David Chesky: The Agnostic. An oratorio exploring atheist and humanistic themes.Leonard Bernstein: Candide. A musical setting of Voltaire's play.
Frederick Delius: Requiem. Dedicated to "young artists fallen in the war" (WWII), Delius work is a celebration of life and renewal without religion.
The Wizard of Oz is a very self-reliant movie, that shows the authority figure, the Wizard, as a complete fraud. In his incarnation in Kansas, he is Professor Marvel, a con artist with less power. Dorothy finds out she has the power to change her life with the help of her three friends, but she had to learn it herself, as Glinda the Good Witch tells her.
Richard Strauss: Also Sprach Zarathustra. Tone-poem inspired by the writings of Friederich Nietszche.
Carmen by Bizet--hailed by Nietzsche as the "Dionysian" opera. The heroine, Carmen, is a Gypsy who openly scorned Bourgeois and Christian values.
Camina Burana by Orff--based on Medieval lyrics. An overtly "Dionysian" celebration of sensual life such as wine, sex, and nature.
Chansons Madecasses by Ravel--A chanson-cycle using the viewpoints of the "native people" in Madecascar. The second song is explicitly anti-colonialist and anti-Christian.
Charles Ives: General William Booth Enters Into Heaven. Setting of the Vachel Lindsay poem lampooning the fundamentalist preacher.
― Sébastien Chikara (Sébastien Chikara), Saturday, 24 April 2004 21:41 (nineteen years ago) link