26 April 2017 01:38 (one year ago) Permalink

thats awesome

Spottie, Wednesday, 26 April 2017 02:39 (one year ago) Permalink


niels, Wednesday, 26 April 2017 06:18 (one year ago) Permalink

The Blue Nile are far too rare a thing--but that mix was my best shot at gathering the closest things I know. Glad you guys are digging it!

Soundslike, Thursday, 27 April 2017 02:09 (one year ago) Permalink

can someone (brad?) give me a list of some blue nile rarities i'm missing out on? all i've got is pretty much what's on spotify

k3vin k., Wednesday, 3 May 2017 22:35 (one year ago) Permalink

Look for the download comp 'birthday cards and silent music'

gimmesomehawnz (Jon not Jon), Wednesday, 3 May 2017 23:46 (one year ago) Permalink

one month passes...

I got this album some years back and promptly forgot--but it's one of the few things that almost has that Blue Nile feeling (in moments, anyway):


sequel please mr soundslike

― iris marduk (Jon not Jon), Friday, April 21, 2017 3:55 PM (two months ago)

Working on a sequel, probably honing in on something like '86-'94. . .

Soundslike, Sunday, 25 June 2017 05:23 (one year ago) Permalink

Maybe this doesn't quite have the BN vibe, the drums are little too busy, but I feel like it could've come from the same era as Hats (it actually came out in 2015).

Pheeel, Sunday, 25 June 2017 09:05 (one year ago) Permalink

It's Immaterial sounds interesting, apparently they recorded in the same studio and w/ same producer as Blue Nile. And I gather from youtube comments that there was some dispute between them and Blue Nile because of some uncleared samples?

niels, Sunday, 25 June 2017 10:41 (one year ago) Permalink

should i listen to more it's immaterial if i liked that and the blue nile?

k3vin k., Monday, 26 June 2017 21:34 (one year ago) Permalink

apparently their discography is very ecclectic

niels, Monday, 26 June 2017 22:15 (one year ago) Permalink

'driving away from home' is perfect and a balearic classic, couldn't really get into the rest of that album.

karl...arlk...rlka...lkar..., Monday, 26 June 2017 22:48 (one year ago) Permalink

Song is a lovely album and very much in the Blue Nile wheelhouse.

The shard-borne beetle with his drowsy hums (Chinaski), Tuesday, 27 June 2017 12:05 (one year ago) Permalink

so uh......

does Mid Air not have its own thread?

k3vin k., Saturday, 1 July 2017 16:39 (one year ago) Permalink

It should, it is the third best album of Paul buchanan songs and a rare inhabitant of the same zone as the Mark Hollis album

or at night (Jon not Jon), Saturday, 1 July 2017 19:27 (one year ago) Permalink

Wait what, how did I miss the existence of this for five years?! And comparisons to 'Mark Holis,' which might have been my favorite Talk Talk record over the last 16 years? Oh, goodness. . .

Soundslike, Saturday, 1 July 2017 22:05 (one year ago) Permalink

And, at the suggestion of a couple folks upthread and your positive response, I finished a direct sequel to 'The Dawning' mix (for which The Blue Nile were the keystone and catalyst). Blue Nile isn't on there themselves, but I'd like to imagine their influence is, and certainly their spirit. Moving the period forward a few years to '85-'95, going a little deeper into the dream state--I gotta say I'm really pleased with how it turned out and I hope you guys will be, too.

'Evensong' (1985-1995)

Part I

01 [00:00] It’s Immaterial – New Brighton” (Song, 1990)
02 [05:31] Tears for Fears – “The Working Hour” (Songs From the Big Chair, 1985)
03 [12:06] Tortoise – “His Second Story Island” (Tortoise, 1994)
04 [14:14] Michael Brook & Pieter Nooten – “Searching” (Sleeps With the Fishes, 1987)
05 [17:07] Shelleyan Orphan – “One Hundred Hands” (Helleborine, 1987)
06 [21:29] Stina Nordenstam – “A Walk In the Park” (Memories of a Color, 1991)
07 [24:54] Sade – “Pearls” (Love Deluxe, 1992)
08 [29:38] Massive Attack – “Protection” (Protection, 1994)
09 [37:26] The Cure – “The Same Deep Water As You” (Disintegration, 1989)
10 [46:19] Depche Mode- “Waiting For the Night” (Violator, 1990)

Part II

11 [52:41] Evelyn Glennie – “Light in Darkness” (Light In Darkness, 1991)
12 [55:59] R.E.M. – “Sweetness Follows” (Automatic For the People, 1992)
13 [60:21] The Innocence Mission – “Medjugorje” (The Innocence Mission, 1989)
14 [61:53] Disco Inferno – “Second Language” (Second Language EP, 1994)
15 [66:52] Slowdive – “Rutti” (Pygmalion, 1995)
16 [76:53] Rain Tree Crow – “Cries and Whispers” (Rain Tree Crow, 1991)
17 [79:26] Bark Psychosis – “Pendulum Man” (Hex, 1994)
18 [82:37] Peter Gabriel – “Mercy Street” (So, 1986)
19 [88:27] Low – “Sunshine” (I Could Live In Hope, 1994)
20 [91:35] Portishead – “Roads” (Dummy, 1994)
21 [96:44] Hector Zazou & Bjork – “Visur Vatnsenda-Rosu” (Songs From the Cold Seas, 1994)

[Total Time: 1:40:43]

Download or stream it here at Musicophilia

Soundslike, Saturday, 1 July 2017 22:10 (one year ago) Permalink

Yeah I haven't been at a proper computer yet this weekend but I can't wait to download your new mix!

or at night (Jon not Jon), Saturday, 1 July 2017 23:36 (one year ago) Permalink

04 [14:14] Michael Brook & Pieter Nooten – “Searching” (Sleeps With the Fishes, 1987)

Love this song/album

Robert Adam Gilmour, Saturday, 1 July 2017 23:38 (one year ago) Permalink

It should, it is the third best album of Paul buchanan songs and a rare inhabitant of the same zone as the Mark Hollis album

― or at night (Jon not Jon), Saturday, July 1, 2017 3:27 PM (four hours ago) Bookmark Flag Post Permalink

yeah only one listen in, but highs are extraordinarily high

k3vin k., Sunday, 2 July 2017 01:23 (one year ago) Permalink

title track in contention for his best song ever

k3vin k., Sunday, 2 July 2017 01:24 (one year ago) Permalink

Thanks for the mix and the link! Judging from the song list, you really captured a specific late-night city summer vibe

licorice oratorio (baaderonixx), Sunday, 2 July 2017 13:28 (one year ago) Permalink

does Mid Air not have its own thread?

― k3vin k., Saturday, July 1, 2017 4:39 PM (yesterday) Bookmark Flag Post Permalink

It should, it is the third best album of Paul buchanan songs and a rare inhabitant of the same zone as the Mark Hollis album

― or at night (Jon not Jon), Saturday, July 1, 2017 7:27 PM (yesterday) Bookmark Flag Post Permalink


Le Bateau Ivre, Sunday, 2 July 2017 21:59 (one year ago) Permalink

the third it's immaterial album got shelved by the label in the 90's but it's due for release maybe later this year. this track off it definitely has blue nile-ish qualities but there's just no way his voice is ever going to compare to paul buchanan >

plp will eat itself (NickB), Sunday, 2 July 2017 22:12 (one year ago) Permalink

that's where bark psych falls a bit short for me too. His voice is nice but that's about it.

or at night (Jon not Jon), Monday, 3 July 2017 00:21 (one year ago) Permalink

k3vin k., Tuesday, 4 July 2017 05:42 (one year ago) Permalink

have fun with this guys

k3vin k., Tuesday, 4 July 2017 06:08 (one year ago) Permalink

Anyone heard the Lowland Hundred? Little group out of Aberystwyth that it's just dawned on me have elements of the Blue Nile about them (stately, nostalgic - albeit nostalgia filtered through a mining of the remote past - kinda naked). Under Cambrian Sky is a brilliant record.

The shard-borne beetle with his drowsy hums (Chinaski), Tuesday, 4 July 2017 15:20 (one year ago) Permalink

I was at that show! (Liss Ard). It was magic. Never knew there was video. Thanks for posting.

Volvo Twilight (p-dog), Tuesday, 4 July 2017 17:27 (one year ago) Permalink

jealous! i hope he tours again at some point. i'd go anywhere to watch

k3vin k., Tuesday, 4 July 2017 19:26 (one year ago) Permalink

Wow. Just stumbled across this duet version of Easter Parade with the great Rickie Lee Jones, followed by Buchanan and co joining in with a version of Jones's Flying Cowboys. Not a collaboration I would've ever expected, but it totally works.

Pheeel, Thursday, 6 July 2017 18:20 (one year ago) Permalink


k3vin k., Sunday, 16 July 2017 15:10 (one year ago) Permalink

The Blue Nile-scored Govan Ghost Story linked in the article - for completists maybe, but I've had .wav files on my PC for years of the sound cues the three members did for this. Been interesting to hear dialogue snippets and wonder what the full scene depicted. Just an hour long.

the body of a spider... (scampering alpaca), Saturday, 29 July 2017 01:40 (eleven months ago) Permalink

I haven't seen appropriate love for this unreleased track, "Meanwhile":

Pataphysician, Saturday, 29 July 2017 13:37 (eleven months ago) Permalink

ten months pass...

shirley manson on a walk across the rooftops is a nice wee read

( ͡☉ ͜ʖ ͡☉) (jim in vancouver), Friday, 8 June 2018 19:22 (one month ago) Permalink

oh man she fuckin nailed it

flamenco blorf (BradNelson), Friday, 8 June 2018 19:28 (one month ago) Permalink


k3vin k., Friday, 8 June 2018 19:29 (one month ago) Permalink

also what a great set of records she picked

flamenco blorf (BradNelson), Friday, 8 June 2018 19:29 (one month ago) Permalink

That's a great read. She says lovely things about Sulk by Associates too. She has excellent taste.

kitchen person, Saturday, 9 June 2018 03:00 (one month ago) Permalink

I think I was the only person on ILX who fell head over heels for the first Pure Bathing Culture lp. The second one was not much cop, but now they have decided to cover the whole of Hats! Not sure I want to hear Ben Gibbard singing, but the rest of the album might be good.

Stevie T, Thursday, 14 June 2018 19:47 (one month ago) Permalink

ben gibbard also did a bandwagonesque cover album.

ben gibbard, leave my treasured glasgow/lanarkshire music alone you vandal

( ͡☉ ͜ʖ ͡☉) (jim in vancouver), Thursday, 14 June 2018 20:40 (one month ago) Permalink

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