Is he still on someone's playlist here or is he too by-gone to mention? I recently rediscoverd some of his obscure b-sides from the 80s (Gyp the Blood) and still liked the fun of it
Obscene and not to be seen?
― Erik, Sunday, 25 November 2001 01:00 (eighteen years ago) link
― Ned Raggett, Sunday, 25 November 2001 01:00 (eighteen years ago) link
I'm not suprised at your amount of Marc Almond collection, that man
is the most productive solo artist around. Do you have the song he
released with Sally Thims, where he fights with her in a husband and
wive quarrel, hilarious.
I have a little bit difficulty with the pathos of Mother Fist
nowadays. too pretentious.
― erik, Sunday, 25 November 2001 01:00 (eighteen years ago) link
― geoff, Sunday, 25 November 2001 01:00 (eighteen years ago) link
Another one from the attic is Marc singing a jazzy-song called Skin
in collaboration with the Burmoe Brothers. On the b-side is a
Scandinavian singer in a Brecht/Weill-period piece.
I will have a go at the live-album and the recommended Open All Night
one if I can, to keep me from getting too obscure.
"lipstick where I never seen lipstick marks before"
― , Sunday, 25 November 2001 01:00 (eighteen years ago) link
Fave at the moment the 1984 Shining Sinners, where West Side Story
meets Rocky Horror, Marc crooning through a streetfight-scene with
some beautiful vampire hunk:
"I want to shake your hand, you little runt, for having the guts to
walk in to my neighborhood/ "I like you"/ and with that he died"
...years later it was all Querelle around the clock
What about his retro-glam-album "Fabtastic Star" is it worth checking
― erik, Monday, 26 November 2001 01:00 (eighteen years ago) link
― Sean, Monday, 26 November 2001 01:00 (eighteen years ago) link
Patchy. Stick with the singles.
― Ned Raggett, Monday, 26 November 2001 01:00 (eighteen years ago) link
Say hello wave goodbye
I stick to the sequins...
Well first the subject line's all wrong. Marc Almond's music is not
obscene, sometimes it's erotic and often it's perverse (not
necessarily sexually, perversity comes in many varieties!). Nor is
his music obscure. It's fairly accessible, especially to people used
to listening to a variety of music.
I'm not a Marc Almond fan from way back. I only discovered his music
fairly recently. The two most recent albums Open All Night and
Stranger Things are amongst my favorites. I concur with
everything Ned wrote about Open All Night. Stranger
Things has been quite controversial with his fanbase. He made it
with Icelandic producer Johan Johanssen. It's got a big, spacious
cinematic sound. The emphasis is more on the singing and the music
rather than the lyrical content. It's one of those records that you
need to give a few listens to before making up your mind. I find it
very moving. I know that some people prefer the elaborate, dreamlike
songs from the late eighties but I like the greater emotional realism
and depth of the recent music.
Fantastic Star is a mixed bag. There's some really good things about
it. Some of the lyrical content is wonderful. It's quite a long album
(16 tracks). I've got a 12 track way of playing it that works for me
and it feels like a full album anyway.
Anyway, he's definitely not a hasbeen. He's a very creative and
driven artist. Currently he's making an album in Russia of Russian
songs with a variety of different Russian musicians. I'm looking
forward to this one when it's eventually released.
― Amarga, Friday, 30 November 2001 01:00 (eighteen years ago) link
― Ned Raggett, Friday, 30 November 2001 01:00 (eighteen years ago) link
After disbanding Soft Cell, vocalist Marc Almond pursued a solo
career that followed the same vaguely sleazy, electronic dance-pop
his former group had made popular. [Really! I thing that, if
you're looking for continuity, his recordings with the Mambas give
more of a sense of where he was coming from.] Almond's strength
was never his personality [Is this some sort of typographical
error? I mean Marc Almond may be accused of many things with at least
some justification, but lack of personality is not one of them.] —
his voice tends to waver around the notes instead of hitting them
[Oh yes, the off-key accusation! Has this reviewer actually sat down
and listened to Marc's solo recordings?] — it was the atmosphere
he created with the synths and drum machines. [Well I've got Marc
Almond's first solo album 'Vermin In Ermine' sitting next to me.
Let's see what instruments are listed: Piano, Vibes, Bass(Bowed &
Plucked) Cello, Keyboards, Guitar, Drums, Sax, Trumpet, Flugal Horn,
Violin, Percussion... I suppose Synths and Drum Machines sums it up
― Amarga, Saturday, 1 December 2001 01:00 (eighteen years ago) link
― Ned Raggett, Sunday, 2 December 2001 01:00 (eighteen years ago) link
Is there any more info abt that album? from what period are the
songs? is he going 30s social realism (maybe after all it is not such
a big step as he did Brecht/Weill stuff and recorded with Jim Foetus
(the slut song?) who made his recordsleeves in stalinistic propaganda-
So it turns out I'm myself the only bygone-to-mention person around
here as I have not listen to any almond stuff after 1989 ;-)
― erik, Sunday, 2 December 2001 01:00 (eighteen years ago) link
Also did you check out the photographs of Marc's Russian Album Diary
while you were looking at the theatre website. You can find them at:
Some of those characters look as though they could have lengthy
Russian novels based on their lives!
― Amarga, Tuesday, 4 December 2001 01:00 (eighteen years ago) link
― Ned Raggett (Ned), Saturday, 29 November 2003 21:06 (sixteen years ago) link
The selection of collaborators is equally amazing. There's a 98 year old woman called Alla Bayanova who's the Queen of Russian Gypsy song and who recently celebrated 80 years of performing. There's the formidable Ludmilla Zykina, the Commie Diva beloved by the Politburo and still popular with Putin apparently. There's Boris Grebenshikov and his band Aquarium. There's a singer called Ilya Lagutenko with a rather strange voice who is part of a band called Mumiy Troll which I'm told is Russia's answer to Britpop. A few of the tracks are simply voice and piano but with one of the most fantastic piano players I've ever heard. Marc Almond also sings in Russian quite a bit.
If I had to recommend one song to listen to, I would suggest a song called Storks which commemorates the dead soldiers of world war two. It's very beautiful and sad in every way, the words, the singing and the arrangement. Listen for the honking of the flock of birds.
― Amarga (Amarga), Sunday, 30 November 2003 00:25 (sixteen years ago) link
So, any more ppl listened to the Almond 'Russian album' yet? Feeling strongly about it either way? Care to add more comments?
Me, I've only heard two songs on the radio: "Gosudaryunia" just a few minutes ago (wonder why it's spelled like that exactly, tho) that sounded 'decent enough' to me, but the other one - no idea what's its English title on the Almond alb, could be smth 'bout a "field" (in Russian at least that song is about a "polyushka-pole") and that field song didn't win me over at all... Even more, it appeared quite miserably shallow - which amazed me, because 'shallow' is not something I'd usually associate with Marc Almond.
Well, I certainly am a pretty biased listener as far as such a repertory, or at least a part of it, is concerned - there've been a coupla hundred times too many when I've heard certain pieces that did, or were made to, belong in the routine soviet-patriotic vocal arsenal back in the day. And performed by many a rather little likeable choir or diva.(E.g. as per 'the formidable Ludmilla Zykina', some of her songs/versions of yore could definitely send me fleeing all the way to Timbuktu even now). And Almond partakes of that sort of repertory too, I gather. And wonder what the heck he manages to do with it.
Anyway.Amarga says above that "Storks" is a great track. Any other impressive successes that've really blown you away?
― t\'\'t (t\'\'t), Sunday, 18 January 2004 23:38 (sixteen years ago) link
― Bob Six (bobbysix), Sunday, 18 January 2004 23:45 (sixteen years ago) link
― t\'\'t (t\'\'t), Sunday, 18 January 2004 23:49 (sixteen years ago) link
Marc's 50th birthday is here and if you go here to the 'friends and colleagues' link you'll find a number of familiar faces. (As for the quiz, I got 35 out of 50.)
― Ned Raggett, Sunday, 8 July 2007 18:13 (thirteen years ago) link
Last night I heard the song he did with Nico called "Your Kisses Burn". I am still in complete awe over that.
― Bimble, Sunday, 8 July 2007 19:22 (thirteen years ago) link
This seems like the right thread to mention Marc's new record "Orpheus in Exile - Songs of Vadim Kozin", a collection of songs by and associated with the Russian singer-songwriter. A more intimate production, but it's a worthy follow-up to "Heart on Snow", and Marc is in great voice.
― Soukesian, Monday, 26 October 2009 20:19 (ten years ago) link
Yeah, I'm writing up the review for the AMG for this tonight -- the whole story of Kozin is involving (and ultimately saddening) and it's wonderful to hear how Marc brings his story to life in many ways.
― Ned Raggett, Monday, 26 October 2009 20:20 (ten years ago) link
have a friend who saw him at a Jacques Brel tribute thing in London recently, was said to have been all kinds of great. Including when duetting with Momus.
― FC Tom Tomsk Club (Merdeyeux), Monday, 26 October 2009 20:26 (ten years ago) link
Hahah well yes.
― Ned Raggett, Monday, 26 October 2009 20:43 (ten years ago) link
Varieté is a studio album by Marc Almond. The album will be released on July 13, 2010 on Cherry Red Records.
Disc: 11. (Intro)2. Bread And Circus3. Nijinsky Heart4. The Exhibitionist5. The Trials Of Eyeliner6. Lavender7. Soho So Long8. Unloveable9. Sandboy10. It's All Going On11. Variety12. Cabaret Clown13. My Madness And I14. But Not Today15. Swan Song16. Sin Song
1. My Evil Twin2. A Lonely One3. Cat Dancer4. Criminal Lover5. I Am No One6. Smoke7. Kiss The Ghost (Goodbye)
― Bee OK, Friday, 16 July 2010 04:47 (ten years ago) link
Somehow I kept thinking this was already out -- can't wait to hear it, of course. I think he's said this one might be his last one featuring original songs as he'd prefer to concentrate on covers and standards in the future.
― Ned Raggett, Friday, 16 July 2010 04:52 (ten years ago) link
i was about to post: paging Ned, ILM is paging Ned.
― Bee OK, Friday, 16 July 2010 04:57 (ten years ago) link
i only know The Stars We Are and it is brilliant.
what Solf Cell album should i own?
― Bee OK, Friday, 16 July 2010 05:00 (ten years ago) link
Well, all of them (the reunion one aside, some charming moments but...). Non-Stop Erotic Cabaret is for many the be-all and end-all and deservedly so, it's arguably the first overtly Suicide-referencing album to be a smash pop hit. (You know, like Maya.) A stellar run of songs, holds together as an album still, cheap on the one hand, produced by Mike Thorne with careful detail on the other. But The Art of Falling Apart and This Last Night in Sodom are no less compelling, if very much steady turns away from the pop world Marc's always had a very ambivalent relationship with.
This all said, you really could do worse as a starting point than to go with the 12 Inch Singles collection, three CDs worth of all the original remixes and B-sides and so forth. Ignore the later remixes and you've got yourself a hell of an overview. There's various further compilations out there; the original The Singles remains unimpeachable.
― Ned Raggett, Friday, 16 July 2010 05:06 (ten years ago) link
Personally I prefer Almond's solo material to Soft Cell. Especially on the first SC album his singing is so bad, it got much better later on.
My favourite Marc album is probably Enchanted, I can't believe AMG gave it only like 1,5 stars or something... Sure, the combination of dance beats and melodramatic strings on it is kinda cheesy, but I think it fits the camp nature of the tunes perfectly. And the actual songwriting is among his strongest: "Waifs and Strays", "Toreador in the Rain", "Death's Diary" - how can you not love these?
― Tuomas, Friday, 16 July 2010 06:54 (ten years ago) link
I listened to the new album just a couple of times, but it seems good.A couple of songs were written with Michael Cashmore (ex Current 93) and the general mood is, well, moody. The bonus cd maybe is even better: stripped out, smokey, noirish, a couple of songs have a kind of rockabilly nuance.
― Marco Damiani, Friday, 16 July 2010 07:21 (ten years ago) link
― Ned Raggett, Wednesday, 11 July 2012 03:23 (eight years ago) link
can't believe I haven't heard "The Stars We Are" until now.
― the little prince of inane false binary hype (Alfred, Lord Sotosyn), Thursday, 21 March 2013 00:25 (seven years ago) link
But I'm glad you did. He's been recording lately, also has some performances lined up later in the year. Resigned to never seeing him again in the States but at least I have seen both him and Soft Cell.
― Ned Raggett, Thursday, 21 March 2013 00:29 (seven years ago) link
I can't believe I haven't heard Torment and Toreros until now, I'm halfway through it now and still can't quite believe what I'm hearing. Holy fuck!
― Welcome To (Turrican), Thursday, 13 November 2014 13:05 (five years ago) link
Like throughout the course of this album, I've went from laughing, to being deeply moved, to being genuinely terrified and back again. Man, this fucking record!
― Welcome To (Turrican), Thursday, 13 November 2014 13:09 (five years ago) link
Yup, completely exhausted after that. Can't see me listening to it for a while, but I undoubtedly will again.
― Welcome To (Turrican), Thursday, 13 November 2014 13:48 (five years ago) link
Deep regret I couldn't make the live performance at Meltdown a few years back, but such is life. Meantime, he has a new album and tour soon -- this was an insanely busy year for him, with the Tyburn Tree collaboration, Ten Plagues and the various Dancing Marquis tracks, so The Velvet Trail just feels like his usual overdrive will continue without a pause.
― Ned Raggett, Thursday, 13 November 2014 13:57 (five years ago) link
Woah, this collab with Ian Anderson(!) on flute! Would totally have nommed it for ilx-tracks-2019 had I heard it before the deadline (slightly annoying repeated flick-like noise artifact(?) in the chorus aside). Few can mouth "turmoil" with such delicious disgust.
― anatol_merklich, Friday, 10 January 2020 11:01 (eight months ago) link
― SQUIRREL MEAT!! (Capitaine Jay Vee), Friday, 10 January 2020 14:10 (eight months ago) link