RFI: Yellow Magic Orchestra

It's great! "Epilogue" should reduce many a grown man to sobbing.

with "Taiso" birthing Nick Rhodes perhaps even more than Richard Barbieri ever could

Clearly I meant "Light in Darkness" here.

can someone recommend some other Haruomi Hosono projects aside from YMO (solo or otherwise)?

Haruomi Hosono

Paraiso is really good. Tropical music with a bizarre electronic twist. Very odd and affecting, and quite catchy as well.
Cochin Moon is an early electronic classic. Really neat stuff.
His Nokto de la Galaskia Fervojo soundtrack is chilling, it's minimal (as is a lot of Hosono's stuff) but very cold and moving. Love it.

so glad this was revived. just found a mediafire folder with all the albums and needed some guidance.

really loving these stripped down live versions YMO have been playing this year

https://www.youtube.com/watch?v=5NTnIJ61z1w

Love the synth trumpet!

Whoah, YMO doing "Thank You For Talkin' to Me Africa"!

https://www.youtube.com/watch?v=NWPbDsPYxZM&feature=related

https://www.youtube.com/watch?v=vEZ3VxGWwjM

excellent video (if you can ignore the camera effects). kinda weird to see a shorthaired 70's Hosono funking out by himself. they really did keep it tight though.

https://www.youtube.com/watch?v=0adjDQyYSI4

amazing find

i think cindy crawford is in one of those!!

hah, she is! I caught her posing dramatically with a piano while randomly skipping around.

Somebody really needs to write me a good, thorough examination on YMO and the Japanese New Wave (400 pages at least). I like the process of rooting around and finding out little bits and pieces of information but I need some cultural CONTEXT dammit!

I'm thinking that Nick Kent (the guy who runs technopop.info) could probably do something like that. YMO are interesting enough to warrant their own book but Japan is such a small country that all that stuff really ran into each other at some point. Like there's 3 degrees of seperation between pretty much every one of those bands. Most of it is probably through Harry Hosono, who seemingly appeared on everything that came out of Japan from 1976 to 1990 or so.

Too true, Hosono is a walking infographic.

a book like that would leapfrogbs to the very top of my reading list, for real

it's weird how popular ymo seem to be when reading about them, but every time i've asked a native japanese if they've heard of them, they haven't. maybe it's a generational thing?

I've experienced this a couple of times with some Japanese aged under thirty or so, although they seem to know Sakamoto for some reason.

What's interesting is that if they are aware of YMO they're often interested that a westerner would be bothered listening to 'old' Japanese music, or even Japanese music period.

yeah it seems like japanese don't have the same retromania that americans do, but i have no idea really

Somebody really needs to write me a good, thorough examination on YMO and the Japanese New Wave (400 pages at least). I like the process of rooting around and finding out little bits and pieces of information but I need some cultural CONTEXT dammit!

― Late night with Amazing Bo (MaresNest), Monday, April 1, 2013 5:42 PM (2 hours ago) Bookmark Flag Post Permalink

I've not felt the urge to write about music much over the last few years, but I *really really* want to write a longform piece on Jun Togawa. Never going to happen without a rudimentary knowledge of Japanese, though.

If you want to blow the mind of a 40+ Japanese person, tell 'em you love Ippu-Do or Guernica.

I know a lot of big music nerds who have no idea who Kraftwerk are, for instance...some people just don't really care about anything older than they are

You know, I heard an phone interview on Resonance last week with Akiko Yano (interspersed with some of her music), it was a show called Clear Spot. Maybe you could speak directly to Jun herself? If she speaks Eigo of course.

emily - have you read this?
http://www.groundzeromongkok.com/2010/12/memory-and-gender-in-music-of-jun.html

oops, XP

Frogs, yeah, it's a good piece (and I love the toilet ad it links to), but I want more! I guess really I want something book-length, with a really good biographical content as well as analysis.

basically, a book version of this would be the most amazing thing:
http://park10.wakwak.com/~techno/jgenealogy.html

and yeah, togawa is really fascinating. would read all of these imaginary books.

Wow - I need to hear that Akiko Yano Resonance show.

CJV - I imagine it'll turn up in the Resonance 104 Soundcloud page if you check there in the next few days.

found it!
http://www.mixcloud.com/alberto-umbridge/akiko-yano-broadcast-on-resonancefm-25th-march2013/

Japan is such a small country

It is?

Not in terms of population, but in size - like in the US, in the 70's you had the Detroit scene, and the New York scene, and the Nashville scene, and the Chicago sound...in Japan it kinda feels like everybody knew each other and played on each others' records.

Of course theres no book about any of this so I'm just guessing here. Didn't Takahashi and Hosono produce or otherwise appear on all the YEN records stuff, which made up a large portion of Japan's new wave scene?

http://25.media.tumblr.com/tumblr_m8sc3sC5F91qz9lsso1_500.jpg
(sakamoto being cool)

http://chinmai.net/~ichiyanagi/img/060403/ymo.jpg

https://www.youtube.com/watch?v=5YjYEJ9WHt4

awesome!

(cuts off halfway through, but you get the idea)
https://www.youtube.com/watch?v=lkPeDQKRpEk

The syndrum break in that BBC version is proper!

https://www.youtube.com/watch?v=GncUycY9N34&list=PL2D3C508F366E5AD3&index=3

Confession, I have gone since about 1998 thinking that the record is called 'X∞Multiples' but it's *not* it is 'X∞Multiplies' what the fuck? I have a tour poster and everything, I feel so stupid.

For your ignorance you must relinquish your tour poster to me!

i thought it was "multiples" too until recently

I have owned two copies of this album for about a decade and also thought it was 'X∞Multiples' until 5 minutes ago so you are not alone

Naughty Boys always ends SO SOON.

There's a much improved translation of Lotus Love over at the blog:

https://grainsparrow.blogspot.com/2024/03/translation-lotus-love-yellow-magic.html

(In addition to stylistic fixes, I made a major error in the version originally in this thread -- misread one kanji, ruining a beautiful line...! Sorry Harry.)

Sports Men isn't the kind of song you'd think would move a man to tears, and yet, here we are:

https://www.youtube.com/watch?v=QusyWLaSQf4

2008, huh. Must be one of the all-time "damn shame"s of modern music that the HASYMO-incarnation YMO didn't record a new album.

Frogbs, you ever heard Hen Ogledd? Their album Free Humans is a huge favorite of mine. When I first heard HASYMO's Rescue, I thought, "Whoa! Sounds like the wellspring of Free Humans!" And then when I first heard Underworld's Space, I thought, "Clearly someone in Hen Ogledd loves Underworld." So it might do something for you.

I still feel happy that I caught that concert, I was a little perplexed at the setlist (and to some extent the inclusion of Christian Fennesz in the line up) at the time, but it makes perfect sense now.

haven't heard of them but I'm listening now and it's cute. kind of reminds me of the Ann Steel album actually. pretty long album but it's entertaining me so far :)

I've wondered for a while what a HASYMO album would sound like - the singles were okay but felt kind of stopgap. Tokyo Town Pages is nice but it doesn't hit me the way the stuff on Loophole does. idk, maybe their styles were too far off. Sakamoto in particular was so far away from any kind of pop music at that point. that London concert ruled though. amazing how for a YMO 'reunion' they only played like 3 YMO songs. probably the right decision though.

The first song on the Ann Steel album is killer!

I've got some exploring to do where YMO live is concerned. I feel like I know the studio catalogue inside and out at this point. But I went to look up the setlist of the London 2008 show and found out it has a DOUBLE ALBUM PROFESSIONAL RELEASE, what?! With Fennesz in the band indeed?! I did research into all the live releases back when I was getting started (with frogbs's help over on RYM) but the details didn't mean as much to me then as they of course do now... especially now that I've seen and cried through the back half of that Sports Men... and that was only song TWO of the night.

Also, Philharmony has rocketed up into my favorite albums of all time. It sounded a little thin and scattered for a while, like Hosono had let his usual "Master Overseer Producer" side slide so that he could indulge more freely in the sheer joy of tinkering around with a new synth/computer/toy. But listening to it obsessively this past week has revealed plenty of ingenuity, beauty, and emotion. Amazingly structured too, it turns out.

I love that I still have Technodon and the Sketch Show records waiting for me (and countless solo albums, productions, etc). I've been listening to almost nothing but Hosono/YMO since September 2023 and there's still so much just to hear for the first time, let alone reconsider/re-evaluate.

There's another DVD/CD release from Lyon that I'm guessing came out around the same time as the London Meltdown gig, not sure if the set lists differ much, or the lineup even.

Three years later they were doing a more straight ahead (for them) YMO set some of which is on YT and you can probably still buy somewhere - https://www.discogs.com/release/8467134-Yellow-Magic-Orchestra-Live-In-San-Francisco-2011

https://www.youtube.com/watch?v=Erp2P_zNG1A

Yet another for the "great live versions of Gradated Gray" folder. Hosono/Takahashi harmonies are the best. Incredible YT drumming.

I'm sure you'll like the Sketch Show stuff, they play a lot of it in those live shows so you probably know some of the tracks. I was surprised how well those albums held up actually, I kinda thought that glitchtronica pop sound was something that you could always tie back to the early 00s but it still sounds amazing

Technodon is an album I really didn't care for when I first heard it, it makes way more sense in context of their 90s solo albums though. like don't compare it to the other YMO albums, compare it to say Medicine Compilation. you could tell their styles weren't really jiving at this time but it actually sounds pretty great, I mean for me the big revelation was simply hearing it on a nice system where the bass really came through

also I kid you not the reason why I listen to Technodon so often is because the place I work loves to give out these mint chocolates called "Frango" which always makes me think "Pocketful of Frangos"

actually there are a few good advertising jingles in there. Be a Subaru Man

y'all are making me feel like I should give HASYMO another go. I don't mind that sound and I always found the recordings to be fine but... I can't imagine ever wanting to listen to HASYMO instead of regs YMO versions of any of those songs either. maybe this is the year it clicks tho!