Isley Brothers: S/D

An astute DJ could use this record as a fast-to-slow transition track. In fact, I'm surprised that this record isn't sampled or remixed more often - I've only ever heard one break lifted from it (for a Norman Cook track on the very first Beats International album).

"Move Over And Let Me Dance" w/ Hendrix is killer

TS: "Keep on Doin" vs "The Grunt" by the J.B.'s

givin it back is totally crucial for ohio/machinegun and spill the wine

Overwhelming to know where to start with these guys....what is some stuff that captures the vibe of "Footsteps in the Dark"?

Why does the guy on the bottom left corner have his face covered?

http://4.bp.blogspot.com/_e25iVu7LNFI/SJMSv6WzNtI/AAAAAAAAAJI/anOucJzjim4/s320/The-Essential-Isley-Brothers.jpg

check that whole album
https://www.youtube.com/watch?v=Fh6lGI1bOkw

What's the effect pedal/technique that Ernie uses on Who's That Lady? Any other songs that have that sound out there?

RIP Marvin Isley

don't forget the early stuff. THis Old Heart of Mine takes some beating

RIP Marv :(

https://www.youtube.com/watch?v=foFK6q7kF9Y

"this old heart of mine" sounds like it was written for the four tops first

wikipedia says it was meant for the supremes. oh well close enough

https://www.youtube.com/watch?v=39WxCT4U4Vk

This take just kicks ass.

It's a good record all the way through.

I'd love to have a time machine to check out what the r&b club scene was like in the late 60s in Ohio. There was so much talent in that area in that time, I bet there was some great shows that went down.

gonna rep for "givin it back", amazing covers on there

Ernie Isley just wails on "Climbin' Up the Ladder, Parts 1 & 2" from 'Go for Your Guns'. It gives a taste what some Hendrix might have sounded like on top of some heavy mid 70s funk grooves.

The Isleys are easily in the very top strata of artists of all time.

This is a cool article I found on the recording of "That Lady" and that amazing lead guitar sound. There is an interesting connection between the Isley's and Tonto's Expanding Head Band that I did not know about.

http://mixonline.com/recording/interviews/audio_isley_brothers_lady/

That's a great read!

THey put out a Classic lp box set a few years ago which consists of their late 60s, early 70s material. I think it was about the first time I came across a Classic years box.

Had been wanting to check out that stuff for years I think it goes up to 3+3, cos I don't think i have that lp elsewhere though I did have it on vinyl years back.

Their late 50s stuff is pretty great frenetic stuff a feeling they kept throughout their Motown years too. I thought the This Old Heart Of Mine lp pretty hard-edged for Motown.

Yeah, I think that's why their Motown career didn't really work out - they were an odd fit, though the clash between Motown's sweet polish and Ron's gutsy vocal gave us This Old Heart Of Mine, which is just the greatest.

I wrote an 'Isleys in 10 tracks' piece for the Guardian that went up yesterday, and boiling a five decade career down to 10 tracks was a pulverisingly tricky task. I'm currently being taken to task in the comments for not including Summer Breeze (which, obv, is a brilliant track, but I prefer Harvest For The World as an example of their light pop side, and That Lady as a showcase for Ernie's guitar skills).

man I wish "Summer Breeze" was 100 minutes long

https://www.youtube.com/watch?v=z6dBaVcpOQg

stretches out a bit but really I want this to go on forever

one of the best parts of the "Internet Age" is that I can find a band like this that I'd never really paid attention to before, except for the most obvious singles, and listen the shit out of them on a binge and realize THEY'RE THE BEST BAND EVER

& yes I am listening to "Summer Breeze" YET AGAIN right now. such an amazing song: piano and drums dancing together, lovely singing, and massive fuzzed out guitar wailing. the piano gives it jazziness but it swings in a rock way too, is there a book about this song I can read, I feel like I could understand everything I want to know about music from reading it & listening to this song forever

but then like "Between The Sheets" is amazing too in a completely different way. like was there not a style these guys didn't do? I used to think that about the Young Rascals, like they were behind every "oldies" song whose name I didn't know, but with the Isleys, it's like, they did everything, from the early 60s through what became g funk.

they are really the best band in the world, I'm so blown away

otmfm

Euler so otm!

In other news p4k rates 23 Isley Brothers albums with mathematical precision http://pitchfork.com/reviews/albums/20989-the-isley-brothers-the-rca-victor-and-t-neck-album-masters/

he's definitely right about the heat is on being their best album. the slow side of that one is like heroin thru the veins.

I'm hard-pressed to think of a bigger chasm between a crap original and a brilliant cover:
https://www.youtube.com/watch?v=jO8dSfle7ow

that live album is phenomenal

Don't say goodnight, best slow jam

indeed

was there ever a better guitar solo than Ernie's on Summer Breeze?

They really were awesome.

Nice! Was hoping you would include “Love the One You’re With” - the live version- but hey, who am I to tell you who to sock it to.

That live version - the entire album, in fact - is awesome.

Repost of link that shifted and broke upthread: https://www.mixonline.com/.amp/recording/classic-tracks-isley-brothers-lady-365000

Where's the best place to start with these guys? Seems like I've heard a fair bit but it's so all over the place stylistically and there's so much stuff..

Bought this v v cheaply from Fopp a little while ago - excellent 3 CD set of their late 60s/70s stuff - all the hits and lots of deep cuts:

https://www.discogs.com/The-Isley-Brothers-The-Real-The-Isley-Brothers-The-Ultimate-Collection/release/7496750

I almost think it'd have to be a box set, but the Live album from the 70s, plus Brother, Brother, Brother, 3x3 and Fight The Power are all favourites of mine.

I kinda bought the box set for that album...it’s so great as are the Isleys

did no one here see the verzuz between EWF and the isleys? (sorry if its discussed in another thread). has to be the best verzuz that ive seen. literally not listened to this stuff in at least a decade and it was just amazing to hear it, but also just to see how cool both bands were with each other, as well as to see ernie isley playing along. seriously regretting not seeing them the last time they were touring in london.

I've been saving it for a blue day, but looking very much forward to it.

i watched half, then did the same as you. almost dont want to finish it as i loved it so much.

the R&B ones of verzuz are my favourite from what ive seen. you can sense real admiration and congeniality between them (eg babyface and teddy riley).

my one gripe, apart from wishing they were playing with their bands, rather than just playing along with the records (though ron isley just sounds so good, despite his age), is that the DJ kept messing up the chronology, so you had late 70s EWF being paired up with 60s isleys, which made no sense to me, but then maybe that made it a bit less obvious? idk.

in verzuz, don't the artists pick and choose the songs and order? i think d-nice was just doing what he was told

Yeah, I doubt it was some kind of "stump the band" thing.

Can’t tell if this was posted before but even so it’s so tasty worth doing it again.

https://www.youtube.com/watch?v=jbKQeTKvMIY

TIL they have an incredible catalog of 60s/70s soft rock covers beyond Summer Breeze. Their covers of It's Too Late, Lay Lady Lay, Sunshine (Go Away Today) and Fire and Rain are mind blowing.

The live album from around that era is sublime

Love the One You’re With as well, iirc

There's a decent Original Albums set covering the turn of the 70s T-Neck etc material up to 3+3 .
Starts on Brothers Isley. So I think may be skipping one T-Neck set not sure what the reasoning behind what is and isn't included on these things tends to be. I remember it being pretty good throughout but has been a while since i last listened through it.
Possibly just that they wanted 5 lps and to end on 3+3. So they've just done the consecutive ones.

Years ago I took Rhino's two The Isley Brothers Story releases and combined them with Sony's much heralded but less comprehensive It's Your Thing: The Story Of The Isley Brothers. A lot of overlap, and after dropping a few mediocre CD-only bonus tracks found only on the Rhino set, the whole thing fit on to three CD-R's packed to the brim. I would have recommended the Rhino and Sony sets to anyone, but merged together, it's a mightily impressive summary of their career.

I do like their Motown mid 60s stuff too which si pretty hard for Motown. Then & The Contours.
& the earlier r'n'r stuff that the Beatles had early hits with is quite great too.

Solid new album.

Oh seriously? Will have to check that out...

Are there any other currently active groups -- understanding that many lineup changes have occurred with the Isleys -- to have released records spanning eight decades?

It's crazy that Ronald is still in the group.

The Four Tops have been around longer, with one original member remaining, but apparently their last album was in 2000.

Listening to the two Rhino sets mentioned above, I'm struck at how the Isleys simultaneously keep to rigid formulae and manage to take all sorts of unusual detours within those parameters. The Pitchfork review link above gets that across really well.

isley brothers spend the night: angela winbush's masterwork?

Weellll....Sharp exits. *gazes with delighted wonder at the sleeve*

but when I wrote a Winbush paper several years ago I listened to the first two Winbush-produced albums and they're good!

we should poll Isley's singles

do it

Fuck man…this band hits me the in the feels…so many bangers!!!…nary a skipped track on the shuff

Unfuckwithable

this track cited by xgau has also been praised upthread a couple times---any of yall heard the whole collection??

The Isley Brothers & Jimi Hendrix:
In the Beginning . . . [T-Neck, 1971]
Cut around 1965, while Hendrix was still part of the Isleys' band, these casual sessions, remixed to push his guitar up with the voices, are far superior to Curtis Knight's Hendrix tapes. Make you wonder what would have happened if they'd been released at the time. Especially on "Move Over Let Me Dance," Hendrix anticipates effects Clapton introduced on "Sunshine of My Love," but in a less inflated context--could have blown some minds in Harlem. Not all of the music is don't-miss great. But it's all historic--and you can dance to it. B+

could have blown some minds in Harlem