Lou Reed Solo

there's another article linked somewhere else on ILM that I can't find right now that has another account of the recording process, people involved complaining about all these heads on poles littering the studio etc.

For the record (no pun intended), binaural recording is amazing when done properly. The jazz label Chesky records all their albums that way, with just one head, and they sound fantastic.

yeah I'm a big fan of Psychic TV's Dreams Less Sweet, also recorded that way

it became a huge thing in the 90's for a while

wow new sensations is fantastic

yes it is! "Turn To Me" is easily in my top ten

wow, thanks for that link - great piece!

"if you remember too much, you weren’t there"

What could be more Lou Reed than insisting on the super-realism of live binaural recording, adding a bunch of mismatched overdubs, and then claiming the resulting sound is exactly what he'd wanted?

its own dull, flat sound

I can listen past the production. The arrangements and playing are great.

The drum sound is great too, actually.

Good article!

I find the debut's sound crisp rather than dull but I also listen to a fair bit of stuff recorded & played by muso dudes whose absolute ideal is clarity over color. to me the sound of the electric guitar on "I Love You", that intro figure, is one of the most memorable musical choices in Lou's discography - as soon as I think of it, I hear it in my head & love it.

think my main problem with the debut is the backup singers, they sound kinda lame. otherwise, i think it's a solid record!

yes it is! "Turn To Me" is easily in my top ten

― sleeve, Wednesday, September 19, 2018 9:25 AM (fifty-five minutes ago) Bookmark Flag Post Permalink

i love the way this song is just the riff suspended in empty space for the first two verses. it's a really good riff. album has a lot of really good riffs

i realllly love "fly into the sun"

"What Becomes a Legend Most" sounds like he's going for a Paul Young pastiche and it works.

So many good melodies on New Sensations jfc

Just wanted to say I'm not entirely convinced by Tom's assessment of Sterling Morrison's capacity as a guitar player. Obviously, the Velvets applied restraints to themselves in how they played (like Sterling is clearly restricting himself to a particular tessitura in what I assume is his six and a half minute solo in "I'm Gonna Move Right In").

I'd actually like to have a clearer view of what he and Lou do on guitars throughout those records but that's obtainable by more close listening and playing along.

there's another article linked somewhere else on ILM that I can't find right now that has another account of the recording process, people involved complaining about all these heads on poles littering the studio etc.

xp there's a great quote by Mo (I think, could be Yule also) somewhere about how Lou and Sterling swapped their solos on any given night according to some inscrutable internal logic

I'd actually like to have a clearer view of what he and Lou do on guitars throughout those records but that's obtainable by more close listening and playing along.

i pretty much know who's doing what — any specific songs?

I can usually distinguish Reed and Morrison. Usually.

Not who's doing what but more like chord voicings, methods of plucking, how they approached solos, gear, etc.

We've talked about this before but, yes, their lead sound/styles are totally different - even their rhythm playing is quite distinct.

"How in the world were they makin' that sound?/Velvet Underground"

https://www.youtube.com/watch?v=aAXYW-Bft5A

(Phil Milstein, from the quasi-bootleg What Goes On 3CD on Australian Raven label)

I can listen past the production. The arrangements and playing are great.

I don't think the arrangements or playing are great - it's true they are on "I Love You" though. I like the album btw!

even their rhythm playing is quite distinct.

Well...I don't see how the guitar on "Lady Godiva's Operation" sounds unlike a Morrison part.

Maybe not in every single song!

Ha, that was the first one I checked...

Adding my thanks to Shakey for the link - I just got up early and stretched out breakfast listening to Street Hassle and reading it, I don't think I've enjoyed the start of the day quite so much in a while.

lmao @ mistrial

you're payin' a price where there's no price to pay
love is trust
no money down

YET

"Tell It To Your Heart" is a classic.

yeah that song and "outside" are really good

thought you were going to say "Mama's Got a Lover"

lol i nearly did admit that i like that "the original wrapper" exists in lou reed's discography

The video jukeboxes are-a
playin Madonna

I've never heard "Mistrial". I consider myself a Lou Reed fan too. Shame on me.

before the streaming age you could 99-cent copies on Amazon

No doubt!

wow even Discogs has nothing below $2.99 plus shipping, still too much!

Mistrial >>>>> Berlin

I love how Mistrial gets dismissed most often for "dated production" when fucking Bob Ezrin's despair-on-mothballs arrangements don't scream the seventies, and the songs suck.

Now, you've gone too far.

The currents rage so deep inside us
This is the age of video violenc

mistrial is up there with take no prisoners as his funniest record

the best video ever
https://www.youtube.com/watch?v=XiyX70ZqsVQ

mistrial is up there with take no prisoners as his funniest record

"Growing Up In Public" is a hoot too.

Mistrial >>>>> Berlin

I think the time is ripe for an "Alfred's 80s records challops" thread

and I wish that it be a cheerful thread

I thought this was that thread?

Preferring Mistrial to Berlin isn't a challops. A B or B- is a better grade than a C+ or C.