19 Elvis Fans Can Be Polled: The ILM Elvis Presley poll roll out thread

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19 ballots received, 222 songs received votes. Rollout to come.

droit au butt (Euler), Saturday, 28 July 2018 14:38 (two years ago) link

I usually hate the poll-punning for these thread titles, but that one's great.

clemenza, Saturday, 28 July 2018 14:40 (two years ago) link

probably we won't roll out until Monday but I couldn't wait to start the thread, anticipation can continue here

droit au butt (Euler), Saturday, 28 July 2018 14:42 (two years ago) link

I'm SUPER HAPPY with the results btw, ILM always makes its own way

droit au butt (Euler), Saturday, 28 July 2018 14:42 (two years ago) link

Looking forward to this, was an absolute treat to revisit his catalogue.

Dan Worsley, Saturday, 28 July 2018 14:45 (two years ago) link

Good to have clemenza on board

lefal junglist platton (wtev), Saturday, 28 July 2018 14:46 (two years ago) link

222 songs!

lefal junglist platton (wtev), Saturday, 28 July 2018 14:47 (two years ago) link

So how many songs in the rollout, 222, 50, 77?

lefal junglist platton (wtev), Saturday, 28 July 2018 14:48 (two years ago) link

(xpost) Thanks, but mostly as an observer. My ballot was 10 songs only, and I had to scramble a bit to get past seven or eight. The Bible, Shakespeare, and Elvis: the three biggest voids in my life.

clemenza, Saturday, 28 July 2018 14:52 (two years ago) link

A pink Cadillac, pink Cadillac, my kingdom for a pink Cadillac!

Making Plans For Sturgill (C. Grisso/McCain), Saturday, 28 July 2018 15:08 (two years ago) link

Is that s cheeseburger I see before me.

Dan Worsley, Saturday, 28 July 2018 15:14 (two years ago) link

Is that s cheeseburger I see before me.

Or is it but a doghouse of the mind?

3-Way Tie (For James Last) (James Redd and the Blecchs), Saturday, 28 July 2018 15:47 (two years ago) link

since he's not in the building yet:

https://www.youtube.com/watch?v=yoHDrzw-RPg

Brad C., Saturday, 28 July 2018 16:04 (two years ago) link

These clips indicate why this poll is such a challenge... the originals of the tunes Elvis did are also great so you have to sort of tease out the added Elvis-ness of his versions.

Josefa, Saturday, 28 July 2018 17:13 (two years ago) link

This is a good point. I often worry that I will think “why bother?” but usually come around in the end.

Also
https://www.youtube.com/watch?v=XPkd9ZQOtbI

3-Way Tie (For James Last) (James Redd and the Blecchs), Saturday, 28 July 2018 17:17 (two years ago) link

I sometimes think the same about Susanna Hoffs covers, but usually come around in the end as well, and not just because I am a Redd-blooded U.S Male.

3-Way Tie (For James Last) (James Redd and the Blecchs), Saturday, 28 July 2018 17:20 (two years ago) link

speaking of buildings, i grew up literally around the corner from his first palm springs abode. learned to ride a bicycle on the street right in front
http://✧✧✧.elvishoneym✧✧✧.com/index_htm_files/1✧✧✧@2✧.j✧✧

lâche pas la patate (outdoor_miner), Saturday, 28 July 2018 17:26 (two years ago) link

That's an amazing house. Seems to be up for sale now for $4.9 million. Down from $5.9 million last year.

Josefa, Saturday, 28 July 2018 17:31 (two years ago) link

I think the talent of Elvis in interpretation was his ability to mine the emotion of a song & pull you in with a level of feeling. He was such a fan of so many types of music and artists that i think it was almost innate for him to honor the material as best he could.
Like, he’s saying to the artist “this is what I love about your song” rather than “look at how much better than you I am.” imo

Squeaky Fromage (VegemiteGrrl), Saturday, 28 July 2018 17:50 (two years ago) link

These clips indicate why this poll is such a challenge... the originals of the tunes Elvis did are also great so you have to sort of tease out the added Elvis-ness of his versions.

Nice line (and funny Susanna Hoffs rejoinder). There's no real equivalent, is there, where you have to differentiate in that direction, from cover to original? (I collect Beatles, Neil Young, and Velvet Underground covers, where you do the usual thing, try to figure out if the covering artist has brought anything to the original.)

clemenza, Saturday, 28 July 2018 17:53 (two years ago) link

Hold on...I guess it is the same thing, except in this case the cover is almost always the more famous version (with occasional exceptions like "Tomorrow Is a Long Time").

clemenza, Saturday, 28 July 2018 17:55 (two years ago) link

VegemiteGirl otm. He doesn’t really change the melody, he sings it pretty close to the original, but he still seems to find his own convincing emotional center.

3-Way Tie (For James Last) (James Redd and the Blecchs), Saturday, 28 July 2018 18:07 (two years ago) link

Pretty much the only difference seems to be that Elvis’s version is a little more rockabilly.

3-Way Tie (For James Last) (James Redd and the Blecchs), Saturday, 28 July 2018 18:11 (two years ago) link

Sorry, was referring to “Money Honey.”

3-Way Tie (For James Last) (James Redd and the Blecchs), Saturday, 28 July 2018 18:41 (two years ago) link

It's worth bearing in mind the question of whether it's a "cover" if the song was written by third-party songwriters to begin with. I mean, Big Mama Thornton didn't write "Hound Dog," Jerry Lieber and Mike Stoller did. Now, in the case of "Promised Land" (which placed pretty high on my ballot), that's a cover, 'cause Chuck Berry wrote it.

grawlix (unperson), Saturday, 28 July 2018 18:53 (two years ago) link

I'd agree with that distinction. Elvis is doing versions of songs that others recorded before him; he's covering "Tomorrow Is a Long Time," because the original belongs exclusively to Dylan. (It gets weird where you get someone like Carole King recording one of her own compositions years after someone had a hit with it.)

clemenza, Saturday, 28 July 2018 20:00 (two years ago) link

Another distinction is that even when it's the same songwriters it could be Elvis hearing the song from a previous hit version... or directly from the songwriters' demo. For example, "Hound Dog" and "Jailhouse Rock" are both Leiber-Stoller but only the former had been a hit record. "Jailhouse Rock" was written expressly for Elvis.

(*Elvis's "Hound Dog" was evidently derived more from Freddie Bell and the Bellboys' version btw).

Josefa, Saturday, 28 July 2018 20:31 (two years ago) link

Then there's a song like "Gentle On My Mind," which was basically mandatory for albums released in 1968 and 1969, including From Elvis in Memphis. Roger Miller, Tammy Wynette, Frank Sinatra, Dean Martin...fucking everybody recorded that song.

grawlix (unperson), Saturday, 28 July 2018 20:43 (two years ago) link

and he still bodies the fuck out of it

Squeaky Fromage (VegemiteGrrl), Saturday, 28 July 2018 20:48 (two years ago) link

I just read that Neil Diamond's "Sweet Caroline" was produced by Chips Moman et al. at American Sound in Memphis

somehow Elvis managed to get a little different sound there

Brad C., Sunday, 29 July 2018 16:44 (two years ago) link

Yes, in fact I believe that the story is that when Elvis went to record at American a Neil Diamond session was already scheduled and Neil had to be bumped. Which didn’t sit well with the musicians as this is kind of a session musician no-no. Leading to some Q&As at the time of the form
Q: Are you looking forward to recording with Elvis?
A: Well, it’s not like he’s Neil Diamond or anything

3-Way Tie (For James Last) (James Redd and the Blecchs), Sunday, 29 July 2018 16:49 (two years ago) link

The story about the session being bumped is true; I suspect that's why Elvis recorded "And the Grass Won't Pay No Mind," which Diamond wrote. It was payback for the use of the studio, and ended up on Back in Memphis, the "sequel" album.

grawlix (unperson), Sunday, 29 July 2018 17:01 (two years ago) link

Thanks. Found the quote in Sweet Soul Music, which I always assume was written when the bumping of Neil had yet to be revealed, making the quote seemed somewhat puzzling without the extra context:

There was nothing really special about it, says Wayne Jackson, who played trumpet on the session; it was just another date. “We had been doing Neil Diamond just before Elvis came in, and Neil was a big deal to us. I mean, we were thrilled about Elvis, but it wasn’t like doing Neil Diamond.”

3-Way Tie (For James Last) (James Redd and the Blecchs), Sunday, 29 July 2018 17:06 (two years ago) link

This article provides all sorts of detailed context for the events leading up to and through that session. Opened my eyes when I first read it and still packs a nightly (karate) punch. Ho!
http://www.furious.com/perfect/elvis69.html

3-Way Tie (For James Last) (James Redd and the Blecchs), Sunday, 29 July 2018 17:44 (two years ago) link

Can’t seem to find anything else that guy wrote but damn if writing that article doesn’t constitute a one hit wonder, Have A Nice Day, thank you very much

3-Way Tie (For James Last) (James Redd and the Blecchs), Sunday, 29 July 2018 17:54 (two years ago) link

Chip's exact words were, "Fuck Neil Diamond. Neil Diamond will just have to be postponed. Tell Elvis he's on."

Brad C., Sunday, 29 July 2018 18:05 (two years ago) link

Interesting (to me) to see that the original version of “Suspicious Minds” was on the Scepter label. Which led me to find that BJ Thomas also cut a version at American with the Memphis Boys which I have yet to hear. Forgot about the Fine Young Cannibals version.

3-Way Tie (For James Last) (James Redd and the Blecchs), Sunday, 29 July 2018 18:15 (two years ago) link

BJ Thomas version uses exactly the same arrangement with the same players, with maybe some slightly more in your face horn lines peeking out like that extra piccolo trumpet line in the alternative version of “Penny Lane.” And a little more blue-eyed soul shouting on some of the vocals, I guess, which is kind of interesting. Sounds a little like The Box Tops (d’oh!) but really a little more like The Buckinghams.

3-Way Tie (For James Last) (James Redd and the Blecchs), Sunday, 29 July 2018 18:27 (two years ago) link

lol @ this thread title

calstars, Sunday, 29 July 2018 18:34 (two years ago) link

I’d like to think the thread title was inspired by my ballot title, but only Elvis Preston knows for sure.

Dwight Yoakum version of “Suspicious Minds” is pretty good. Retains some of the hooks, particularly in the backing vocals, but changes stuff up as well, such as playing a (simplified) variant of the rhythm guitar lick a little more louder and upfront.

3-Way Tie (For James Last) (James Redd and the Blecchs), Sunday, 29 July 2018 18:36 (two years ago) link

Sorry, Dwight Yoakam not
Pappy Yokum

3-Way Tie (For James Last) (James Redd and the Blecchs), Sunday, 29 July 2018 18:40 (two years ago) link

Pronounced duh-white yolk-ham

calstars, Sunday, 29 July 2018 18:42 (two years ago) link

“This is ‘Dwight Yoakam,’ and it’s Take 1! Take 1”
“It’s, it’s ‘yolk-ham,’ actually.”
“What did I say?”

Ah, the Scepter connection deepens. Dionne Warwick also recorded an album at American.

Also had overlooked the Billy Strange connection and forgotten the rest of this Mac Davis story, from Guralnick’s Careless Love

even the Colonel seemed to sense there was something special about Strange’s twenty-seven-year-old protégé, whom he had met for the first time at the Charro! session. “That first night Colonel Parker said [to me], ‘Are you the boy who wrote that “Little Less Conversation”?’ I said, ‘Yes.’ He said, ‘You a pretty good-lookin’ boy, you’re going to be a star.’ I said, ‘Well, thank you very much.’ He said, ‘You want the Colonel to rub your head?’ I’m looking around, and I’m thinking he’s really putting me through the grease, but these guys with him are dead serious, they’re all just looking at me. So I bent over, and he put his hand on my head, like Oral Roberts, and he said, ‘You’re going to be a star. You tell everybody the Colonel touched your head.’

3-Way Tie (For James Last) (James Redd and the Blecchs), Sunday, 29 July 2018 18:50 (two years ago) link

And here is the original, pretty-much-identical except-for-the-vocal version of “Suspicious Minds,” performed by the composer, Mark James. No need for any advanced degree in Kingology to recognize what Elvis brought to the song.
https://www.youtube.com/watch?v=mFP0EP-Oi2I

3-Way Tie (For James Last) (James Redd and the Blecchs), Sunday, 29 July 2018 18:59 (two years ago) link

Also, I had Where Do I Go From Here too low at 12. It's Top 5 fer sure

kornrulez6969, Saturday, 11 August 2018 22:12 (two years ago) link

Hey, just looked up one of my non-finishing votes, the James Taylor composition “Steamroller Blues” and see that an ilx0r weighed in on the song, if not Elvis’s version of it:
https://en.wikipedia.org/wiki/Steamroller_Blues?wprov=sfti1

Rolling Stone Album Guide critic Mark Coleman, said Taylor's song "effectively mocks the straining pomposity of then-current white bluesmen."

Blecch, where is thy Zing? (James Redd and the Blecchs), Wednesday, 15 August 2018 00:43 (two years ago) link

Listening to him singing “Something” and there is, um, something that sounds likes a theremin every now and then

Blecch, where is thy Zing? (James Redd and the Blecchs), Wednesday, 15 August 2018 04:43 (two years ago) link

Is it the live version on the '70s box? I'm 90% sure that's one of his backing vocalists...but I wouldn't rule out a theremin.

Montgomery Burns' Jazz (Tarfumes The Escape Goat), Wednesday, 15 August 2018 13:28 (two years ago) link

Yes and I agree with your assessment

Blecch, where is thy Zing? (James Redd and the Blecchs), Wednesday, 15 August 2018 13:43 (two years ago) link

Listened again. Doesn’t quite sound like a human voice.

Blecch, where is thy Zing? (James Redd and the Blecchs), Wednesday, 15 August 2018 13:55 (two years ago) link

Maybe it’s a pedal steel?

Blecch, where is thy Zing? (James Redd and the Blecchs), Wednesday, 15 August 2018 13:58 (two years ago) link

Perhaps some astute YouTube commenter will know

Blecch, where is thy Zing? (James Redd and the Blecchs), Wednesday, 15 August 2018 14:01 (two years ago) link

Just listened again, and am leaning more towards the sound being a backup singer. There's a slight breathiness to the sound, and you can hear her joined by the rest of the singers on the chorus.

(I almost added, "and anyway, Elvis wouldn't hire a theremin player for his touring band just to play one small part on one song," but then realized, of course he would.)

Montgomery Burns' Jazz (Tarfumes The Escape Goat), Wednesday, 15 August 2018 14:07 (two years ago) link

I'm pretty sure it's Kathy Westmoreland. It's more recognisable as a vocal line here (at 00:38)

https://www.youtube.com/watch?v=PdDhwa3WYHo

Number None, Wednesday, 15 August 2018 21:54 (two years ago) link

Okay, I’ll take your word for it

Blecch, where is thy Zing? (James Redd and the Blecchs), Wednesday, 15 August 2018 23:10 (two years ago) link

I’m a big fan of E thanks to my parents, but I was too lazy and uninformed to vote in this poll. But if I had done it, I would have voted all the songs on the This Is Elvis movie soundtrack, which was a frequently spun disc when I was a lad

calstars, Wednesday, 15 August 2018 23:13 (two years ago) link

would have been solid votes imo

Squeaky Fromage (VegemiteGrrl), Thursday, 16 August 2018 00:32 (two years ago) link

Got my copy of Elvis Country and gave it a few spins. I like it, it's pretty solid. It's so all over the place stylistically, and also so beat-heavy, that you don't feel like you're listening to a "country" album. (Not crazy about the gimmick of fading in & out of "I Was Born Ten Thousand Years Ago" between every track though). The single, "I Really Don't Want to Know" is a good cut... I first heard this tune when Jason & the Scorchers did an excellent version of it back in the '80s. Elvis does a Lee Hazlewood song here, "The Fool" - wonder if he ever did another one (wish he had); would think the Speedway soundtrack would be the time for it, but evidently no.

These June 1970 sessions in Nashville must have been one of Elvis's most prolific moments. He cut 35 songs then that were spread over four separate albums. None of them made the cut in our poll, sadly. Which is curious, considering that this was his next big recording project after the early '69 Memphis sessions that we all love so much.

Josefa, Thursday, 16 August 2018 01:57 (two years ago) link

(Not crazy about the gimmick of fading in & out of "I Was Born Ten Thousand Years Ago" between every track though).

Oh yeah. I shared the album w/my dad (who's a big Elvis fan from way back--he bought the s/t on original release, which had for a little while before his mom threw it out) and he couldn't make it to the end solely because of those edits.

Ubering With The King (C. Grisso/McCain), Thursday, 16 August 2018 03:21 (two years ago) link

And so 41 years ago today....

Blecch, where is thy Zing? (James Redd and the Blecchs), Thursday, 16 August 2018 10:28 (two years ago) link

... I seem to recall seeing Geraldo on tv in a jumpsuit. An unfortunate image I can thankfully usually keep at a considerable distance.

Blecch, where is thy Zing? (James Redd and the Blecchs), Thursday, 16 August 2018 10:34 (two years ago) link

At the time I didn’t really know the fuss what about. I had mostly only seen the artist on television when my mother would watch his films. But then soon after I saw this and it opened my eyes:
https://www.youtube.com/watch?v=gj0Rz-uP4Mk

Blecch, where is thy Zing? (James Redd and the Blecchs), Thursday, 16 August 2018 10:43 (two years ago) link

I would like to think one of the connections James Brown saw with him was the dancing, the ability to feel the rhythm all over his body and to use different sections of his limbs and torso as if they were parts of a drum kit.

Blecch, where is thy Zing? (James Redd and the Blecchs), Thursday, 16 August 2018 10:44 (two years ago) link

That clip I hadn’t seen before, the films my mother watched always seemed to have him in a marina with a little captain’s cap or some other boring getup.

Blecch, where is thy Zing? (James Redd and the Blecchs), Thursday, 16 August 2018 10:50 (two years ago) link

Two years later there was an intriguing tribute from Rockpile to pique my interest once again:
https://www.nytimes.com/1979/08/22/archives/rock-rockpile-performs.html

Blecch, where is thy Zing? (James Redd and the Blecchs), Thursday, 16 August 2018 10:51 (two years ago) link

Then a few months later they also came up with this tribute, playing a song I had never heard of before https://www.pastemagazine.com/articles/2013/11/concerts-for-the-people-of-kampuchea-little-sister-rockpile-with-robert-plant2.html, which eventually led to my fateful encounter with Doc Pomus and the minor blues turnaround.

Blecch, where is thy Zing? (James Redd and the Blecchs), Thursday, 16 August 2018 10:56 (two years ago) link

Of course, prior to this, in addition to the studio films I had also seen my mother watching some of the concert films or performances but to be an honest I had a hard time telling him apart from Tom Jones although it was clear to even me that Engelbert Humperdinck was a distant third.

Blecch, where is thy Zing? (James Redd and the Blecchs), Thursday, 16 August 2018 11:01 (two years ago) link

In high school I knew the songs that were oldies staples on WCBS-FM and I ended up buying A Date With Elvis and Elvis' Golden Records. A few years later in the college library I ran into and befriended a guy wearing a little Elvis pin on the lapel of his denim jacket, a fellow now known on WFMU as Mr. Fine Wine. Finally right after college I read a excerpt from an upcoming book about soul music in the Village Voice about Roosevelt Jamison, Quinton Claunch and the Goldwax label and their artist James Carr, none of whom I had ever heard before, http://www.peterguralnick.com/post/47106712366/roosevelt-jamison-1936-2013 and of course that ultimately led me to further Elvis exploration

Blecch, where is thy Zing? (James Redd and the Blecchs), Thursday, 16 August 2018 11:20 (two years ago) link

Tbh not sure what date or year Geraldo started wearing the jumpsuit but it was pretty early on

Blecch, where is thy Zing? (James Redd and the Blecchs), Thursday, 16 August 2018 12:13 (two years ago) link

The local multiplex has had limited screenings of the Comeback Special--last Thursday, the anniversary of Elvis's death, and again today. (That's it.) Saw it tonight in a theatre that was almost full.

My favorite songs were the three Sun recordings, and the Jimmy Reed and Lloyd Price covers. The hits medley reminded me again that my appreciation of a lot of Elvis's music is arm's-length. The "Guitar Man" set-piece, which was like some bizarre synthesis of The Band Wagon and Laugh-In, went on forever. I liked Elvis's throwaway mockery of "MacArthur Park," and the Steve Binder/Priscilla making-of interview beforehand was really good.

My favourite moment of all was non-musical: when Elvis got very quiet and said he wanted to say a little about music. ("Very little.") He came right up to the edge, then backed off into generalities--if felt like he wanted to say a lot more than he actually did. Maybe he wanted to apologize for the movie phase of his career, or confess that he was completely baffled by what was going on around him. He said he liked the Beatles, but I don't know how convincing he was ("The Beatles, the Beards..."--that was great.) It was a great, vulnerable moment, and he got to pay tribute to the importance of gospel in his life, but I do think he left some things unsaid.

clemenza, Tuesday, 21 August 2018 01:21 (two years ago) link

ARGHHH i forgot to go & i missed it ;_;

Squeaky Fromage (VegemiteGrrl), Tuesday, 21 August 2018 01:23 (two years ago) link

I don't know why they limited this to two days. I was in Oakville, 25 miles outside of Toronto, and the theatre was almost sold out. I'm sure they would have done well with a week-long run.

clemenza, Tuesday, 21 August 2018 01:27 (two years ago) link

That Beatles Beards quote is all time.

The Vermilion Sand Reckoner (James Redd and the Blecchs), Tuesday, 21 August 2018 01:28 (two years ago) link

Here are the full results, finally.

droit au butt (Euler), Thursday, 30 August 2018 14:15 (two years ago) link

Thanks! I feel like maybe one of my tail end votes went missing but don’t want nitpick.

Really enjoying the 136-ranked gospel tune, “I, John,” which keeps appearing in my Release Radar playlist, although it may be a “sweetened” version with a new backing track and vocals.

The Great Atomic Power Ballad (James Redd and the Blecchs), Friday, 31 August 2018 03:23 (two years ago) link

holy cow

Squeaky Fromage (VegemiteGrrl), Sunday, 2 September 2018 21:30 (two years ago) link

one year passes...

Any Day Now was my #1. For me it's the pinnacle of the American Studios sessions. The band came up with an unbeatable arrangement (I love Reggie Young's descending intro lick), and Elvis's vocal is impeccable. BTW, Ronnie Milsap was working out of Memphis at the time, appearing nightly at a club called TJs, and Elvis went to see him several times. Milsap recorded over a dozen sides at American and was also a background singer on the Elvis sessions. He did a fine version of the song but doesn't communicate anguish like Elvis does.

― Ρεμπετολογια, Monday, July 30, 2018 2:10 PM


RIP, Ρεμπετολογια.

Spocks on the Run (James Redd and the Blecchs), Sunday, 24 May 2020 13:32 (nine months ago) link

Did Ρεμπετολογια die? otherwise I am confused:(

Joey Corona (Euler), Sunday, 24 May 2020 14:53 (nine months ago) link

Yes, sorry. Rolling Obituary Thread: 2020

Spocks on the Run (James Redd and the Blecchs), Sunday, 24 May 2020 14:58 (nine months ago) link

oh wow. I don't normally look at that thread. RIP indeed

Joey Corona (Euler), Sunday, 24 May 2020 15:00 (nine months ago) link

one month passes...

Bunch of these showing up in one of my Made For You algorithmic playlists. I must have been revisiting last summer.

Two Spocks Clash (James Redd and the Blecchs), Friday, 3 July 2020 18:41 (eight months ago) link

Unless the algorithm mixes various summers together and is reaching back to years past.

Two Spocks Clash (James Redd and the Blecchs), Friday, 3 July 2020 18:47 (eight months ago) link

this poll only getting 19 ballots taught me a good lesson about the alleged breadth of ILM listeners. it's nevertheless a good music message board, but in essence a pavement fan club. RIP

Joey Corona (Euler), Saturday, 4 July 2020 13:42 (eight months ago) link

Yup. Same for this POLL: Wishin' and Votin' - the BURT BACHARACH SONGBOOK Poll Results, speaking of Ρεμπετολογια's #1, "Any Day Now."

Two Spocks Clash (James Redd and the Blecchs), Saturday, 4 July 2020 14:10 (eight months ago) link

yeah, that one too.

I listened to Lonnie Mack's "Memphis" earlier today, speaking of something we talked about on this thread.

Joey Corona (Euler), Saturday, 4 July 2020 14:22 (eight months ago) link

one month passes...

listening to the s/t debut and thinking about scotty moore's 25 watt echosonic, which is discussed in detail here with lots of interesting photos:

http://www.scottymoore.net/echosonic.html

budo jeru, Tuesday, 4 August 2020 16:42 (seven months ago) link

this poll only getting 19 ballots

still regret not finding the time to do a ballot :/

budo jeru, Tuesday, 4 August 2020 16:43 (seven months ago) link

here too

singular wolf erotica producer (Hadrian VIII), Tuesday, 4 August 2020 17:02 (seven months ago) link

two months pass...

here too

here three

birdistheword, Sunday, 11 October 2020 05:59 (four months ago) link

i’d love to do this rollout again & comment some more on the tracks - i really enjoyed this poll & still love nothing more than talking about the King

terminators of endearment (VegemiteGrrl), Sunday, 11 October 2020 06:19 (four months ago) link

one month passes...

i’d love to do this rollout again & comment some more on the tracks - i really enjoyed this poll & still love nothing more than talking about the King

― terminators of endearment (VegemiteGrrl), Sunday, October 11, 2020 7:19 AM (one month ago) bookmarkflaglink

I'm up for this

lefal junglist platton (wtev), Tuesday, 8 December 2020 21:39 (two months ago) link

two months pass...

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