NME's 'C86 Compilation'.... C&D, S&D, Say Something Interesting About, etc etc etc...

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and has there ever been a CD Reissue? In print? Available in the US?
and if not, what tracks are the ones that I should focus my attention on hunting down instead?

Lord Custos Epsilon (Lord Custos Epsilon), Sunday, 26 September 2004 19:55 (eighteen years ago) link

you shd focus yr attention on hunting down every OTHER record ever made before you bother chasing up this one

mark s (mark s), Sunday, 26 September 2004 20:02 (eighteen years ago) link

the best stuff on it is available elsewhere.

the surface noise (slight return) (electricsound), Sunday, 26 September 2004 22:27 (eighteen years ago) link

I've seen it complete on slsk.

Spencer Chow (spencermfi), Monday, 27 September 2004 02:45 (eighteen years ago) link

This description is kind of bloated:


Aaron W (Aaron W), Monday, 27 September 2004 02:50 (eighteen years ago) link

weren't McCarthy Tim Gane of Stereolab's first band? do they really sound like early Primal Scream...? Que?

derrick (derrick), Monday, 27 September 2004 05:42 (eighteen years ago) link

i love the shop assistants' "it's up to you"

the rest of this record i can take or (more often) leave

amateur!!!st (amateurist), Monday, 27 September 2004 06:49 (eighteen years ago) link

the 81 is better

gaz (gaz), Monday, 27 September 2004 06:56 (eighteen years ago) link

My favorites were The Servants "Transparent", Miaow "Sport Most Royal" (now available on the Miaow comp. CD on LTM), McCarthy "Celestial City" (no they didn't sound like early Primal Scream because they were 300 times better - yes Tim Gane's pre-Stereolab band), and Stump "Buffalo". I kinda feel anyone interested in this comp. should hear the whole thing, though and decide for themselves. Please keep in mind though the Half Man Half Biscuit song is not representative of their other stuff. I don't know whether it was ever released on CD as I never saw it as such, and I don't think it was released here in the U.S. in any form.

Bimble (bimble), Monday, 27 September 2004 07:47 (eighteen years ago) link

mccarthy were awesome, often

the surface noise (slight return) (electricsound), Monday, 27 September 2004 07:59 (eighteen years ago) link

Also, I've said it here before, but I've always found it strange that at the time the Wedding Present track on this made absolutely no impression on me whatsoever, and yet I later slowly became a pretty big fan of them.

Bimble (bimble), Monday, 27 September 2004 08:03 (eighteen years ago) link

it was available on cd at the time (or a year or two later). my first tape broke, the second one i bought was notably different and more like the cd design (less/more metallic, i can't remember).

koogs (koogs), Monday, 27 September 2004 08:06 (eighteen years ago) link

Second one you bought...on cassette? Why was it different? So it was on CD for real?? Are you kidding? If someone were to place that in my hands, even just to look at for a moment, I think I would just be gobsmacked for a week.

Bimble (bimble), Monday, 27 September 2004 08:29 (eighteen years ago) link

I sent off for this as a teenage NME reader, loved it at the time, dug it out a few months ago to play on a long-ish car journey and was amused at how lame most of it now sounds. Stump still sound like a quite appealing hybrid of Beefheart, The Fall and Derek Bailey; The Bodines and The Soup Dragons have a certain ramshackle charm, and it's amusing to hear a pre-baggy Primal Scream. But I think that I can live without hearing Bogshed or the Close Lobsters again.

john lewis (johnnylewis), Monday, 27 September 2004 10:34 (eighteen years ago) link

I still like some of it - Primal Scream's 'Velocity Girl', the Bodines' 'Therese', Stump, Age of Chance, Shop Assistants, Miaow and the Wedding Present, but I find a lot of the rest very hard to take now.

Martin Skidmore (Martin Skidmore), Monday, 27 September 2004 11:54 (eighteen years ago) link

My main problem with the C86 comp is that most of the really really awesome songs that get labeled as "C86" aren't actually on the C86 comp. They picked the wrong songs! Sure, I love "Velocity Girl" as much as the next guy, but where's "Every Conversation" by the June Brides? Where's "Safety Net" by the Shop Assistants? Where's "Up the Hill and Down the Slope" by the Loft? Where's "Rent Act" by the Wolfhounds? Granted, I know some of these songs weren't released yet. They should've waited a couple years.

Let's just say that, much like the equally-badly-chosen YES NEW YORK compilation that I'm listening to right now, it's nowhere near as good as it could have been.

Mr. Snrub, Monday, 27 September 2004 12:02 (eighteen years ago) link

I love Stump's "Buffalo" and The Primals' "Velocity Girl", but most of the songs on C86 fail to crack my indiference barrier.

We Have A Fuzzbox And We're Gonna Use It = Best C86 band name EVAH

Michael F Gill (Michael F Gill), Monday, 27 September 2004 12:31 (eighteen years ago) link

(yeah, bought two cassettes - no cd player at the time. they redesigned the sleeve, slightly, between the two editions. i think the second one gave rough trade more prominence than the first but can't really remember as i didn't keep the first one)

yeah, could've sworn it was available on cd but cddb has no mention of it... um... i could be wrong.

koogs (koogs), Monday, 27 September 2004 12:58 (eighteen years ago) link

My main problem with the C86 comp is that most of the really really awesome songs that get labeled as "C86" aren't actually on the C86 comp.
Yes. What got me interested in posting a thread was what I pulled down from a soulseek user. He had a "c86 folder" that had some peachykeen choons, but they were badly encoded. I assumed that this was the contents of the infamous "c86 comp" but apparently not. Not a track in the folder is listed on the tracklist of the comp I've seen posted on the net.
Anyone have any opinions on The Ammonites or Baby Lemonade?

Lord Custos Epsilon (Lord Custos Epsilon), Monday, 27 September 2004 15:51 (eighteen years ago) link

i liked the baby lemonade 'secret goldfish/real world' 7" but havent heard it for years.
the ammonites were not very good.

zappi (joni), Monday, 27 September 2004 15:53 (eighteen years ago) link

yeah, baby lemonade's "secret goldfish" is nice. and "jiffy neckwear creation" too. the ammonites had one ok song though for the life of me i can't remember the name of it. i think they were teen prodigies like they were 15 at the time or something.

NME C86 is an album its virtually impossible to like all the tunes on (its actually very varied) but a lot are still great. hence my email.

When people talk about "c86" they mean indie-pop deriv from 85-87 and most of that is better summed up by the 1986 compilation "Indie top 20 vol 1"...

gerardo francisco, Monday, 27 September 2004 19:51 (eighteen years ago) link

Creation's Flowers in the Sky comp is similarly like C86, but much much better (probably my favorite compilation ever).

Spencer Chow (spencermfi), Monday, 27 September 2004 19:54 (eighteen years ago) link


my second tape copy (bought in a shop about a year after nme offer) has RT catno on the spine (Rough C100) and no NME. and is missing the .022 from the front. have also found images of the LP sleeve but no mention of CD anywhere on the web.

'Doing It For The Kids' is also worth having.

koogs (koogs), Tuesday, 28 September 2004 08:14 (eighteen years ago) link

I think I've got a copy of C96 around here somewhere. Man, that was an embarrassment.

JimD (JimD), Tuesday, 28 September 2004 08:29 (eighteen years ago) link

Did the tape actually come with an issue of the NME (much like how Q and Uncut magazines always come with CDs nowadays), or was it sold separately?

Mr. Snrub, Tuesday, 28 September 2004 09:04 (eighteen years ago) link

you had to send off for it

koogs (koogs), Tuesday, 28 September 2004 09:36 (eighteen years ago) link

and later it was available in the shops along with a vinyl version and possibly imagined cd version (hence the two versions of the tape cover)

koogs (koogs), Tuesday, 28 September 2004 09:37 (eighteen years ago) link

C86 = rubbish from start to finish

Jedermann sein eigener Fussball (Dada), Tuesday, 28 September 2004 09:45 (eighteen years ago) link

calling c81 better than c86 is a bit like calling pizza better than shit pie

jess (dubplatestyle), Tuesday, 28 September 2004 09:47 (eighteen years ago) link

Must say the later (1988?) Doing it for the Kids was far better, representing the Creation side of C86 stuff (Felt, Anorak era P Scream, Jasmine Minks), containing altogether a lot less wibbling twee. The earlier Pillow and Prayers compilation on Cherry Red is also worth listening to over C86 too.

The Ammonites were great, Zappi!

flowersdie (flowersdie), Tuesday, 28 September 2004 09:55 (eighteen years ago) link

can i just give a shout-out to the vertigo sampler i bought in 1985 at the tender age of 16? it was the first place, or one of the first places, that i ever heard cocteau twins, colourbox, tones on tail, love & rockets, the cult, & this mortal coil. between that and 84's Speed Trials comp-where i first heard the fall, swans, live skull, and sonic youth-my record buying future was locked in for years to come.

okay, back to indie-pop. Loved the Shop Assistants by the way. Or at least I loved the album when it came out. Same with Fuzzbox.

also, a big influence on us anglophiliac yank kidz with the funny hair were those debut ten inches/magazines. oh boy were they! now if i could just remember the name of that group who had that duet that went "from make up to break up...I beat myself up inside". I loved that one. It was mighty twee.

scott seward (scott seward), Tuesday, 28 September 2004 10:40 (eighteen years ago) link

The Ammonites were great, Zappi!

only great when compared to, say, Screaming Custard or Cellophane or Thee George Squares (ha).

zappi (joni), Tuesday, 28 September 2004 10:48 (eighteen years ago) link

don't knock cellophance joni

cw (cww), Tuesday, 28 September 2004 10:58 (eighteen years ago) link

(haha, that woke you up!)

zappi (joni), Tuesday, 28 September 2004 11:02 (eighteen years ago) link

At the time, and shortly afterwards, I looked on C86 with some rancour, because I saw it as codifying "indie". No longer just "record released on independent label", now it meant "indie music", a genre. Floppy fringe, singer as flat as a fart, slack drumming, etc etc. I guess it would probably have happened anyway, but a little of the rancour still remains, even though I actually like some of it.

Pashmina (Pashmina), Tuesday, 28 September 2004 11:05 (eighteen years ago) link

I have the extremely limited edition tape of the Cellophane live album. It's all there. Linda Prolapse on stand up drums, Andy Anorak shouting "Havoo!" between each song. Andy Wah Wah stretching those same 3 "Taste of Cindy" chords over an entire gig. Songs about Jane Fonda's lips, fizzy ribena, jumping into sunshine and groovy cosmic anoraks.

Marvellous stuff! (Zappi, I'll do you a tape if you want, to thankyou for those Deerhoof beauties you sent me the other week).

flowersdie (flowersdie), Tuesday, 28 September 2004 11:10 (eighteen years ago) link

yeh, definitely! have you got any Reg demos as well?

zappi (joni), Tuesday, 28 September 2004 11:11 (eighteen years ago) link

oh and Holly Hobby demos (im not joking!)

zappi (joni), Tuesday, 28 September 2004 11:15 (eighteen years ago) link

fucking great AOC track .. not a floppy fringe in sight.

the rest is pretty much what i enjoyed prior to my wake up call @ end of 86 when i discovered Run DMC.

prior to that though i loved mighty lemon drops and shop assistants for several hours.

mark e (mark e), Tuesday, 28 September 2004 11:18 (eighteen years ago) link

This cutting was on the Wolfhounds website:

NickB (NickB), Tuesday, 28 September 2004 11:50 (eighteen years ago) link

i have that AOC ICA gig on cd-r. somewhere ..

bad sound.

not to mention that the band had 'issues' with the soundboard that day which messed up the gig somewhat - according to well established sources.

but fun stuff nonetheless, includes power cut !

.. and i dont mean the Noel Watson (the bands DJ later on)

mark e (mark e), Tuesday, 28 September 2004 12:05 (eighteen years ago) link

Any idea who Dump were?

NickB (NickB), Tuesday, 28 September 2004 12:14 (eighteen years ago) link

I imagine that is an unfortunate typo for Stump

Jedermann sein eigener Fussball (Dada), Tuesday, 28 September 2004 12:15 (eighteen years ago) link

Are any of these bands worth searching for? This is the track-listing from the vulcan studios comp that i have (and like-not all of it, but some). It also has arthur's farm by hmhb on it. i got this track-listing from the hmhb website. i'm already a fan of theirs though. I was gonna start a thread on the comp, but i figure this is as good a place as any.

Peter Hurst New Brighton Through The Binoculars Of The People
One Last Fight Catch Candy
Ryan Like Men Possessed
Two's A Crowd Goodnight Angel
Crikey It's The Cromptons Food For Feet
Gone To Earth No Work Today
Innocents Abroad Time Was
Fairground In Fear Of You
Jacktars Tadpole
The Decemberists Gift Horse
Magic Carpets Trick Of Fate
Da Vincis The Book
Peter Hurst/Brian N. Smithers The End

scott seward (scott seward), Tuesday, 28 September 2004 12:16 (eighteen years ago) link

Scott, there a Decemberists thread right here. I quite like a couple of their songs - there's a whole bunch of them on their webpages.

NickB (NickB), Tuesday, 28 September 2004 12:23 (eighteen years ago) link

cool, thanks, nick.

scott seward (scott seward), Tuesday, 28 September 2004 12:25 (eighteen years ago) link

Isn't that thread about a new band though? I'm confused. That Vulcan comp is really old. 1986, i think.

scott seward (scott seward), Tuesday, 28 September 2004 12:29 (eighteen years ago) link

Well, I'm obv more confused than you! Sorry, I didn't realise that was an old comp.

NickB (NickB), Tuesday, 28 September 2004 12:37 (eighteen years ago) link

Okay, quick heads up on what I downloaded from that random Soulseekers "c86 folder"

9 Steps to Ugly - Eddie Lopez lives in Slough
Very cool, proto-Sundays. Makes me wonder if that is actually Harriet Wheeler singing.

Ammonites - All We Had
Slightly better than average Britpopesque Garage Rock with a singer doing a mediocre Morrissey/Mick Hucknall impersonation.

Apple Moths - Kymri
Gag-inducingly cheesy knockoff of...I dunno...General Public or sumthin. The opening 3 seconds sounds like a jingle for Minty Kleen ass-freshener.

Baby Lemonade - Jiffy Neckwear Creation
Very, very, very badly encoded. The song sounds like an inept Fall cover band doing a version of a bad Wire b-side. And the mp3 sounds like a Victrola at the bottom of a well. (Yes, I know that this is a "The food is so terrible, and whats worse the portions are so small" kind of argument, but it is the truth.)

Baby Lemonade - Real World
Ahhhh. This is much better. Its like what would happen if Stereolab and Lush had a baby.

Balloon Farm - A Question of Temperature
Weird ass retro shit. Like a 60s garage band basing their 80s comeback on a mix of Fretblanket and TMBG's "Twisting"; though the faux soul chorus is so cheesy as to be unintentionally cool.

Jamie Wednesday - I Think I'll Throw a Party for Myself.
Yick. No wonder nobody shows up for your shindigs, you John Wesley Harding wannabe.

Jazz Butcher - Shirley MacLaine
Coulda been cool, like an upbeat version of...I dunno...Nick Cave fronting the Hoodoo Gurus. Shame the mp3 sounds like crap being squirted through a very thin tube.

Look Blue Go Purple - Hiawatha
The only thing cooler than the weird retro organ is the thickly accented brit girl pretending to be both Kim Gordon and Kristin Hersh.

Love Parade - Wounded
Whiny maudlin drivel. Starts out with yet another lame Morrissey impersonation. (and another track with tinny...no, scratch that... 'styrofoamy' sound. a 160 bitrate and it sounds like your listening to it through a door.)

Primitives - Crash (Demo)
I always loved this song. The vibe is much rawer, but the singers vocal sounds unrehearsed and slightly bored.

Wild Flowers - A Kind of Kingdom
Derivative, yet...catchy. I can't explain it, but the music sounds...aussie. The vocal tries to hard to be Bono Vox, though.

Lord Custos Epsilon (Lord Custos Epsilon), Tuesday, 28 September 2004 17:51 (eighteen years ago) link

Custos, that Balloon Farm single came out in 1967. It should have been in the C67 folder.

scott seward (scott seward), Tuesday, 28 September 2004 19:30 (eighteen years ago) link

I guess you're not a Fall fan, Pinefox, because I love the influence sprinkled around C86. The myth has always been that it was a single sound - the original tape disproves that immediately.

Stump is a great lost treasure but admittedly an acquired taste.

Gerald McBoing-Boing, Friday, 6 April 2018 15:05 (four years ago) link

In my case Stump are the opposite of an acquired taste - I liked them at the time and now I can't bear to listen to them.

Tim, Friday, 6 April 2018 15:12 (four years ago) link

i'd've like to have seen more ron johnson records in the expanded version. they don't appear to be available anywhere (not that i've looked that hard. there was an a witness compilation on amazon until recently. but i think the label comp is long oop)

koogs, Friday, 6 April 2018 15:22 (four years ago) link

(although maybe i am nostalgic for the names rather than the actual music)

koogs, Friday, 6 April 2018 15:37 (four years ago) link

Gerald, yes, your attitude to the whole thing is roughly the opposite of mine.

I can see that it isn't in fact a single pop sound (as legend has misleadingly suggested) and I tend to wish it was, because the other sounds are mostly ones I don't like.

the pinefox, Friday, 6 April 2018 15:40 (four years ago) link

thinking about ron johnson etc makes me wish there was an online archive for 'underground' magazine somewhere. maybe there is?

i'm surprised to see your screwface at the door (NickB), Friday, 6 April 2018 15:42 (four years ago) link

Tim - why, what happened?

Pinefox - I love that sound as well; I am all-in with The Bodines, Shop Assistants, Close Lobsters, Fuzzbox, McCarthy and The Wedding Present. Later I came to love Stump, A Witness, and bits of Big Flame (who get too cacophonous for even me). You'd do well to check out the C87 and C88 comps. As mentioned, they focus on the poppier side and have very few duds.

Further down the indiepop compilation road is also the "Scared To Get Happy" box.

Gerald McBoing-Boing, Friday, 6 April 2018 15:48 (four years ago) link

Close Lobsters (to a degree) and (more so) Fuzzbox and Wedding Present are not really jangly or sweet enough for me.

But I take the general point and I do sense that the 87 and 88 compilations might be closer to what I like.

the pinefox, Friday, 6 April 2018 15:50 (four years ago) link

It's apples and oranges innit. C86 was a compilation of brand-new artists while the others are retrospective genre compilations.

The connection is the use of "C86" for marketing purposes.

everything, Friday, 6 April 2018 18:03 (four years ago) link

twas called "shambling bands" not "jangling bands" at the time iirc; a jaggedness that might be clumsy and/or willed was one of the hallmarks at least as much as velvets/shangrilas indiepop template, or something.

Stump were magnificent.

anatol_merklich, Friday, 6 April 2018 20:46 (four years ago) link

"It's apples and oranges innit. C86 was a compilation of brand-new artists while the others are retrospective genre compilations."

Well the Cherry Red C86 box is both. But the songs it includes that were not on the tape include (esp CD2) stuff that's like what's on the tape. It's not that everything not on the original tape is a different aesthetic.

"The connection is the use of "C86" for marketing purposes."

But ... given that the original C86 was a particular thing (some pop, some noise, some Fall, etc), why did it become potent for marketing something else? That's the puzzle maybe.

For me the whole thing is to some extent a case study of how culture is reimagined, re-streamlined, etc, retrospectively for the needs of a later time. Though it's not entirely that, as some of what came to be casually thought of as C86 is present in the original.

the pinefox, Saturday, 7 April 2018 14:04 (four years ago) link

There's a great Stump thread on here

Mark G, Saturday, 7 April 2018 14:12 (four years ago) link

... and why did the later time have those needs?

And what time was it?

I'm inclined to pin it on the www-driven indiepop revival of c.2008-. I feel like it was around that time and subsequent years that I especially heard a lot of 'C86' as a category for indie discos, influences, etc, not particularly meaning the actual 'C86'. I feel like that was the time that the reinvention / relabelling process really took place. A clear-cut example is the idea (c.2008-) that The Pains of Being Pure at Heart drew on C86, though it would be harder really to point to a Pains record that sounds like what's on C86.

But maybe it was earlier too. Maybe all this was around by eg: the early days of Camera Obscura.

And maybe, even, by say the end of the 1980s, once some kind of idea of indie pop had been more streamlined and solidified (cf. the 87 and 88 compilations which draw on this), it was already tempting to look back and think of this in terms of C86? I can remember reviews of The Primitives in maybe 1989 putting them in this sort of context (ie: saying they were successors to Shop Assistants & Talulah Gosh, who at the time were exotic mysterious bands I had never heard).

the pinefox, Saturday, 7 April 2018 14:37 (four years ago) link

I'm sure I don't need to remind you all that the first BMX Bandits album, released in '89 or '90(?), was called 'C86'! This seemed kind of hilarious at the time because C86 was like the uncoolest thing imaginable by 1989. I don't know why the BMX Bandits called the album that but it seemed to me they were saying, "Yeah yeah, we know you think it's crap but we still like it".

Buff Jeckley (Tom D.), Saturday, 7 April 2018 14:55 (four years ago) link

... they might have just thought it was funny though.

Buff Jeckley (Tom D.), Saturday, 7 April 2018 14:56 (four years ago) link

Yes, I did need you to remind me of that.

BMX Bandits are on CD2 of the Cherry Red version with a song from 1986 itself.

I agree that releasing a record called C86 in 1990 is odd.

I don't think I have ever really heard a song by that band that I liked, but I might not have heard enough.

the pinefox, Saturday, 7 April 2018 15:00 (four years ago) link

I bought the C86 tape in a second hand shop in 1997, and I was surprised by all the Fall-influenced bands because I was expecting it all to be jangly indiepop, because that's what C86 meant at the time.

Colonel Poo, Saturday, 7 April 2018 15:02 (four years ago) link

C86 became a millstone for bands included on the album and also for some bands that weren't. BMX Bandits' C86 album is because they were one of the bands cast as and archetypal C86 band yet having nothing to do with it. And possibly because it had taken them almost 5 years to get an album out and some of the songs were from the C86 period. The cover has their skeleton mascot rising from the dead with associated iconography - just like Iron Maiden's Live After Death.

everything, Saturday, 7 April 2018 17:38 (four years ago) link

But maybe Duglas will show up on this thread to sort it out.

everything, Saturday, 7 April 2018 17:46 (four years ago) link

Stevie T pointed out to me that MIAOW was CATH CARROLL so I listened to this with new ears.

Previously I had heard or misheard it as some kind of Scritti Politti pastiche.

I also keep playing THE SERVANTS.

Despite my doubts, there is something about this compilation that responds to a lot of listening.

the pinefox, Monday, 16 April 2018 10:19 (four years ago) link

The Servants is Luke Haines's original band iirc?

you're my luger not my rifle (Noodle Vague), Monday, 16 April 2018 10:33 (four years ago) link

It was but he hadn’t joined by the time of C86.

Tim, Monday, 16 April 2018 10:41 (four years ago) link

Stevie T pointed out to me that MIAOW was CATH CARROLL so I listened to this with new ears.

Check out the Miaow compilation When It All Comes Down that LTM put out; great stuff!

early rejecter, Monday, 16 April 2018 14:25 (four years ago) link

two months pass...

Yes, that sounds like a good idea.

I have just started on the Cherry Red C87 compilation. It's very good! Better than C86!

the pinefox, Friday, 29 June 2018 15:13 (four years ago) link

three weeks pass...

CD2 of C87 is even better than CD1.

One song on it that I never really knew is LAUGH's 'Paul McCartney'. I find this tune quite compelling. Does anyone else remember and like this band?

the pinefox, Tuesday, 24 July 2018 09:11 (four years ago) link

They are on the Video comp "Gimme Shelter" put out by the NME.

Mark G, Tuesday, 24 July 2018 09:18 (four years ago) link

I know and like Laugh - our friend Dan Pantry was a big fan, PF. My favourite of their material is when they went a little dancier on SubAqua ("Good To Feel Good" off their only LP is tremendous, though I think a little less up your street.

They evolved into Intastella, who you may also remember?

Tim, Tuesday, 24 July 2018 09:35 (four years ago) link

Thanks TH! Somehow I associated you with Laugh but could not find any specific evidence of this.

I do remember the name Intastella but not, just now, the music.

The song 'Paul McCartney' - apart from its perhaps appealing title - has a kind of rhetorical and emotional urgency that I find fits well with its melody and music.

the pinefox, Tuesday, 24 July 2018 10:18 (four years ago) link

Bad news update: CD3 seems to be where the bad, gurning, wacky, tuneless sub-Fall would-be-avant-garde bands have been stowed in this compilation. I had hoped that it might be almost free of them. It's quite a disappointment after the heights of CD2.

the pinefox, Tuesday, 24 July 2018 15:31 (four years ago) link

I'd keep going, the first 8 or so bands might be along those lines but I'd be surprised if you view e.g. Jesse Garon & The Desperadoes or the Siddeleys as tuneless sub-Fall (of course I like all the supposedly bad bands at the beginning of disc 3, especially the Dog Faced Hermans and A Witness)

Colonel Poo, Tuesday, 24 July 2018 15:44 (four years ago) link

Yes, A Witness in particular has some great moments.

The next box, "C89", is coming out in a couple of weeks!

Gerald McBoing-Boing, Tuesday, 24 July 2018 16:53 (four years ago) link

I agree, Jesse Garon and (even more) Siddeleys are definitely not in that bad genre. (Though there is a Jesse Garon track somewhere that seems to have some kind of Mark E. Smith pastiche on it?) So yes I will keep going, thanks.

As a friend says, it's good that they put all that stuff together and maybe I can skip past it in future.

I like the idea of C89 but I will need to get to C88 first.

the pinefox, Tuesday, 24 July 2018 17:44 (four years ago) link

one year passes...

So C89 came out and it was solid if starting to drift into territory that I never liked, and I just listened to C90 and I'm definitely out - never was a fan of the baggy sound and there's way too many weak indie rock bands with poor singers. I was chatting with a mate about it and he said, "The action in the US was much better than the UK at the time." Which made me wonder if there's any US equivalent compilations of the 86-90 period. You'd have to have Guided By Voices, Yo La Tengo, Superchunk, Camper Van Beethoven, Sebadoh, Throwing Muses... who else?

Gerald McBoing-Boing, Monday, 2 March 2020 02:01 (two years ago) link

There were scene-specific comps like NY Eye & Ear Control, and random things like Magic Ribbons (Sebadoh, Unrest, others) — but nothing else I can think of, that early, which would have brought together a bunch of disparate bands like those you mention.

Murdered-Out Highlander XLE (morrisp), Monday, 2 March 2020 02:33 (two years ago) link

feels like there were a lot of major label samplers with a real mixed bag that weren't memorable as compilations (I remember a Capitol sampler cassette that had the Cocteau Twins and Motorhead on it)

avellano medio inglés (f. hazel), Monday, 2 March 2020 02:37 (two years ago) link

This Shimmy Disc comp is another (very) rough analogue.

Murdered-Out Highlander XLE (morrisp), Monday, 2 March 2020 03:00 (two years ago) link

It was all very scene/city/label–specific.

Murdered-Out Highlander XLE (morrisp), Monday, 2 March 2020 03:07 (two years ago) link

Yes, in the United States compilations are going to be mostly label-specific in this era. Sub Pop 200 and The Wailing Ultimate capture a good segment of it.

Julius Caesar Memento Hoodie (bendy), Monday, 2 March 2020 03:08 (two years ago) link

two years pass...

So why not a slight backtrack?


Ned Raggett, Monday, 8 August 2022 15:09 (five months ago) link

They should give the C86-era stuff a rest and do C81

you can see me from westbury white horse, Monday, 8 August 2022 15:34 (five months ago) link

Not that I'm not grateful, mind, I'll buy this eventually. I think I've gone off box sets for a while because I've found going through Grapefruit's psych/prog-pop boxes exhausting and I just want things to arrive in smaller chunks :(

you can see me from westbury white horse, Monday, 8 August 2022 15:36 (five months ago) link

They definitely have a model they follow it's true.

Ned Raggett, Monday, 8 August 2022 15:37 (five months ago) link

I put on C96 the other day, some good stuff on there, also some not so good stuff.

link.exposing.politically (Camaraderie at Arms Length), Monday, 8 August 2022 15:53 (five months ago) link

Thought the revive would be about this new book by some bloke who's tracked down all the members of the C86 bands and what they're doing now:


lord of the rongs (anagram), Monday, 8 August 2022 17:42 (five months ago) link

There appear to be two current C86 threads. Unlikely as that must seem.

Buckfast At Tiffany's (Tom D.), Monday, 8 August 2022 18:21 (five months ago) link

two months pass...

Giving C85 a spin, a LOT of this got airplay at my college radio station at the time. As with all of these comps, some I still rate, some I've moved on from, and hopefully some I passed over grab me now. I'll settle for one revelation, really.

Gerald McBoing-Boing, Friday, 4 November 2022 20:00 (three months ago) link

two months pass...

I've been listening to C87 (3CD), CD3, a lot. The first 8 tracks on the disc are experimental / noisy garbage that I have to skip. But then there's a quite strong run of tracks including Jesse Garon & the Desperadoes, the always good Siddeleys, and others.

The thought that strikes me and I wish to relay is: we all know of an association between 'C86' and 'twee', implying things like androgyny that have been talked to death already. What I hear in most of these bands, especially the ones with male singers, is something else. Defiance. A shaky swagger. A precarious pomp. There's a note of almost macho, certainly male, confidence, but one that's also undercut by the smallness of the whole enterprise.

the pinefox, Friday, 20 January 2023 09:14 (two weeks ago) link

> The first 8 tracks on the disc are experimental / noisy garbage

1. DOG FACED HERMANS – Catbrain Walk
2. STUMP – Tupperware Stripper
3. GAYE BYKERS ON ACID – Everything’s Groovy
4. BOG-SHED – Tried And Tested Public Speaker
5. A WITNESS – Red Snake
6. MACKENZIES – New Breed
7. THE SHRUBS – Edith

there's a great compilation that focuses on this kind of stuff (and a book) - Death to Trad Rock (although oddly it also includes the wedding present).

i'd also like the ron jonson stuff to be more wildly availably (maybe it is, but last time i looked there was one compilation, lp only, not re-pressed)

koogs, Friday, 20 January 2023 10:51 (two weeks ago) link

It does seem like a neglected area of music but then I suppose it wasn't exactly popular!

A Drunk Man Looks At Partick Thistle (Tom D.), Friday, 20 January 2023 11:04 (two weeks ago) link

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