― marc a contreras, Saturday, 28 February 2004 15:09 (thirteen years ago) Permalink
― David Vincent Mathis, Sunday, 16 April 2006 17:18 (eleven years ago) Permalink
DMV: Get a piece of notebook paper and roll it into a cone (.3" diameter on small end / 2" diameter on large end). Connect the safety pin to the small end and touch the point to a spinning record. You are now Edison, MUSIC IS MAGIC.
― Aaron Couch, Sunday, 16 April 2006 20:25 (eleven years ago) Permalink
Any clue on what I can do?
― Pleasant Plains /// (Pleasant Plains ///), Sunday, 16 April 2006 20:40 (eleven years ago) Permalink
― Aaron Couch, Sunday, 16 April 2006 22:57 (eleven years ago) Permalink
― electric sound of jim (and why not) (electricsound), Sunday, 16 April 2006 23:10 (eleven years ago) Permalink
If you can't figure it out, post the model numbers
― dave vire think (dave225.3), Monday, 17 April 2006 00:02 (eleven years ago) Permalink
― Pleasant Plains /// (Pleasant Plains ///), Monday, 17 April 2006 00:51 (eleven years ago) Permalink
― dave vire think (dave225.3), Monday, 17 April 2006 13:26 (eleven years ago) Permalink
I'm now using a Yamaha P-750 for the home. It sounds just great. However, it is loaded with buttons and knobs, and its manual has never been posted online. Anyway, there is a LOCK/FREE flipswitch by the base of the tonearm. I've farted around with the thing, but I don't know what it does. Help!
― QuantumNoise, Sunday, 7 October 2007 19:31 (nine years ago) Permalink
I'd imagine it is to lock it in place when you transport it so the tonearm doesn't get damaged.
― Chewshabadoo, Monday, 8 October 2007 13:11 (nine years ago) Permalink
Thanks. I'll try securing the tonearm in the clasp, then flipping the switch to LOCK -- see if that somehow locks it in there.
― QuantumNoise, Monday, 8 October 2007 15:05 (nine years ago) Permalink
I have just purchased a Pro-Ject Debut III (partly due to people recommending it here) and am finding there's something weird about the tonearm/cartridge/needle/I'm not sure — I get this humming sound, mostly in the right channel. If I move the tonearm a little, especially if I lift it so it touches the anti-skating weight support hoop, I can usually get the hum to go away... but it comes back after a few minutes.
Does this sound familiar? Is there a way to fix it? Do I have to "adjust the azimut," whatever that is?
This is my first serious turntable — before I just had this old Garrard changer and didn't ever have to do any assembly or anything, just replaced the needle once or twice.
― eatandoph, Saturday, 1 March 2008 07:25 (nine years ago) Permalink
Do you have the grounding wire connected? (little fork shape cable that runs beside the two phono connections - should screw on to a post on your amp/ phono stage)
If that's not it then it might be a loose connection from the arm to the cartridge - 4 connectors with fiddly little sleeves that fit over 4 posts on the cartridge; try touching them one by one and see if the hum changes or goes away...
― sonofstan, Saturday, 1 March 2008 08:11 (nine years ago) Permalink
Thanks for your reply. The grounding wire is connected. If I touch the metal screws connecting the tonearm to the cartridge, the hum reduces but doesn't quite disappear. Touching the sleeves (black, rubbery things?) makes the hum louder.
― eatandoph, Saturday, 1 March 2008 08:26 (nine years ago) Permalink
Ok - without hearing the hum, its hard to tell (and might be hard to tell anyway) if it doesn't entirely disappear when you touch anything on the cartridge, it suggests a more fundamental earthing problem; if you've just bought this, the safest - and cheapest - thing might be to bring it back to the shop, and either get a replacement or get them to fix it......
― sonofstan, Saturday, 1 March 2008 13:12 (nine years ago) Permalink
I just had a similar problem and it ended up being an internal ground in the cartridge itself. Replacing the cartridge solved it....if it's a good shop they should definitely be willing to replace or fix.
I have a Rega so I'm not sure exactly how the Pro-Ject's ground out...the Rega ground internally in the arm...so it could be a number of things but maybe if you have another old cartridge around it might be worth throwing it on just to see if that solves it.
― M@tt He1ges0n, Saturday, 1 March 2008 14:43 (nine years ago) Permalink
Thanks again.... I ordered the turntable from NeedleDoctor, which makes returning it a hassle, but I'll probably do that since even the prospect of replacing the cartridge frightens me terribly. (NeedleDoctor provide a link to this Beginner's Guide, but just the list of "tools at a glance" is intimidating.)
― eatandoph, Saturday, 1 March 2008 20:19 (nine years ago) Permalink
Just read the guide....... have the say, I've changed cartridges without a tweezers loads of times but it makes sense to use one; is there anyone local who does repairs who could swap the cartridge if just to eliminate that?
― sonofstan, Saturday, 1 March 2008 20:27 (nine years ago) Permalink
'have to say'
Hey guys I've got a Pioneer PL-990. My cat knocked it off the stack last night and I think the motor might be fucked up: the platter is spinning v irregularly. I thought I might just need to rethread the belt, so I did, but no dice.
Any other suggestions? If it is the motor, is it cheaper to get a motor and repair/have it repaired, or do I just need a new turntable?
― BIG HOOS aka the steendriver, Thursday, 3 July 2008 22:48 (nine years ago) Permalink
i'm getting a cat
― usic, Thursday, 3 July 2008 22:53 (nine years ago) Permalink
pics or its not true
― BIG HOOS aka the steendriver, Thursday, 3 July 2008 23:16 (nine years ago) Permalink
HALP u guys
― BIG HOOS aka the steendriver, Friday, 4 July 2008 00:28 (nine years ago) Permalink
In case you want to geek out - http://www.vinylengine.com
― factcheckr, Saturday, 5 July 2008 15:22 (nine years ago) Permalink
A repair might work, but it's going to cost you parts and labor and you'll still be left with a Pioneer deck. Double your costs and you could end up with something much better—for example,
― Michael Train, Saturday, 5 July 2008 17:04 (nine years ago) Permalink
hoos, kinda echoing michael, but yeah getting them fixed is tough. very few places fix turntables anymore, don't know abt your city.
if you don't want to step up to the 300+ range, like the Rega P1 (which i own) or the Pro-Ject, then i'd definitely check craigslist you can find some great deals on there.
― M@tt He1ges0n, Sunday, 6 July 2008 22:56 (nine years ago) Permalink
remedial turntable question: with an old, 80s all-in-one cassette/turntable unit, will a microphone input work as a line-in/auxiliary setting? would i be able to run music from a computer through the stereo? and is there a big disadvantage in it being a single jack input, rather than a dual phono red/white input?
― schlump, Tuesday, 30 September 2008 14:50 (eight years ago) Permalink
I would try it, but most mic imputs are a lower impedance level than line inputs. some of those older systems have built-in preamps though. the jack is probably 1/4" stereo, but it might be mono (which might also be a problem for you).
― sleeve, Tuesday, 30 September 2008 14:56 (eight years ago) Permalink
ehh, i think i might just go for it. there's always headphones if not. thank you.
― schlump, Tuesday, 30 September 2008 14:59 (eight years ago) Permalink
i bought this, by the way, it being small enough to fit my needs and also being really cool. i was shocked - SHOCKED - to see how cheap stereos are generally on ebay, though; anything without a cd player, even if it's separates with a turntable and decent speakers, can be had for >$75, inc. shipping.
― schlump, Wednesday, 1 October 2008 12:43 (eight years ago) Permalink
anyone got any experience with packing and shipping a turntable overseas?
it's a thorens td 160 in exc
― cozwn, Thursday, 15 January 2009 00:59 (eight years ago) Permalink
I have an experience receiving turntables sent air mail.
Dust covers shattered, a lag (in the spinning part) in both of them which never really went away, and unsurprisingly little foam/air bags in the box.
Should have known, the guy's name was Elvis Santana.
― mehlt, Thursday, 15 January 2009 01:05 (eight years ago) Permalink
did you get a refund?
― cozwn, Thursday, 15 January 2009 01:06 (eight years ago) Permalink
At a minimum you need to strip the thing down. Most important is to take the platter off. I'd pack it under the turntable where it can do the least harm
There are also sometimes shipping screws for the suspension accessed from under the turntable. If you don't have a manual for the 160, sometimes you can get one online. Tightening the screws will immobilize and protect the suspension.
Tie down, or tape down the tonearm to the support so that it can't get loose and damage itself or the stylus.
If the stylus has a cover, pop it into place, or take the stylus out if that's easily done. Some styli come as an insert that is removable from the larger cartridge.
Unscrew the counterweight from the tonearm.
In a perfect world, think about shipping the plexiglass cover separately. They're fragile and crack/scratch easily; if you don't pack well, the turntable (and especially the platter) can shift around and damage them.
― Michael Train, Thursday, 15 January 2009 03:47 (eight years ago) Permalink
Xpost, we sent back the non-working mixer and got much more than it was worth. I managed to get two years of use out of those turntables though, although there were always good and bad days with them.
If you have an original box they came in, preferably with appropriate fitting pieces of styrofoam that keep it in place, I imagine that would be a good receptacle.
― mehlt, Thursday, 15 January 2009 04:16 (eight years ago) Permalink
thanks michael, just what I was looking for
― cozwn, Thursday, 15 January 2009 08:06 (eight years ago) Permalink
reposted from another thread (threads, actually, my mistake(s))
I think I'm going to get a new set of Shure cartridgesI'm looking at these and realizing that it might be worth the extra 17 (X 2) dollars to step up to something better, namely the M44-7, especially if it's going to have a significantly longer life than a more entry level cartridge.
I really don't know anything about needles, I'm changing them now because I got a pair that came with used turntables and I'm afraid they're worn out (there's skipping here and there, sometimes I have to raise the counterweight, etc.), but ultimately I have no idea. I'm not playing at clubs or on a HiFi system, so I'm not sure (not shure?) what difference it ultimately makes for someone like myself.
― EDB, Tuesday, September 15, 2009 8:32 PM (Yesterday) Bookmark Suggest Ban Permalink
― EDB, Wednesday, 16 September 2009 14:57 (seven years ago) Permalink
It's going to wise to change your cartridges if they've seen a lot of use as they wear down, and eventually get to a point where they might start damaging your records.
Always set the weight of the cartridge to the maximum recommended by the manufacturer - less weight could mean the arm may bounce up and down, again damaging records. As a general rule, hi-fi carts are set to around 1.5g, house and techno DJ carts where some back-cueing is used are around 3.5, and scratch DJs will use at least 5g to lessen the possibility of skipping.
Records skipping can sometimes just mean the records are damaged of course.
It's always good to have some spare cartridges around just in case anyway - they'll last virtaully a lifetime if not used.
― Chewshabadoo, Wednesday, 16 September 2009 15:10 (seven years ago) Permalink
I'm sure you know this, but for anyone who doesn't:
― Chewshabadoo, Wednesday, 16 September 2009 15:13 (seven years ago) Permalink
Actually ignore that - it's good up until point 4, which seems plain wrong. Just turn the counterweight to the required number which should correspond to the weight you are after. If setting DJ tracking weights you may need to add a weight to the headshell (very often this will be a small coin held on with blutack!)
― Chewshabadoo, Wednesday, 16 September 2009 15:16 (seven years ago) Permalink
The link that should have been where I wrote that was lost, so there it is again.
Thanks, though. Mainly I'm mixing records, so I'm concerned about wear. At this point I'm definitely going to buy new cartridges, the question is whether the M44-7 is worth the extra $17 (times two, $34) dollars over the M92E for a bedroom DJ like myself, looking in the long run (i.e. how long these will last for, etc.)
― EDB, Wednesday, 16 September 2009 15:22 (seven years ago) Permalink
Sorry, can’t help you there, I’ve always been an Ortofon man myself. The main thing to take into consideration with wear is that a spherical diamond will damage records much less when back-cueing, but will not have the clarity of an eliptical diamond.
― Chewshabadoo, Thursday, 17 September 2009 12:34 (seven years ago) Permalink
Well I got cartridges and everything is set up (properly, I hope). My question now is what's the deal with this screw in the cartridge at a 23% angle business? I've had Stanton cartridges which came pre-angled, but turned clockwise, and with a straight tone arm if that makes a difference?), but otherwise I am again in the dark, but it seems to make sense, and better tracking is better tracking...
Are there potential pitfalls to this? If it's angled at say 15, 20 percent will it make a difference?
― EDB, Saturday, 19 September 2009 04:33 (seven years ago) Permalink
You can get pfs of protractors to help with alignment. Make sure you print at 100%
I've just used the 'stupid protractor' in the past. Haven't bothered the last few times tbh.
― Chewshabadoo, Saturday, 19 September 2009 09:08 (seven years ago) Permalink
An hour researching on google and I still have no idea how to use that.
― EDB, Saturday, 19 September 2009 16:07 (seven years ago) Permalink
You just print them out, make a hole where the blank dot is and then place it on your turntable to see if the cartridge lines up (more or less) in both positions when viewed from above. Simples.
― Chewshabadoo, Sunday, 20 September 2009 13:06 (seven years ago) Permalink
So, when do you know when it's time to replace styli?
― Tonight I Dine on Turtle Soup (EDB), Saturday, 3 July 2010 17:29 (seven years ago) Permalink
When your music sounds like shite! How long have you had it, and how much music do you listen to a week?
― Chewshabadoo, Saturday, 3 July 2010 17:57 (seven years ago) Permalink
The first sign for me is always that LPs start to sound a little fuzzier toward the center of the record.
― timellison, Saturday, 3 July 2010 17:59 (seven years ago) Permalink
aight, was just thinking that if the current cartridge was decent and you weren't looking for an upgrade it would have to be a bit cheaper and easier to just replace the needle
but maybe the AT95E is better value, and then you can replace that needle instead in five years
― niels, Saturday, 7 January 2017 22:00 (six months ago) Permalink
Shure is solid, Ortofon 2M Red is sub $100 and another solid choice (it's kinda the entry level to their audiophile line).
― 𝐌𝐀𝐁-BAM-O BAM A – 𝐔𝐒-H US SEIN-U.S.-UNITED STATES (GOTT PUNCH II HAWKWINDZ), Sunday, 8 January 2017 01:09 (six months ago) Permalink
Honestly never felt Audio-Technica were much cop but it's all in the ear of the beholder.
― 𝐌𝐀𝐁-BAM-O BAM A – 𝐔𝐒-H US SEIN-U.S.-UNITED STATES (GOTT PUNCH II HAWKWINDZ), Sunday, 8 January 2017 01:10 (six months ago) Permalink
2m red cartridge is indeed a good entry point and when the needle wears thin you can exchange it for the 2m blue needle
― niels, Sunday, 8 January 2017 10:44 (six months ago) Permalink
The Ortofon 2M Red is what came pre-fitted with my Pro-Ject Debut Carbon and I can't find fault with it. What I have now is vastly different to my idiot-audiophile days, especially downstream of the sources, and my listening habits are very different too, but I don't find myself hankering over anything better. Mad good separation (or else phase issues that make everything more 3D, who knows), nothing harsh, great low end.
― Michael Jones, Sunday, 8 January 2017 11:47 (six months ago) Permalink
I have the 2M Blue, it's good but I'll never love a cart like the now discontinued Denon DL 160 :(
― blonde redheads have more fun (upper mississippi sh@kedown), Sunday, 8 January 2017 15:22 (six months ago) Permalink
Does anyone have a picture of a 1200 w/ ortofon blue / red from above so I can see the overhang? I've been trying to adjust mine by using a paper protractor from VinylEngine but I'm not sure I've done it right. Bass response seems to have been minimized.
― brotherlovesdub, Sunday, 8 January 2017 23:14 (six months ago) Permalink
I'm not sure, but I don't think bass response is where you'd suffer
― Sufjan Grafton, Sunday, 8 January 2017 23:31 (six months ago) Permalink
I'm wondering if I need to adjust the counterbalance now that the cartridge has been moved forward. I guess I should just recalibrate with the new position
― brotherlovesdub, Sunday, 8 January 2017 23:37 (six months ago) Permalink
Yeah, I'd readjust tracking force to be sure. And the VTA.
― Sufjan Grafton, Sunday, 8 January 2017 23:40 (six months ago) Permalink
I have an ortofon bronze now and it's crazy good. Had the red in the past, also good. Solid MM cartridges!
― octobeard, Monday, 9 January 2017 05:54 (six months ago) Permalink
so so so I have a Philips 212 which I love to death BUT it is not very tolerant of vinyl with the slightest scratches on it. Someone was telling me that I should change the cartridge for one that's heavier/more stable - does anyone have any recommendations? Thanks in advance!
― It's called, "giving a shit". (stevie), Monday, 9 January 2017 09:00 (six months ago) Permalink
is that tubular thing on the arm not a weight that'll allow you to change the tracking? moving that towards the needle would increase the pressure a bit.
― koogs, Monday, 9 January 2017 13:03 (six months ago) Permalink
yeah, but not really having enough effect. I was told by someone that a different kind of cartridge, with a different kind of stylus might help, but they were a bit vague on it. Something to do with a different kind of stylus that's more forceful in how it ploughs through the groove.
― It's called, "giving a shit". (stevie), Monday, 9 January 2017 13:15 (six months ago) Permalink
I think as a rule of thumb a better stylus will always have better tracking - so any upgrade should help
― niels, Monday, 9 January 2017 13:42 (six months ago) Permalink
You might want to look for an elliptical stylus for your cartridge. What kind of cart do you have on the 212 right now?
― 𝐌𝐀𝐁-BAM-O BAM A – 𝐔𝐒-H US SEIN-U.S.-UNITED STATES (GOTT PUNCH II HAWKWINDZ), Monday, 9 January 2017 23:53 (six months ago) Permalink
Just the original philips one it came with
― It's called, "giving a shit". (stevie), Tuesday, 10 January 2017 20:14 (six months ago) Permalink
If it's an old stylus I'd still suggest any news is good news
― niels, Tuesday, 10 January 2017 21:06 (six months ago) Permalink
thanks all - saw online that the Audio-Technica AT95EBL cartridge is a good budget replacement, and I think it's elliptical.
― It's called, "giving a shit". (stevie), Wednesday, 11 January 2017 12:19 (six months ago) Permalink
The spherical stylus
The spherical shaped stylus is the simplest and cheapest to produce and it is, therefore, the most common. Spherical styli can be recommended in all cases where robustness and economy are taken into consideration in the purchase of a cartridge.
The elliptical stylusThe elliptical shaped stylus bears greater resemblance to the triangular shaped cutting stylus that is used when cutting master records. The elliptical stylus is able to follow the groove oscillations more accurately than the spherical type, and its distortion and phase error will, therefore, be less.
via https://www.ortofon.com/media/14912/everything_you_need_to_know_about_styli_types.pdf - p helpful at first glance
― niels, Wednesday, 11 January 2017 12:44 (six months ago) Permalink
that's the one that came with my turntable, and it's definitely an upgrade on the godawful shitquake i used to have. other audio issues aside, several previously skippy records of mine that were seemingly destined for the bin now play all the way through without one hiccup
― NickB, Wednesday, 11 January 2017 13:28 (six months ago) Permalink
aaaand that's exactly the hard-sell I needed, thanks Nick!
― It's called, "giving a shit". (stevie), Wednesday, 11 January 2017 15:18 (six months ago) Permalink
(is it difficult to replace a cartridge?)
― niels, Wednesday, 11 January 2017 15:22 (six months ago) Permalink
It's not, really, but you'll need needle nose pliers and small screwdrivers. New cart should have a wiring diagram or color-coded posts (Red-Right, White-Left, Green-Right Ground, Blue-Left Ground if it doesn't). I'd advise downloading and printing a protactor from online - or at least making note of where the needle hits compared to your old cart and approximating that, heh.
― 𝐌𝐀𝐁-BAM-O BAM A – 𝐔𝐒-H US SEIN-U.S.-UNITED STATES (GOTT PUNCH II HAWKWINDZ), Thursday, 12 January 2017 03:09 (six months ago) Permalink
Oh and when you're putting the cart on either leave the stylus cover on or remove the stylus... and attach the wires before you screw the cart on to the headshell.
― 𝐌𝐀𝐁-BAM-O BAM A – 𝐔𝐒-H US SEIN-U.S.-UNITED STATES (GOTT PUNCH II HAWKWINDZ), Thursday, 12 January 2017 03:10 (six months ago) Permalink
Thanks GOTT PUNCH!
― It's called, "giving a shit". (stevie), Thursday, 12 January 2017 09:24 (six months ago) Permalink
can anyone recommend a cheap turntable? one that will reliably play a record at the correct speed?
i had a Crosley record player for a few years and it was always pretty shitty with playback speed and eventually was too slow to play anything. so i threw it out and bought a new cheap turntable, an Ion Archive LP. at first it played wonderful but as the months went by started going slow and now (it's been less than a year) it's too slow to play anything also. i contacted a local audio electronics repair place and they said it would be cheaper to just replace it than fix it.
i need to get a new record player but i am understandably weary of spending a lot of money and then having this same thing happen to me. any recommendations for a sub-$200 turntable?
why do they make such shitty turntables these days? i used to play my records on old turntables found in thrift stores and they tended to work fine for years. does this new shit fail by design?
― AdamVania (Adam Bruneau), Tuesday, 11 July 2017 21:52 (two weeks ago) Permalink
First mistake; Crosley stinx.
This probably does as well: https://www.bhphotovideo.com/c/product/1151732-REG/ion_audio_airlp_turntable.html
I would buy this: https://www.bhphotovideo.com/c/product/1108890-REG/teac_tn_300_b_analog_turntable_with_usb.html
― bodacious ignoramus, Tuesday, 11 July 2017 23:35 (two weeks ago) Permalink
For $200 you can find a great old Dual or Technics that will last you the rest of your life.
― bumbling my way toward the light or wahtever (hardcore dilettante), Wednesday, 12 July 2017 11:52 (one week ago) Permalink
Exactly. I thought he was after the ez-ripping feature.
― bodacious ignoramus, Wednesday, 12 July 2017 13:52 (one week ago) Permalink
thanks for the advice all. i will look into a Dual/Technic!
i never do any ripping. just need something that will play daily for years.
― AdamVania (Adam Bruneau), Wednesday, 12 July 2017 13:57 (one week ago) Permalink
My Technics SL-23 is bullet-proof! 20 years ago, i bought it for $50
― bodacious ignoramus, Wednesday, 12 July 2017 14:02 (one week ago) Permalink
It's a little tricksy, but my Philips 212 from the 70s sounds like a dream and was about $200 off eBay
― Shanty Brunch (stevie), Wednesday, 12 July 2017 14:41 (one week ago) Permalink
(Just get someone else to switch the cartridge)
I would say if you see a Dual, do a little googling on the particular model. They made some great stuff but there are some later models, one i bought in particular, that weren't nearly the same quality. Mine broke and it was a short in the cartridge, but this model the cartridge was actually glued into the headshell. Anyway, Dual is generally great but I think they must've done some crappier stuff in the mid/late 80s. Technics are pretty consistent as far as I know. Another company that is really worth looking into, esp late 70s/early 80s is the now-defunct Scott. I have one I got off Craigslist and it sounds great esp w/a new cart.
Scott's are getting a little more well known but sometimes you can get a really good deal on them as they are not as known as Technics or Dual. This is the one I got:
Also, I think weight is often a good indication on an old turntable, if it's pretty heavy that's a good sign imo.
― Universal LULU Nation (upper mississippi sh@kedown), Wednesday, 12 July 2017 14:44 (one week ago) Permalink
in all my research this seemed to be the go-to non-shitty but decent record player that should last awhile
― global tetrahedron, Wednesday, 12 July 2017 14:47 (one week ago) Permalink
I bought a Dual 745 (iirc) for $50, but the headshell was glued together in a spot, and the glue fell apart after holding together for 30 years or so. My local shop tried to fix it, but all their replacement headshells fell apart in the same way. If you get a Dual, I'd suggest trying to find a 12xx series model, they seem to be built better.
Also I've heard good things about the Uturn Orbit, although I haven't gotten one for myself yet. The baseline model is $179 and it's supposed to rival stuff like the Rega RP1. If you can afford the optional Ortofon 2m Red with it, that's a great sounding cartridge.
― Guy Pidgeotto (Tom Violence), Wednesday, 12 July 2017 14:56 (one week ago) Permalink
For budget, Audio Technica LP-60 is usually what I show entry-level folks. That should get you through several years of listening, and is easy to "level up" from. Stylus is also easy & cheap to buy & replace.
But if you can go up to $200, I would recommend the Pro-Ject Essential II over the U-Turn. Their production quality is higher, IMO (work at a shop that has sold both).
And yes; never ever buy or go anywhere near a Crosley. That's plastic trash, not a turntable.
― dronestreet, Wednesday, 12 July 2017 17:38 (one week ago) Permalink
Pro-Ject Essential II is what I have and is brilliant. Several ilxors took my advice and got one too and they were very happy with it.
― Odysseus, Wednesday, 12 July 2017 17:41 (one week ago) Permalink
I have a Crosley I actually like for grabbing samples off records, cuz the stuff your record into your DAW sounds kinda gritty like a mid-80s sampler
― Universal LULU Nation (upper mississippi sh@kedown), Wednesday, 12 July 2017 18:51 (one week ago) Permalink
but yeah they are also wrecking the shit out of your vinyl, those ceramic needs are blunt and huge and heavy as fuck
dronestreet - i live in the same city as needle doctor and i went down there to get a new cartridge have you heard the new AT MN540ML microline?
I was coming in to maybe get a Denon DL-110 or a replacement Ortofon 2M Blue (some stereo stuff got zapped by lightning strike) and the guy at the store strongly suggested this one, been really loving it so far...not crazy wide sounding as the old DL 160 (discontinued) that I had but it tracks was better than the 2M Blue and just feels "bigger" and more detailed, way way less inner groove distortion and sibilance on "s's"
― Universal LULU Nation (upper mississippi sh@kedown), Wednesday, 12 July 2017 18:55 (one week ago) Permalink
ceramic needles -- on what, the Crosleys?
― bodacious ignoramus, Wednesday, 12 July 2017 21:49 (one week ago) Permalink
here's what michael fremer says about the orbit. he makes a point of mentioning its good speed control.
― Thus Sang Freud, Wednesday, 12 July 2017 23:12 (one week ago) Permalink
bodacious - yep they use ceramics, the cheapest/worst kind of cart
― Universal LULU Nation (upper mississippi sh@kedown), Wednesday, 12 July 2017 23:20 (one week ago) Permalink
― bodacious ignoramus, Thursday, 13 July 2017 09:10 (one week ago) Permalink
I do love my Pro-Ject - I can't think of much better for the money.
I've owned Dual, Ariston, Systemdek and - most gloriously of all, before I had to sell it - a Michell Gyro SE. Cardas/vdH rewired Rega tonearm, Ortofon MC25FL moving coil, Nene Valley Audio phono pre-amp, the works. People would gather round it at parties and just watch the weights go around. Ahhh.
Anyway, forced to rethink on a greatly reduced budget, I went for Pro-Ject about two years ago and it's not as, uh, forensic as the Michell, but it just sounds lush and rich and wide and deep and handsome (came with the Ortofon 2M Red). I pushed the boat out and got an external phono pre/ADC, so I can "rip" if I so wish. But who ever gets round to doing that? Maybe I'll "do" something with run-out grooves. No-one has ever thought of that before, right?
― Michael Jones, Thursday, 13 July 2017 11:22 (one week ago) Permalink
(there's a quickspace cd single which has the run-out groove and possibly the sound of an eject mechanism at the end of the track that would be the end of the first side on the vinyl, and the run-in groove sound on the start of the next track)
― koogs, Thursday, 13 July 2017 11:31 (one week ago) Permalink
thanks - great posts and suggestions everyone! i need to just get a real turntable for once =)
― AdamVania (Adam Bruneau), Friday, 14 July 2017 13:37 (one week ago) Permalink